EXCLUSIVE: 47 Ronin and The Wolverine star Hiroyuki Sanada has been tapped to join Ian McKellen in A Slight Trick of the Mind, the drama about an aging Sherlock Holmes that Bill Condon is directing this summer in London. Sanada will play Umezaki, a Prickly Ash plant enthusiast who Holmes (McKellen) visits in Japan. He joins McKellen and Laura Linney as Holmes’ housekeeper, who with her young son is regaled with the tale of the unsolved mystery that ended Holmes’ career.
Box Office: ‘Transformers’ Controversy Erupts As Paramount Stakes Claim To $100M Three-Day Gross, No One’s Buying It
FINAL UPDATE, MONDAY 1:20 PM: Sorry, Paramount, but our Box Office chart will reflect what we believe is the more accurate three-day gross of Transformers: Age Of Extinction. We are also posting Par’s numbers so we can show the industry how they claimed to have gotten there. See below. Also, it is worth noting that with the accurate grosses, it puts Transformers 4‘s worldwide total at $299.6M. With Paramount’s inflated domestic grosses, it puts their worldwide gross at an inflated $302.1M. But what better headlines to please the bosses and shareholders with: A $100M domestic and over $300M worldwide. The only problem? It’s a public company and there are strict guidelines about this type of thing.
10th UPDATE, MONDAY 9:43 AM: The first big controversy of box office in the sixth months since I’ve been reporting erupted this AM as Paramount Pictures put the final three-day domestic cume of Transformers: Age Of Extinction at $100.038M as its opening weekend for the fourth installment. “They’re lying,” said one distribution head at a major studio. Said another, “I don’t get get it. Is it just arrogance? What is the point of inflating your box office numbers? So they can claim the first $100M movie opening of the year? Oh please, who cares? It’s a great opening anyway.”
That being said, the Box Office Chart below reflects both the industry three-day gross for Transformers as well as Paramount’s purported final gross, which, by everyone’s account in the industry is inaccurate and inflated.
One insider at Paramount with knowledge of the financials told Deadline that there have been concerns that there could be more layoffs if Transformers 4 didn’t hit the $100M mark. So maybe that’s what’s going on. Even so, everyone in town — and I mean everyone – has it much less than $100M. Hey, as one my colleagues just said, the movie itself is inflated to 2 hours and 45 minutes, so why not the box office grosses, too?
UPDATE: Int’l Box Office: ‘Maleficent’ Awakens $106.1M Overseas; ‘X-Men’ Adds $95.6M; ‘Edge Of Tomorrow’ Cruises To $20.1M In Select Markets; ‘A Million Ways To Die In The West’ Holsters $10M; More
Highlights: Maleficent (DIS) takes estimated $106.1M in overseas bow; X-Men: Days Of Future Past (FOX) mutates beyond $500M worldwide; Edge Of Tomorrow (WB) has $20.1M debut; Godzilla (WB) nearing $200M; A Million Ways To Die In The West (UNI) shoots up $10M; Neighbors (UNI) crosses $200M worldwide; Frozen (DIS) skates past $200M in Japan; The Amazing Spider-Man 2 (SONY) nears $500M…
3rd UPDATE, MONDAY, 3:46 PM PT: The final tally is in for Maleficent and its weekend debut was better than expected in many international territories. It’s gross is now well past $100M. Specifically, the Angelina Jolie-driven film is at $106.1M in 7,427 runs. Final tally is in for Warner Bros.’ opener Edge of Tomorrow starring Tom Cruise but need to corroborate territory by territory breakdowns and will update when we’re sure of them, but otherwise, final numbers are in for Godzilla, Universal’s opener A Million Ways to Die in the West and Neighbors, Fox’s X-Men: Days of Future Past, The Other Woman and Rio2. In addition, we have Spanish Affairs and Babysitting updates all incorporated below.
