The 26th European Film Awards ceremony just concluded tonight in Berlin. Last year, on its road to a Best Foreign Language Film Oscar win and a Best Picture nomination, Michael Haneke’s Amour won four prizes including Best European Film. This year, Italy’s Oscar entry The Great Beauty was the big winner with nods for film, director, lead actor, and a previously announced prize for editing. Paolo Sorrentino’s love letter to Rome, as seen through the eyes of a 65-year-old man, was a Cannes competitor earlier this year. Sorrentino was not on hand at the ceremony. The movie had four nominations tonight, losing out only in the screenwriting category where the prize went to France’s François Ozon for In The House. The most-nominated film this evening was Felix van Groeningen’s Berlin and Tribeca prize-winner, The Broken Circle Breakdown. Out of five nominations, the Oscar entry from Belgium walked away with one, for actress Veerle Baetens. Other major winners announced tonight included Ari Folman’s best animated feature The Congress. In what was an overriding theme of the night – collaboration between film industries – the Israeli director pointed out that nine different nations and 270 animators had contributed to the movie.
Opening the show, German comedy star and host of the evening, Anke Engelke, joked it was the first time Michael Haneke “won’t go home with 26 prizes.” … Read More »
The European Film Academy has unveiled the nominees for the 26th European Film Awards. Felix van Groeningen’s Berlin and Tribeca prize-winner, The Broken Circle Breakdown, leads the pack with five nods in each of the top categories. The film is also Belgium’s entry for the Foreign Language Oscar. Paolo Sorrentino’s Cannes competitor, and Italy’s Oscar entry, The Great Beauty, has four nominations. Another film from Italy, Giuseppe Tornatore’s English-language The Best Offer starring Geoffrey Rush, also fared well with the Academy, taking three nominations. Three other films garnered three nods: François Ozon’s In The House; Jan Ole Gerster’s Oh Boy!, which won six Lolas in Germany earlier this year; and Joe Wright’s Anna Karenina. The latter film bagged acting nods for Jude Law and Keira Knightley. Blue Is The Warmest Color was mentioned twice, for Best European Film and Best European Director; although there were no citations for the film’s lead actresses. Naomi Watts also is a nominee for The Impossible. The winners will be announced in Berlin on December 7th. Following is a full list of the nominees: Read More »
European Film Academy To Honor Comedy
Amour was the big winner at last year’s European Film Awards, and that was no joke. But the European Academy will add a bit of humor to the proceedings in 2013 with a new prize for European Comedy. The award is designed to “pay tribute to a genre which has proven that it is able to unite and entertain audiences across Europe and beyond,” the EFA said. Some of the top-grossing films and crowd-pleasers that have crossed European borders of the past few years have been local comedies including Intouchables and Welcome To The Sticks. A special committee will select three nominees from across Europe and the winner will be voted for by the full membership. The EFA also said today that it is relaunching prizes for European Sound Designer and European Costume Designer. The 26th European Film Awards will take place in Berlin on December 7.
Cut-Uncut Festival To Screen Censored Bollywood Films
A new film festival in New Delhi will celebrate scenes from Bollywood movies that have been deemed too racy for Indian viewers. According to AFP, the Cut-Uncut Festival is an attempt by the ministry of information and broadcasting to bolster a new, more open-minded approach to cinema. Until recently, long kissing scenes, nudity and scenes of rebellion against the government could all be censored, an official told the news agency. “We want to be more liberal, stop enforcing the old rules and instead recognize artistic endeavor,” the person said. The festival runs from April 25-30 and kicks off with a screening of the classic Karma starring Himanshu Rai and Devika Rani, whose onscreen kiss – the first in a Bollywood film – was cut in 1933. Documentary The Final Solution, about Hindu-Muslim religious rioting, will also be shown after it was previously banned. Bollywood is celebrating its 100th anniversary this year with India the country of honor at May’s Cannes Film Festival. Read More »
