The Australian Academy of Cinema and Television Arts has set nominations for its 3rd AACTA Awards. The feature prizes, considered the local equivalent of the Oscars, aren’t as young as they seem: they’re a continuum of the Australian Film Institute Awards which were established in 1958. Baz Luhrmann’s Oz-filmed The Great Gatsby scooped 14 nods followed by Kim Mourdant’s foreign language Oscar entry The Rocket with 12. The AACTAs also honor TV and gave 10 nominations to Jane Campion’s New Zealand-set BBC mini Top Of The Lake. Along with Gatsby and The Rocket, the nominees for Best Feature include Tony Krawitz’s drama Dead Europe; Ivan Sen’s thriller Mystery Road; family pic Satellite Boy by Catriona McKenzie; and omnibus The Turning, with directorial efforts by the likes of Mia Wasikowska and Justin Kurzel. Rose Byrne is nominated for lead actress in that pic, along with Carey Mulligan in The Great Gatsby; Tasma Walton in Mystery Road; and Naomi Watts in Adoration. Leonardo DiCaprio is nominated as Best Actor for Gatsby; Tribeca winner Sitthiphon Disamoe has a nod for The Rocket; Ewen Leslie is nominated for Dead Europe; and Hugo Weaving picked up a mention for The Turning. That film’s ensemble of helmers has a Best Director nomination along with Luhrmann, Mourdant and Sen. The AACTAs will be handed out over two events on January 28th and 30th. Following is a full list of nominees:
EXCLUSIVE: Now, this is a coup. WME has just signed actress Carey Mulligan, who’s about as hot a gal as there is in town. She’s coming off Baz Luhrmann’s The Great Gatsby, the Steve McQueen-directed Shame and the stylish Nicolas Winding Refn-directed Drive. Mulligan has a pair of pictures at Cannes; besides the curtain raiser Gatsby, she also starred in the Joel and Ethan Coen-directed Inside Llewyn Davis, which won the Grand Prix at the festival and will be released by CBS Films December 6. Mulligan had been repped by CAA, and she was signed by Warren Zavala, who had been at CAA but moved to WME last year with his whole client list. She has been rumored to be in contention to play Hillary Clinton in the James Ponsoldt-directed Rodham, but I’m told that’s far from a sure thing at this point. Mulligan will next begin production on Far from the Madding Crowd starring opposite Mathias Schoenaerts and directed by Thomas Vinterberg. She continues to be repped in the UK by Julian Belfrage & Associates and at Ziffren Brittenham.
Helped by a full-frills Cannes film festival gala event, The Great Gatsby opened in 27 markets on Thursday including United Kingdom, Germany, Italy, Russia and Korea. Together with the 2nd day figures for the French-speaking markets, the tally was $5.4M, putting it on track to become the biggest opening for a Baz Luhrmann film. Spain and several other markets are set to open today. Going into Friday, The Great Gatsby has grossed $66.7M domestic since opening a week ago as Luhrmann’s biggest here.
OK, here’s some box office hilarity for you. Even if it’s only for one night, an adaptation of a 90-year-old novel toppled fanboy favorite Iron Man 3 as the #1 film in America Wednesday. Baz Lurhmann’s The Great Gatsby starring Leonardo DiCaprio became the top-grossing film in North America with $3.9M from 3,535 theaters vs Iron Man 3‘s $3.85M from 4,253 theaters, according to Warner Bros which co-financed with Village Roadshow and is distributing worldwide. Gatsby‘s 6-day cume is now $63.3M. “It’s a stunning box office upset for the ages,” one exec gushed to me this morning. On the other hand, Disney/Marvel’s Iron Man 3 opened two weeks earlier in the U.S. and three weeks earlier overseas and should pass $1 billion in worldwide gross today and $300 million in North America. And let’s not forget that IM3 lost tickets to the opening of Star Trek Into Darkness last night. Its cumulative performance to date is international $691.9M and domestic $298.6M for a global total of $990.5M. Iron Man 3 is now the 2nd highest grossing superhero movie of all time overseas behind Marvel’s The Avengers and currently stands as the #11 highest grossing film of all time in the international marketplace. By country: China $102.4M, Korea $55.6M, UK $49.7M, Mexico $43.6M, Russia $40.2M, Brazil $39.0M, France $36.4M, Australia $33.7M, Japan $21.4M, Italy $19.8M, Taiwan $18.4M, Germany $18.4M, Indonesia $14.6M, Philippines $14.3M, Hong Kong $13.1M, other markets $171.4M.
