Check Out Our New Look

Movie Academy Invites 271 New Members

Movie Academy Invites 271 New MembersThe Oscar organization has unveiled its annual invitees list for 2014. Check out the release below:

LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 271 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitations will be the only additions to the Academy’s membership in 2014. “This year’s class of invitees represents some of the most talented, creative and passionate filmmakers working in our industry today,” said Academy President Cheryl Boone Isaacs. “Their contributions to film have entertained audiences around the world, and we are proud to welcome them to the Academy.”

The 2014 invitees are:

Read More »

Comments (2)

Sam Raimi Developing To Helm Jake Tapper’s Afghanistan War Tale ‘The Outpost’

By | Thursday June 26, 2014 @ 9:23am PDT
Mike Fleming

Sam Raimi Developing To Helm Jake Tapper’s Afghanistan War Tale ‘The Outpost’Paul Tamasy and Eric Johnson, Oscar-nominated writers of The Fighter, have partnered with Sam Raimi on the feature adaptation of Jake Tapper‘s bestselling book The Outpost: An Untold Story Of American Valor. Raimi will produce and supervise development of the script with an eye towards directing. Raimi will produce with Rob Tapert, and Paul Merryman will be co-producer.

raimiThe film becomes part of a growing number focusing on the bravery of American troops in Afghanistan and Iraq. The focus of The Outpost is the defense of a remote U.S. camp in Eastern Afghanistan by 53 American soldiers as it was overrun by up to 400 Taliban fighters. The intense and deadly day-long clash resulted in multiple citations including Medals of Honor to two recipients, the first time America’s highest military award has been given to two living soldiers for the same battle since 1968.

tamasySaid Raimi: “The Outpost is an epic story of bravery, courage, and sacrifice of our men in uniform, and is absolutely a picture meant for the big screen. I’m honored to be a part of it.” Tapper, who’s reported extensively on Afghanistan, is the host of CNN’s The Lead With Jake Tapper, and is chief Washington correspondent for the cable news network. Read More »

Comments (0)

Disney Taps Philip Steuer As Senior Veep Of Physical Film Production

By | Thursday June 19, 2014 @ 10:08am PDT
Mike Fleming

Disney Taps Philip Steuer As Senior Veep Of Physical Film ProductionReacting to Tony To’s move to Lucasfilm, Disney has hired Philip Steuer to be SVP Physical Production, for the studio’s live-action film group. Steuer produced Saving Mr. Banks and all three Chronicles Of Narnia films. His executive producing credits include Oz The Great And Powerful, The Rookie, and Disney’s upcoming Alexander And The Terrible, Horrible, No Good, Very Bad Day, due out in October. So he has experience in logistically challenging films, and knows the studio infrastructure. For the time being, Steuer and longtime studio executive Jerry Ketcham will co-lead physical production following To’s move to Lucasfilm. The two will report directly to President of Production Sean Bailey.

Comments (3)

UPDATE: Int’l Box Office: ‘Maleficent’ Awakens $106.1M Overseas; ‘X-Men’ Adds $95.6M; ‘Edge Of Tomorrow’ Cruises To $20.1M In Select Markets; ‘A Million Ways To Die In The West’ Holsters $10M; More

Highlights: Maleficent (DIS) takes estimated $106.1M in overseas bow; X-Men: Days Of Future Past (FOX) mutates beyond $500M worldwide; Edge Of Tomorrow (WB) has $20.1M debut; Godzilla (WB) nearing $200M; A Million Ways To Die In The West (UNI) shoots up $10M; Neighbors (UNI) crosses $200M worldwide; Frozen (DIS) skates past $200M in Japan; The Amazing Spider-Man 2 (SONY) nears $500M…

cinemaworld3rd UPDATE, MONDAY, 3:46 PM PT: The final tally is in for Maleficent and its weekend debut was better than expected in many international territories. It’s gross is now well past $100M. Specifically, the Angelina Jolie-driven film is at $106.1M in 7,427 runs. Final tally is in for Warner Bros.’ opener Edge of Tomorrow starring Tom Cruise but need to corroborate territory by territory breakdowns and will update when we’re sure of them, but otherwise, final numbers are in for Godzilla, Universal’s opener A Million Ways to Die in the West and Neighbors, Fox’s X-Men: Days of Future Past, The Other Woman and Rio2. In addition, we have Spanish Affairs and Babysitting updates all incorporated below.

