Cannes Film Festival: Could This Year’s Croisette Lineup Of Big Names And Academy Favorites Lead All The Way To Oscar?

By | Thursday April 17, 2014 @ 12:50pm PDT
Pete Hammond

So what does today’s announcement of the 2014 Cannes Film Festival lineup mean for Oscar?

Who knows except that out of competition entry How To Train Your Dragon 2 will almost certainly be nominated Cannes2014_badgefor Best Animated Feature. Other than that we will have to wait and see until we actually view the films in Cannes next month. But there are good omens in this lineup (which could still see one or two more titles added) if you look at the impressive group of actors represented in these films:  Oscar winners Tommy Lee Jones (who directs the competition entry The Homesman), Meryl Streep, Juliette Binoche, Marion Cotillard, Nicole Kidman, and director Michel Hazanivicius are among the prominent names and past nominees like Julianne Moore, Annette Bening, Jessica Chastain, Hailee Steinfeld, Berenice Bejo, Ryan Gosling (who is making his directorial debut) are also represented.

31f3755aebf03843615001f677fab8b5My colleague Nancy Tartaglione did a great job predicting who would make — or not make — the cut and wrote an exhaustive overview earlier. Now it’s time to look at the awards implications outside of those that will be handed out May 24th at the Palais. I look at Cannes as a soft start to Hollywood’s awards season. There’s no question of its importance as the granddaddy of all film fests and as a key worldwide launch for a movie that has got the goods, but in the end the May date scares off some distributors who, by launching their fall Oscar hopefuls on the Croisette may feel it ultimately hurts their chances — and more importantly their momentum.

Cannes Lineup 2014 Oscar SeasonThat’s no doubt a key reason Warner Bros chose to hold back past Cannes competitor and favorite Paul Thomas Anderson’s Inherent Vice and Fox Searchlight did the same with Alexander Gonzalez Inarritu’s Birdman even apart from the usual reasons that they may not “be ready.” Last year Paramount decided at the last minute to take Alexander Payne’s Nebraska to Cannes even though he initially favored more postproduction time. Payne had competed once before with About Schmidt, headed the Un Certain Regard jury, and served on the main competition jury so he was a favorite of Cannes’ chief programmer Thierry Fremaux. The film ended up winning Best Actor for Bruce Dern but after Cannes the director “tinkered” with it and made it tighter before hitting the Telluride Film Festival over Labor Day with his final cut. It went on to win six Academy Award nominations including Best Picture and Director and Actor after finally opening November 15 (it didn’t win any Oscars, though). It’s not the first time a filmmaker has made changes after their film was shown to the world’s press and reviewed in Cannes. The growing feeling among distributors is it is best to wait until the movie is really locked before risking exposure at this most visible of all festivals. Read More »

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Cannes Lineup: ‘Foxcatcher’, ‘Mr Turner’, ‘The Homesman’, ‘Maps To The Stars’ In Competition; Ryan Gosling, Wim Wenders In UCR; ‘The Rover’, ‘The Salvation’ At Midnight

Cannes2014_badgeCannes Film Festival chief Thierry Frémaux is about to unveil the Official Selection lineup for the 67th running of the event which kicks off May 14 with Nicole Kidman in Grace Of Monaco. Folks are settled in at the UGC Normandie movie theater on the Champs-Elysées to get some clarity on the rampant speculation that annually precedes the daddy of all international festivals. Will Paul Thomas Anderson’s Inherent Vice be in the mix? Which of the myriad French movies made the cut? Has Cannes pinned down the Foxcatcher premiere? I’ll be updating the titles as they are revealed, so keep refreshing for the latest.

Related: Cannes: Lineup Has Few Surprises, Big Canadian Presence & Lots Of Female Helmers

Cannes Film Festival Lineup 2014Opening Film: Grace Of Monaco, dir: Olivier Dahan
Closing Film: To be announced

COMPETITION
Winter Sleep, dir: Nuri Bilge Ceylan
Clouds Of Sils Maria, dir: Olivier Assayas
Saint Laurent, dir: Bertrand Bonello
Maps To The Stars, dir: David Cronenberg
Two Days, One Night, dirs: Jean-Pierre and Luc Dardenne
Mommy, dir: Xavier Dolan
The Captive, dir: Atom Egoyan
Goodbye To Language, dir: Jean-Luc Godard
The Search, dir: Michel Hazanavicius
Jimmy’s Hall, dir: Ken Loach
The Homesman, dir: Tommy Lee Jones
Futatsume No Mado, dir: Naomi Kawase
Mr Turner, dir: Mike Leigh
Foxcatcher, dir: Bennett Miller
Leviathan, dir: Andrey Zvyaginstev
Wild Tales, dir: Damian Szifron
Le Meraviglie, dir: Alice Rohrwacher
Timbuktu, Abderrahmane Sissako

Read More »

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UPDATE: Intl Box Office: ‘Need For Speed’ Adds $29.2M For No. 1; ‘Noah’ Reigns In Mexico & Korea With $14M; ‘Peabody & Sherman’ Crosses $100M; ‘Spanish Affairs’ Muy Caliente; Asian Pics Advance; More

