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FINAL: Intl Box Office: ‘Transformers’ Adds $84.6M; ‘Apes’ Swings Up With $61.9M; ‘Boyhood’ Growing In UK; More

FINAL: Intl Box Office: ‘Transformers’ Adds $84.6M; ‘Apes’ Swings Up With $61.9M; ‘Boyhood’ Growing In UK; Morecinemaworld2ND UPDATE, MONDAY 3:20 PM PT: Updated figures for the international weekend have come in with all studios reporting. Among the top movies in the marketplace, Transformers: Age Of Extinction‘s 4th frame was up from original estimates to $84.6M in 58 territories ($662.6M cume), and Dawn Of The Planet Of The Apes was slightly higher than predicted in its 2nd frame with $61.93M on 10,347 screens in 51 markets ($103.6M cume).

Also of note, Fox’s The Grand Budapest Hotel has officially passed $110M internationally, adding $491K in 15 territories this weekend. Meanwhile, Boyhood, which Universal is releasing most everywhere overseas, added 60 locations in its 2nd UK frame. The result was a 0% drop from last week with $537K at 89 dates. The UK/Ireland total is now $1.5M (£892K). With the buzz growing, Universal is looking to continue the pattern by increasing the number of screens in more regional areas this Friday. In the next few days, the studio says the Richard Linklater drama will best the director’s Before Sunset (£932K) and A Scanner Darkly (£995K) to become his 2nd biggest film in the market behind School Of Rock.

Updated throughout the below are figures on the above films as well as Planes: Fire & Rescue, Sex Tape, The Purge: Anarchy, How To Train Your Dragon 2, Step Up All In, Maleficent, Blended, The Fault In Our Stars, 22 Jump Street, Edge Of Tomorrow, X-Men: Days Of Future Read More »

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Update: Intl Box Office: ‘Dawn Of The Planet Of The Apes’ Awakens To $31.3M Overseas; ‘Transformers’ Adds $100M+ To Crash Past $500M Barrier

Update: Intl Box Office: ‘Dawn Of The Planet Of The Apes’ Awakens To $31.3M Overseas; ‘Transformers’ Adds $100M+ To Crash Past $500M BarriercinemaworldUPDATE, Monday 5:30 PM: Updates are in from Fox and Universal which had the films everyone wanted to know about in the domestic marketplace this weekend as well — Dawn Of The Planet Of The Apes and the indie favorite Boyhood. Meanwhile, Paramount Pictures’ Transformers: Age of Extinction took in a little less than the $102M estimate, but nonetheless grossed $100.3M from 12 markets, according to the studio, to sail past the $500M market in just three weeks of release. The international cume is now $540.6M. Added with the domestic gross and the go-bots are hitting on all cylinders with $713.4M worldwide.

All other numbers are updated below for those two films as well as for X-Men: Days of Future Past, How to Train Your Dragon 2, The Other Woman, Neighbors, A Million Ways to Die in the West, and The Fault in Our Stars and newcomer Rico, Oskar Und Die Tieferschatten. Just received Warner Bros. and Disney final international grosses so more updates below on Tammy, Jersey Boys, Maleficent, Edge of Tomorrow, Blended, and Godzilla. Sony has come in at 3 PM with its numbers for 22 Jump Street, Deliver Us From Evil, Heaven is For Real and Think Like a Man Too.

UPDATE, Sunday 2:10 PM PT: With the World Cup winding down tonight, next week will see Transformers: Age Of Extinction and Dawn Of The Planet Of The Apes expand significantly to … Read More »

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Update: Intl Box Office: ‘Transformers’ Adds $52M In China Weekend; ‘Dragon 2′ Fires Up $30M; And How’s ‘Tammy’?; ‘Maleficent’ Dethrones ‘Frozen’ In Japan; More

Update: Intl Box Office: ‘Transformers’ Adds $52M In China Weekend; ‘Dragon 2′ Fires Up $30M; And How’s ‘Tammy’?; ‘Maleficent’ Dethrones ‘Frozen’ In Japan; More5TH UPDATE, TUESDAY AM: Paramount came in with numbers late on Monday evening showing a slight bump in the overseas cume for Transformers: Age Of Extinction‘s 2nd frame. It was worth to $96.6M, the studio said, although the total overseas figure to date was unchanged at $400.9M. China‘s gross lifted to $52M from the previous $50.9M estimate. That was good for a total box office in the market through Sunday of $212.8M. There is some confusion over the tally, however, as local websites are reporting it had $222.74M through Sunday. That would push it past Avatar as the highest-grossing movie ever in China. We’re working to get the exact figures nailed down. All other figures for TAOE are updated in the copy below.