2ND UPDATE, MONDAY 9:05 AM PT: While we wait on updated actuals from around the international dial, Disney has revised its numbers for Frozen‘s 12th consecutive weekend atop the Japan box office. The cume this frame was $7.5M, not $5.8M as the studio previously reported. That was 8% above last weekend and pushed Frozen even farther past the $200M mark locally with the cume now at $207.5M. With X-Men: Days Of Future Past taking the No. 2 slot in its bow — at $3.4M, the best of the franchise’s openings since 2003 — could it ultimately fall to Disney’s other female-led fairy tale to snatch away the box office crown when Maleficent opens on July 4? Frozen figures have been updated throughout the below. Read More »

Comments (12)

UPDATE: ‘Maleficent’ Conjures $20.1M In 35 Overseas Markets Ahead Of Weekend Expansion

MALEFICENT-posterUPDATE, FRIDAY 10:20 AM: After bowing in a handful of territories on Wednesday, Angelina Jolie-starrer Maleficent expanded on Thursday to a total 35 markets including Russia, Germany, Korea, Brazil and Australia. Along with the UK, France, Italy and others which got the Disney movie on Wednesday, the total two-day overseas take is $20.1M. In the UK on Wednesday, Jolie had her best-ever opening at $2.5M (with Thursday added in, the UK now stands at $4.6M). Thursday’s $2.1M Germany opening was likewise a milestone for the actress who’s been absent from live-action movies since 2010. Russia opened to $2.4M on Thursday and France was a big No. 1 among new openers with $2.1M on Wednesday. Spain and Mexico open today with some smaller territories that will make for a total of 47 through the weekend. There will be numbers galore in the next few days as international rollouts also begin on Tom Cruise-starrer Edge Of Tomorrow and Seth MacFarlane’s A Million Ways To Die In The West.

PREVIOUS, THURSDAY 10:23 AM PT: Disney’s Maleficent is off to a strong start internationally. The Angelina Jolie starrer brought in $2.5M yesterday in the UK and Ireland, which the studio says was above expectations. The twist on the Sleeping Beauty tale largely shot in the UK, at London-adjacent Pinewood Studios, and also stars Elle Fanning, Sharlto Copley, Lesley Manville, Imelda Staunton, Juno Temple and Sam Riley. The UK bow surpassed the first … Read More »

Comments (7)

Joey King Joins Lifetime’s ‘Outlaw Prophet’; Steven Cree In Starz’s ‘Outlander

By | Thursday April 10, 2014 @ 11:45am PDT

Joey King (The Conjuring, Oz The Great And Powerful) joeyking1has been cast in Lifetime’s original movie Outlaw Prophet from Sony Pictures Television. It focuses on the true story of Warren Jeffs, the leader of a Fundamentalist Mormon polygamist sect who spent more than a year on the FBI’s 10 Most Wanted List, eluded authorities and was ultimately caught by a Nevada Highway Patrol trooper. Based on Stephen Singular’s book When Men Become Gods, the movie chronicles Jeffs’ rise to power after the death of his father, Rulon Jeffs (Martin Landau). King will play Elissa Wall, the battered young woman who brings Jeffs (Tony Goldwyn) to justice. King, repped by Dan Spilo at Industry Entertainment and Meredith Fine at Coast to Coast Talent Group, will next be seen in FX’s Fargo and Zach Braff’s indie Wish I Was Here.
Read More »

Comments (0)

2013 Most Valuable Blockbuster – How The Minions Came To Rule Hollywood

Mike Fleming

Well, now that Universal‘s Despicable Me 2 has proven itself 2013′s Most Valuable Blockbuster, the film’s impresario, Illumination Entertainment founder Chris Meledandri (below), deserves to take a victory lap. More seriously, the tournament was conducted to give a clearer idea, beyond the weekend and annual box office standings, of the profits and Total Cash on Cash returns that films generate. These are the factors that keep studios in business and keep co-financiers coming back for more. As a final cap, Deadline Hollywood provides readers with the revenue and costs charts of all 16 films that participated in the inaugural tournament. This data was always expected to be the most memorable part of this exercise.