The 25th European Film Awards were held this evening in Malta with Michael Haneke’s Amour taking the best picture, director, actor and actress honors. Going in, the Cannes Palme d’Or winner led the nominations with six nods. The categories it did not win were screenwriting, which went to Tobias Lindholm and Thomas Vinterberg for The Hunt, and cinematography which was scooped by Sean Bobbitt for Shame. Helen Mirren and Bernardo Bertolucci were also on hand to receive the European Achievement in World Cinema and the Lifetime Achievement awards, respectively. Apart from the prizes, the lively ceremony included a marriage proposal, a liberal use of the f-word and a video comparing Hollywood movies to junk food. The EFAs are the European equivalent of the Oscar, “Or, as they call them in America, ‘The What?’,” host Anke Engelke quipped. The awards are handed out by the European Film Academy and honor only films hailing from Europe. Below is a full list of winners:
Amour, dir Michael Haneke (Austria/France/Germany)
Michael Haneke for Amour
Emmanuelle Riva in Amour
Jean-Louis Trintignant in Amour
Tobias Lindholm & Thomas Vinterberg for The Hunt
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The European Film Awards just wrapped in Berlin where Lars von Trier’s Melancholia was honored with the top prize. However, it was Susanne Bier who took the best director honors for her Oscar-winning In A Better World. Cannes-watchers may recall that during von Trier’s press conference at the festival last May, the Danish bad-boy not so kindly singled out his compatriot during the now-infamous rant that made him persona non grata on the Riviera. “For a long time I was a Jew and I was happy to be a Jew, then I met Susanne Bier and I wasn’t so happy,” von Trier said back then. “But then I found out I was actually a Nazi. My family was German. That also gave me pleasure. What can I say? I understand Hitler. I sympathize with him a bit.”
Melancholia tonight also took prizes for cinematography and production design. Other winners include Tilda Swinton, best actress for We Need To Talk About Kevin, Oscar winner Colin Firth, best actor for The King’s Speech, the Dardenne brothers for writing The Kid With A Bike, Wim Wenders’ Pina for best documentary and Ludovic Bource for his score of Oscar hopeful The Artist. A full list of winners can be found here.
The European Film Academy unveiled its nominations this morning for the European Film Awards. Winners will be announced during a December 3 ceremony in Berlin. Here are the noms:
EUROPEAN FILM 2011
THE ARTIST, France
WRITTEN & DIRECTED BY: Michel Hazanavicius
PRODUCED BY: Thomas Langmann & Emmanuel Montamat
LE GAMIN AU VELO (The Kid with a Bike), Belgium/France/Italy
WRITTEN & DIRECTED BY: Jean-Pierre & Luc Dardenne
PRODUCED BY: Jean-Pierre & Luc Dardenne, Denis Freyd & Andrea Occhipinti
HÆVNEN (In a Better World), Denmark
DIRECTED BY: Susanne Bier
WRITTEN BY: Anders Thomas Jensen
PRODUCED BY: Sisse Graum Jørgensen
THE KING’S SPEECH, UK
DIRECTED BY: Tom Hooper
WRITTEN BY: David Seidler
PRODUCED BY: Iain Canning, Emile Sherman, Gareth Unwin
LE HAVRE, Finland/France/Germany
WRITTEN & DIRECTED BY: Aki Kaurismäki
PRODUCED BY: Aki Kaurismäki & Karl Baumgartner
WRITTEN & DIRECTED BY: Lars von Trier
PRODUCED BY: Meta Louise Foldager & Louise Vesth
EUROPEAN DIRECTOR 2011
Susanne Bier for HÆVNEN (In a Better World)
Jean-Pierre & Luc Dardenne for LE GAMIN AU VELO (The Kid with a Bike)
Aki Kaurismäki for LE HAVRE
Béla Tarr for A TORINOI LO (The Turin Horse)
Lars von Trier for MELANCHOLIA
EUROPEAN ACTRESS 2011:
Kirsten Dunst in MELANCHOLIA
Cécile de France in LE GAMIN AU VELO (The Kid with a Bike)
Charlotte Gainsbourg in MELANCHOLIA
Nadezhda Markina in ELENA
Tilda Swinton in WE NEED TO TALK ABOUT KEVIN
EUROPEAN ACTOR 2011:
Jean Dujardin in THE ARTIST
Colin Firth in THE KING’S SPEECH
Mikael Persbrandt in HÆVNEN (In a Better World)
Michel Piccoli in HABEMUS PAPAM
André Wilms in LE HAVRE
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The Ghost Writer has won 6 European Film Academy awards, the European equivalent of the Oscars, this evening in Tallinn, Estonia. Polanski’s thriller won Best European Film, while Polanski picked up Best Director and shared the screenwriting award with co-author Robert Harris. Ewan McGregor won Best Actor, while production design and music were also honored. In an interview this weekend, Harris said the Swiss authorities were so understanding about Polanski’s need to finish editing The Ghost Writer, they moved editing equipment into the prison where he was being held while facing deportation back to the U.S last year. More than 2,300 academy members voted.