4th UPDATE, MONDAY, 4:00 PM PT: Paramount Pictures is the only studio that has not reported, and it has, of course, Transformers: Age Of Extinction, which is pounding it way across international markets. So we have finals for everything but the No. 1 pic internationally. The studio is still on holiday in the states. But Sony, Disney, Fox, Warner Bros and Universal have weighed in with updated numbers for their international releases this weekend.

The titles we have final updates for include 22 Jump Street, Deliver Us From Evil, Maleficent, Frozen, The Fault In Our Stars, How To Train Your Dragon 2, Rio 2, The Other Woman, X-Men: Days Of Future Past, Edge Read More »

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Update: Intl Box Office: Boosted By China, ‘Transformers’ Crushes $202.1M Says Paramount For Biggest 2014 Offshore Bow; ‘Breakup Guru’ Woos; ‘Dragon’ Still Flying

Update: Intl Box Office: Boosted By China, ‘Transformers’ Crushes $202.1M Says Paramount For Biggest 2014 Offshore Bow; ‘Breakup Guru’ Woos; ‘Dragon’ Still FlyingcinemaworldFINAL UPDATE, MONDAY, 2:30 PM: Final numbers are in for Sony’s 22 Jump Street, Think Like a Man Too, and The Amazing Spider-Man 2, Warner Bros.’ Edge of Tomorrow, Jersey Boys, Blended and Godzilla, Disney’s Maleficent and Frozen (in Japan), Fox’s How to Train Your Dragon 2, The Fault in Our Stars, The Other Woman, and Uni’s batch of films, Mrs. Brown’s Boys D’Movie, Neighbors, Boyhood, and A Million Ways to Die in the West, Transcendence (which debuted in France and Japan) and Heaven Is For Real. We just updated territory by territory breakdowns of Paramount’s Transformers: Age of Extinction.

We have overall cume numbers of Paramount’s Transformers: Age of Extinction now. Internationally, it was estimated at $201.3M yesterday and the studio says its final number for the weekend is $202.1M. In China, the estimate was $90M and today’s final the studio says is $91.9M. The worldwide gross sits around $299.6M based on true domestic three-day domestic grosses of $97.5M. Paramount’s claim of a $100M three-day box office is being widely disputed by all other distributors in the U.S. who also think the $97.5M is about right. In 10,152 locations, the Michael Bay-directed movie opened No. 1 in all 37 territories that it debuted in and Paramount Pictures was 35% bigger than the last installment, 2011′s Transformers: Dark of the Moon.

4TH UPDATE SUNDAY 3:28 PM PT: Michael Bay’s fourth in the Transformers franchise, as expected, dominated international play this weekend. With what Paramount says on Monday is a final of $202.1M, Age Of Extinction is the biggest international opener of the year and has bragging rights as the biggest imported bow ever in China at what was estimated at $90M but Monday showed $91.9M. China was the top market for Transformers: Dark Of The Moon which tallied $165.5M in 2011. TAOE included an added incentive for the Chinese given its Mainland locales, home-grown star Li Bingbing and a big publicity push that boasted the Hong Kong world premiere and the closing-night berth at the Shanghai Film Festival. The overall international numbers for the Top 10 films this weekend are worth 56% more than last weekend, but they are still 3% down on the comparable frame in 2013. That seems kind of surprising.

Transformers international box office chartBut, looking at last year, there was World War Z with $70.1M, Man Of Steel with $52.2M, Monsters University with $44.2M, Despicable Me 2 with $40.1M and local Chinese romancer Tiny Times, which debuted to $42.8M. Studios this year were already getting out of the way of the World Cup, and with TAOE sucking a lot of air out of the Asian markets, ultimately the result has its reason. One film that did creep up into the top echelons this weekend as local counterprogramming to TAOE in China was The Breakup Guru. The romantic comedy opened to $20.57M in two markets – China and the U.S. – and helps explain why holdovers like Maleficent or Godzilla dropped in their Middle Kingdom runs. (More on Breakup Guru below in the territory round-ups). TAOE has yet to bow in several territories, in many cases because of the ongoing World Cup, and could yet provide further records. They include the UK (July 5), Mexico (July 11), France (July 16), Germany and Brazil (July 17) and Japan (August 8). Of those, only France, Germany and Brazil are still moving forward in the mega-football tourney, so having their release dates fall after the final looks somehow prescient. The European premiere for TAOE will be held in Berlin this week. Read More »

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Final Int’l Box Office: ‘Godzilla’ Thrashes Again With $38.4M Weekend Led By China; ‘How To Train Your Dragon 2′ Fires Up $24.4M; ‘Fault’ On Fire In Brazil