2ND UPDATE, MONDAY 9:05 AM PT: While we wait on updated actuals from around the international dial, Disney has revised its numbers for Frozen‘s 12th consecutive weekend atop the Japan box office. The cume this frame was $7.5M, not $5.8M as the studio previously reported. That was 8% above last weekend and pushed Frozen even farther past the $200M mark locally with the cume now at $207.5M. With X-Men: Days Of Future Past taking the No. 2 slot in its bow — at $3.4M, the best of the franchise’s openings since 2003 — could it ultimately fall to Disney’s other female-led fairy tale to snatch away the box office crown when Maleficent opens on July 4? Frozen figures have been updated throughout the below.
‘San Andreas’ Adds Will Yun Lee; Lee Tergesen To Lead ‘Taken’ Spoof ‘Tooken’; ‘The DUFF’ Rounds Out Cast
Will Yun Lee (Red Dawn, Total Recall, The Wolverine) has locked a role in New Line, WB, and Village Roadshow’s disaster pic San Andreas. Lee will play Dr. Kim Chung, the co-director of the Cal-Tech Seismology Lab in the film about an ex-Special Ops firefighter (Dwayne Johnson) scouring Northern California for his family after the Big One hits. He was recently tapped for a recurring role on HBO’s vamp series True Blood and also appears in Fox’s upcoming Melissa McCarthy comedy Spy and Duane Adler’s Make Your Move, opposite Korean superstar BoA. San Andreas is produced by Beau Flynn. Rob Cowan is executive producer, and Hiram Garcia is co-producer. Tripp Vinson also serves as a producer on the film which hits theaters next summer and begins filming in Australia next month. Lee is repped by APA and Zero Gravity Management.
The Americans and Longmire thesp Lee Tergesen (Monster, Wayne’s World, Point Break) has a particular set of skills, which Elevative Entertainment has tapped for its upcoming spy comedy spoof Tooken. The Naked Gun-style send-up of actioner Taken sees Tergesen play the Liam Neeson role as “Bryan Millers,” with Lauren Stamile (Scandal, Grey’s Anatomy, and the upcoming USA series Complications) as his ex-wife and Laura-Leigh (We’re the Millers, The Client List) playing their daughter Kim. Reno Wilson (Mike & Molly, Transformers: Age of Extinction), Joyce Bulifant (The Mary Tyler Moore Show), and Ray Abruzzo (The Sopranos, Last Vegas) round out the cast. Actor-turned-director John Asher, who co-starred with Tergesen on USA’s Weird Science, is at the helm of the film which begins lensing in LA next week.
In the first five months of 2014, Chinese box office hit 10.2B yuan, or about $1.63B, with local movies dominating the market at 56% through May 21. Watchdog SAPPRFT released the figures today via state news agency Xinhua. Those numbers have led analysts to predict total 2014 box office could top out at a staggering 28B yuan, or around $4.49B. That would rep a 24.7% change from 2013 which ended with $3.6B. I say staggering because the numbers really do look wild, but a 24.7% increase would be slightly lower than the 27.5% jump from 2012 to 2013.
It’s difficult to make an apples-to-apples comparison with 2013 based on the figures released today given that last year the authority provided half-year numbers in July. However, it’s worth noting that it took six months in 2013 for box office to cross the 10B yuan mark. This year, it was less than five. In the first six months of 2013, Chinese films also ruled the box office at about 61%, grossing $1.1B in the semester which had total takings of $1.79B. This was a reversal from the whole of 2012 when, much to the chagrin of SAPPRFT (then SARFT), market share had fallen to under 50% for the first time in four years.
EXCLUSIVE: Meet one of the last major additions to HBO‘s True Blood. Will Yun Lee (Total Recall) has been tapped for a major recurring role on the upcoming seventh and final season of the vampire drama. He will play Mr Gus, a Japanese businessman living in Texas, whose bigger-than-life, urban cowboy demeanor nearly rivals the size of his large Stetsons. Gus is out for revenge and will stop at nothing to get it. Repped by APA and Zero Gravity Management, Lee most recently co-starred in The Wolverine opposite Hugh Jackman. He also just completed shooting a supporting role opposite Melissa McCarthy in Paul Feig’s comedy Spy and stars in Duane Adler’s upcoming Korean feature film, Cobu, which is scheduled to be released worldwide later this year.