EUROPEAN FILM 2010
THE GHOST WRITER, France/Germany/UK
directed by Roman Polanski
written by Robert Harris & Roman Polanski produced by Robert Benmussa, Alain Sarde & Roman Polanski
EUROPEAN DIRECTOR 2010
Roman Polanski for THE GHOST WRITER
EUROPEAN ACTRESS 2010
Sylvie Testud in LOURDES
EUROPEAN ACTOR 2010
Ewan McGregor in THE GHOST WRITER
EUROPEAN SCREENWRITER 2010
Robert Harris & Roman Polanski for THE GHOST WRITER
CARLO DI PALMA EUROPEAN CINEMATOGRAPHER AWARD 2010 Giora Bejach for LEBANON
EUROPEAN EDITOR 2010
Luc Barnier & Marion Monnier for CARLOS
EUROPEAN PRODUCTION DESIGNER 2010
Albrecht Konrad for THE GHOST WRITER
EUROPEAN COMPOSER 2010
Alexandre Desplat for THE GHOST WRITER
EUROPEAN DISCOVERY 2010- Prix FIPRESCI
written & directed by Samuel Maoz
produced by Moshe Edery, Leon Edery, David Silber, Uri Sabag, Einat Bickel, Benjamina Mirnik & Illan Girard
EUROPEAN FILM ACADEMY DOCUMENTARY – Prix ARTE 2010 NOSTALGIA DE LA LUZ (Nostalgia for the Light), France/Germany/Chile Directed by Patricio Guzmán
EUROPEAN FILM ACADEMY ANIMATED FEATURE FILM
… Read More »
Deadline’s International Editor Nancy Tartaglione talks in this week’s podcast with host David Bloom about winnin’ time on the Continent, as the prizes are handed out in the British Independent Film Awards and the European Film Awards, including wins for Oscar contenders The Act Of Killing, The Great Beauty, Pussy Riot: A Punk Prayer, The Broken Circle Breakdown and Metro Manila.
Separately, David and Nancy take a look at just-unveiled British tax credits that should be a boon to film projects of all budget sizes and also may entice more overseas visual effects work to the country’s post-production houses. They also applaud the innovative new interactive trailer the BBC has trotted out to tout the imminent return to air of Sherlock, with Benedict Cumberbatch and Martin Freeman, two years after its last episode aired.
Global Showbiz Watch episode 18 (.MP3 version)
Global Showbiz Watch episode 18 (.M4A version) Read More »
UPDATE: TUESDAY PM: Welcome to Deadline’s first dedicated international box office round-up, with me as your host. After last night’s snapshot (below), here’s a look at the past weekend and an overview of what’s going on at the turnstiles in various overseas territories. Feedback, as always, is appreciated:
Internationally, this weekend was down on the comparable frame last year when films like Skyfall, Rise Of The Guardians and The Twilight Saga: Breaking Dawn Part 2 were in the mix. The top 10 titles this weekend saw a drop to about $118M from the Thanksgiving period that scored abroad with $182.7M, according to industry data. The actual holiday isn’t a factor overseas, but it does bring big movies to market. Overall, some European territories are off – to varying degrees – versus the first 11 months of 2012, while Latin America and Asia remain hot spots. This weekend’s big pictures overseas continued to be Lionsgate’s The Hunger Games: Catching Fire which added $42.9M for a $340.6M cume and Disney’s animated Frozen which added an estimated $30.6M for an international total of $55.9M.
The place that’s highest on execs’ minds is China where “we’re all looking forward to a boom,” one tells me. Catching Fire and Warner Bros’ Gravity are still playing on the Mainland with respective cumes of $26.8M and $63.7M. But both films will taper off as the local industry ramps up a series of homegrown movies for the remainder of December. With quotas filled for 2013, Hollywood will wait until 2014 for the next debut which will be Universal’s Despicable Me 2 on January 10th. As the Chinese box office rolls along on its way to a potential $3.5B tally for 2013, the current top film is local 2D action-road trip pic No Man’s Land. Co-produced by DMG, it opened at No. 1 on December 3rd and won the week with $23.7M through Monday. It came just ahead of another local hit, The Four 2. The rest of the year will see a big push for local films as the territory continues an aim to up its local market share, which is currently at 55%.
