I’m live-snarking the 85th Oscars for the outstanding film achievements of 2012 starting at 5:30 PM PT tonight. Comments will open when the show starts inside the Dolby Theatre. Come for the cynicism. Stay for the subversion. Add your opinion. WARNING: Not for the easily offended or ridiculously naive.
To understand the Academy Awards is to understand that Tinseltown is fueled by the green-eyed monster. Envy and spite will determine the winners. Because best productions or performances have nothing to do with the 24 categories awarded tonight. The negatives, not positives, will decide this year’s Oscars. That’s par for the course in Hollywood, where nastiness rules and niceness gets rolled. How else to explain why the horrible Harvey Weinstein is trying for his 3rd straight Best Picture?
Everything in Hollywood is agenda driven. That’s why I always say, when it comes to its biggest awards, what’s important are the scars, not the Oscars. Here’s how to handicap them: just look for whomever is envied most by members of the Academy Of Motion Picture Arts & Sciences and bet those names probably won’t get called onstage tonight. That’s why few think Steven Spielberg has any real shot at Best Director or his Lincoln at Best Picture. Of course he thinks he deserves both. But when you’ve been moviedom’s legend for seemingly forever, the Academy voters can’t wait to knock you off your pedestal. OK, I’ll say it; Hollywood actually hates … Read More »








She starts October 1st. Gottlieb left ICM to head Alec Baldwin’s production company, El Dorado Pictures, and then develop projects for her husband, director/producer Walter Hill. Of course, most of her former clients scattered: Eddie Murphy, Keanu Reeves, Helen Mirren, Christopher Guest and Bill Paxton. But I’ve always loved the story of how Hildy jump-started Murphy’s film career. The 19 year old Eddie came out of the New York comedy clubs to join SNL’s 1980-1981 season as only a featured player, not even a regular. At the time, Gottlieb had just been hired away from J. Michael Bloom. The youngest of ICM’s film agents, she one day received a phone call from ICM’s personal appearances department asking for her help: the agency had just signed a young black comic who was going to start on SNL but wanted to do movies. With that, Gottlieb officially had her first ICM actor client, though she didn’t even know what Eddie Murphy looked like, or if he were talented. (Of course, when the first SNL finally aired, Gottlieb thought the kid was great.)
Before the fall TV season started, she set up meetings for Murphy with a number of producers and studio execs. But no one recognized his potential. Instead they told Gottlieb over and over that, sorry, they couldn’t star a black actor in a movie for white audiences. Only Universal’s Jennings Lang made a deal for Murphy. But when the script … 