Fox is pulling out all the stops for the global launch of X-Men: Days Of Future Past, with stars Hugh Jackman, Michael Fassbender and James McAvoy stepping up to bat for a week’s worldwide premiere tour billed as the “X-Men X-Perience.” The trio — who respectively play Wolverine, young Magneto and young Dr. Charles Xavier in the film — made a web video announcement today (see below). After the New York premiere, they will be joined by castmembers Jennifer Lawrence, Ian McKellen, Patrick Stewart, Peter Dinklage, Ellen Page, Fan Bingbing, Omar Sy and Nicholas Hoult for tour stops including London, Moscow, Singapore, Melbourne, Beijing and Sao Paulo — though who will wind up where is still a secret. The X-Men franchise has morphed into a cash cow overseas, with the most recent titles — last year’s The Wolverine and 2011′s X-Men: First Class – pulling in well over 60% of their global box office haul from territories outside the U.S. and Canada. This is a marketing move typical of 20th Century Fox’s prowess in foreign markets, and since the days of Titanic and Braveheart it has always globetrotted talent in an effort to raise a film’s profile and maximize moolah. X-Men: Days Of Future Past opens day and date worldwide May 25.
Jerry Seinfeld, Aaron Paul and Batkid were among the big winners tonight as the 6th annual Shorty Awards for the best in social media were handed out in New York. The trophy show, which this year added a category for best Vine video, honors various online video, business, entertainment, journalism and social-media stars. Seinfeld’s Comedians In Cars Getting Coffee was voted best web show, while Paul was tapped as favorite actor Parks And Recreation‘s Retta took the actress prize. Other winners included Patton Oswalt, Paul Feig and Cosmos host Neil deGrasse Tyson. Will Ferrell picked up the Lifetime Achievement Award. Here’s Seinfeld’s taped acceptance speech. The full list of winners is after the jump:
Warner Bros has added Holly Hunter, 300: Rise Of An Empire star Callan Mulvey, and The Wolverine‘s Tao Okamoto to join Henry Cavill (Superman), Ben Affleck (Batman), Gal Gadot (Wonder Woman), Jesse Eisenberg (Lex Luthor), Jeremy Irons (Alfred), and Man Of Steel returnees Amy Adams, Laurence Fishburne and Diane Lane in the Zack Snyder-directed film.
The trio will play new characters. Mulvey just worked with Snyder in the 300 sequel. Chris Terrio and David Goyer wrote the script, and Charles Roven and Deborah Snyder are producing. The pic opens May 6, 2016.
UPDATE, 8:55 AM: It wasn’t an easy break-up, but Frank Balkin confirms he and Paradigm have resolved their differences and he is now officially aboard at Worldwide Production Agency. Here’s Balkin’s statement: “I am thrilled to announce that I’ve joined Worldwide Production Agency as Partner and Head of Television. My colleague Brian Goldberg is making the transition as well, and both of us are ecstatic to be working with Steve Jacob, Richard Caleel, and the rest of our fantastic teammates at WPA as we collectively take the premiere agency for producers and production artisans to even greater heights.”
PREVIOUS EXCLUSIVE, FEB. 11 AM: Paradigm’s longtime production department co-head Frank Balkin, who reps below-the-line talent, has left the agency for a partnership at 3-year-old Worldwide Production Agency – but Paradigm is refusing to let Balkin out of his contract. Nonetheless, Balkin is currently working out of the WPA offices as the dispute continues. At the same time, Paradigm is answering Balkin’s office phone saying that they are taking messages for him. Threats of litigation have been levied as Paradigm has apparently insisted he return to the agency, but progress has been made to let him out. I called Paradigm and asked about this about two weeks ago. At that time, Balkin was still working out of the Paradigm offices and the talent agency said they were hoping to work it out with him. Oh well. It’s unclear what Paradigm is hoping to get but commissions if the agent has already bailed. He had been with Paradigm for over a decade.