Highlights: Godzilla (WB) lords over China with $38.4M open; Edge Of Tomorrow (WB) stilil sharp with $37.3M; Maleficent (DIS) adds $37.2M; How To Train Your Dragon 2 enters 28 markets with $24.4M (total $26.1M); X-Men: Days Of Future Past (FOX) flies over $450M; The Fault In Our Stars (FOX) shines with $16.1M; 22 Jump Street cops to $7M; Noah (PAR) enters Japanese waters, crosses $250M; More…

cinemaworldUPDATE, 3:44 PM, PT: Final numbers are in for Sony’s 22 Jump Street, Fox/DreamWorks Animation’s How to Train Your Dragon 2, Tom Cruise’s sci-fi actioner Edge of Tomorrow and Godzilla, Fox’s The Fault in Our Stars and X-Men: Days of Future Past, Universal’s A Million Ways to Die in the West and Neighbors, and the festival fave Boyhood, the animated Rio2, the Viggo Mortenson, Oscar Issac thriller Two Faces of January and local Spanish hit, Spanish Affairs, Paramount Pictures’ Noah in Japan and more.

UPDATED SUNDAY, 4:02 PM PT: This was largely a Hollywood holdover weekend with some new market plays and only one major new entry. Of the Top 15 movies internationally, three were from offshore: Korean action thriller A Hard Day in its 3rd frame, Korean action noir For The Emperor in its 1st frame and Hong Kong’s Overheard 3. This is of course the first weekend of full-on World Cup action, which in Asia is not as all-consuming as in Europe. That’s despite Korea and Japan having teams in the mix. The massive sporting event certainly doesn’t seem to have dented box office in China where Godzilla roared to the best opening of 2014 while Edge Of Tomorrow and X-Men: Days Of Future Past continued to perform (see below). In Europe, on days when the major national teams play, box office can be down by about 50%-60% in the home markets, and by about 20% if the home team isn’t involved. The phenomenon may not be as drastic this year because of the time differences between Europe and Brazil which means most games are airing late at night on the Continent.

godzilla2014-china-poster

However, overseas, across the Top 10 titles, the frame was down 22% on last weekend and 15% on last year. At this same point in 2013, Man Of Steel opened to $71.6M in 24 international markets. After Earth, Fast & Furious 6, The Hangover Part III and Star Trek Into Darkness were also still playing. Plus, Chinese action pic Switch flicked on at home with a $22M+ opening. Overall drops are expected this year during the World Cup play, when very few blockbuster type films open. That, however, opens the door for holdovers to stretch and counterprogrammers to pick up some of the slack. The films that tend to work during this period are ones that skew to female, family and older audiences. How To Train Your Dragon 2 was the only big new opener this week, with $24.4M across 28 territories. It dominated market share, while The Fault In Our Stars continued to woo overseas audiences. In other holdovers, Edge Of Tomorrow, Maleficent and X-Men: Days Of Future Past kept churning. Each of those films has received positive reviews (as has Dragon 2) and so given the studios’ strategic plans, could continue to show legs even if they begin to wobble a bit. Next weekend, Clint Eastwood’s Jersey Boys warbles in the UK, France, Italy and elsewhere. The subject matter of Frankie Valli and the Four Seasons may be a bit foreign to foreign auds, but moviegoers less concerned with football are likely to seek out a film by the respected director. TFIOS and HTTYD2 are hitting a bunch more markets next weekend as well; especially the latter which flies forth into about 30 including Australia, Mexico and Brazil, each of which were among the first film’s best territories. In Brazil, kids are also off from school. Maleficent, meanwhile, sees its China bow on June 20. See below the original post for key market breakdowns.

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Update: Intl Box Office: ‘Godzilla’ Thrashes Again With $38M Weekend Led By China; ‘How To Train Your Dragon 2′ Fires Up $24.8M; More

Highlights: Godzilla (WB) lords over China with $36M open; Edge Of Tomorrow (WB) stilil sharp with $37.4M; Maleficent (DIS) adds $37.2M; How To Train Your Dragon 2 enters 25 markets with $24.8M; X-Men: Days Of Future Past (FOX) flies over $450M; The Fault In Our Stars (FOX) shines with $16.4M; 22 Jump Street cops to $6.9M; Noah (PAR) enters Japanese waters, crosses $250M; More…

cinemaworldUPDATE, 4:02 PM PT: This was largely a Hollywood holdover weekend with some new market plays and only one major new entry. Of the Top 15 movies internationally, three were from offshore: Korean action thriller A Hard Day in its 3rd frame, Korean action noir For The Emperor in its 1st frame and Hong Kong’s Overheard 3. This is of course the first weekend of full-on World Cup action, which in Asia is not as all-consuming as in Europe. That’s despite Korea and Japan having teams in the mix. The massive sporting event certainly doesn’t seem to have dented box office in China where Godzilla roared to the best opening of 2014 while Edge Of Tomorrow and X-Men: Days Of Future Past continued to perform (see below). In Europe, on days when the major national teams play, box office can be down by about 50%-60% in the home markets, and by about 20% if the home team isn’t involved. The phenomenon may not be as drastic this year because of the time differences between Europe and Brazil which means most games are airing late at night on the Continent.

