Warner Bros and Village Roadshow Pictures have slotted the Guy Ritchie-helmed King Arthur for July 22, 2016. As we reported back in January, Ritchie was circling the project, a tentpole fantasy retelling of the Arthur legend. This new version was created by Joby Harold, who wrote the script for the first film. Producing is Akiva Goldsman through Weed Road, Harold and Tory Tunnell through Safehouse Pictures, and Ritchie’s partner Lionel Wigram. So far the pic has the July 22, 2016 date to itself.
CinemaCon: Warner Bros Brings Out Heavy Star Power To Court Theater Owners – Eastwood, Depp, Freeman, Sandler, Tatum Hit Vegas
If CinemaCon delegates were waiting for a busload of movie stars to show up at the convention, Warner Bros granted their wish this afternoon delivering, by far, more star power to the stage of the Caesars Palace Colosseum Theatre than the other studios combined. Clint Eastwood, Adam Sandler, Drew Barrymore, Melissa McCarthy , Morgan Freeman, Johnny Depp, Channing Tatum and Mila Kunis were among the names who were trotted out by the studio to the delight of theater owners in the audience. But sometimes it gets awkward up there. Tatum and Kunis just read their lines off a teleprompter, and Depp couldn’t seem to figure out if he had any. Usually at these things he just walks across the stage and waves. Sandler actually was quite funny, bantering with a very pregnant Barrymore, who was still in tears she said over the preceding clip from Godzilla. Eastwood managed a standing ovation and, in talking about the very high-decibel sound levels of the film clips, charmed his way through a brief introduction to footage from his forthcoming musical Jersey Boys.
The heavy star presence distinguished Warners’ turn in the spotlight, the last of the major studios to come to bat, in a presentation that was otherwise very corporate in its approach. Warners had much to crow about and clearly knew it after coming off a record $5.03 billion year, 10 Oscars and a personal-best 21 nominations. It also had a 2013 summer that produced another record: All seven releases earned more than $100 million each. And Warners touted early results in 2014 as being just as promising, with The Lego Movie earning $400 million worldwide so far and the sequel 300: Rise Of An Empire already up to a symmetrically perfect $300 million. Whether the studio can continue on this kind of roll is anyone’s guess as it has a year ahead that’s almost totally lacking in bread-and-butter sequels.
Here’s the first look at the Michael Bay-ified version of the iconic comic quartet. Looks like the Teenage Mutant Ninja Turtles have been toughened up, a departure from the franchise’s more kid-friendly animated past more akin to the Turtles’ ’90s-era live-action iterations. Megan Fox and William Fichtner star in the origin story, which Jonathan Liebesman directs. Paramount releases the pic August 8, a busy date on the summer schedule with New Line/Village Roadshow’s Into The Storm (which also dropped its teaser today), Disney’s The Hundred-Foot Journey and Universal’s Scarlett Johansson-starrer Lucy also set to premiere that day.
New Line Cinema and Village Roadshow Pictures will release the Steven Quale-helmed Into The Storm on August 8, 2014. This is the first teaser for the pic, which is told through the eyes and lenses of professional storm chasers, thrill-seeking amateurs, and courageous townspeople, throwing you “directly into the eye of the storm to experience Mother Nature at her most extreme.” John Swetnam wrote the script and Richard Armitage, Sarah Wayne Callies, Matt Walsh, Alycia Debnam-Carey, Arlen Escarpeta, Nathan Kress, Jon Reep and Jeremy Sumpter star. A lot has improved VFX-wise since Warners’ 1996 tornado pic Twister, so this looks pretty great (check out the teaser below). But it sure is a tough time to promo a pic from the disaster genre, what with the Malaysian Airlines plane and its 239 passengers still missing and the tragedy in Washington state where rescuers are faced with recovering an entire neighborhood that essentially disappeared under a wave of mud.