EXCLUSIVE: Fox has hired David James Kelly to script the next installment of The Wolverine, the X-Men franchise spinoff that James Mangold will direct with Hugh Jackman reprising his signature role. The studio is eyeing a March 3, 2017, release. Kelly also is next set to adapt the Dark Horse graphic novel Mind Mgmt for Scott Free Productions and the original pitch Sentinel for Appian Way and Fox. Kelly is repped by WME, LBI and Hansen, Jacobson.
International Box Office Update: Iron Man No. 1 In 2013 With $1.2B Global Take, Best Gross for Marvel/Walt Disney Studios which Tops $3B For First Time; Fox International Down 14% In 2013 But Still Grosses $2.33B; ‘Hunger Games’ Heading Over $400M
UPDATE, 1:54 PM: surpassing $3B (specifically $3.013B) for the first time in its history. Bouyed by the Marvel franchise Iron Man 3 which took in $806.3M (almost double of its domestic take), the animated Monsters University with $476.4M, and Thor: The Dark World with $4.26M, Frozen which bowed late in the year and has racked up $267.3M in only six weeks’ time, and Oz The Great and Powerful ($258.4M), Disney has emerged as No. 2 in overall market share worldwide, under Warner Bros. Iron Man 3 was the number one film in the marketplace internationally and if you add in its domestic gross of $409M, it was a cash cow of $1.215B and the highest grossing film of 2013. It is also the No 5 film of all time globally. Its opening alone was $174M this summer. Universal International’s hit of the year was Despicable Me 2 which grossed $553.2M which helped rocket the studios’ total international cume to $2.258B. The animated franchise grossed a total of $921M globally for the studio. The other titles helping to push Universal into the record books was Fast and Furious 6 which grossed a total of $550M and About Time which has pulled in $65.9M in foreign territories.
Considering that global movie ticket sales reached precedent levels after a particularly robust holiday period and a mostly sizzling summer, 2013 was one of the most turbulent years I can remember in the executive suites of major studios. Studios were overhauled all over town to better compete in an arena that is more of a global pursuit than ever, with victory belonging to whoever can build and maintain the most franchises.
Purists will decry the fact that Hollywood’s brightest minds are mostly focused on repackaging derivative concepts for maximum global grosses, but evidence of the rewards are right there in the gross charts: Six of the top seven biggest films were sequels that provided the kind of results that keep studio conglomerate parents happy, keep studio chiefs employed, and slate co-financiers coming back for more. Sure, studios will still get involved with awards-season prestige films like The Wolf Of Wall Street, American Hustle and 12 Years A Slave, but often only when someone else pays to make them. This franchise fever pushed costs of blockbusters to ridiculously high levels, and left top execs and producers explaining, and sometimes packing, when some badly misfired. Add that to internal power struggles at places like Universal and Warner Bros, and you needed a scorecard to keep up with the executive changes — which came fast and furious, especially after the brutal summer blockbuster season. Among them:
*Universal fired film chairman Adam Fogelson in a move that surprised him along with everyone else in town but Ron Meyer and Donna Langley, with whom he engaged in a quiet power struggle. Fogelson was blindsided by the result, coming hours after he presided over the Toronto premiere of Rush. The Comcast-orchestrated move that put Jeff Shell in charge of filmed entertainment after he did well running NBCUniversal’s international operations. Meyer was upped to vice chairman of NBCUniversal and Langley as sole Universal Films chairman and picture picker. Even though the studio placed third in market share and Despicable Me 2 could become the studio’s biggest-ever box office hit when it plays in China, Universal also flubbed franchise launch attempts like R.I.P.D. and 47 Ronin, and Kick-Ass 2 proved that once was enough. Universal has sequels to Jurassic Park, The Mummy and Ted coming, and a new salty adult franchise in Fifty Shades Of Grey for 2015. Thomas Tull’s Legendary Pictures moved in to hatch pictures and co-fi Universal titles like Jurassic World, hedging the studio’s bets as it moves forward. Langley’s biggest challenge has been retooling the studio’s most lucrative franchise, Fast & Furious, which was halfway completed when star Paul Walker died tragically in a fiery car crash. Right after Fogelson was ousted, longtime Focus Features chief James Schamus was dismissed just as suddenly. He was replaced by Peter Schlessel, the whip-smart former Sony dealmaker who’d been running FilmDistrict and who clearly will be charged with broadening the highbrow Focus slate to include more low-risk high-return genre films like the FilmDistrict hit Insidious. Schamus’s co-chairman, Andrew Karpen, declined to relocate and stay on, dramatically changing the complexion of that prestige company.