godzilla2014-china-poster

However, overseas, across the Top 10 titles, the frame was down 22% on last weekend and 15% on last year. At this same point in 2013, Man Of Steel opened to $71.6M in 24 international markets. After Earth, Fast & Furious 6, The Hangover Part III and Star Trek Into Darkness were also still playing. Plus, Chinese action pic Switch flicked on at home with a $22M+ opening. Overall drops are expected this year during the World Cup play, when very few blockbuster type films open. That, however, opens the door for holdovers to stretch and counterprogrammers to pick up some of the slack. The films that tend to work during this period are ones that skew to female, family and older audiences. How To Train Your Dragon 2 was the only big new opener this week, with $24.8M across 25 territories. It dominated market share, while The Fault In Our Stars continued to woo overseas audiences. In other holdovers, Edge Of Tomorrow, Maleficent and X-Men: Days Of Future Past kept churning. Each of those films has received positive reviews (as has Dragon 2) and so given the studios’ strategic plans, could continue to show legs even if they begin to wobble a bit. Next weekend, Clint Eastwood’s Jersey Boys warbles in the UK, France, Italy and elsewhere. The subject matter of Frankie Valli and the Four Seasons may be a bit foreign to foreign auds, but moviegoers less concerned with football are likely to seek out a film by the respected director. TFIOS and HTTYD2 are hitting a bunch more markets next weekend as well; especially the latter which flies forth into about 30 including Australia, Mexico and Brazil, each of which were among the first film’s best territories. In Brazil, kids are also off from school. Maleficent, meanwhile, sees its China bow on June 20. See below the original post for key market breakdowns.

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Intl Box Office: ‘Edge Of Tomorrow’ No. 1 With $81M; ‘Fault In Our Stars’ Shines Bright In Brazil, Mexico, Oz; ‘Maleficent’ Adds $61.7M; ‘X-Men’ Crosses $100M In China; More

Highlights: Edge Of Tomorrow (WB) loops $81M in 2nd frame for $111M overseas cume; Maleficent (DIS) spells another $61.7M; X-Men: Days Of Future Past (FOX) adds $41.1M, helps studio over $1.5B GBO mark; The Fault In Our Stars (FOX) twinkles with $16.5M in 17 markets; 22 Jump Street (SONY) uncovers $8.2M; Godzilla‘s cume is now $208.2 … MORE

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FINAL UPDATE, 7:30 PM PST: Grosses for the last film of the weekend, Godzilla, have been added below. All numbers final.

2nd UPDATE, 4:52 PM PST: Grosses are in on everything but Godzilla as we are still waiting to hear from Warner Bros. However, they did report for the Tom Cruise sci-fi film Edge of Tomorrow. So, we have updated grosses for every other film but the Big Lizard, including Fox’s The Fault In Our Stars, Sony’s 22 Jump Street, Fox franchise X-Men: Days Of Future Past, Sony’s franchise player The Amazing Spider-Man 2, Uni’s ill-fated domestic comedy A Million Ways To Die In The West and their comedy success Neighbors, as well as Babysitting, Spanish Affairs, Her (which Uni is handling in South Korea), Fox’s The Other Woman and just got numbers in for Richard Linklater’s Boyhood which was a favorite at the Berlin Film Festival this year and has been winning awards at festivals Stateside, too. Uni is handling. All Final updated international numbers are below: Read More »

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UPDATE: ‘Maleficent’ Conjures $20.1M In 35 Overseas Markets Ahead Of Weekend Expansion

MALEFICENT-posterUPDATE, FRIDAY 10:20 AM: After bowing in a handful of territories on Wednesday, Angelina Jolie-starrer Maleficent expanded on Thursday to a total 35 markets including Russia, Germany, Korea, Brazil and Australia. Along with the UK, France, Italy and others which got the Disney movie on Wednesday, the total two-day overseas take is $20.1M. In the UK on Wednesday, Jolie had her best-ever opening at $2.5M (with Thursday added in, the UK now stands at $4.6M). Thursday’s $2.1M Germany opening was likewise a milestone for the actress who’s been absent from live-action movies since 2010. Russia opened to $2.4M on Thursday and France was a big No. 1 among new openers with $2.1M on Wednesday. Spain and Mexico open today with some smaller territories that will make for a total of 47 through the weekend. There will be numbers galore in the next few days as international rollouts also begin on Tom Cruise-starrer Edge Of Tomorrow and Seth MacFarlane’s A Million Ways To Die In The West.