Elsewhere in Asia, romantic comedy About Time had a strong No. 1 opening in Korea this weekend with $4M at 289 dates and 28% of the market. Director Richard Curtis has said this would be the last film he helms. It comes squarely 10 years after the movie he’s perhaps most associated with directing, Love Actually. About Time’s opening in Korea is double what that film did there. The low-budget time travel romcom with Rachel McAdams, Domnhall Gleeson and Bill Nighy has had pretty significant legs for Universal. It was first released in the UK in September and now has a cume of $48.3M. Summit’s Escape Plan – the actioner that teams Sylvester Stallone and Arnold Schwarzenegger – has now muscled its way into 41 international markets, adding Korea this weekend for $925K and a No. 5 slot on 287 screens. Its international total is now $95.9M out of a worldwide gross of $120.5M. This was a slow weekend for local films in Korea despite the territory’s overall strength. Its box office growth in the first 11 months of the year is understood to be at about 7.6% and I’m told the homegrown market share could top out at 60%. Read More »
It was predictable that Inside Llewyn Davis would rule over the Specialty Box Office this weekend, but the question mark was how big the numbers would be for the CBS Films release. Directed by Joel and Ethan Coen and starring Oscar Isaac, folk music drama grossed a spectacular $402K in four theaters, giving the feature a knock out $100,500 per screen average. Woody Allen’s Blue Jasmine opened slightly higher earlier this year with a $102,011 PSA, but the weekend’s numbers far outpace the Coens’ previous non-studio release A Serious Man, which had a $41,890 PSA from 6 theaters when it opened in October, 2009. CBS Films reported that the Cannes Grand Prix winner bowed Friday with a $123,340 gross, jumping 29% on Saturday to $159,324. It is estimating a 25% drop for Sunday to $119,336.
Related: BOX OFFICE: ‘Frozen’ Catches Heat And Fire To Lead The Weekend
Noted CBS Films Sunday morning touting Llewyn Davis‘ numbers: “Looking at the past decade (and excluding the El Capitan live show premium) this puts Inside Llewyn Davis in the #7 slot for PSA on opening weekend. Above There Will Be Blood in two locations ($95,370 PSA) and Midnight In Paris in six locations ($99,834 PSA).” Inside Llewyn Davis will expand December 20 but will remain in limited runs before going nationwide in January.
“As excited as we were to get the film back in February and with the reviews and award at Cannes,” said Steven Friedlander, EVP, Theatrical Distribution at CBS Films Sunday. “There’s nothing that beats theater managers telling us about repeat sell out shows. We’re thrilled with the early word of mouth and look forward to weeks of fans finding themselves lost in funny, beautiful and completely unique world of the Coens.” Read More »
Listen to (and share) episode 14 of Deadline’s audio podcast Global Showbiz Watch With Nancy Tartaglione. Deadline’s international editor talks with host David Bloom about awards season in Europe, with nominations out from both the British Independent Film Awards and the European Film Awards; Doctor Who’s big day becomes a big week at the BBC; and Sweden’s new ratings system to measure sexism on film. Nancy and David also talk about the European perspective on a new study looking at portrayals of violence becoming more common in PG-13 films than in R-rated ones.