*The final shoe dropped after Warner Bros gave the top job to Kevin Tsujihara instead of Warner Bros movie chief Jeff Robinov. At a time when Robinov should have been taking victory laps after his bets on filmmakers paid off so well with Ben Affleck’s Argo, Baz Luhrmann’s The Great Gatsby, Zack Snyder’s Man Of Steel and Alfonso Cuaron’s Gravity, Robinov instead left in a frosty exit to form his own moneyed film venture. This, and the equally tempestuous exit of Legendary’s Tull after a lucrative franchise-fueled run, left Robinov’s successors Greg Silverman and Sue Kroll under big pressure to assert themselves to find new franchises. The studio re-upped Village Roadshow Pictures and replaced Legendary with James Packer, Brett Ratner and Steven Mnuchin’s RatPac Dune in a slate co-financing deal that will spread $450 million or more over 75 films. While Warner Bros brass tired of Tull imposing his creative will and cherry-picking Warner Bros titles to co-fi, RatPac Dune will not do that, and I heard the studio was able to exclude certain plum titles from the arrangement. But Warner Bros also gifted RatPac Dune with a co-fi stake in Gravity after it was completed, creating a big windfall for a fledgling venture. It’s ironic given nobody in Hollywood but Robinov seemed to want to make that movie — an expensive auteur effort that has zero sequel potential. One challenge for the new team at Warner Bros: keeping Robinov from peeling away the directors he empowered, from Christopher Nolan to Affleck, Snyder, Luhrmann, The Hangover‘s Todd Phillips and Cuaron to make movies at the new company he and Graham King are expected to launch at Sony. Silverman is respected and Kroll is regarded as arguably the best marketer in town and the studio’s global distribution and marketing operation is as good as there is, but the pressure’s on even though Warner Bros topped other studios in market share. It also has what seems like a strong year with franchise launches in Godzilla and LEGO, another installment of 300 (so what if everybody died in the original?), and a Hobbit finale. Beyond Hobbit, New Line continues to do its part on the franchise front, hatching a Horrible Bosses sequel for 2014 and gearing up another installment of its sleeper 2013 road trip comedy We’re The Millers.
*After two costly summer misfires in After Earth and White House Down, a lackluster Smurfs sequel that fizzled the franchise, and disappointing returns on the Matt Damon-starrer Elysium, Sony Pictures chairman Amy Pascal found herself in the cross-hairs of minority activist shareholder Daniel Loeb. The result: seismic changes in its executive structure and game plan moving forward. The studio dropped marketing head Marc Weinstock, corporate PR chief Steve Elzer and home entertainment chief David Bishop, and then added former New Line president-turned Fifty Shades Of Grey producer Michael De Luca to share president of production duties with Hannah Minghella. The studio vowed heading into its fall investor meetings that it would cut $250 million in costs through 2016, and make fewer movies in 2014 and pour the money into TV. I keep hearing that was temporary window dressing, and after adding former Fox chief Tom Rothman to revive TriStar, which creates another buyer on a lot full of them, Sony will continue to try and create franchises to go along with its Spider-Man and 007 stalwarts. Sony secured a big slate co-fi investment from John LaViolette and Joseph Singer’s Blue Anchor that begins with George Clooney’s The Monuments Men. And then there is the prospect of the venture by Robinov/King which would give Sony huge movies to release and gain market share and bragging rights, without actually having to fund them if they don’t want to. If 22 Jump Street and especially The Amazing Spider-Man 2 hit as well as is hoped, some of that pressure could be alleviated as the studio presses ahead with reboots of past franchise successes Ghostbusters and Men In Black.