PREVIOUS, THURSDAY 10:23 AM PT: Disney’s Maleficent is off to a strong start internationally. The Angelina Jolie starrer brought in $2.5M yesterday in the UK and Ireland, which the studio says was above expectations. The twist on the Sleeping Beauty tale largely shot in the UK, at London-adjacent Pinewood Studios, and also stars Elle Fanning, Sharlto Copley, Lesley Manville, Imelda Staunton, Juno Temple and Sam Riley. The UK bow surpassed the first … Read More »

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Cannes: EuropaCorp Leads Group Of French Companies Looking Abroad To Overcome Local Theatrical Biz Limitations

Mike Fleming

Cannes for me is an exercise in chasing big-money movie deals, but I took the opportunity to meet several French companies WelcomeToNewYorkto get a view of the business from their side of the pond. Compared to the problems I hear from Hollywood, these guys struggle for growth in a French theatrical system that seems completely preposterous to an Americain.

In Hollywood, they whine about how hard it is to get a movie made; about a weekend crowded with three new releases; the inefficiency of big P&A spends to advertise on TV to ensure moviegoers show up opening weekend; and the six-month wait for DVD and VOD. In France, a heavily subsidized system makes getting movies made the easy part. The downside: 15-18 films open week in and week out; TV advertising is outlawed, and the wait for DVD and VOD is an eternity compared to the U.S. Small wonder several of the major French companies are looking outside elsewhere for growth.

Related: Cannes: EuropaCorp Signs $450M Credit Facility To Finance English-Language Pics

Cannes2014_badge__140417160328-150x150 (1)For a company like Gaumont, that means supplementing Centrée Français fare by hatching U.S. market TV hits like Hannibal. Wild Bunch’s core business is backing gutsy films like Blue Is The Warmest Color, but at this Cannes, the company created a stir showing a film before its precedent-setting straight-to-VOD release. Welcome To New York is Abel Ferrara’s lurid drama that stars Gerard Depardieu as a crass, horny money man based on former IMF head Dominique Strauss-Kahn, who cut a decadent swath around the world before being arrested for allegedly mauling a maid in a New York hotel. Because Wild Bunch bypassed theaters, it could spend $1 million on TV ads, creating more awareness than if it had gone theatrical and could not advertise. Success will mean more films with bigger stars test this new market and that could be as disruptive to France’s arcane theatrical machine as the current crop of pay and cable TV series like True Detective feel compared to the derivative product churned out by Hollywood movie studios.

Related: Cannes: Abel Ferrara’s Sex Scandal Pic ‘Welcome To New York’ Penetrates La Plage

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BOX OFFICE UPDATE: ‘Godzilla’ Stomps Into Theaters Tonight With $9.3M; Int’l Numbers Arrive

By | Friday May 16, 2014 @ 7:15am PDT

Godzilla Box Office4TH UPDATE, FRIDAY, 7:15 AM: Godzilla is a monster with late-night grosses tallying a sizeable $9.3M on more than 3,400 screens, coming in much bigger than expected. Of that number, $2.1M came from IMAX screens. In comparison, Captain America: The Winter Soldier had a late-night tally of $10.2M and went on to gross $95M in its opening weekend. Godzilla won’t get near that after the three-day weekend, but I expect its opening to go well over $70M — even to $80M — with a strong night tonight. Stay tuned as it rolls out today. Its midnights on the West Coast were said to be the big get.

3rd UPDATE, THURSDAY 9:44 PM: I know it’s early still, but we’re hearing that Godzilla may be exceeding expectations tonight in late-night bows and will end up north of $6M in the AM … perhaps more like $8M-$10M. Excellent news for Warner Bros. (which has one of the best distribution teams in town) and for Legendary Pictures and their principals Thomas Tull and Jon Jashni as well as Mary Parent and Brian Rogers. Kudos, too, to director Gareth Edwards. The teaser marketing campaign took a page right out of the Steven Spielberg book of letting the actors’ reaction shots tell the tail … er, I mean tale. The Fiat promo spot is pretty funny as well with the disclaimer that says something along the lines of “didn’t actually happen” as the monster coughs up the car.

new_godzilla2014_pics_cranston_johnsonChecking in on social media, Godzilla stands at No. 3 across the social media universe in May with combined YouTube, Facebook and Twitter activity behind The Amazing Spider-Man 2 and X-Men, according to RelishMix, which tracks social engagement of the Big Three. “Star Bryan Cranston’s 1.6M FB and 1.3M Twitter followers, while not monstrous, is promoting the film heavily as is Elisabeth Olsen,” says CEO Marc Karzen, who added that fans are posting Godzilla YouTube trailers as well as reviews and spoof clips at a earned:owned ratio of 9 to 1 with a lighter footprint of international clips. In other words, the fanboys have arrived.