Highlights: Noah (PAR) floods Mexico and Korea with opening cume of $14M; Muppets Most Wanted (DIS) scores $1.5M in eight debut markets; Need For Speed (DIS/var) drives another $29.2M; 300: Rise Of An Empire (WB) seizes further $21.2M; Mr Peabody & Sherman (FOX) at $103M; Rio 2 (FOX) flies to $10.5M in Russia/Ukraine; The Grand Budapest Hotel (FOX) has extra room for $9.7M; Frozen (DIS) nearing Toy Story 3‘s record; Uni’s 8 Apellidos Vascos (aka Spanish Affairs) still seducing Spain; trio of Asian pics enters Top 20…

cinemaworld6TH UPDATE, MON, 12:43 PM PT: Final numbers are in now for The Grand Budapest Hotel, Mr. Peabody and Sherman, Monuments Men as well as Ride Along, 300: Rise of an Empire and The Lego Movie (which grossed more than previously thought). Final numbers also came in Monday night for Oscar Best Picture winner 12 Years a Slave which added another $3.9M to raise its international cume to $121.7M, most of its gross has come from the U.K. with $32.7M; the film has made $178M worldwide. Lionsgate opened Divergent in 18 international markets, but are not releasing numbers as yet. We are using Rentrak which has five small territories (see below for more info on that). Lionsgate, as they always do, pre-licensed international so there are many distributors handling the film in their prospective territories. The big territory rollout for Divergent will be April 4 in the U.K., Italy, Belgium, Netherlands, Mexico, and Finland, followed April 11 by France, Germany, Russia, Australia, Denmark and Norway. Read More »

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CinemaCon: Will Confab Be A Calm Moment Before An Exhibition Industry Storm?

CinemaCon2014_badgeIt sure looks that way as exhibition and studio execs prepare to head to Las Vegas next week for the annual confab. There are no obvious, explosive controversies to address this time out — which is unusual. Since 2011, when the meeting formerly known as ShoWest became CinemaCon, “some big issue has blown up,” Cinemark CEO Tim Warner tells us. “I hope that doesn’t happen [this year] because the business is going so good.” Says National Association of Theatre Owners CEO John Fithian: “Sometimes we go into these conventions we go into this with one or two issues, but that’s not the case this year. We’ll be talking about product supply and movies, and how it relates to product returns. We’ll also be talking about technology.”

Related: Deadline Big Media 77 – CinemaCon Preview Podcast

This all comes as the exhibition business is poised for dramatic, and possibly painful, changes as owners deal with consumers who say that ticket prices are too high, a creative boxoffice-moneycommunity that wants better projection and sound quality, studios that want a bigger share of the box office pie, and investors who demand higher dividends.

Cheerleading is to be expected at a trade show, and there’s sure to be a lot as execs look ahead to a tsunami of sequels that could make 2015 a blowout year for box offices. Paramount, Universal, Sony, Fox and Warner Bros will show their product reels. Disney will feature its Jon Hamm-starring sports-themed Million Dollar Arm. Not to be outdone, Lionsgate will feature its sports-themed comedy-drama Draft Day from director Ivan Reitman and starring Kevin Costner, while Universal swings back around with a screening of the comedy Neighbors about newlyweds with a baby who must live next to a fraternity house. And filmmaker Chris Nolan (Inception, The Dark Knight Rises) will take part in a discussion about his career. The late Tom Sherak will also be honored on Wednesday night at The Pioneers Dinner.

legoOn broad-stroke matters, exhibitors can pretty much cross off their top concern from last year: the dearth of family-oriented titles in Q1 followed by a summer onslaught. Exhibitors wanted family films spaced out better. “We had encouraged the studios to think about that more, and they did,” Fithian says. Family fare from this year’s early months included The Nut Job, The Lego Movie, Mr. Peabody And Sherman, and — this weekend — Muppets Most Wanted.

There’s also been progress on exhibition’s call for more small- and medium-budget movies. As the six big studios cut their output by 40%, Read More »

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Josh Helman, Damon Herriman Cast In Starz’s ‘Flesh And Bone’

By | Friday March 14, 2014 @ 5:08pm PDT

helman1herrimanJosh Helman (X Men, Fury Road) and Damon Herriman (Justified) have landed roles in Starz‘s ballet drama Flesh And Bone from executive producers Lawrence Bender, Kevin Brown and John Melfi and creator/exec producer Moira Walley-Beckett (Breaking Bad). Described as a dark and gritty exploration of the dysfunction and glamour of the ballet world, Flesh And Bone follows Claire (Sarah Hay), a young dancer with has a distinctly troubled past, as she joins a prestigious ballet company in New York. Helman, repped by Gersh, Harrison Stokes, and Jackoway Tyreman, will play Bryan, who just returned home with a bad case of PTSD after serving in combat overseas. Herriman, with APA, Art/Work Entertainment and Australia’s Lisa Mann, will play Romeo, a strange and engaging homeless guy who lives on the roof of Claire and Mia’s Lower East side building. He was recently tapped as a recurring on CBS’ Battle Creek.