The actor apparently has too much on his agenda to take on a starring role in a stage musical. For starters, Paramount is developing the Harlan Coben novel Six Years as a potential star vehicle for Hugh Jackman, and Fox is eyeing another installment of his X-Men spinoff The Wolverine. “I have greatly enjoyed the collaborative process on Houdini,” Jackman said in a statement. “Ultimately, though, I wasn’t able to commit to the time this role will require. I have tremendous respect and admiration for the creative team and I wish everyone the best. I know they’re well on their way to making something extraordinary.” It’s the second high-profile departure from Houdini this year. Back in January, Aaron Sorkin pulled an escape act from the upcoming show in which he was to make his debut as a librettist. He also had to pull out because of scheduling difficulties, less than a month after Jackman boarded the project from composer Stephen Schwartz (Wicked, Pippin, Godspell).
BEVERLY HILLS, CA — One hundred fourteen scores from eligible feature-length motion pictures released in 2013 are in contention for nominations in the Original Score category for the 86th Oscars®, the Academy of Motion Picture Arts and Sciences announced today.
The eligible scores along with their composers are listed below, in alphabetical order by film title:
UPDATED WITH FULL LIST: The nominations for the 20th annual SAG Awards for film and television were announced this morning at the Pacific Design Center in West Hollywood. Rizzoli & Isles‘ Sasha Alexander and Marvel’s Agents Of S.H.I.E.L.D.‘s Clark Gregg, who were introduced by SAG-AFTRA president Ken Howard, unveiled noms in 13 acting categories — five for film and eight for TV. There also are noms for outstanding action performances by TV and film stunt ensembles, with winners for those to be announced during the SAG Awards pre-show January 18. Fox Searchlight’s 12 Years A Slave led the way with four nominations on the film side, including one for Outstanding Performance By A Cast — the group’s sort-of equivalent to the Best Picture category, though it doesn’t like to say so. Joining that pic in the category are American Hustle, August: Osage County, Dallas Buyers Club and Lee Daniels’ The Butler. The Weinstein Company led the studios list with seven total noms. Last year, SAG voted Argo as winner of its Outstanding Performance by a Cast in a Motion Picture, which helped launch that pic’s run to the Best Picture Oscar at the end of the season. On the TV side, Breaking Bad earned a leading four nominations for its final season, and HBO had a leading 13 noms among the networks.