Despicable Me 2 Chris Meledandri Profit

As a refresher, here’s how our tournament played out, with links to each game: Read More »

Comments (6)

2013 Most Valuable Blockbuster Championship Game – #1 ‘Iron Man 3′ Vs. #3 ‘Despicable Me 2′

By | Thursday March 27, 2014 @ 3:08pm PDT
Mike Fleming

Iron Man 3 Despicable Me 2 ProfitIt’s tipoff time for the championship matchup to determine Deadline’s Most Valuable Blockbuster of 2013. Stay tuned for our version of the postgame show, where we peel the curtain back on the data we commissioned from insiders to determine just how profitable a movie really is.

DeadlineBracket_Final

The Matchup: After surviving a bruising battle with #5 seed The Hunger Games: Catching Fire, #1 Iron Man 3 takes the court against #3 Despicable Me 2, a film that came through a pick ‘em matchup with #2 seed Frozen. Read More »

Comments (16)

CinemaCon: Disney’s Alan Horn Says ‘Million Dollar Arm’ Is Highest Testing Movie He’s Ever Had

By | Wednesday March 26, 2014 @ 5:16pm PDT
Pete Hammond

CinemaCon2014_badgeAlthough Disney devoted a good chunk of its CinemaCon presentation today to talk of Star Wars and The Avengers and clips of upcoming movies including first looks at the live-action re-telling of Cinderella and Pixar’s Inside Out, theater owners left the near three-hour session really singing the praises of one of the lesser-known films on the slate: the May 16 release Million Dollar Arm. It stars Mad Men’s Jon Hamm, who received the convention’s Excellence In Acting award from studio Chairman Alan Horn just before a full screening of the movie, which Horn told the crowd has scored higher than any movie he has ever tested Jon Hamm Alan Horn handshakeat Disney, or Warner Bros before that. “And that includes the first Harry Potter, which was so highly anticipated,” he said. Judging from the reaction in the Caesars Palace Colosseum theater and comments afterward, those test scores would seem to be justified. This is the kind of increasingly rare non-animated family film that should play across the board. “It’s comical, it’s emotional, it has great music” was what one exhibitor was heard saying as he walked out. That music, by the way, is from two-time Oscar winner A.R. Rahman, who scored Slumdog Millionaire.

Related: Hot Trailer: Jon Hamm In ‘Million Dollar Arm’

Read More »

Comments (5)

AMC Greenlights First Comedy Pilot, Sets Projects From Chris Carter, Seth Rogen & Evan Goldberg And Kevin Smith, Adds Dave Erickson To ‘The Walking Dead’ Spinoff

By | Wednesday March 26, 2014 @ 1:58pm PDT
Nellie Andreeva

amclogo4As part of its upfront, AMC as usual is making a slew of programming announcements. They include an increased focus on comedy development, including a first pilot green light to a half-hour project, We Hate Paul Revere, written, executive produced and starring Ethan Sandler and Adrian Wenner, and several comedy projects in development including one from Seth Rogen and Evan Goldberg (This is the End) and half-hours toplined/written by John Leguizamo and Wyatt Cenac. On the drama side, AMC’s development slate includes projects from Chris Carter, Amy Lippman and Josh Applebaum, André Nemec, Scott Rosenberg & Jeff Pinkner and producer Aaron Kaplan.

Related: AMC Sets Projects With John Leguizamo & Wyatt Cenac As Part Of Push In Comedy

Kevin SmithAMC also announced the renewal of Kevin Smith’s unscripted series Comic Book Men for a fourth season.The network is expanding its relationship with Smith to include the development of a late-night project, Hollywood Babble-On, starring Smith and his co-host of their popular podcast, Ralph Garman, to be produced by Wilshire Studios and executive produced by Smith, Ralph Garman and Gary Auerbach. Additionally, AMC is also working with Smith on the development of a docu-series featuring super-collector and Comic Book Men regular Robert Bruce. Produced by Original Media and Smith’s Smodcast Pictures, and exec produced by Dan Laikind, Charlie Corwin, Elyse Seiden and Smith, Bruce and his fellow experts scour the country searching real estate sales, auction houses and flea markets on a quest to find rare items that will feed the needs of his demanding clients and add to Bruce’s own colossal collection.