Global Showbiz Watch, Episode 14 (MP3 format)
Global Showbiz Watch, Episode 14 (M4a format) Read More »
European Film Academy Unveils European Documentary Nominees
The Act Of Killing, Stop-Over and The Missing Picture are the European Film Academy‘s nominees for Best European Documentary. The Act of Killing is a Denmark-Norway co-production from director Joshua Oppenheimer about Indonesian death squad veterans re-enacting their deeds musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Stop-Over (L’Escale) is a Switzerland-France co-prod from Kaveh Bakhtiari that centers on Amir, an Iranian immigrant in Athens whose modest becomes a place of transit for migrants who, like him, have chosen to leave their country. In the France-Cambodia pic The Missing Picture (L’Image Manquante), which won the Un Certain Regard Prize at Cannes, writer-director Rithy Panh addresses his family’s horrifying experiences during the Pol Pot regime’s reign over Cambodia from 1975-79. The winner will be announced during the European Film Awards on December 7 in Berlin. Read More »
Matthew Lewis Joins ‘Bluestone 42′; ‘Peaky Blinders’ Renewed
Matthew Lewis, best known for playing Neville Longbottom in the Harry Potter movies, has joined the cast of Bluestone 42, the BBC Three comedy/drama about a fictional bomb-disposal detachment in Afghanistan. Lewis will play an ammunition technician from Leeds with a penchant for danger. The second season of Bluestone 42 starts filming later this month and returns to BBC Three with a Christmas special, followed by a six-part series in early 2014. In other BBC News, BBC One has ordered a second season of Atlantis, the fantasy adventure series that has been the biggest new Saturday night drama series launch across all channels since 2006. The 13-part series is co-produced by BBC America and is set in the mythical city of Atlantis where it re-imagines Greek myths and legends for a new generation. It was created by Merlin writer Howard Overman. Also, BBC Two has recommissioned Cillian Murphy starrer Peaky Blinders. The period gangster drama hails from Caryn Mandabach Productions and Tiger Aspect Productions. It has had an average 2.4M viewers across Season 1 and will return in 2014 with six new episodes. Peaky Blinders is created by Steven Knight and also stars Sam Neill and Helen McCrory.
‘Britain & Ireland’s Next Top Model’ Off The Sky Living Runway
The CW last week officially said it had ordered a 21st cycle of America’s Next Top Model. But the British version of the competition series will not be returning to Sky Living in the UK. Britain & Ireland’s Next Top Model concluded its ninth cycle earlier this year. Sky said today: “After nearly a decade on air, BINTM won’t be returning to Sky Living next year. We’d like to take this opportunity to thank all of the talent who have been involved in the series, with particular thanks to Thumbs Up Productions, exec producer and host Elle Macpherson and this final season’s judges Dannii Minogue and Tyson Beckford.” Sky Living is not without a model competition show, however. It’s airing the British version of The Face, co-produced by Princess Productions and Shine TV. Read More »
EFA Unveils FIPRESCI Nominees For Best First Feature
The European Film Academy has unveiled nominees for the European Discovery 2013 FIPRESCI Prize. The award is presented annually as part of the European Film Awards to a young and upcoming director for a first full-length feature film. This year’s nominees are Sweden’s Eat Sleep Die by Gabriela Pichler, Mikael Marcimai’s Sweden/Norway/Ireland/Finland co-production Call Girl, Italian actress-turned-director Valeria Golino’s Cannes Un Certain Regard title Miele, Germany’s Oh Boy from Jan Ole Gerster, and Spain’s The Plague by Neus Ballús. The nominated films soon will be submitted to the 2,900 EFA Members to select the winner. The prize will be awarded December 7 at the European Film Awards Ceremony in Berlin. Read More »
Pedro Almodóvar Set For Career Honor From European Film Academy
Pedro Almodóvar will receive the European Achievement in World Cinema award at the 26th European Film Awards in December. The European Film Academy is feting the filmmaker for his body of work, including Women on the Verge of a Nervous Breakdown – his 1988 breakout film – All About My Mother, Talk To Her and this year’s I’m So Excited. “I am very thankful for this award,” Almodóvar said in a statement. “From its creation, the European Film Academy has been very generous with me and my closest collaborators. I share with them the joy of this award.” He will receive the award December 7 at the the EFA Awards in Berlin.