After today’s announcement, the guild is mailing out voting information Monday to every active paid-up member across the country, and final votes from the nominees’ peers must be received by Friday, January 17, 2014. Winners will be announced at the SAG Awards ceremony January 18 at the Shrine Auditorium in LA, which will be simulcast live on TNT and TBS. Here are this morning’s nominations:
Theatrical Motion Pictures
Outstanding Performance by a Male Actor in a Leading Role
BRUCE DERN / Woody Grant – “NEBRASKA” (Paramount Pictures)
CHIWETEL EJIOFOR / Solomon Northup – “12 YEARS A SLAVE” (Fox Searchlight Pictures)
TOM HANKS / Capt. Richard Phillips – “CAPTAIN PHILLIPS” (Columbia Pictures)
MATTHEW McCONAUGHEY / Ron Woodroof – “DALLAS BUYERS CLUB” (Focus Features)
FOREST WHITAKER / Cecil Gaines – “LEE DANIELS’ THE BUTLER” (The Weinstein Company)
Outstanding Performance by a Female Actor in a Leading Role
CATE BLANCHETT / Jasmine – “BLUE JASMINE” (Sony Pictures Classics)
SANDRA BULLOCK / Ryan Stone – “GRAVITY” (Warner Bros. Pictures)
JUDI DENCH / Philomena Lee – “PHILOMENA” (The Weinstein Company)
MERYL STREEP / Violet Weston – “AUGUST: OSAGE COUNTY” (The Weinstein Company)
EMMA THOMPSON / P.L. Travers – “SAVING MR. BANKS” (Walt Disney Pictures)
Outstanding Performance by a Male Actor in a Supporting Role
BARKHAD ABDI / Muse – “CAPTAIN PHILLIPS” (Columbia Pictures)
DANIEL BRÜHL / Niki Lauda – “RUSH” (Universal Pictures)
MICHAEL FASSBENDER / Edwin Epps – “12 YEARS A SLAVE” (Fox Searchlight Pictures)
JAMES GANDOLFINI / Albert – “ENOUGH SAID” (Fox Searchlight Pictures)
JARED LETO / Rayon – “DALLAS BUYERS CLUB” (Focus Features)
Outstanding Performance by a Female Actor in a Supporting Role
JENNIFER LAWRENCE / Rosalyn Rosenfeld – “AMERICAN HUSTLE” (Columbia Pictures)
LUPITA NYONG’O / Patsey – “12 YEARS A SLAVE” (Fox Searchlight Pictures)
JULIA ROBERTS / Barbara Weston – “AUGUST: OSAGE COUNTY” (The Weinstein Company)
JUNE SQUIBB / Kate Grant – “NEBRASKA” (Paramount Pictures)
OPRAH WINFREY / Gloria Gaines – “LEE DANIELS’ THE BUTLER” (The Weinstein Company)
Outstanding Performance by a Cast in a Motion Picture
12 YEARS A SLAVE (Fox Searchlight Pictures)
BENEDICT CUMBERBATCH / Ford
PAUL DANO / Tibeats
GARRET DILLAHUNT / Armsby
CHIWETEL EJIOFOR / Solomon Northup
MICHAEL FASSBENDER / Edwin Epps
PAUL GIAMATTI / Freeman
SCOOT McNAIRY / Brown
LUPITA NYONG’O / Patsey
ADEPERO ODUYE / Eliza
SARAH PAULSON / Mistress Epps
BRAD PITT / Bass
MICHAEL KENNETH WILLIAMS / Robert
ALFRE WOODARD / Mistress Shaw
AMERICAN HUSTLE (Columbia Pictures)
AMY ADAMS / Sydney Prosser
CHRISTIAN BALE / Irving Rosenfeld
LOUIS C.K. / Stoddard Thorsen
BRADLEY COOPER / Richie DiMaso
PAUL HERMAN / Alfonse Simone
JACK HUSTON / Pete Musane
JENNIFER LAWRENCE / Rosalyn Rosenfeld
ALESSANDRO NIVOLA / Federal Prosecutor
MICHAEL PEÑA / Sheik (Agent Hernandez)
JEREMY RENNER / Mayor Carmine Polito
ELISABETH RÖHM / Dolly Polito
SHEA WHIGHAM / Carl Elway
AUGUST: OSAGE COUNTY (The Weinstein Company)
ABIGAIL BRESLIN / Jean Fordham
CHRIS COOPER / Charles Aiken
BENEDICT CUMBERBATCH / “Little” Charles Aiken
JULIETTE LEWIS / Karen Weston
MARGO MARTINDALE / Mattie Fae Aiken
EWAN McGREGOR / Bill Fordham
DERMOT MULRONEY / Steve
JULIANNE NICHOLSON / Ivy Weston
JULIA ROBERTS / Barbara Weston
SAM SHEPARD / Beverly Weston
MERYL STREEP / Violet Weston
MISTY UPHAM / Johnna
DALLAS BUYERS CLUB (Focus Features)
JENNIFER GARNER / Dr. Eve Saks
MATTHEW McCONAUGHEY / Ron Woodroof
JARED LETO / Rayon
DENIS O’HARE / Dr. Sevard