AMC also has made an overall deal with Dave Erickson (Sons Of Anarchy), who will co-write, along with Robert Kirkman, and serve as an executive producer on the unnamed The Walking Dead companion series. “AMC is introducing more hours of original programming and the most robust, diverse development slate in our network’s history,” said AMC president Charlie Collier. Unwavering is our commitment to the eclectic, quality dramatic series that have come to define our brand and to the unconventional unscripted worlds we love to explore. And today we also happily dive head-first into our first-ever scripted comedy pilot.”  Here is AMC’s full slate, which includes drama, comedy and unscripted projects as well as two books optioned for series: Read More »

Comments (18)

2013 Most Valuable Blockbuster Final Four – #2 ‘Frozen’ Vs. #3 ‘Despicable Me 2′

By | Wednesday March 26, 2014 @ 1:42pm PDT
Mike Fleming

We are down to the nitty gritty on Deadline’s search for Despicable Me 2 Frozen Profit2013’s Most Valuable Blockbuster. This is the second of our two showdowns today. Fueled by the numbers furnished by our insiders, we’ll find out just how profitable a movie really is.

DeadlineBracket_FinalFour

TODAY’S OTHER FINAL FOUR MATCHUP
#1 ‘Iron Man 3′ Vs. #5 ‘The Hunger Games: Catching Fire’

The Matchup: The battle of the year’s biggest animation film hits pits the year’s second-highest global gross film Frozen against Universal and Chris Meledandri’s Illumination Entertainment’s hit Despicable Me 2, the year’s third-highest global grossing film. To get here, Frozen beat The Great Gatsby and Monsters University, while Despicable Me 2 beat Star Trek Into Darkness and Fast & Furious 6.

The Box Score: What the numbers say.

The Bottom Line: This is tougher than the other Final Four matchup — and that’s saying something. Read More »

Comments 23

2013 Most Valuable Blockbuster Final Four – #1 ‘Iron Man 3′ Vs. #5 ‘The Hunger Games: Catching Fire’

By | Wednesday March 26, 2014 @ 10:00am PDT
Mike Fleming

We are down to the nitty gritty on Deadline’s search for Hunger Games Catching Fire Iron Man 3 Profit2013’s Most Valuable Blockbuster. This is the first of two showdowns today. Fueled by the numbers furnished by our insiders, we’ll find out just how profitable these movies really are.

DeadlineBracket_FinalFour

OTHER FINAL FOUR MATCHUP
#2 ‘Frozen’ Vs. #3 ‘Despicable Me 2′

The Matchup: This battle between Katniss Everdeen and Tony Stark puts the year’s highest domestic-grossing film, The Hunger Games: Catching Fire, against Iron Man 3, which turned in the highest offshore gross.

The Box Score: What the numbers say.

Robert Downey Jr Iron Man 3

The Bottom Line: #1 seed Iron Man 3 got here by beating The Conjuring and Gravity, while #5 The Hunger Games 2 beat World War Z and turned in an upset by besting The Hobbit: The Desolation Of Smaug. According to our experts, Robert Downey Jr received first-dollar gross at around $10 million against 10%, putting his payday around $73 million. The film was the year’s top worldwide grosser with $1.2 million and clocked in as the fifth-highest-grossing film of all time, trailing only Avatar, Titanic, The Avengers and the Harry Potter finale. It had the ninth-biggest foreign opening weekend of all time, and the sixth-largest worldwide opening ever. It completely righted the stumble that was Iron Man 2. On the downside, Marvel owed this movie to Paramount as part of that original financing and distribution agreement, so Paramount, which did the marketing and distribution, took in a 9% fee that amounted to $89 million. The film had a net production cost of $200 million, and the global P&A spend was $130 million worldwide.

Hunger Games Catching Fire Box OfficeThe Hunger Games: Catching Fire set records of its own. It crushed past records for a Thanksgiving holiday opener — both for weekend and the five-day holiday period. Its $71 million opening day was the seventh-best domestic opening single day total ever, and its $158 million opening weekend was the sixth-highest opening weekend in movie history. Because Lionsgate pre-sells foreign (much like New Line did for The Lord Of The Rings trilogy and Summit did with Twilight Saga), the mini-major doesn’t reap the full dividends of its international performance the way Disney did on Iron Man 3, and star Jennifer Lawrence was paid $10 million upfront against backend. Between her, Liam Hemsworth, Josh Hutcherson and director Francis Lawrence, our experts place the participations at $21 million. The film had a net production cost of $130 million, and Lionsgate spent $50 million for domestic P&A.

