In 2011, Mark Tughan, whose Comic Enterprises owns four Glee Clubs in the UK, filed a lawsuit against Fox over musical dramedy Glee, claiming the name of the show infringed on his trademark, creating a confusion that his venues are somehow associated with the series. On Friday, Britain’s High Court ruled that the show must change its name. The Associated Press reports a judge told 20th Century Fox that it had to re-name the series in Britain, though the order has been stayed until an appeal has been heard. Comic Enterprises is also seeking damages, with a final amount to be determined later, the AP said. In the interim, the judge ordered Fox to pay £100,000 ($171,000). A Fox spokesperson told Deadline, “We are pleased that the trial judge agreed to let the Appeal Court rule before ordering any relief that would adversely affect fans’ enjoyment of Glee in the UK. We look forward to the next stage of this case and remain confident in the merits of our argument.” Season 6 of Glee will be its last, so the title issue could be moot for the show’s primary run given the length of the appeal process, though it would affect Glee’s syndicated run in the country.
Thelma Schoonmaker, Martin Scorsese’s venerated and longtime editor, will receive a Golden Lion Lifetime Achievement Award at this year’s Venice Film Festival, as will … Read More »
UPDATED, Monday 1:57 PM: Dawn of the Planet of the Apes, brought in, as we reported this AM a total take of $72.6M for the three-day weekend (which included $4.1M in Thursday late nights). This, after it took in $31.3M overseas so it has a worldwide total of $103M+ already and it has barely begun its international run.
The Matt Reeves-directed film had a wonderful Saturday and ended up with an A- CinemaScore so audiences loved it as much as the critics. Sunday moviegoing was off for all films, probably due to the World Cup Finals and the nice weather. Fox’s other film, How to Train Your Dragon 2 had a great hold from Saturday to Sunday but will be hit by Disney’s Planes: Fire and Rescue when it bows next weekend. Apes should have at least two solid weeks of play before audiences look to Disney/Marvel’s Guardians of the Galaxy to keep them entertained when it bows on August 1. Transformers: Age of Extinction — in its third weekend of release — crossed $200M on Saturday.
Sony opens Sex Tape next weekend in hopes of making it pop over its estimated $42M+ budget. I’ve seen it and yes, it starts out raunchy, but it is really funny and even, at times, hilarious. The guys will go to see a naked Cameron Diaz and the girls will go see tall drink of water Jason Segel, but it’s really for couples. Rob Lowe also co-stars in this film from the next generation Kasden — Jake — who directed the two in Bad Teacher.
The other movie opening next weekend is Universal’s horror film, The Purge: Anarchy. And, after seeing the one-sheet, I certainly hope they aren’t running those teaser one-sheets reminiscent of the Joker around the Cinemark Theater in Colorado where it will be in the marketplace during the two-year mark of the theater shooting. To me and others who suffered through that, it’s a hard image to look at … sort of like the geniuses who came up with The Strain one-sheets that people don’t want to see either. “Not for everyone.” Indeed. The Purge is bowing today and over the weekend in 14 overseas markets. The chart follows: Read More »
Kevin Kline plays an aging Errol Flynn in Richard Glatzer and Wash Westmoreland’s The Last Of Robin Hood, chronicling the swashbuckling screen icon’s affair with an underage aspiring actress during the sunset years of his life. Dakota Fanning stars as Flynn’s paramour Beverly Aadland with Susan Sarandon as her fame-obsessed mother. Pic premiered at Toronto and hits theaters August 29 via Samuel Goldwyn Films:
Condé Nast Entertainment has signed a first-look deal with 20th Century Fox Television for scripted series, to be developed and produced by 20th TV on the broadcast side and by its division Fox 21 in cable. This marks the first such studio arrangement for CNÉ, which made an entrance into scripted development last season with a couple of projects based on properties from its library, a drama take on Street & Smith pulp series The Avenger at The CW with Neal Baer and a crime drama at CBS based on a Glamour article with Eva Longoria producing. The partnership reunites veteran TV executives, 20th TV Chairman and CEO Dana Walden and CNÉ President Dawn Ostroff who have known each other for two decades. “Dawn’s one of the most talented executives I’ve ever worked with and is also a close friend,” Walden said. “Creating a business opportunity together now that she’s at Condé Nast– a brand we’ve long admired– was a huge priority for us both.” Added the studio’s President of Creative Affairs Jonnie Davis, “The publications of Condé Nast are famous for telling some of the most compelling stories imaginable.” Fox 21 President Bert Salke referred to the Condé Nast brands as being “of provocative, groundbreaking storytelling.”