DALLAS ROBERTS / David Wayne
STEVE ZAHN / Tucker
LEE DANIELS’ THE BUTLER (The Weinstein Company)
MARIAH CAREY / Hattie Pearl
JOHN CUSACK / Richard Nixon
JANE FONDA / Nancy Reagan
CUBA GOODING, JR. / Carter Wilson
TERRENCE HOWARD / Howard
LENNY KRAVITZ / James Holloway
JAMES MARSDEN / John F. Kennedy
DAVID OYELOWO / Louis Gaines
ALEX PETTYFER / Thomas Westfall
VANESSA REDGRAVE / Annabeth Westfall
ALAN RICKMAN / Ronald Reagan
LIEV SCHREIBER / Lyndon B. Johnson
FOREST WHITAKER / Cecil Gaines
ROBIN WILLIAMS / Dwight D. Eisenhower
OPRAH WINFREY / Gloria Gaines
FX continues to bolster its library of theatrical hits, acquiring the TV rights to Gravity (Warner Bros), Captain Phillips (Sony) and this past weekend’s box-office topper Thor: The Dark World (Disney). It also has locked in Jackass Presents: Bad Grandpa, Cloudy With A Chance Of Meatballs 2, and Prisoners. FX has been very aggressive in acquiring blockbusters, buying virtually every No. 1 movie in the box office for the past couple of years for the main network and FX siblings FXX and FXM. Other previously announced acquisitions include Iron Man 3, Despicable Me 2, Man of Steel, Fast & Furious 6, Star Trek Into Darkness, World War Z, The Croods, The Heat, Identity Thief, Grown Ups 2, The Wolverine, The Hangover Part III, and Pacific Rim. The new films will make their premieres on the FX Networks beginning in 2015.
Japanese actor Hiroyuki Sanada, recently seen in The Wolverine, is set to co-star opposite Halle Berry in CBS’ upcoming summer drama series Extant, from Steven Spielberg’s Amblin TV and CBS Studios. Created by Mickey Fisher, it centers on an astronaut (Berry) who returns home from a year-long solo mission in space and tries to reconnect with her husband and son in their everyday life. Her experiences in space and home lead to events that ultimately will change the course of human history. Sanada will play a wealthy technological genius who put his wealth to work privatizing the world’s space programs into a single entity. The actor — repped by CAA, Axon Entertainment, Lighthouse Entertainment and Sheppard, Mullin — just finished voicing a character in Universal’s Despicable Me Minions spinoff and will next be seen as the chief Samurai Oishi in Universal Pictures’ 47 Ronin and the Weinstein Co’s The Railway Man.
EXCLUSIVE: Twentieth Century Fox has begun negotiations with James Mangold to return for another installment of The Wolverine, with Hugh Jackman bringing back his signature character with the razor sharp adamantium hooks. This comes after The Wolverine played very strongly overseas, enough to now sit as the second highest grossing X-Men film of all time. The film has grossed $413 million worldwide, with $132 million domestic and $280 million in international revenue.
Here’s where it is right now. Mangold is making a deal to write the treatment, with X-Men franchise matriarch Lauren Shuler Donner producing. The storyline is being kept under tight wraps. I think Mangold did a bang up job on his first superhero film. When I met him at Comic-Con San Diego, he said he tried to veer from the usual superhero formula–if hero doesn’t succeed, world is doomed–and instead make it a character-driven storyline. There were plenty of action pieces, samurai swordplay and reasons for Logan to work up that famous temper, but at its core the film worked because the stakes were subtler and the storytelling somehow more intimate. Mangold is repped by WME and Management 360, Jackman by WME.