The Winner: This is a tough one. Read More »

Comments (13)

2013 Most Valuable Blockbuster – #7 ‘Monsters University’ Vs. #2 ‘Frozen’

By | Tuesday March 25, 2014 @ 3:00pm PDT
Mike Fleming

Monsters University Frozen ProfitThe final eight films in Deadline’s Most Valuable Blockbuster movie tournament face off today. This is the fourth of our quarterfinal matchups and for the first time we reveal the numbers behind the numbers that show just how profitable a movie really is.

DeadlineBracket_2ndRound

Monsters-Frozen (2)The Matchup: Another intramural battle, this time at Disney. Monsters University, which beat another Disney film, Thor: The Dark World, in Round 1, turned in the seventh-highest domestic gross of 2013 films, and was the sixth-highest-grossing film offshore. Its $82 million opening was the second biggest for a Pixar film, was the second largest among G-rated films, and fifth largest for animated films all time. Frozen’s opening was obscured a bit by the record-breaking Thanksgiving weekend opening of The Hunger Games: Catching Fire, but it too broke existing records for that holiday. And it just kept going, outpacing The Hobbit sequel and winning the Oscar for Best Animated Feature and another for Best Original Song in “Let It Go.” Its $1.03 billion gross made it the second highest for the year. It handily bested The Great Gatsby in Round 1.

The Box Score: Here are the costs and revenues as our experts see them.

The Bottom Line: Monsters University didn’t do as well as predecessor Monsters, Inc. on the domestic front, but the film … Read More »

Comments (0)

2013 Most Valuable Blockbuster – #6 ‘Fast & Furious 6′ Vs. #3 ‘Despicable Me 2′

By | Tuesday March 25, 2014 @ 1:00pm PDT
Mike Fleming

Fast & Furious 6 Despicable Me 2 ProfitThe final eight films in Deadline’s Most Valuable Blockbuster movie tournament face off today. This is the third of our quarterfinal matchups and for the first time we reveal the numbers behind the numbers that show just how profitable a movie really is.

DeadlineBracket_2ndRound

Fast6-Despicable-meThe Matchup: This amounts to an internal skirmish within Universal Pictures, between the studio’s most dependable franchise and its next one. Can Gru and a bunch of adorable minions in Despicable Me 2 outmuscle the muscle cars and cast of Fast & Furious 6 including Vin Diesel, Dwayne Johnson, Paul Walker, Jason Statham and Tyrese? Luckily for the Minions, this doesn’t involve bench-pressing. Game On.

The Box Score: Here is how the two films project in revenue and costs.

Vin Diesel

The Bottom Line: Fast 6 got here by besting another animated film in the #11 seed The Croods. Despicable Me 2 cruised past #14 film Star Trek Into Darkness. While Despicable Me 2 showed significant improvement over its first film, Fast 6 has steadily built its gross, to the point where its sixth film was the highest grosser both domestically and overseas. But here is where the Minions deliver a beat-down. Read More »

Comments (3)

2013 Most Valuable Blockbuster – #5 ‘The Hunger Games: Catching Fire’ Vs. #4 ‘The Hobbit: Desolation Of Smaug’

Mike Fleming

Hobbit Desolation Of Smaug Hunger Games Catching Fire ProfitThe final eight films in Deadline’s Most Valuable Blockbuster movie tournament face off today. This is the second of our quarterfinal matchups and for the first time we reveal the numbers behind the numbers that show just how profitable a movie really is.

DeadlineBracket_2ndRound

Hunger-Games-HobbitThe Matchup: There are similarities here that go beyond each of these being the second installment of huge global franchises. How huge? MGM, which was frozen in suspended animation not that long ago, is flush and considering an IPO because of the fortunes derived from its share of The Hobbit franchise, and James Bond. On the other side, The Hunger Games is doing for Lionsgate what The Twilight Saga did for its merger partner, Summit Entertainment. It is driving the fortunes of those combined companies, emboldening its creative team to take chances on building new YA franchises as it did with the weekend’s top-grossing film Divergent.