It’s been more than three months since we got our first look at Jupiter Ascending, now comes the second trailer for the sci-fi actioner written and directed by the Wachowskis. Look for warriors, crafts that soar through space and under water, bees, toilets and battles for the very future of our Earth. Channing Tatum plays an interplanetary warrior and Mila Kunis is a janitor who’s meant for much greater things. Sean Bean and Eddie Redmayne also star. Warner Bros will release the Village Roadshow co-production on July 25. Check it out:
Sam Jaeger has joined the cast of Clint Eastwood’s American Sniper. The film stars Bradley Cooper as decorated marksman Chris Kyle, whose memoir American Sniper: The Autobiography Of The Most Lethal Sniper In U.S. Military History serves as the basis for the Warner Bros film. Village Roadshow is co-producing and co-financing. Jaeger will play Captain Martens, who welcomes Chris back to Iraq for his second tour of duty and is his commanding officer on his subsequent tour. Jaeger is a regular on NBC’s Parenthood and appeared in last year’s The Truth About Emanuel. He next will be seen in Paul Thomas Anderson’s Inherent Vice. Jaeger is repped by Greene & Associates and Circle of Confusion.
Jon Tenney has booked a role in The Best Of Me, Relativity’s adaptation of the Nicholas Sparks novel.The pic ttells the story of Dawson and Amanda, former high school sweethearts who find themselves reunited after 20 years apart when they return to their small town for the funeral of a beloved friend. Their reunion reignites the love they’ve never forgotten, but the duo find the very same forces that drove them apart before live on. Tenney plays Harvey, father of Amanda (played as a teenager by Liana Liberato and as an adult by Michelle Monaghan).
Doug Liman‘s futuristic sci-fi actioner Edge Of Tomorrow stars Tom Cruise as Major William Cage, a neophyte officer who is dropped into combat to battle an alien race that has hit Earth in an unrelenting assault. Killed within minutes, Cage finds himself thrown into a Groundhog Day-type time loop, living out the same brutal combat over and over, fighting and dying — over and over again. Emily Blunt is the Special Forces warrior who joins Cruise in the fight. Warner Bros and Village Roadshow release the pic June 6.
2013 Most Valuable Blockbuster – #7 ‘Monsters University’ Vs. #10 ‘Thor: The Dark World’; #2 ‘Frozen’ Vs. #15 ‘The Great Gatsby’
#1 ‘Iron Man 3′ Vs. #16 ‘The Conjuring’
#3 ‘Despicable Me 2′ Vs. #14 Star Trek Into Darkness’
#4 ‘Hobbit: Desolation Of Smaug’ Vs. #13 ‘Oz The Great And Powerful’
#5 ‘The Hunger Games: Catching Fire’ Vs. #12 ‘World War Z’
#6 ‘Fast & Furious 6′ Vs. #11 ‘The Croods’
#8 ‘Gravity’ Vs. #9 ‘Man Of Steel’
#7 MONSTERS UNIVERSITY Vs. #10 THOR: THE DARK WORLD
How They Got Here: Monsters University might well be the most stealthy of all the films that grossed more than three-quarters of a billion dollars worldwide. The film was the seventh-largest domestic grosser of the year, and did near double that abroad. Pixar’s representative in the tournament turned in the second-largest gross of all films from the John Lasseter hit machine, second-largest G-rated film, and is Pixar’s third biggest overall film ever. Thor: The Dark World continues the Marvel superhero juggernaut, and it did particularly well in China, Russia and the UK. While the hammer-wielding hero pales compared to Iron Man, the sequel bettered the original film in both domestic and overseas for a total tally of $645 million.
The Bottom Line: Thor 2 cost $170 million to make, per our experts, and because Marvel is so stingy to everyone but Robert Downey Jr, there are modest participations here that amount to around $12 million. Monsters University cost $200 million, and that include pricey paydays for returning voicers like John Goodman and Billy Crystal. Participations clocked in at around $13.5 million.
The Winner: Neither gains much of an edge because each is the second installment of a franchise, though Thor 2 probably amps up expectations of the next installments of Marvel’s biggest jewel, The Avengers. So we go to the profit numbers. According to our experts, Monsters University will return $179.8 million to Disney, besting the $139.4 million that Thor 2 returns to Disney. Total cash-on-cash return edge goes to Monsters University, at 1.36 to the 1.32 turned in by Thor 2. Disney is the big winner here, but Monsters University advances.
Navid Negahban (Homeland), Eric Close (Nashville), Eric Ladin (Boardwalk Empire) and Rey Gallegos (Gang Related) have joined the cast of American Sniper for director Clint Eastwood. The film stars Bradley Cooper as decorated marksman Chris Kyle, whose memoir American Sniper: The Autobiography Of The Most Lethal Sniper In U.S. Military History serves as the basis for the Warner Bros film. Village Roadshow is co-producing and co-financing. Filming starts at the end of March in Morocco. Negahban plays Sheikh al-Obeidi, an Iraqi local who is willing to help the SEALs find their target, for a fee. Ladin is Squirrel, a Southern California surfer kid who is part of the SEAL team. Gallegos plays Tony, chief of the SEAL team and one of the instructors during training. No details were available on Close’s character.