So far, CNÉ has made a mark in TV on the unscripted side with three series on the air, Vanity Fair Confidential on Investigation Discovery, The Fashion Fund on Ovation and Geeks Who Drink on Syfy. That area … Read More »
As my French fog lifts in the wake of my return from the Cannes Film Festival it’s a good time to look at how it might have impacted the 2014 Oscar race as the calendar turns to June and we have the first big benchmark out of the way. That’s not to say that Cannes is a huge indicator of where this thing will be come Fall when it really heats up, but this is one of the better years I think in terms of Cannes and potential for its ultimate impact on the awards season. Some years are better than others. You might recall in 2011 three films in the official Cannes selection, The Tree Of Life, Midnight In Paris and The Artist all went on to Best Picture nominations with the latter even winning. It’s never too early to speculate.
Related: DeadlineNow: Early Frontrunners In The Oscar Race (Video)
Sony Pictures Classics (which had Midnight In Paris) certainly seems to think 2014 is going to similarly big so they put out a press release earlier this week touting their triumph on the Cote d’Azur . They held the hot hand this year with a flurry of titles they brought and bought to Croisette. They come out of Cannes very strong with contenders of various stripes across several categories including Best Picture for Foxcatcher and Mr. Turner (with an outside shot for Directors Fortnight entry Whiplash which actually … Read More »
In this week’s podcast, Deadline Awards Columnist Pete Hammond and host David Bloom catch up on the latest from the Cannes Film Festival. They discuss Sophia Loren’s new movie, directed by her son; the critical backlash against Ryan Gosling’s directorial debut; the fine performances by Marion Cotillard and Berenice Bejo that humanize their politically minded latest projects; Steve Carell’s “unrecognizable” performance in Bennett Miller’s fine Foxcatcher; Harvey Weinstein’s 2014 slate of would-be Oscar contenders; and Jeffrey Katzenberg’s commanding honor.
Listen to the podcast in your choice of formats here:
Deadline Awards Watch podcast 75 (.MP3 version)
Deadline Awards Watch podcast 75 (.M4A version)
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Cannes got a dose of REAL movie star glamour over the past two days when the legendary Sophia Loren came to town for a special screening of her new film, The Human Voice Tuesday night at Salle du Soixantieme and a two hour “Master Class” at the Bunuel on Wednesday afternoon. The film, based on the Jean Cocteau play and basically a one woman show finding her running a gamut of emotions while on the phone, is a 25-minute short directed by son Edoardo Ponti that gives the 79-year-old actress one of her meatiest and most emotional roles in years, a real reminder that once a star, always a star. It preceded a stunning 50th anniversary 4K restoration premiere of 1964′s wonderful Marriage Italian Style, one 14 collaborations with director Vittorio De Sica and co-starring 12-time leading man Marcello Mastroianni. The film brought Loren her second (and last) Best Actress Oscar nomination, and it still holds up today. The audience gave her a 5-minute ovation at the end of the short , and again at the end of the feature, moving her, from my vantage point directly across the aisle, to tears. I asked her how she felt about watching the two performances — performed a half-century apart — and she had one word: … Read More »
The Weinstein Company avoided any of the expected controversy at the Grace Of Monaco press conference after the first Cannes screening of the movie earlier today when it put the word out that a deal had been reached and they would be releasing the film in the U.S. (Gaumont is releasing in France later this week) after threatening to walk away. (At one point I heard they were even thinking about trying to sell it to Lifetime.) In fact the only reference to the distribution controversy came from a terse reply to a question posed to director Olivier Dahan, who now was pleased with the way it has all worked out. Speaking in French (for other questions he answered in English), he said, “Harvey will use this version of the film. If there are any changes we will do them together. There is no dispute. It is all resolved and I am happy with the whole situation,” he said.