SATURDAY PM/SUNDAY AM, 4TH UPDATE: There’s more good news at the box office for the start of Summer 2013. Domestic grosses for Warner Bros‘ The Great Gatsby (3,035 theaters) just keep going strong. Big online seller Fandango tells me this female-driven film is heading into Mother’s Day and ticket sales show no signs of flagging across the country from city to heartland. Despite audiences giving it a ‘B’ CinemaScore. In addition to moviegoers showing up dressed in 1930s period costumes, exhibitors are reporting some audiences spontaneously bursting into applause when Leonardo first appears on screen. (When’s the last time that happened?) That’s prompted some Hollywood execs to speculate this is the original Titanic crowd. Warner Bros hopes the Baz Luhrmann-directed, DiCaprio starrer ”perfectly counter-programs” all the May action movies. My sources’ latest estimates for the 3D tentpole are $19.4M for Thursday/Friday, and -6% for $18M Saturday. Hollywood is expecting an overperforming $52M first weekend for the romantic drama co-financed by Village Roadshow and based on F. Scott Fitzgerald’s 1925 classic novel. The #1 film is still Disney/Marvel’s Iron Man 3 (which has the biggest theater count at 4,253) with $19.7M Friday (-72% from last Friday’s huge opening) and a huge $33M Saturday for $75M this weekend. (Last year The Avengers made an incredible $103M in its second weekend…) Before Friday, IM3 grossed $794M — international cume $581.6M and domestic $212.4M. Now the North American cume should be $287.4M through Sunday. Yowza! The only other major newcomer is Lionsgate’s Peeples (2,031 theaters), a ‘Tyler Perry Presents’ comedy not written or directed by him but by Tina Gordon Chism. It received a ‘B-’ CinemaScore and weak grosses even for a tiny budget of $15M: $1.1M Friday and $1.8M Saturday for a $4.2M weekend.
Gatsby‘s success might all seem surprising considering the film’s uneven reviews. Then again these critics — the vast majority white middle-aged men — are complaining about Luhrmann’s supposed “sacrilege” in adding hip-hop to Gatsby which of course is set in the decade dubbed “The Jazz Age”. Way to make themselves look old and out of touch. (Are these the same purists who piled on when Bob Dylan went electric? I found the music a fresh touch.) While Leo’s and Tobey Maguire’s performances are praised, Carey Mulligan’s is not. Then again there were misgivings in the media from the day the extravagant Baz project was first announced – the 4th attempt to film the novel after Warner Baxter starred in 1926, Alan Ladd in 1949, and Robert Redford in 1974. But tracking told a different story: it was strong from the day Lurhmann’s version co-scripted with Craig Pearce came on — especially heavy with females but also registering decently with men. The Great Gatsby kept improving its numbers as the full frills and very effective marketing campaign took hold. Even without P&A, the movie’s cost reportedly ballooned up to $200M. But Warner Bros claims that figure is $160M, which was brought down to $105M because of ”tons of rebates” from Luhrmann’s Australia filming location. That was then split 50-50 between the studio and co-financier Village Roadshow. (Initially the budget was $80M when Sony passed, and then $120M when Warner Bros and Village Roadshow first came aboard.)
Baz Luhrmann‘s ambitious 3D Great Gatsby pic isn’t just raking in the dough in theaters. Its Jazz Age-meets-Jay-Z mash-up soundtrack has been climbing the charts fast after Tuesday’s release. According to SoundScan, early projections pegged first week sales at 90,000-95,000 copies but now the album’s headed toward 100K by Sunday and could notch a #2 debut on the Billboard Top 200 when official results come in next week. Luhrmann, exec producer Jay-Z, and executive music producer Anton Monsted gambled on slotting anachronistic new tracks and covers by contemporary hip-hop and pop artists into the 1920s-set F. Scott Fitzgerald tale.
F Scott Fitzgerald‘s handwritten ledger chronicling his film payments 1919-1938 is now online just weeks before the release of Baz Luhrmann’s new film adaptation of The Great Gatsby. Which, according to these meticulous records, first earned Fitzgerald $16,666 from Hollywood. Including a 10% commission he paid. Twice. This fascinating document is part of the Matthew and Arlyn Bruccoli Collection of F Scott Fitzgerald held by the Irvin Department of Rare Books and Special Collections located in the Ernest F. Hollings Special Collections Library at the University of South Carolina in Columbia, S.C. The writer meticulously tracked his earnings. Here in chronological order is what the movie industry coughed up to him before commissions were taken out. Math wizards can computate what these numbers mean in today’s dollars. But, hey, isn’t that price for a treatment what MGM is still paying?