BREAKING: The Lego Movie to date has made $151.7 domestically after two weeks in release and now it is getting a sequel. Warner Bros just announced that it has blocked out May 26, 2017 on the release date schedule. Done in association with Village Roadshow, Lin Pictures and Vertigo Entertainment, the PG-rated Lego Movie has been able to cross demos from family to older teens — it’s a formula for success that made a sequel a no-brainer. Phil Lord & Christopher Miller wrote the screenplay and directed, and Chris Pratt, Will Arnett, Elizabeth Banks, Morgan Freeman, Liam Neeson, Channing Tatum, Will Forte and Jonah Hill provided the voices. The pic crossed $200 million worldwide Wednesday after a killer $69 million opening weekend and is expected to take first place again this frame.
Warner Bros’ The Lego Movie grossed higher internationally than tracking predicted over the weekend, and the animated pic has now officially crossed $200 million worldwide. The movie, from Warner Bros Pictures, Village Roadshow and LEGO System A/S, opened domestically February 7 to $69.1 million and is currently sitting at $146.3 million here after the Valentine’s Day/Presidents Day frame in which it finished No. 1 again on 3,775 screens with a killer hold (28%). Overseas, the pic is in 42 markets and has grossed $60.4 million to date, with Germany, Russia, France, Italy, Australia and Japan still to come. Warners said the wordwide cume is $206.7 million.
Box Office: ‘RoboCop’ Can’t Blast Through Wednesday’s Winter Storm, MPAA Releases ‘Winter’s Tale’ New York Budget
UPDATED, Thursday, 10:33 AM: Regal has another 60 theater closures today as the winter storm is affecting millions of Americans. This ice and snow storm is knocking down power lines and also knocking out movie going. It is also challenging snowfall records in some states. But it looks like it will be breaking on Friday afternoon for most spots (not the Northeast). Just received Cinemascore on RoboCop … overall a B+ with an A- rating by those under 25 and an A for those under 18. But it’s not going to stop The Lego Movie and About Last Night from rolling right over it. And that has nothing to do with the weather. So this weekend, it’ll be 1980s remake with choices of violence and/or sex. Ain’t that America … like, totally for sure. But yesterday and today is certainly grody to the max. Lego will rule once again.
UPDATED, Thursday 8:45 AM: Power outages, theater closures … all of AMC’s 12 theaters were closed in Atlanta, GA last night … and that is just a sampling of what RoboCop‘s opening and all mid-week plays for films faced last night. Another 30 theaters were either shut down early or shuttered altogether on the East Coast from the Carolinas up through Baltimore with Philadelphia and D.C. reporting similar problems. And more of the same is expected today. Updated estimates have arrived this AM showing RoboCop took in only $2.75M, just ahead of Warner Bros.’ The Lego Movie‘s $2.1M. Not good all the way around, esp. for MGM/Sony … but Friday numbers should pick up for everyone.Meanwhile, the MPAA released Winter’s Tale New York budget numbers showing that the Warner Bros.’/Village Roadshow production spent $41,465,577 in total local expenditures breaking down as, $26,998,940 paid in wages over 5,000 people and “over $15 million with local vendors on housing, catering, wardrobes, construction, and many other services required to make a major motion picture.” And then there’s a little thing called marketing and distribution costs.
PREVIOUS Wednesday, 11: 15 P.M.: What an unfortunate day to open at the nation’s theaters — the day of one of the worst winter storms in recent memory that has blanketed a substantial part of the country in snow and heavy ice. RoboCop, MGM/Columbia Pictures’ rebooted actioner starring Joel Kinnaman as the part-human, part-robot police officer, trudged into 3,366 theaters to take in around $3M, or only $891 per screen. The storm has affected moviegoing over a wide swath in major markets from Texas to the Carolinas and is expected to travel up the East Coast, hitting some of the nation’s biggest cities tomorrow. Fingers crossed that West Coast attendance will raise the estimate in the morning. The potential downside is that storm may linger into Valentine’s Day Friday, bringing significantly lower attendance across the board in the affected areas. RoboCop opened on February 1 overseas and last weekend was No. 1 in 10 markets. It has grossed $28.7M to date and is expanding this weekend. Directed by José Padilha and written by Joshua Zetumer and Edward Neumeier & Michael Miner, the film also stars Michael Keaton, Gary Oldman, Samuel L. Jackson and Marianne Jean-Baptiste. The producers are Marc Abraham and Eric Newman.