Related: Cannes: Why Harvey Weinstein Will Miss ‘Grace Of Monaco’ Premiere
What he probably wasn’t happy with were some of the absolutely scathing reviews that appeared even before this morning’s first press screening. But critics seemed to be gunning for this one as soon as it was announced for the high-profile opening-night slot of the 67th Cannes Film Festival, which seems a little unfair. In addition to a terrific and credible turn from Nicole Kidman as Grace Kelly, Dahan’s portrait of a movie star-turned-princess caught up in a lifestyle change for which she was ill-prepared and now full of self-doubt is a good-looking film that doesn’t purport to be anything other than a piece of fiction based on real events (there’s a disclaimer right at the film’s start to that effect). “Almost everything is true though. I twisted reality just a little bit without really twisting it. It’s all based on historical fact. What I’ve tried to do is to detect the heart of things,” Dahan said. This may be more of an audience film than one aimed at critics. It certainly fulfilled the glamour requirements on the red carpet as tonight’s official kickoff to the festival.
For Kidman taking on a iconic public figure like this is typical of her recent career moves. She likes to take risks. “It was such a great opportunity. I think in my whole career I have been looking for things that put me on a high wire. And this was one of those roles,” she said. No doubt about that. And she added she was not happy that Monaco’s royal family heirs have been so vocal about their displeasure with this portrayal of their mother. “Obviously I feel sad. I think the film has no malice towards the family or towards Grace or Rainier (played by Tim Roth). It’s fictionalized. We’ve said that. It’s not a biopic. It’s the essence of truth but with a lot of things you take dramatic license at times. I understand also because of them being their mother and father. And I understand the protection of the privacy of their mother and father. It’s awkward. It is what it is. But I say that with respect and I want them to know that the performance was done with love. And ultimately if they ever did see it, they would see there was an enormous amount of affection for both their parents and their love story,” she said. Read More »
On my way in from the Nice Airport today the driver flatly predicted this would be a Cannes Film Festival without rain and that, just like today, the sun would be shining non-stop on this most famous of film festivals. The reason he said it is because for the last several years Cannes has been plaugued with rainstorms literally raining on this parade of the best in world cinema. Last year’s opening night for The Great Gatsby was a virtual flood as partygoers tried to avoid the drips in the tent Warner Bros erected and had to hightail it over deep puddles of water just to get inside. I for one hope this driver is right and the festival that started 67 years ago as a valentine to cinema, sun and glamour can retain that reputation. Time will tell on that, but what is the forecast for the movies themselves, and the market they inspire? So far there is no consensus on whether this will be a Cannes to remember or one that brings in enthusiastic buyers. But there are so many titles I want to see — spread over the various competitions associated with Cannes — that it is already becoming a Solomon’s Choice in terms of picking and choosing.
Related: Cannes: Could This Year’s Lineup Lead All The Way To Oscar?
Grace Of Monaco is opening the fest Wednesday night and it is already bathed in controversy between a version opening in France vs. one The Weinstein Company planned to open for American audiences. The version being shown on opening night is said to be somewhere in between the original darker cut of director Olivier Dahan’s and the more accessible path reportedly preferred by Harvey Weinstein. It’s still not clear what will happen to the film starting Nicole Kidman as iconic film star-turned-Princess Grace Kelly in terms of a U.S. release as Weinstein Co still has not officially announced plans. But I am told Harvey Weinstein will not be arriving in Cannes until after the official opening anyway, so any awkward moments on the red carpet look like they will be avoided. But Monaco’s Royal Family has also been very vocal about its opinions on the film (although it’s not quite clear if they have seen it) and have publicly denounced it. Nevertheless it could be an interesting start to the festival that promises a little something for everyone. It will be Kidman’s third Cannes in a row having been here for two films, The Paperboy and Hemingway & Gellhorn in 2012; as a juror last year; and now opening the fest.