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Lena Dunham Tells Glamour She Maybe Doesn’t Want To Act Anymore

By | Thursday March 13, 2014 @ 6:46am PDT
Mike Fleming

04-lena-dunham-glamour-cover-lena-h724Girls creator and star Lena Dunham has put a ticking clock on the acting portion of her career, telling Glamour Magazine that she might not want to act much anymore, happier to write female characters and put the words in the mouths of other actresses. I hope that she’s not serious. Though I was turned off watching early episodes of Girls after watching her character get humiliated in sexual encounters (what can I say, I have daughters), I thought Dunham was very funny on Saturday Night Live, and she clearly has found a niche in a generation of young girls who are trying to find themselves, and trying to feel comfortable in their own skin.

Even though she seemed sensitive when a reporter asked why she insists on being nude so often in her show, Dunham’s lack of vanity shows her way more secure than a lot of young women her age. Just as I am liking watching the development of actresses like Melissa McCarthy, and Tina Fey (who also write scripts they star in), I’m looking forward to watching as Dunham continues to hone her voice as a writer/filmmaker, and her acting chops. As reports surface about the limitations placed on actresses, voices like Dunham are needed more than ever.

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Ben Daniels To Topline Starz’s ‘Flesh And Bone’; Nora Dunn Joins CW’s ‘iZombie’

By | Tuesday March 11, 2014 @ 10:17am PDT

Ben DanielsBen Daniels (House of Cards, Law & Order: UK) has been tapped to star in Starz’s ballet drama Flesh And Bone from executive producers Lawrence Bender, Kevin Brown and John Melfi and creator/exec producer Moira Walley-Beckett (Breaking Bad). Described as a dark and gritty exploration of the dysfunction and glamour of the ballet world, Flesh And Bone follows Claire (Sarah Hay), a young dancer with has a distinctly troubled past, as she joins a prestigious ballet company in New York. Daniels, repped by Elizabeth Wiederseim, who recently moved from Don Buchwald and Associates to Gersh, and by Hamilton Hodell in the UK, will star as the volatile and brilliant artistic director Paul Grayson. Flesh And Bone is set to debut on Starz in 2015.

noradunn2Related: Primetime Pilot Panic

Saturday Night Live alum Nora Dunn is set as a series regular in Rob Thomas and Diane Ruggiero’s CW drama pilot iZombie, from Warner Bros TV. iZombie is a supernatural crime procedural that centers on a med student-turned-zombie who takes a job in the coroner’s office to gain access to the brains she must reluctantly eat to maintain her humanity. But with each brain she consumes, she inherits the corpse’s memories. Dunn, repped by Pakula King & Associates and Lighthouse Entertainment, will play Eva Moore, a hospital administrator and mother to the lead character Olivia, which has yet to be … Read More »

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Twentieth Century Fox TV Ups Carreras, Summers To VP, Hires Glamour Editor Weinberg As VP Talent Relations

20th Century Foxfoxhires3 Televisionfoxhires2 has promoted Jennifer Carreras to VP Comedy Development and Mandy Summers to VP Current Programming. Additionally, former Glamour editor Jen Weinberg has joined the studio as VP Talent Relations and Events. Carreras reports to EVP Development Michael Thorn, Summers to EVP Current Programming Jeffrey Glaser, and Weinberg to SVP Corporate Communications and Publicity Chris Alexander.

foxhires1Carreras, who joined 20th TV in July 2007 as assistant to Chairman and CEO Dana Walden, most recently had been Director of Comedy Development, shepherding the development of this season’s high-concept new series Enlisted for Fox broadcast network. She oversees a roster of producers, writers and directors for the studio including Mike Royce and The Walcott Co. (Jake Johnson and Max Winkler). She has been working on a broad slate of development this season, including projects from Neil Goldman and Garret Donovan with Kevin Hart, Phil Rosenthal, Joe Port and Joe Wiseman with Mike White, Matt Silverstein and Dave Jeser, Wendy and Lizzie Molyneux with Jenny Bicks and Jay Baruchel.
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R.I.P. Alain Resnais

By | Sunday, 2 March 2014 12:03 UK

alain resnaisProlific award-winning filmmaker Alain Resnais passed away on Saturday night in Paris, his producer Jean-Louis Livi said this morning. He was 91. The Hiroshima Mon Amour director’s latest film, Aimer, Boire Et Chanter (Life Of Riley) was recently in competition at the Berlin Film Festival where it won the Silver Bear Alfred Bauer Prize. It is due to be released in France on March 26. A giant of French film whose career spanned six decades, Resnais was born in 1922 in Brittany. He began making 8mm shorts at age 12 and later attended film school, training as an editor. Of his 1958 short, Chant Du Styrène, Jean-Luc Godard once wrote, “Alain Resnais is the 2nd best editor in the world after Eisenstein.” Resnais first appeared at the Cannes Film Festival in 1947 with Nicole Védrès’ Paris 1900 on which he collaborated. In 1956 his influential documentary Night And Fog, about Nazi concentration camps, was shown out of competition in Cannes despite difficulties with French censors and protests of France’s West German embassy. It later screened in Berlin and also won the prestigious Jean Vigo prize. Resnais later attended Cannes with Toute La Memoire Du Monde and in 1959 was in competition with Hiroshima Mon Amour, hiroshima mon amourwhich was part of the French New Wave. Marguerite Duras’ screenplay was nominated for an Oscar and the … Read More »