The Box Score: Here is how the films compare in revenue, ancillary projections and profits.

Read More »

Comments (4)

2013 Most Valuable Blockbuster – #1 ‘Iron Man 3′ Vs. #8 ‘Gravity’

By | Tuesday March 25, 2014 @ 9:00am PDT
Mike Fleming

Gravity Iron Man 3 ProfitThe final eight films in Deadline’s Most Valuable Blockbuster movie tournament face off today. This is the first of our quarterfinal matchups and for the first time we reveal our numbers behind the numbers that show just how profitable a movie really is.

DeadlineBracket_2ndRound

Iron-Man-GravityThe Matchup: The top grossing film of 2013, Iron Man 3, opened the tournament by squeaking past The Conjuring, a low-cost movie with no gross outlay that ranks among the highest profit ratio films of the year. Iron Man 3 advanced anyway, and faces off against Gravity, the great anomaly of 2013, a film that most studios would not have made. Gravity made it out of the first round by besting #9 seed Man Of Steel.

The Box Score: Here is how the films stack up against one another, in revenues (some of which have been projected by our experts in ancillary categories), and then costs.

The Bottom Line: Gravity is a remarkable achievement. Consider that its $56 million domestic opening gross was the best ever for an October release. And while moviegoers often regard 3D — especially those shot in 2D and converted after the fact — to be a gimmick designed to dig deeper into their pockets for higher movie ticket prices, they recognized that Gravity was an exception. Read More »

Comments (2)

UPDATE: Intl Box Office: ‘Need For Speed’ Adds $29.2M For No. 1; ‘Noah’ Reigns In Mexico & Korea With $14M; ‘Peabody & Sherman’ Crosses $100M; ‘Spanish Affairs’ Muy Caliente; Asian Pics Advance; More

Highlights: Noah (PAR) floods Mexico and Korea with opening cume of $14M; Muppets Most Wanted (DIS) scores $1.5M in eight debut markets; Need For Speed (DIS/var) drives another $29.2M; 300: Rise Of An Empire (WB) seizes further $21.2M; Mr Peabody & Sherman (FOX) at $103M; Rio 2 (FOX) flies to $10.5M in Russia/Ukraine; The Grand Budapest Hotel (FOX) has extra room for $9.7M; Frozen (DIS) nearing Toy Story 3‘s record; Uni’s 8 Apellidos Vascos (aka Spanish Affairs) still seducing Spain; trio of Asian pics enters Top 20…

cinemaworld6TH UPDATE, MON, 12:43 PM PT: Final numbers are in now for The Grand Budapest Hotel, Mr. Peabody and Sherman, Monuments Men as well as Ride Along, 300: Rise of an Empire and The Lego Movie (which grossed more than previously thought). Final numbers also came in Monday night for Oscar Best Picture winner 12 Years a Slave which added another $3.9M to raise its international cume to $121.7M, most of its gross has come from the U.K. with $32.7M; the film has made $178M worldwide. Lionsgate opened Divergent in 18 international markets, but are not releasing numbers as yet. We are using Rentrak which has five small territories (see below for more info on that). Lionsgate, as they always do, pre-licensed international so there are many distributors handling the film in their prospective territories. The big territory rollout for Divergent will be April 4 in the U.K., Italy, Belgium, Netherlands, Mexico, and Finland, followed April 11 by France, Germany, Russia, Australia, Denmark and Norway. Read More »

Comments 56

2013 Most Valuable Blockbuster – #7 ‘Monsters University’ Vs. #10 ‘Thor: The Dark World’; #2 ‘Frozen’ Vs. #15 ‘The Great Gatsby’

Mike Fleming

The fourth of four posts today Frozen Thor: The Dark World Profitin Deadline’s Most Valuable Blockbuster tournament. The subsequent rounds will play out next week.