OPENING: The Lego Movie (WB), blockbuster expected anywhere from $69M; The Monuments Men (Sony), around $22M in 2nd position; Vampire Academy (TWC) anemic with $3.9M.
4TH UPDATE, 1 P.M: The Lego Movie ended its weekend run with $69M. Sony is reporting The Monuments Men at $22M (slightly less than yesterday) and the other newcomer distributed by The Weinstein Company, Vampire Academy, ended the 3-day holiday weekend with a mere $3.9M. Next weekend openers are a slew of 1980s back-to- the-future movies with re-worked titles MGM’s Robocop, which opens Wednesday; Sony’s About Last Night, starring Ride Along‘s Kevin Hart; and Universal’s remake of Endless Love. Here are the final numbers as reported from the studios for Top 20 titles from this weekend:
1). The Lego Movie (WB) 3,775 theaters / Est. 3-day Cume: $69M / Per screen: $18,291 / Wk 1
2). The Monuments Men (SONY), 3,083 theaters / 3-day Cume: $22M / Per screen: $7,137 / Wk 1
3). Ride Along (UNI), 2,800 theaters (-67) / 3-day Cume: $9.5M (-20%) / Per screen: $3,425 / Total Cume: $105.3M / Wk 4
4). Frozen (DIS), 2,460 theaters (-294) / 3-day Cume: $6.8M (-23%) / Per screen: $2,794 / Total Cume: $368.6M / Wk 12
5). Lone Survivor (UNI), 2,869 theaters (-416) / 3-day Cume: $5.5M (-22%) / Per screen: $1,940 / Total Cume: $112.8M / Wk 7
6). That Awkward Moment (FOCUS), 2,809 theaters (0) / $3-day Cume: $5.2M (-40%) / Per screen: $1,864 / Total Cume: $16.5M / Wk 2
7). Vampire Academy (TWC), 2,676 theaters / 3-day Cume: $3.9M / Per screen: $1,466 / Wk 1
8). The Nut Job (OPRD), 3,004 theaters (-468) / 3-day Cume: $3.7M (-48%) / Per screen: $1,249 / Total Cume: $55M / Wk 4
9). Jack Ryan: Shadow Recruit (PAR), 2,139 theaters (-768) / 3-day Cume: $3.5M (-34%) / Per screen: $1,651 / Total Cume: $44.4M / Wk 4
10). Labor Day (PAR), 2,584 theaters (0)/ 3-day Cume: $3.1M (-38%) / Per screen: $1,233 / Total Cume: $10.1M /Wk 2
Warner Bros.’ will be planting its flag in its tentpole this weekend with The Lego Movie which will dominate the three-day box office. Done in association with Village Roadshow, Lin Pictures and Vertigo Entertainment, the picture is crossing demos from family to older teens with the hopes of pulling in an even older audience. College anyone? It doesn’t hurt that the voices are well-known names: Will Arnett, Elizabeth Banks, Morgan Freeman, Liam Neeson, Channing Tatum and Jonah Hill. Chris Pratt leads. It’s the first full-length movie based on the LEGO brand, which by the way, has done a phenomenal job re-inventing itself and keeping relevant with an entirely new generation of consumers. The 3D animated, PG rated film could take in a whopping $38M to $42Mthe studio thinks, but others think it could go much higher … much, much higher … unless the inclement weather across the nation dampens movie going this weekend. It bows in 3,775 theaters and there is no holdover stopping it so the weekend it is a wide open weekend for Warner Bros. In addition, Fandango let it be known today that The Lego Movie is turning out to be the second biggest advance ticket-seller among all animated films, behind only Toy Story 3. The company says that as of this morning, sales are surpassing advance ticket sales for …
EXCLUSIVE: Alexandra Daddario just landed the female lead opposite Dwayne Johnson on San Andreas, which New Line hopes will be its next big tentpole. In the Brad Peyton-directed film, Johnson plays a chopper pilot who sets out to rescue his estranged daughter after a massive earthquake hits California. Beau Flynn is producing and Village Roadshow Pictures is co-financing. Watch for Daddario; she is gaining notice for her role in HBO’s True Detective and is being courted for a role in the Entourage movie at Warner Bros. Daddario, who starred in Percy Jackson: Sea Of Monsters, is repped by UTA and McKeon-Myones Management.