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Trial Date Set For Aurora Theater Shooter

By | Thursday February 27, 2014 @ 3:09pm PST

forsaleA Colorado judge has set an October 14 start date for the trial of the man accused of killing 12 people and injuring 70 others at a megaplex in 2012. Arapahoe County District Court Judge Carlos Samour said today he wants the first group of the 6,000 would-be jurors to report on that date for Phase 1 of jury selection. But attorneys for the accused killer said they will appeal the decision because they want their client to undergo a second psychiatric evaluation, which could stall the proceeding again. In June the court accepted the defendant’s plea of not guilty by reason of insanity, which led to his first psychiatric evaluation. He faces 166 counts of murder, attempted murder and other crimes.

Related: Court Rules Fox News Reporter Won’t Have To Name Sources For Aurora Shooting Coverage

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2014 OSCARS PARTY ROUNDUP

By | Wednesday February 26, 2014 @ 6:20pm PST

Oscar Parties 2014Tuesday, February 25

7:00 PM: BVLGARI “Decades of Glamour” Oscar Party hosted by Naomi Watts
Location: Soho House

7:30 PM: Oscar Week – Animated and Live Action Shorts Celebration hosted by Kevin Pollak
Location: Samuel Goldwyn Theater, Beverly Hills

2nd Annual ICON MANN Pre-Oscar POWER 50 Dinner
Location: Peninsula Hotel

Vanity Fair and Fiat Toast “Young Hollywood”
Location: No Vacancy

Wednesday, February 26

10 AM: The Art of Elysium 7Th Annual Pieces Of Heaven Charity Art Auction
Location: Siren Studios, Los Angeles

5:30 PM: LoveGold Celebrates Lupita Nyong’o
Location: Chateau Marmont

6 PM: 7th Annual TOSCARS Awards Show
Location: Egyptian Theater, Hollywood

6:30 PM: Global Green USA Pre-Oscar® Party with performance by Moby and The Crystal Method
Location: The Avalon Hollywood, 1735 Vine Street, Los Angeles Read More »

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OSCARS: ‘American Hustle’ Nominee Jennifer Lawrence On Her Role And Chemistry With David O Russell

Mike Fleming

EXCLUSIVE: The chance that Jennifer Lawrence will repeat as an Oscar winner, this time for Best Supporting Actress for her work Jennifer Lawrence American Hustle Oscar Racein American Hustle, has grown stronger since she won the Golden Globe and then surprisingly took the BAFTA award for Supporting Actress.

While Lawrence probably ate more salmon than an Alaskan grizzly bear during last year’s endless awards circuit banquet campaign leading up to winning the Best Actress Oscar for Silver Linings Playbook, she has been relatively scarce in this race, mainly because she has been busy moving between her role as Katniss Everdeen in the final two installments of The Hunger Games shooting back-to-back, and playing Mystique in X-Men: Days Of Future Past. Lawrence was doing re-shoots on the latter when she won the BAFTA last week. It was David O Russell, who directed Lawrence in both Silver Linings Playbook and American Hustle, who accepted the award in her place. “I’d sat with her at last year’s BAFTAs, when she didn’t win, and me being loyal to her, I was upset and that became a screen grab for everybody and so this year, it was my pleasure to give what might have been the most heartfelt speech ever on her behalf after Leonardo DiCaprio gave me her award,” Russell told me.

Where was Lawrence during all this drama?

american-hustle-clip-jennifer-lawrence-photo“Oh, it was a big surprise,” she told me when she took a few minutes away from shooting. “I didn’t remember that the BAFTAs were happening that day. I certainly did not think I was going to win one so I put it out of my mind,” she said. “So there I was, in the middle of being painted blue, and someone said, ‘You just won the BAFTA!’ And I said, ‘Oh, go f*ck yourself!’ And then it turned out they were serious.”

This is the refreshing thing about watching this young actress grow up before our eyes. She is more fun to watch than a lot of veteran actresses who win, and act like it’s the first time even as you suspect they’ve already made room on the mantel for yet another trophy. With Lawrence, the coltish awkwardness and unpredictability seem genuine, and seem just right for a 23-year-old who has gotten her third Oscar nomination and who anchors one of Hollywood’s most lucrative film franchises in Hunger Games. In fact, these awards fill her with so much anxiety that she has found it refreshing to be working rather than going from one campaign stop to the next. Read More »

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David Michôd To Direct First Episode Of Starz’s Ballet Drama Series ‘Flesh And Bone’