Related: Hot Trailer: ‘Grace Of Monaco’
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Telemundo unveiled more than 800 original hours across all platforms for its 2014-2015 programming line-up, including five new primetime novelas and a new Sunday night primetime musical competition series. Joe Uva, Chairman of Telemundo-parent, Hispanic Enterprises and Content – a division of NBCUniversal — officially announced Luis Silberwasser as the new President of Telemundo Network, to start in August. At New York’s Frederick P. Rose Hall, Uva also introduced the new brand positioning and programming line-up for mun2, accompanied by its newly appointed president, Rubén Mendiola. The presentation concluded with a performance by Prince Royce, current coach of Telemundo’s highly-rated singing competition La Voz Kids. Read More »
Fox Searchlight had another solid debut this weekend with its initial limited opening of Belle in four New York and L.A. theaters, while foreign-language feature Ida showed some traction in a trio of locations despite the Spider-Man 2 juggernaut. While certainly nowhere near the stratospheric numbers of its fellow Searchlight roll out The Grand Budapest Hotel earlier this year, British-set period drama Belle nevertheless managed a regal bow, grossing over $104K, giving the film a $26,123 theater average. Searchlight said the feature outgrossed Spidey at the Landmark in West LA and was the second highest grosser at the Arclight in Hollywood. In New York, it also had strong numbers at Lincoln Plaza and Sunshine theaters.
Related: BOX OFFICE: ‘Amazing Spider-Man 2′ Casts $92M Web; ‘The Other Woman’ Holding Strong; ‘Rio2′ Passes $100M
“We’re pretty happy with how it opened. It’s an interesting thing with a film that’s very sophisticated like this and you’re hoping to get the cinephile crowd out,” Searchlight’s EVP of Distribution Frank Rodriguez told me Sunday morning. “The secret of this film is to keep it in theaters and see if it can get some traction. We know we have a great art film and we know we’re going to do well with it. The real goal here is to see if it can go a little mainstream. To do that with Spider-Man and the like will be interesting. Perhaps it’s a bit of counter-programming, but if we had had a $15 – 25K [PTA this weekend] I would have been happy, so we’re at the high end of that. In this business anything can happen, but we’re going into the right theaters and targeting a sophisticated audience.” Read More »
The Television Academy today announced this year’s honorees for the Seventh Annual Television Academy Honors. They are The Big C: hereafter, Comedy Warriors: Healing Through Humor, The Fosters, Mea Maxima Culpa: Silence In The House Of God, Mom, Screw You Cancer and Vice. The recipients are being honored for using the power of television to bring awareness to important social issues. For the first time this year, beginning the week of May 25, the recipients will be celebrated with special daily content on the Television Academy’s digital platforms and on Yahoo TV. Dana Delany will host the awards ceremony set for June 1 at the SLS Hotel in Beverly Hills. Click over for a description of the honorees: Read More »
Highlights: The Amazing Spider-Man 2 (SONY) spins $67.2M in sophomore weekend; Rio 2 (FOX) wings way to $250M; Captain America: The Winter Soldier (DIS) adds $16M for $420.3M overseas haul; The Other Woman (FOX) has $20.63M cume; Noah (PAR) summons $11.1M; Transcendence (WB) takes $10.8M; Divergent (LGF/SUM/var) nearing $100M intl; The Lego Movie (WB) builds to $200M; Spanish Affairs (UNI) becomes highest-grossing Spanish film of all time at home with $61.4M…