Related: Hot Trailer: ‘Godzilla’

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Carmike Agrees To Buy Digiplex In An All-Stock Deal

By | Thursday May 15, 2014 @ 1:09pm PDT

Carmike Cinemas logoThis is the latest installment in the exhibition consolidation saga — and a logical one in light of Carmike‘s stated goal to build itself to 3,000 screens from about 2,660 in time for the onslaught of potential blockbuster sequels Hollywood plans to release in 2015. Westfield, NJ-based Digiplex has 206 screens in 21 locations and agreements to pick up five theaters with 53 screens, and introduces Carmike to four states: Arizona, Connecticut, Maryland and New Hampshire. Carmike can flex its financial muscle: It owns about 19% of cinema ad sales company Screenvision, which National CineMedia recently agreed to buy for $375M.

DigiplexDigiplex — the short name for Digital Cinema Destinations Corp — is an interesting target. CEO Bud Mayo, who controls 39.5% of the voting shares, is well known in the industry. He co-founded Clearview Cinema, sold to Cablevision in 1998, and then co-founded Cinedigm, which he ran until 2010 when he founded Digiplex. Over that period he became a vocal supporter of digital projection and alternative content. He urged his colleagues, at the recent CinemaCon industry convention, to step up their efforts to find concerts and sports events to show on typically slow weeknights.

But small theater chains have struggled: Digiplex shares lost more than 23% of their value since the company went public in 2012. They’re up 8.3% in after-market trading today, following the announcement of the deal with Carmike. It has agreed to exchange 0.1775 of its shares for each of Digiplex’s 7.93M shares. That implies a $45.3M value for Digiplex — a 15.4% premium based on its market value today, based on Carmike’s closing price of $32.19 a share.

Here’s the companies’ release: Read More »

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UPDATE: Intl Box Office: ‘Spider-Man 2′ Snares $67.2M; ‘Rio 2′ At $250M; ‘Captain America 2′ Crosses $400M; China’s ‘My Old Classmate’ Aces Test; ‘Other Woman’ Attracts $12.8M; ‘Spanish Affairs’ Still Hot In Spain; ‘Transcendence’ Adds $11M; More

Highlights: The Amazing Spider-Man 2 (SONY) spins $67.2M in sophomore weekend; Rio 2 (FOX) wings way to $250M; Captain America: The Winter Soldier (DIS) adds $16M for $420.3M overseas haul; The Other Woman (FOX) has $20.63M cume; Noah (PAR) summons $11.1M; Transcendence (WB) takes $10.8M; Divergent (LGF/SUM/var) nearing $100M intl; The Lego Movie (WB) builds to $200M; Spanish Affairs (UNI) becomes highest-grossing Spanish film of all time at home with $61.4M…

cinemaworld4TH UPDATE, WEDNESDAY 9 AM PT While I was traveling back from the U.S., additional and updated numbers came in for the past weekend’s box office. Notably, we’ve been furnished with a breakdown of Transcendence‘s performance in its 2nd frame. In 39 ex-U.S. markets, the film added a further $11.02M for an overseas cume of $34.1M. The worldwide total is $52.08M. In China, it earned $2.8M from an estimated 2,640 screens this frame, a 75% drop from its first outing last week. There were major new local films in the market (see below), but last week’s start was lower than hoped for especially given Johnny Depp’s big China promotional tour. However, with $19.1M total in China, the market is still outperforming domestic and should end up its biggest territory. With stiff competition from The Amazing Spider-Man 2, The Other Woman and Rio 2, the film kicked off at No. 4 … Read More »

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INTL BO: ‘Spider-Man 2′ Spins $47M Web For Biggest Opening Of 2014; ‘Captain America’ Passes $500M; ‘Frozen’ Highest Animated Grosser Ever; ‘Rio 2′ passes $200M Overseas

Highlights: The Amazing Spider-Man 2 (SONY) opens in 14 markets with $47M; Captain America: The Winter Soldier (DIS) passes $500M; Transcendence (WB) opens to $17.1M, mostly from China; Rio 2 (FOX) flies past $200M and is burning it up in Latin America. Noah (PAR) at $197.4M; Divergent (LGF/SUM/var) at $18M  for $74.7M cume; The Other Woman (FOX) bows with $5.3M in four markets; Spanish Affairs (UNI) phenom as Spain’s top local-lingo pic ever, still No. 1 … twice the marketshare of Spider-Man 2′s bow.

Related: Box Office: ‘Heaven Is For Real’ Rises High; ‘Transcendence’ Descends Into Hell

cinemaworld__1404061439493rd UPDATE, Monday, 10:50 PM PDT: Final numbers in for Transcendence, Divergent, Rio 2, The Other Woman, The Grand Budapest Hotel, The Lego Movie, and Mr. Peabody & Sherman. All grosses for the movies have changed.