By | Wednesday February 19, 2014 @ 12:28pm PST
Nellie Andreeva

David Michod Flesh And Bone StarzAustralian filmmaker David Michôd (Animal Kingdom) will direct the first episode of Starz‘s new drama series  Flesh And Bone, created/executive produced by Breaking Bad‘s Moira Walley-Beckett and executive produced by Lawrence Bender, Kevin Brown and John Melfi. The series follows a young ballet dancer, Claire (Sarah Hay), who has a distinctly troubled past, as she joins a prestigious ballet company in New York. The dark and gritty series will unflinchingly explore the dysfunction and glamour of the ballet world. Michôd made his feature debut as a writer and director of Sundance winner Animal Kingdom. His follow-up, The Rover, stars Guy Pearce and Robert Pattinson. “I’m entirely enamored of the visual, visceral, artful way David tells story,” said Walley-Beckett. “His style and sensibility is very much in alignment with my vision of my show.” This is Michôd’s second TV directing gig and his first pilot. He previously helmed an episode of Mike White’s HBO comedy Enlightened.

Related: Ballet Drama ‘Flesh And Bone’ Gets Series Order At Starz, Casts Lead

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Academy Hands Out First Oscars, But You Need To Be A Scientific Whiz To Win One Of Them

Pete Hammond

One winner thanked “giant killer robots”. Another said, “When you see the next Michael Bay extravaganza it was all worth it”. And yet another called it “the Winter Olympics for geeks”.

the-academy-oscars-new-logo-1Welcome to the Academy Of Motion Picture Arts & Sciences Scientific & Technical Awards which were handed out last night during a surprisingly entertaining ceremony at the Beverly Hills Hotel. I have been to just about every different conceivable kind of Academy function over the three decades I have been covering Oscars but this was my first time at this event which the Academy has been doing in one form or another since they started handing them out in the Oscars‘ fourth year, 1930-31. I guess I always thought this might be a rather dull sort of thing to sit through. I barely understand how to get my emails so imagine a ceremony that is all about honoring the ILM Plume System, the Flux gas simulation system, the Zeno application framework, a thesis on the fundamental concepts of deep shadowing technology, the design of the Pneumatic Car Flipper or the Flying-Cam SARAH 3.0 system? And that’s just for starters in a show that handed out a LOT of Technical 86th Academy Awards, Scientific and Technical Achievement AwardsAchievement certificates, Scientific and Engineering Plaques and even a couple of real Oscar statuettes toward the end of the evening (Peter W. Anderson won one of those as recipient of the Gordon E. Sawyer award this year). But there was a lot of spirit in the room and judging from the whoops and hollers that went for five guys in tuxedos going up to accept for the development of the ASC Color Decision List technology you’d think they just won Best Picture. “When I was a kid nobody told me if I wanted to win an Academy Award I should study mathematics,” one winner said wryly. Like I said this was an entertaining evening, particularly considering the geek factor. And the clips were great too, going a long way to shedding light on just what these unheralded wizards do for the movie industry. Read More »

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Berlin: Hossein Amini’s ‘The Two Faces Of January’ Unveiled (Video)

Writer-director Hossein Amini‘s The Two Faces Of January, based on the Patricia Highsmith novel, has its world premiere here tonight as a Berlinale Special screening. Viggo Mortensen, Oscar Isaac and Kirsten Dunst star in the 1962-set noir that follows glamourous, mysterious American couple Chester and Collette MacFarland (Mortensen & Dunst) as they vacation in Athens. There, they meet Rydal (Isaac), an American working as a tour guide. Impressed by Chester, and attracted to Collette, he is ultimately drawn into a web of deception that leads to a dangerous battle of wits. Drive scripter Amini makes his feature helming debut with the lush-looking January which was shot during the political unrest in Greece (“quite often we’d have a scene and we could hear the riots,” Amini mentioned). He said today that he had first become interested in turning Highsmith’s book into a movie after reading it 25 years ago. Mortensen praised the director, saying he meant no disrespect to Highsmith in calling Amini’s movie “better than the book.” Working Title’s Tim Bevan and Eric Fellner produced the movie with Robyn Slovo and Tom Sternberg. Studiocanal is releasing in the UK in May, and is also selling internationally. Check out the trailer:

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Ballet Drama ‘Flesh And Bone’ Gets Series Order At Starz, Casts Lead

By | Sunday January 26, 2014 @ 3:59pm PST
Nellie Andreeva

sarahStarz has picked its next original series, giving a series order to drama Flesh and Bone, created/executive produced by Moira Walley-Beckett (Breaking Bad) and executive produced by Lawrence Bender, Kevin Brown and John Melfi. The green light comes after an extensive nationwide search involving thousands of hopefuls resulted in the casting of dancer Sarah Hay (Black Swan) in the lead role. Flesh And Bone follows a young ballet dancer, Claire (Hay), who has a distinctly troubled past, as she joins a prestigious ballet arabesque photocompany in New York. The dark and gritty series will unflinchingly explore the dysfunction and glamour of the ballet world. “From the beginning, we all agreed this project could not go forward unless we found a world class dancer who had the ability to convey the widest range of emotions that Moira has written,” sais Starz CEO Chris Albrecht. “This is one of the most challenging and dynamic characters I have even seen and am thrilled to say we found our Claire in Ms. Hay.” Added Moira Walley-Beckett, “Sarah Hay embodies the role of Claire just as I dreamt her.”