Head And Shoulders - $2,500.00
Myra Meets His Family – $1,000.00
The Off Shore Pirate – $2,250.00
‘Option on my output’ – $3,000.
The Beautiful And Damned – $2,500.00
This Side Of Paradise – $10,000.00
The Camel’s Back – $1,000.00
Grit – $2,000.00
Titles for Glimpses Of The Moon – $500.00
The Great Gatsby – $16,666.00
‘California work’ on Lipstick - $3,500 00
‘Additional Payment’ The Great Gatsby - $3,333.00
‘Treatment’ Metro Goldwyn Mayer – $6,000
Warner Bros has released a new trailer for the Baz Luhrmann-directed The Great Gatsby, which opens May 10 and also is the curtain raiser at the Cannes Film Festival. We’ve all read and loved the F. Scott Fitzgerald novel, and damn, I hope that this movie is good and gets it right with a killer cast led by Leonardo DiCaprio, Carey Mulligan, Tobey Maguire, Isla Fisher, Joel Edgerton and Jason Clarke. When I see bragging here about 3D and music provided by Beyonce, Lana Del Ray and Florence + The Machine, I worry that Gatsby will lose its period charm by injecting too much contemporary feel. But this trailer sure looks good to me.
At 70 years old, Amitabh Bachchan has acted in more than 180 films, won scores of awards and once held the top spot on Box Office India’s highest-earning actors list for 16 consecutive years. He is also a producer and singer whose family is its own industry dynasty: His wife is Jaya Bhaduri Bachchan, who worked with legendary director Satyajit Ray, and his son is Bollywood movie star Abhishek Bachchan, who is married to Aishwarya Rai. In a nod to Bachchan’s clout at home, he recently Q&A’d Steven Spielberg for a Reliance-sponsored event during the director’s swing through Mumbai. But Bachchan had never had a role in a Hollywood production until Baz Luhrmann recruited him to play underworld businessman Meyer Wolfsheim in The Great Gatsby. Bachchan keeps a meticulous blog that he updates daily and on it he recently posted the story of how he came to be cast in the movie and offered some insight into the filming. The Great Gatsby premieres in New York on May 1 and opens the Cannes Film Festival on May 15. “At the end of all this,” Bachchan recently wrote, “I would require a year to recover from symptoms of acute delusion as to what, where and why I am.” His Gatsby blog post is excerpted on the next page:
Warner Bros will release Baz Luhrmann’s The Great Gatsby Stateside on May 10. Five days later, it will open the Cannes Film Festival in Lurhmann’s first Palais showcase since Moulin Rouge unforgettably raised the curtain on the 2001 edition. Leonardo DiCaprio, Carey Mulligan and Tobey Maguire star in the Australian director’s take on the F. Scott Fitzgerald classic. Here’s its first TV spot:
The 3D version of F. Scott Fitzgerald’s classic, which was just tapped to be the opening night film at this year’s Cannes Film Festival and which Warner Bros plans to release in the U.S. on May 10, will provide an early indication of whether the extra dimension appeals to audiences who like dramas — and not just animation, action, and fantasy fans. “We’re really excited to see what the data points are,” RealD Chief Financial and Operating Officer Drew Skarupa said today of The Great Gatsby at the Piper Jaffray Technology, Media and Telecommunications Conference. The 3D technology company is also eager to see additional films that appeal to overseas audiences. When a movie is available in 2D and 3D, about 60% of international sales go to the 3D version as opposed to 45% in the U.S. That’s a problem because “the press and the Street tend to focus on the domestic numbers.” What accounts for the difference? “We’ve seen direct correlations between the number of 3D showtimes and box office,” Skarupa says. “We’d like to see in the U.S. markets a greater percentage of 3D showtimes.”
Baz Luhrmann’s 3D adaptation of The Great Gatsby will kick off the 66th Cannes Film Festival on May 15, organizers said today. The Warner Bros drama will screen in the out-of-competition selection. The latest adaptation of the F. Scott Fitzgerald novel stars Leonardo DiCaprio, Tobey Maguire, Carey Mulligan, Joel Edgerton, Isla Fisher and Jason Clarke. It opens in the U.S. on May 10 but day-and-date with its May 15 Cannes launch in France.
This was basically a no-brainer decision. Luhrmann is a favorite of the festival, and his 2001 musical drama Moulin Rouge still remains one of the splashiest opening nights in Cannes history with an elaborate, very expensive party thrown by distributor 20th Century Fox afterward. Those who were there (I was among them) will not soon forget the extragance of it all, and certainly if any other movie might deserve the same opulent treatment it is Luhrmann’s Gatsby, which was delayed from an awards-season opening in 2012 by Warner Bros so the director could continue to refine the ambitious film. Whether the studio will spring for a kickoff like a party Jay Gatsby himself might throw remains an open question, especially since it won’t be the world premiere of the film, but nevertheless it is worth the speculation.