2nd UPDATE, Sunday, 6:50 PM. PDT: More estimates have been added for Rio 2, Divergent, and further analysis on The Amazing Spider-Man 2. There will be another update tomorrow, but no territory by territory breakdown this week. It’s always interesting to see a snapshot of the top international pictures so far in 2014. Disney’s has the two lead spots right now with  Frozen $462M) and Captain America: The Winter Soldier ($385.1M), followed by The Wolf of Wall Street ($262.5M), which is being handled by Universal and many other distribs. The difference between the No. 2 and No. 3 pictures is a substantial $122.6M so far. Surprising, no? Rounding out the top five is Warner Bros.’  duo The Hobbit: The Desolation of Smaug ($244.5M) and 300: The Rise of an Empire ($223M).

Related: Specialty Box Office: ‘Fading Gigolo’ Seduces In Limited Opening; ‘Under The Skin’ Passes $1M

Amazing Spider-Man 2PREVIOUSLY, 10:27 AM, Sunday, PDT: Marking the biggest opening internationally of 2014, The Amazing Spider-Man 2 has taken the markets by storm, grossing an estimated $47M as it bows in such major territories as the U.K., Spain, Germany and Belgium, Mexico and Australia. All told, 14 markets. It was a big box office weekend internationally with several major pics playing well throughout the world. But all eyes are on Spider-Man, which opened strong in territories earlier in the week. The top market for the Sony franchise is Read More »

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OSCARS: Paramount Courts Academy Voters For ‘Noah’ And It’s Only April!

By | Wednesday April 16, 2014 @ 3:51pm PDT
Pete Hammond

Are you kidding?

Did Paramount just officially start the 2014 Oscar campaign even as we are barely getting the Emmys off the ground and theRussell Crowe as Noah Tonys are two months away? Uh, yes. Looks like it. One top studio exec (not from Paramount) forwarded me an email he got yesterday from the Paramount Awards Office that pronounced free admission starting April 15th - two by two for Academy members and a guest- to screenings of Noah at theaters nationwide – but only Monday thru Thursday since most theater owners usually don’t like to give up seats on the weekends, especially to rich and famous movie types.

Related: Can ‘Noah’ And ‘Grand Budapest Hotel’ Overcome Oscar’s Greatest Curse: A March Release Date?
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UPDATE: Intl Box Office: ‘Rio 2′ Soars With $63.4M; ‘Captain America: The Winter Soldier’ Blasts Past $300M Overseas; ‘Noah’ Adds $36.2M; ‘Divergent’ Nearing $50M

Highlights: Rio 2 (FOX) has $63.4M weekend, lands $12.6M in China debut; Captain America: The Winter Soldier (DIS) crosses $300M international; Noah (PAR) adds $36.2M; Divergent (LGF/SUM/var) nears $50M; Spanish Affairs (UNI) has 5th No. 1 weekend in Spain…

cinemaworld4th UPDATE, 7:15 PM, PST: The final Divergent  numbers are in, with the film nearing $50M but not yet crossing it; it stands at $48.1M. The film is based on the YA novel of the same name (part of a trilogy) and Lionsgate is hoping it will become another big franchise. This is the same company that launched the wildly successful Hunger Games series. Divergent is at $124.7M in the U.S. after the 3-day weekend for a worldwide gross of $172.8M+.

3rd UPDATE, Monday, 1:52 PM, PST:  New grosses are in for Rio 2, The Grand Budapest Hotel, 300: Rise Of An Empire, The Lego Movie, Spanish Affairs and The Secret Life of Walter Mitty. Rio 2 did better than previously expected internationally over the weekend, with a total tally of $63.4M to date; the worldwide cume on the animated family picture is over $100M.

2ND UPDATE, MONDAY 12:45 AM PT: Last weekend, Captain America: Read More »

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Film Business Is Recovering, But It Won’t Be Steady: Analysts

By | Monday April 7, 2014 @ 5:56am PDT

Wall Street usually shows little love for the movie business with its typically low, and unpredictable, profit margins. Movie MoneyBut in a combined look at the studio and exhibition businesses this morning, MoffettNathanson Research’s Michael Nathanson and Robert Fishman tell investors that it’s time to take a fresh look — as long as they proceed with caution. They lowered profit estimates for major exhibition chains Regal and Cinemark, citing expectations for weaker domestic summer box office results vs 2013. They project a full-year decline of 1.6% to $10.7B followed by a 5% jump in 2015 to $11.3B and then a drop of 2.6% in 2016 to $11.0B. The analysts appeared more upbeat about the studios. “After several terrible years post the popping of the DVD bubble, we believe the film industry is showing signs of health,” they say. “The combination of fewer releases, greater international focus and lower overhead expenses are all driving studio margins ahead of pre-recession levels. These results show that a good crisis wasn’t wasted in Hollywood.” Revenues fell over the last few years at the big four film studios (Warner Bros, Disney, Fox, and Paramount) as they reduced their output. Yet cash flow margins improved to a little under 12% which is “a tribute to their ability to curb bloated studio expenses.” Read More »