Flesh and Bone had been on the fast track, picking up speed in November when the project locked in four accomplished dancers for supporting roles, Read More »

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Global Showbiz Briefs: ‘Time In Between’ Finale Sets Records; Fox Int’l Channels Airing Super Bowl Live In Europe; More

‘The Time In Between’ Finale Sets Records In Spain
the time in betweenDeadline readers who follow international closely will know that I’ve been high on Spanish period miniseries The Time In Between. The 11-part mini debuted in Spain in October as the best local drama premiere of the last eight years. It concluded its run on Antena 3 on Tuesday night with an all-time record high of over 5.5M viewers and a 27.8% share. It also hit a peak of 5.88M viewers. The series overall averaged 5M viewers and had a 25.5% average share. Produced by Boomerang TV for Antena 3, it led among over 35s with a 25.2% share, and reached a 37.7% share among audiences aged 55-64. Based on María Dueñas’ novel, The Time In Between is set during the Spanish Civil War and the run-up to World War II. It’s the story of a woman raised by a poor single mother and taught to be a seamstress. When she falls for a handsome young man, she moves with him to Morocco and spends months living the high life. But when the money runs out and she falls pregnant, he leaves. She ultimately builds a new life and becomes the most sought-after couture designer for the socialite wives of German Nazi officers. She also begins working for the British government, passing information to the Secret Service. Interest from abroad has been high: The series already is running in Romania and offers on remake rights and/or the original are in from the U.S., Canada, Italy, France, Portugal, the former Yugoslavia, Russia, Croatia, and several territories in Latin America and Africa.

Fox International Channels Airing Super Bowl Live In Europe
While Europeans eagerly await this summer’s World Cup, they’ll be able to check out the biggest game of the year for the other kind of super_bowl_48.mgnfootball in just a few weeks. Fox International Channels is bringing the Super Bowl to the continent. When the Seattle Seahawks face off with the Denver Broncos on February 2 in East Rutherford, N.J., NFL fans in Europe will be able to watch the full Fox coverage beginning at 12:25 AM on February 3. More than 12 million households in Italy, the Netherlands, Turkey, Cyprus, Greece, Bulgaria, Serbia, Croatia and Slovenia will have access to the game. This will be the first time the Super Bowl is broadcast live on the FIC channels in Europe. Bruno Mars and Red Hot Chili Peppers are the halftime act. Separately, Fox International Channels said today that it has appointed Fabrizio Salini to managing director of its Italian operation, effective February 17. Salini was VP Entertainment Channels for FIC Italy from 2003 and 2011, and returns after a two-year stint serving senior management roles at SKY Italia, Discovery Communications Italia and Switchover Media. Read More »

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Global Showbiz Briefs: BFI Details Yearlong Initiative To Bolster Relationship With China; Docu ‘Web Junkie’ Coming To UK TV Via BBC Storyville

British Film Institute Strengthening Industry’s Ties To China
In December, British Prime Minister David Cameron visited China on a mission to strengthen ties across many sectors, the film industry among them. During the trip, an agreement was made in principle to support the conclusion of a union-jack__130327194249-200x123UK-China co-production treaty. The British Film Institute is now moving forward with further plans to increase its relationship with the world’s No. 2 box office market. The new initiative is going by the moniker Electric Shadows — the Chinese term for movies. The program will encompass a year of business, trade, and creative and cultural China-flagcollaborations between the UK and China and is designed to grow mutual economic and cultural benefits for film from both countries. Part of the aim is to bring previously difficult-to-access Chinese cinema to UK audiences and, in turn, to make British cinema available to Chinese audiences. The moves fall in line with the BFI’s International Strategy, in which China is a key priority territory. In February, Personal Tailor and Back To 1942 director Feng Xiaogang will visit the UK to accompany a retrospective of his work, a gala screening of Back To 1942 and to be interviewed about his career at BFI Southbank. The BFI and the British Council also will work closely with the Beijing International Film Festival in April to lead a trade delegation and present British films at the event. From June through October, the BFI will stage an exploration of Chinese cinema in the UK, and in the fall, a selection of contemporary and classic British film will be shown in Beijing. Read More »

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OSCARS: Reactions To Academy’s Nominations