Exhibitors actually got their first look at the 3D drama almost a full year ago when Warners previewed footage at CinemaCon in Las Vegas as part of their 2012 slate sneak look. After it was delayed by the studio into a 2013 debut, a Cannes opening seemed inevitable, particularly with the prospect of getting big star names like DiCaprio, Maguire and Mulligan to come to the Croisette for a glamorous European premiere.
Warner Bros has put up a new trailer for Baz Luhrmann’s take on the F. Scott Fitzgerald classic The Great Gatsby. Leonardo DiCaprio plays the title character, Carey Mulligan is Daisy and the rest of the cast includes Tobey Maguire, Isla Fisher, Joel Edgerton and Jason Clarke. Luhrmann and Craig Pearce adapted the screenplay. Gatsby opens May 10th.
CAA has signed Australian actor Callan McAuliffe, who stars as the young Jay Gatsby in the Baz Luhrmann-directed The Great Gatsby out on May 10, 2013. Leonardo DiCaprio portrays the adult Gatsby in the 3D adaptation of F. Scott Fitzgerald’s 1925 novel. McAuliffe stared in 2011’s sci-fi thriller I Am Number Four and in Rob Reiner’s romcom Flipped in 2010. He appears with Anthony LaPaglia and Rachel Griffiths in Robert Connolly’s Underground, which played at this year’s Toronto Film Festival. McAuliffe will continue to be repped by Alchemy Entertainment, RGM Artist Group in Australia and attorney Patti Felker.
BREAKING…. The Great Gatsby will be released on May 10, 2013 in North America, Warner Bros announced today, with an international rollout to follow the next week. The Baz Luhrmann-directed 3D adaptation from Warners and Village Roadshow had been slated for a Christmas 2012 bow before the studio moved it off that date last month, saying it wanted a summer date to reach a larger audience. Now it will lead off the summer slate, to be followed in May by The Hangover Part 3 (May 24) and the Superman reboot Man Of Steel (June 14). Gatsby stars Leonardo DiCaprio, Tobey Maguire, Carey Mulligan, Joel Edgerton, Jason Clarke, Isla Fisher and Elizabeth Debicki.
BURBANK, CA, August 6, 2012 – Warner Bros. Pictures and Village Roadshow Pictures have moved the release date of “The Great Gatsby” to Summer 2013. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan Vandenberg, President of International Distribution, Warner Bros. Pictures.
In making the announcement, Fellman stated, “Based on what we’ve seen, Baz Luhrmann’s incredible work is all we anticipated and so much more. It truly brings Fitzgerald’s American classic to life in a completely immersive, visually stunning and exciting way. We think moviegoers of all ages are going to embrace it, and it makes sense to ensure this unique film reaches the largest audience possible.”
Warner Bros today released the first trailer for Baz Lurhmann’s take on The Great Gatsby, the adaptation of the F. Scott Fitzgerald novel that stars Leonardo DiCaprio, Carey Mulligan, Tobey Maguire and Joel Edgerton. Luhrmann’s visual style takes on an extra dimension with 3D — even if you think that was a mistake. At least the format enhances lush colors and period flair rather than CGI aliens shooting laser guns. The film comes out December 25.
This week Warner Bros released the first official stills for Baz Luhrmann’s The Great Gatsby. Now Australian news reports say an on-set injury to the filmmaker forced an early end to this year’s shooting of the pic due in theaters next Christmas. The director cracked his head on a camera crane, as detailed by co-producer Anton Monsted to the Sydney Morning Herald: ”We were on quite a cramped set and he was ducking under the crane. He struck his head on the weights on the end of the camera crane. He split open his head and we had to get the doctor.” Producers decided to stop filming and allow the cast and crew to get home for Christmas a day earlier than planned. Leonardo DiCaprio, Carey Mulligan, Tobey Maguire, et al will return for additional shots in the new year. The hot $125M budgeted pic has been shooting at Fox Studios and locations around Sydney for the past 83 days.
Warner Bros. has set The Great Gatsby to open Christmas Day 2012. Director Baz Luhrmann began filming his adaptation of F. Scott Fitzgerald’s novel last month in Australia. The 3D production stars Leonardo DiCaprio, Tobey Maguire, Joel Edgerton, Carey Mulligan, Isla Fisher, Jason Clarke and Elizabeth Debicki.