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NBC Acquires ‘Taxi Brooklyn’; Action Series Based On Luc Besson’s Feature Franchise

By | Wednesday March 26, 2014 @ 8:04am PDT

TaxiBrooklynNBC has acquired the U.S. broadcast rights to EuropaCorp Television‘s Taxi Brooklyn for a summer debut. The 12-episode action/comedy series is produced by showrunner Gary Scott Thompson (Las Vegas, The Fast And The Furious) and based on Luc Besson‘s Taxi feature franchise. It stars Grey’s Anatomy alumna Chyler Leigh and Jacky Ido (Inglourious Basterds). Former Blue Bloods co-star Jennifer Esposito, Ally Walker (Profiler), James Colby (Person Of Interest), Bill Heck (Pan Am), Jose Zuniga (Body Of Proof) and Raul Casso (Blue Bloods) round out the cast. Formerly known as Taxi: Brooklyn South, Taxi Brooklyn was shot in English in the titular borough along with Manhattan and Queens. Leigh plays Detective Caitlyn “Cat” Sullivan, who is determined to find the truth about the death of her father, an NYPD detective who was killed in the line of duty. When her stubborn character and recklessness behind the wheel see her demoted to foot patrol, she teams with the highly skilled and charming Marseille-born cabbie Leo Romba. Realizing Leo lied on his immigration form, Cat offers him a deal: in exchange for his driving prowess and taxi, she will help Leo with his papers situation. He becomes her personal driver and police consultant as they race through the streets of New York City solving cases. Read More »

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CinemaCon: NATO Chief Calls For More Family Friendly Films, Spread Through The Year

By | Tuesday March 25, 2014 @ 10:44am PDT

CinemaCon2014_badgeThe 4.7% increase in Q1 admissions and 7.2% uptick in box office shows that it pays to have family friendly films in the early months, NATO‘s John Fithian told exhibition execs at the opening session for the CinemaCon confab. But it’s not enough. “We have a need for more family friendly, quality movies,” he says noting that four hit the top 10 last year vs two the year before leading to a spurt in attendance by kids 11 and under. Fithian adds that “we could sell even more [tickets] if they were spread out…We could still use more calendar diversity.” He also cheered the growth of films featuring diversity in their leading actors, and in the audiences that they target. That’s becoming especially important now that major studios are “shooting for the globe but releasing fewer titles.” But Fithian says he’s encouraged to see Lionsgate rise “to major studio status” while new productions come from the exhibition-backed Open Road, and a new venture led by Bob Simonds. “We will have the titles we need to continue our box office growth,” the NATO chief says.

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UPDATE: Intl Box Office: ‘Need For Speed’ Adds $29.2M For No. 1; ‘Noah’ Reigns In Mexico & Korea With $14M; ‘Peabody & Sherman’ Crosses $100M; ‘Spanish Affairs’ Muy Caliente; Asian Pics Advance; More

Highlights: Noah (PAR) floods Mexico and Korea with opening cume of $14M; Muppets Most Wanted (DIS) scores $1.5M in eight debut markets; Need For Speed (DIS/var) drives another $29.2M; 300: Rise Of An Empire (WB) seizes further $21.2M; Mr Peabody & Sherman (FOX) at $103M; Rio 2 (FOX) flies to $10.5M in Russia/Ukraine; The Grand Budapest Hotel (FOX) has extra room for $9.7M; Frozen (DIS) nearing Toy Story 3‘s record; Uni’s 8 Apellidos Vascos (aka Spanish Affairs) still seducing Spain; trio of Asian pics enters Top 20…

cinemaworld6TH UPDATE, MON, 12:43 PM PT: Final numbers are in now for The Grand Budapest Hotel, Mr. Peabody and Sherman, Monuments Men as well as Ride Along, 300: Rise of an Empire and The Lego Movie (which grossed more than previously thought). Final numbers also came in Monday night for Oscar Best Picture winner 12 Years a Slave which added another $3.9M to raise its international cume to $121.7M, most of its gross has come from the U.K. with $32.7M; the film has made $178M worldwide. Lionsgate opened Divergent in 18 international markets, but are not releasing numbers as yet. We are using Rentrak which has five small territories (see below for more info on that). Lionsgate, as they always do, pre-licensed international so there are many distributors handling the film in their prospective territories. The big territory rollout for Divergent will be April 4 in the U.K., Italy, Belgium, Netherlands, Mexico, and Finland, followed April 11 by France, Germany, Russia, Australia, Denmark and Norway. Read More »

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