Other Matchups:
#1 ‘Iron Man 3′ Vs. #16 ‘The Conjuring’
#3 ‘Despicable Me 2′ Vs. #14 Star Trek Into Darkness’
#4 ‘Hobbit: Desolation Of Smaug’ Vs. #13 ‘Oz The Great And Powerful’
#5 ‘The Hunger Games: Catching Fire’ Vs. #12 ‘World War Z’
#6 ‘Fast & Furious 6′ Vs. #11 ‘The Croods’
#8 ‘Gravity’ Vs. #9 ‘Man Of Steel’

DeadlineBracket_1stRound

SWEET 16

#7 MONSTERS UNIVERSITY Vs. #10 THOR: THE DARK WORLD

Monsters-ThorHow They Got Here: Monsters University might well be the most stealthy of all the films that grossed more than three-quarters of a billion dollars worldwide. The film was the seventh-largest domestic grosser of the year, and did near double that abroad. Pixar’s representative in the tournament turned thorin the second-largest gross of all films from the John Lasseter hit machine, second-largest G-rated film, and is Pixar’s third biggest overall film ever. Thor: The Dark World continues the Marvel superhero juggernaut, and it did particularly well in China, Russia and the UK. While the hammer-wielding hero pales compared to Iron Man, the sequel bettered the original film in both domestic and overseas for a total tally of $645 million.

The Bottom Line: Thor 2 cost $170 million to make, per our experts, and because Marvel is so stingy to everyone but Robert Downey Jr, there are modest participations here that amount to around $12 million. Monsters University cost $200 million, and that include pricey paydays for returning voicers like John Goodman and Billy Crystal. Participations clocked in at around $13.5 million.

The Winner: Neither gains much of an edge because each is MonstersIncthe second installment of a franchise, though Thor 2 probably amps up expectations of the next installments of Marvel’s biggest jewel, The Avengers. So we go to the profit numbers. According to our experts, Monsters University will return $179.8 million to Disney, besting the $139.4 million that Thor 2 returns to Disney. Total cash-on-cash return edge goes to Monsters University, at 1.36 to the 1.32 turned in by Thor 2. Disney is the big winner here, but Monsters University advances.
Read More »

Comments (6)

2013 Most Valuable Blockbuster – #6 ‘Fast & Furious 6′ Vs. #11 ‘The Croods’; #3 ‘Despicable Me 2′ Vs. #14 Star Trek Into Darkness’

Mike Fleming

The third of four posts today in Fast & Furious 6 Despicable Me 2 ProfitDeadline’s Most Valuable Blockbuster tournament. The subsequent rounds will play out next week.

Other Matchups:
#1 ‘Iron Man 3′ Vs. #16 ‘The Conjuring’
#2 ‘Frozen’ Vs. #15 ‘The Great Gatsby’
#4 ‘Hobbit: Desolation Of Smaug’ Vs. #13 ‘Oz The Great And Powerful’
#5 ‘The Hunger Games: Catching Fire’ Vs. #12 ‘World War Z’
#7 ‘Monsters University’ Vs. #10 ‘Thor: The Dark World’
#8 ‘Gravity’ Vs. #9 ‘Man Of Steel’

 

DeadlineBracket_1stRound

SWEET 16

#6 FAST & FURIOUS 6 Vs. #11 THE CROODS

Fast-CroodsHow They Got Here: Fast & Furious 6 is the last one directed by Justin Lin, who took this off franchise life support. His finale was the ninth-highest domestic grosser of the year and eighth-biggest worldwide grosser with a $789M global tally. It continued the momentum of Universal’s most valuable live-action franchise, and of course all this happened before the tragic death of stalwart Paul Walker, which has dramatically A scene from The Croodsimpacted the next film that will resume production at month’s end. Up against it is #11 grosser The Croods, another powerhouse animated film from DreamWorks Animation that got an Oscar nom for Best Animated Picture.

The Bottom Line: Both films are burdened by high production costs, with Fast & Furious carrying more in talent participations, and The Croods paying an 8% distribution fee to Fox. Our experts peg the Fast & Furious budget at $260 million, a huge number that is much higher than what the studio admitted to. The Croods tab was $175 million in production FastFurious6costs.

The Winner: Per our experts, this one turns out to be a close call. Our experts say that Fast & Furious 6 made $135.1 million profit for Universal, while The Croods turned in $106.5 million in profit to DreamWorks Animation. Given the durability of the race car franchise, I’m going to give this round to Fast & Furious 6.
Read More »

Comments (4)
More Deadline | Hollywood »