Considering that global movie ticket sales reached precedent levels after a particularly robust holiday period and a mostly sizzling summer, 2013 was one of the most turbulent years I can remember in the executive suites of major studios. Studios were overhauled all over town to better compete in an arena that is more of a global pursuit than ever, with victory belonging to whoever can build and maintain the most franchises.
Purists will decry the fact that Hollywood’s brightest minds are mostly focused on repackaging derivative concepts for maximum global grosses, but evidence of the rewards are right there in the gross charts: Six of the top seven biggest films were sequels that provided the kind of results that keep studio conglomerate parents happy, keep studio chiefs employed, and slate co-financiers coming back for more. Sure, studios will still get involved with awards-season prestige films like The Wolf Of Wall Street, American Hustle and 12 Years A Slave, but often only when someone else pays to make them. This franchise fever pushed costs of blockbusters to ridiculously high levels, and left top execs and producers explaining, and sometimes packing, when some badly misfired. Add that to internal power struggles at places like Universal and Warner Bros, and you needed a scorecard to keep up with the executive changes — which came fast and furious, especially after the brutal summer blockbuster season. Among them:
*Universal fired film chairman Adam Fogelson in a move that surprised him along with everyone else in town but Ron Meyer and Donna Langley, with whom he engaged in a quiet power struggle. Fogelson was blindsided by the result, coming hours after he presided over the Toronto premiere of Rush. The Comcast-orchestrated move that put Jeff Shell in charge of filmed entertainment after he did well running NBCUniversal’s international operations. Meyer was upped to vice chairman of NBCUniversal and Langley as sole Universal Films chairman and picture picker. Even though the studio placed third in market share and Despicable Me 2 could become the studio’s biggest-ever box office hit when it plays in China, Universal also flubbed franchise launch attempts like R.I.P.D. and 47 Ronin, and Kick-Ass 2 proved that once was enough. Universal has sequels to Jurassic Park, The Mummy and Ted coming, and a new salty adult franchise in Fifty Shades Of Grey for 2015. Thomas Tull’s Legendary Pictures moved in to hatch pictures and co-fi Universal titles like Jurassic World, hedging the studio’s bets as it moves forward. Langley’s biggest challenge has been retooling the studio’s most lucrative franchise, Fast & Furious, which was halfway completed when star Paul Walker died tragically in a fiery car crash. Right after Fogelson was ousted, longtime Focus Features chief James Schamus was dismissed just as suddenly. He was replaced by Peter Schlessel, the whip-smart former Sony dealmaker who’d been running FilmDistrict and who clearly will be charged with broadening the highbrow Focus slate to include more low-risk high-return genre films like the FilmDistrict hit Insidious. Schamus’s co-chairman, Andrew Karpen, declined to relocate and stay on, dramatically changing the complexion of that prestige company.
*The final shoe dropped after Warner Bros gave the top job to Kevin Tsujihara instead of Warner Bros movie chief Jeff Robinov. At a time when Robinov should have been taking victory laps after his bets on filmmakers paid off so well with Ben Affleck’s Argo, Baz Luhrmann’s The Great Gatsby, Zack Snyder’s Man Of Steel and Alfonso Cuaron’s Gravity, Robinov instead left in a frosty exit to form his own moneyed film venture. This, and the equally tempestuous exit of Legendary’s Tull after a lucrative franchise-fueled run, left Robinov’s successors Greg Silverman and Sue Kroll under big pressure to assert themselves to find new franchises. The studio re-upped Village Roadshow Pictures and replaced Legendary with James Packer, Brett Ratner and Steven Mnuchin’s RatPac Dune in a slate co-financing deal that will spread $450 million or more over 75 films. While Warner Bros brass tired of Tull imposing his creative will and cherry-picking Warner Bros titles to co-fi, RatPac Dune will not do that, and I heard the studio was able to exclude certain plum titles from the arrangement. But Warner Bros also gifted RatPac Dune with a co-fi stake in Gravity after it was completed, creating a big windfall for a fledgling venture. It’s ironic given nobody in Hollywood but Robinov seemed to want to make that movie — an expensive auteur effort that has zero sequel potential. One challenge for the new team at Warner Bros: keeping Robinov from peeling away the directors he empowered, from Christopher Nolan to Affleck, Snyder, Luhrmann, The Hangover‘s Todd Phillips and Cuaron to make movies at the new company he and Graham King are expected to launch at Sony. Silverman is respected and Kroll is regarded as arguably the best marketer in town and the studio’s global distribution and marketing operation is as good as there is, but the pressure’s on even though Warner Bros topped other studios in market share. It also has what seems like a strong year with franchise launches in Godzilla and LEGO, another installment of 300 (so what if everybody died in the original?), and a Hobbit finale. Beyond Hobbit, New Line continues to do its part on the franchise front, hatching a Horrible Bosses sequel for 2014 and gearing up another installment of its sleeper 2013 road trip comedy We’re The Millers.