Senator Film To Finance Bille August’s ‘Beware Of Pity’
Germany’s Senator Film is backing the latest feature adaptation of Stefan Zweig’s Beware Of Pity. Danish helmer Bille August will direct. August is reteaming with his Night Train To Lisbon and Goodbye Bafana screenwriter Greg Latter, who is penning the transfer. This will be the second feature based on prolific Austrian author Zweig’s Beware Of Pity. The first was in 1946, starring German actress Lilli Palmer. Published in 1938, the book tells the story of a young lieutenant who takes pity on a paralyzed girl. He cares for her and she falls in love, but he doesn’t share her strong feelings. When she learns the truth, she makes a fateful decision. There is no cast yet, but international talent is expected to join the English-language project. Shooting starts in 2014 in Bavaria, Austria and Hungary. The film will open in Germany in 2015 through Senator. Lars Sylvest and Helge Sasse are producers. French director Patrice Leconte recently adapted Zweig’s A Promise as his first English-language film. That project drew Rebecca Hall, Alan Rickman and Richard Madden. Read More »
The Locarno Film Festival drew to a close Saturday night in Switzerland with the top Pardo d’Oro prize going to Story Of My Death. The Spanish film is directed by Albert Serra and imagines the last days of Giacomo Casanova. American actress Brie Larson took the Best Actress prize for Short Term 12, Destin Cretton’s drama about a woman working at a foster care facility. The film also received a special mention. The jury prize went to Joaquim Pinto’s E Agora? Lembra-Me. Best Director was South Korea’s Hong Sang-soo for Our Suhni and Best Actor was Fernando Bacilio for Daniel and Diego Vega’s El Mudo. A complete list of winners follows: Read More »
Considered by many a foregone conclusion coming into tonight, the Academy showed its love for Michael Haneke’s Amour with the Best Foreign Language Film Oscar. The film was nominated in five categories total, including the rare double bill of a Best Picture and a Best Foreign Language nod (only the fifth film in history to achieve such a feat). Lead actress Emmanuelle Riva, who turned 86 today, was the oldest woman ever to be nominated in the category and would have made further history had she won tonight. Earlier this season, she won the César, the BAFTA and several critics group prizes.
Amour‘s heartrending love story about an aging couple had already won scores of awards before this evening, beginning with the Cannes Palme d’Or when it debuted on the Riviera last May — supporting Haneke in the audience tonight and seated next to Amour producer Margaret Ménégoz was Cannes Film Festival honcho Thierry Frémaux. (Had Amour won Best Picture, it would have been the first film to earn that honor and Cannes’ top prize since 1955′s Marty.) After Cannes, the pic went on to take Best Picture honors from the National Society of Film Critics, the Los Angeles Film Critics, the European Film Awards and France’s Césars plus Foreign Language props from the Broadcast Film Critics, the New York Film Critics, the National Board of Review, the Golden Globes, the BAFTAs and the Indie Spirits, among many others. Read More »
As the industry kicks into full awards mode, with one guild after another handing out trophies to whomever they consider the year’s best in any given field, it’s become increasingly clear this is a year like we have not seen in a while. Certainly every season we go through this ritual of watching the crème de la crème of the industry line up to get awards, but rarely have we seen as dense a field of top contenders, and especially deserving ones, as we have this year. The common denominator among most, if not all, of the contenders in Oscar’s 24 categories is how difficult it was in the first place to get any of these films made in a sequel-happy, franchise-loving, play-it-safe motion picture industry.
RELATED: OSCARS: Best Picture Contenders Part 1
For example, Steven Spielberg began talking about Lincoln with Doris Kearns Goodwin before she started writing the book and struggled for well over a decade to bring it to the screen, getting turned down by three studios in the process. And first-time feature filmmaker Benh Zeitlin went against all industry norms to make the unique and hard-to-define Beasts Of The Southern Wild come to life. But no matter who the filmmaker is, the most often-heard mantra is stick to your core beliefs and vision and somehow an Oscar-worthy film can be willed into being. Even James Bond ran into trouble when MGM went bankrupt and a normal 2½-year process turned into twice that for Skyfall, which went on to win five Oscar nominations. It also got recognition as one of the year’s best pictures from the Producers Guild, as well it should, considering what its veteran producers went through to just to make it. Read More »
The second in a three-part series in which AwardsLine breaks down all nine of the best picture contenders.
Silver Linings Playbook
What the Academy says: 8 nominations (Picture: Donna Gigliotti, Bruce Cohen, Jonathan Gordon; Directing: David O. Russell; Lead Actor: Bradley Cooper; Lead Actress: Jennifer Lawrence; Supporting Actor: Robert De Niro; Supporting Actress: Jacki Weaver; Film Editing: Jay Cassidy, Crispin Struthers; Adapted Screenplay: David O. Russell)
What the public says: $71.4M domestic boxoffice; $19.8M international (as of Feb. 1)
What Pete Hammond says: Because it is a comedy, albeit one laced with drama, Silver Linings Playbook is at a disadvantage right out of the starting gate because comedies don’t traditionally win best picture Oscars. But this critically acclaimed story about two broken people who are trying to get their lives back together benefits from a passionate base of admirers, and that’s key Read More »