By | Thursday January 16, 2014 @ 8:23am PST

Anita Busch, Jen Yamato, Diane Haithman and Cari Lynn contributed to this report

Oscar Nominees ReactionsREFRESH FOR LATEST…

Best Picture

American Hustle
For Chuck Roven, one of the producers of American Hustle, it’s been a long journey to the Oscar red carpet as he receives his first Academy Award nomination. Roven, who started in the film industry in 1973 and in 1975 hung out his producing shingle, first produced Heart Like A Wheel in 1982 and never stopped making films. "American Hustle" New York Screening - Outside ArrivalsIn recent years has gone on to produce several commercially successful films when Warner Bros put the seasoned producer on its most important franchises — such as Man Of Steel and The Dark Knight Rises. He remembers the beginnings of how Hustle came together. “The original script by Eric Singer was developed by Atlas at Sony and then David (O. Russell) had just finished shooting Silver Linings Playbook and was looking for his next movie, so we gave him the script and he turned it into a David O. Russell film,” Roven said. “We had a really short period of time between juggling pre-production while he was on the Oscar campaign for Silver Linings Playbook,” the film that had been nominated for Best Picture, Director, Adapted Screenplay, and all of the four acting categories. “We had an amazing group of people working incredibly hard on the movie. Amazing partners. The fact that the movie got this many nominations from its peer group, it’s so humbling and satisfying to think that your peers — that people you work with — in the secrecy of the film balloting are actually recognizing you and it’s especially humbling where there are so many fantastic works by so many this year.” Roven starts production Monday on Warcraft and also starts later this year on the untitled Zach Snyder project at Warner Bros. that is generally known as Superman v Batman (but that will not be the title).

Related: OSCARS: 86th Academy Award Nominations (Full List)

Dallas Buyers Club
“We’re over the moon how could you not be — I think we’re just kind of going between laughing hysterically, crying, in shock — wow. This is a moment in time we’ll have for the rest of our lives”, said producer Robbie Brenner, also president of production at Relativity Media (“I also have a day job,” she said of that gig). “I think the six nominations really represent the teamwork,” producer Rachel Winter added. “The crew worked so hard; we had no money. Terry (husband Terence Winter) is so thrilled for Dallas Buyers Club. There kind of aren’t words — we were just saying how one day our kids might have this really fun fact: Well, one year, they both went to the Oscars.” Winter said she’s currently in postproduction on Stealing Cars, and is working on films being directed by William H Macy and Michael Morris.

Philomena
“Steve Coogan read a story about the book and there was a photo with Michael Sixsmith (author of the book The Lost Child Of Philomena) and Philomena Lee smiling and this odd couple just piqued his interest and my interest in it,” producer Gabrielle Tana said. “It was such a strong story and we were just driven by the story. Once we had the screenplay in hand and Judi [Dench] came aboard, it was pretty easy to get going then.” With the help of the BBC and Pathe Communications, the picture was financed. Tana is said she is working again with Philomena writers Jeff Pope and Steve Coogan on something right now: an original coming-of-age story. “It’s been a real privilege to do this and we had an amazing team,” she said.

12 Years A Slave
12-years-a-slave-steve-mcqueen-lupita-nyongoOut of the mouths of babes. 12 Years A Slave producer Dede Gardner found out about the Oscar nomination for Best Picture from her young son. “I’ll confess that I woke up at 8 AM. My 9-year-old son came in and said, “You got 9 nominations and now we have to go school.” Said fellow producer Jeremy Kleiner: “I woke up after the broadcast but I spoke to my Mom in New York and she was psyched. My father who passed away was a big movie buff so it was cool.” Gardner and Kleiner have worked together for a decade producing movies together such as World War Z and Eat Pray Love. Asked if they knew there was something special about this film, Gardner said, “We believed it would be great, but you never know if it’s going to be received. We loved it and we just hoped other people would love it too.” Kleiner said, “The dailies were very powerful and effective, but we had 35-day schedule and everyone was working and when you’re inside of it, you’re just doing the work.” One of the interesting things about the screenplay is that it is very faithful to the book, written in 1853. In fact, it begins with the same vernacular of its author, Solomon Northrup, on whom the movie is based. “Steve [McQueen, the director] responded to the formality (of the language),” said Gardner. “It was a powerful contrast to the event that Solomon was living through. It lent an alien quality to the world we are experiencing. Steve found his story so undeniable and so the commitment was really to restoring the story with as much authenticity as you could.” The producers are in post production on two projects currently: The Normal Heart for HBO which will premiere in May and True Story for New Regency. They have yet to pick their next project.

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The Wolf Of Wall Street
“I’m on cloud nine. I’m sowolf3 thrilled for Marty and Leo and Terry and oh my god, Jonah. I’m so thrilled for the academy’s recognition of the film. (This morning) I just texted everybody – Marty, Leo, Jonah, Terry, our whole team, as many crew as I could get to, and my phone’s been going off the hook with family and friends. It’s been a celebratory few hours. We could not have done this without the amazing Red Granite, Joey McFarland and Riza Aziz. They stepped up and came in and said, ‘We are here, make the movie you want to make within reason,’ but they never balked at anything. They gave Marty and Leo the creative and financial freedom they needed to make this movie. We would not have a movie without them. For me, running the production on the ground was no small feat but I was a small part of that. I had the most incredible production team, we had a phenomenal creative team for Marty in place. Everybody from our grips to our teamster to our ADs, everybody just gave 200 percent and we just knocked it out for these guys and made sure every day Marty and Leo were armed with the means they needed to make this incredible film.” –Emma Tillinger Koskoff