*After two costly summer misfires in After Earth and White House Down, a lackluster Smurfs sequel that fizzled the franchise, and disappointing returns on the Matt Damon-starrer Elysium, Sony Pictures chairman Amy Pascal found herself in the cross-hairs of minority activist shareholder Daniel Loeb. The result: seismic changes in its executive structure and game plan moving forward. The studio dropped marketing head Marc Weinstock, corporate PR chief Steve Elzer and home entertainment chief David Bishop, and then added former New Line president-turned Fifty Shades Of Grey producer Michael De Luca to share president of production duties with Hannah Minghella. The studio vowed heading into its fall investor meetings that it would cut $250 million in costs through 2016, and make fewer movies in 2014 and pour the money into TV. I keep hearing that was temporary window dressing, and after adding former Fox chief Tom Rothman to revive TriStar, which creates another buyer on a lot full of them, Sony will continue to try and create franchises to go along with its Spider-Man and 007 stalwarts. Sony secured a big slate co-fi investment from John LaViolette and Joseph Singer’s Blue Anchor that begins with George Clooney’s The Monuments Men. And then there is the prospect of the venture by Robinov/King which would give Sony huge movies to release and gain market share and bragging rights, without actually having to fund them if they don’t want to. If 22 Jump Street and especially The Amazing Spider-Man 2 hit as well as is hoped, some of that pressure could be alleviated as the studio presses ahead with reboots of past franchise successes Ghostbusters and Men In Black.
Coming off April’s Oblivion, Tom Cruise stars in Doug Liman‘s futuristic sci-fier as an officer in a brutal alien war who becomes stuck in a time loop and is forced to re-live the same combat mission over and over. Emily Blunt is the lethal soldier who helps Cruise become a warrior while he’s trapped in his Groundhog Day-style existential crisis. WB and Village Roadshow release Edge of Tomorrow on June 6. Check out the first trailer for the pic formerly known as All You Need Is Kill:
Channing Tatum stars as an interplanetery warrior and Mila Kunis stars as a janitor who discovers she’s meant for a greater destiny in Jupiter Ascending, the latest film from Lana and Andy Wachowski. The Matrix duo most recently released the sprawling sci-fier Cloud Atlas following their 2008 bomb Speed Racer. Warner Bros. will release the sci-fi action pic and Village Roadshow co-production on July 25, 2014. Sean Bean and Eddie Redmayne also star. Check out the first trailer:
Warner Bros has slotted its earthquake actioner San Andreas for June 5, 2015. The disaster pic will be released in 2D and 3D, the studio said today. Brad Peyton directs Dwayne Johnson in the New Line- and Village Roadshow-produced movie, which centers on a massive earthquake that hits California. The big-budget film was hatched by producer Beau Flynn and scribes Jeremy Passmore & Andre Fabrizio as a pitch. Allan Loeb as well as Carlton Cuse did polishes, and the most recent draft is from Chad and Carey Hayes. Flynn’s FlynnPictureCo is producing, as is Tripp Vinson. This one’s been in the works for a while — producers went out to directors on this in December 2011 before finding Peyton. Johnson, who worked with the helmer on Journey 2: The Mysterious Island, came aboard this October to star as a rescue-chopper pilot who treks across the earthquake-devastated state in search of his estranged daughter.
So far, that key summer weekend slot has Fox’s B.O.O.: Bureau Of Otherworldly Operations, with Universal’s Jurassic World staking out the next weekend.