Gravity
“What’s great is it’s a reward for Alfonso [Cuaron], whose vision really this is, and the thousands of people who worked to make the film. It’s a great reward. The journey of the film in many ways mirrors the themes, which is adversity and rebirth. It was at Universal, it came to WB – it died and was reborn. Through every step of the way there was adversity. Looking back now it’s amazing it has done as well as it has at the box office. It may seem obvious now but it wasn’t at the time. Making a film with so many taboos – two people alone in space, where their voices are muddled, and the performances are given through visors in space suits where you can’t see their physical expression… and yet it connected. It’s been amazing. The fact that critics and audiences have embraced it so has been rewarding.” — producer David Heyman

Best Actor

Bruce Dern, Nebraska
brucedern1“There are three people nominated this year, and go figure, I’m the baby of the group — there’s June Squibb, Judi Dench, and me,” Dern said. “It’s like the peers of ours, if you will, have all gotten together and said, ‘Hey, there are still roles! And they’re good roles, in very good movies!’ I think these nominations will pump hope into people who are older and still looking to make a living as an actor or actress. I am quite honored to be included, it’s really big stuff. And I’m saying this even though I started out with Roger Corman. I also hope this helps more people discover Nebraska. The hardest thing about this role was the detachment and being there, but not really being there all the time. It was there on the page, though — it was all there on the page. Now, June [Squibb] brought something to her role that wasn’t there on the page, I couldn’t have done what she did. Her rashness and her courage to just blow that sh*t out! Will Forte, he should have gotten a nomination, he’s the lynchpin to this movie. For 20 years he’s done the opposite, broad jokes, broad humor, so to him just there doing this was really something.” As for what’s next? “I’m not sure. The exciting thing is who will step forward and say, ‘Come on down!’ I’m always excited at how other people will see me and cast me. And what writers dare to dream that I might have a chance to play now. That’s the joy of Alexander Payne — he’s made six movies, and he’s had nominations in every movie. He gives people opportunities that no one’s used to seeing. He loves to surprise audiences. He gets it, he just flat out gets it.

Leonardo DiCaprio, The Wolf Of Wall Street
“I’m very excited that the film got this much attention. It’s an honor to be recognized for a film like this. What Marty [Scorsese] does is he doesn’t judge his characters. He ultimately puts these people onscreen as authentically as he possibly can and lets the audience extract what they can from it…. The reaction we wanted was for there to be a dialogue about this attitude. This is a very destructive attitude, and what some people don’t get is that is ultimately not a cautionary tale but an indictment of this world…. It’s not often you get the opportunity to do movies that are that loose and take that many chances.” — DiCaprio

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Dallas Buyers ClubMatthew McConaughey, Dallas Buyers Club
“I was making all the choices for the experience, because there’s something in the material I found original, because I felt I would be able to work with directors and a production that would allow the freedom to tell the story in an honest way and never try to placate or bring it back to the middle … there was always a wonderful risk in all of these choices and that turned me on. Now, kind of for the first time on this scale, here come these results! I win a Golden Globe other night, the movie is nominated for Best Picture and Best Screenplay at the Oscars, Jared [Leto]’s work is being recognized – these results are coming in! Usually you finish a movie, you move on, you go make something else, they call the you back to promote a film… well, this one sticking around! It’s relevant, it’s more than relevant – it’s vital right now.” – McConaughey

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Best Actress

Amy Adams, American Hustle
“It’s so exciting to me that everybody was recognized – I know how much work went making this movie in all categories, so it’s nice to see not only cast but wardrobe, and I feel it’s a real acknowledgement for the crew who worked really hard. David [O. Russell] knew after The Fighter even if he wrote a walk-on that I would show up for him. I felt like he really gave me a great opportunity to break type in The Fighter and that wasn’t an opportunity I was getting at the time. To be honest, I was a little scared because the way he described her she was really such a complex character and I knew I had to surrender something of myself to accomplish her. She’s playing so many roles so you have to develop who she is and then on top of it play the role. It was one of those characters where I thought, ‘Gosh, if I don’t get this right the level of humiliation will be up there,’ [laughs], you know? I think that’s a normal fear going into anything, then you surrender to that fear. You have to. You want to grow. I’ve never wanted to be a type.” — Adams

Sandra Bullock, Gravity
Gravity-c“It’s not just the feeling of what’s happening now, it’s also what the last two years have been like with the amazing experience of Gravity. All we cared about was that Alfonso [Cuaron] got recognized because this is his story, his journey, his life story. I feel like I have an embarrassment of riches and now something horrible is going to happen. [Laughs] But I want to not blow through this. I want to savor every moment, I want to enjoy it. I want to hang out with my fellow ladies like I have been when we see each other on these crazy press tours. I just don’t want to miss a thing, like Aerosmith said. Yes the circumstances were bizarre and difficult. You’re acting by yourself and are forced to dig deep to find emotions hanging from things and being in pain and twisted… but you also got to have this amazing, never-done-before experience. We didn’t think we were making a blockbuster – we thought we were making an art house film that happens to be in space, it’s existential, and it has these beautiful life metaphors. I’m sure the studio can tell you didn’t think in a million years this film would make a dime. But Alfonso stayed with his vision, he knew what he was making.” – Bullock Read More »

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