4TH UPDATE, WEDNESDAY 9 AM PT While I was traveling back from the U.S., additional and updated numbers came in for the past weekend’s box office. Notably, we’ve been furnished with a breakdown of Transcendence‘s performance in its 2nd frame. In 39 ex-U.S. markets, the film added a further $11.02M for an overseas cume of $34.1M. The worldwide total is $52.08M. In China, it earned $2.8M from an estimated 2,640 screens this frame, a 75% drop from its first outing last week. There were major new local films in the market (see below), but last week’s start was lower than hoped for especially given Johnny Depp’s big China promotional tour. However, with $19.1M total in China, the market is still outperforming domestic and should end up its biggest territory. With stiff competition from The Amazing Spider-Man 2, The Other Woman and Rio 2, the film kicked off at No. 4 … Read More »
After weeks of rumors and talks, The Voice finally has officially named Gwen Stefani as its new coach for Season 7. Stepping in for a pregnant Christina Aguilera, the multiplatinum No Doubt singer and solo act will join Adam Levine and Blake Shelton, who have been on every season of the NBC singing competition show. Not that Stefani will be sitting in the big red chair for consecutive seasons. Aguilera will be back for Season 8, the network also said today. In the meantime, Stefani will be introduced to Voice viewers with a live performance of her 2004 hit “Hollaback Girl” during the May 5 episode. Her fellow new coach, the previously announced Pharrell Williams, will bow on the show that same night. Here’s the release today from NBC:
Related: Gwen Stefani In Talks For NBC’s ‘The Voice’
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The roster for Cannes Film Festival sidebar Critics’ Week was announced this afternoon with seven films in competition and two special screenings, along with the opening and closing titles. Figuring amongst the mix is Inglourious Basterds star Mélanie Laurent with her second directorial outing, Respire, which grabbed a special screening berth. Out of the competition titles, two are from return helmers: Self Made by Israel’s Shira Geffen, whose 2007 Les Méduses won the Cannes Camera d’Or; and horror pic It Follows by David Robert Mitchell. Mitchell was in Critics’ Week in 2010 with The Myth Of The American Sleepover. British filmmaker Andrea Arnold is presiding over the jury for the 53rd edition of Critics’ Week (aka Semaine de la Critique). France’s Rebecca Zlotowski is overseeing the jury for the section’s new Sony CineAlta Discovery Prize. While some Critics’ Week titles can appear somewhat obscure at first glance, it’s worth recalling that the section has been a proving ground for such talent as Guillermo del Toro, Gaspar Noé, Alejandro González Iñárritu, Emanuele Crialese, and Jeff Nichols. The section runs this year from May 15-23. Here’s the full list of titles: Read More »
So what does today’s announcement of the 2014 Cannes Film Festival lineup mean for Oscar?
Who knows except that out of competition entry How To Train Your Dragon 2 will almost certainly be nominated for Best Animated Feature. Other than that we will have to wait and see until we actually view the films in Cannes next month. But there are good omens in this lineup (which could still see one or two more titles added) if you look at the impressive group of actors represented in these films: Oscar winners Tommy Lee Jones (who directs the competition entry The Homesman), Meryl Streep, Juliette Binoche, Marion Cotillard, Nicole Kidman, and director Michel Hazanivicius are among the prominent names and past nominees like Julianne Moore, Annette Bening, Jessica Chastain, Hailee Steinfeld, Berenice Bejo, Ryan Gosling (who is making his directorial debut) are also represented.
My colleague Nancy Tartaglione did a great job predicting who would make — or not make — the cut and wrote an exhaustive overview earlier. Now it’s time to look at the awards implications outside of those that will be handed out May 24th at the Palais. I look at Cannes as a soft start to Hollywood’s awards season. There’s no question of its importance as the granddaddy of all film fests and as a key worldwide launch for a movie that has got the goods, but in the end the May date scares off some distributors who, by launching their fall Oscar hopefuls on the Croisette may feel it ultimately hurts their chances — and more importantly their momentum.
That’s no doubt a key reason Warner Bros chose to hold back past Cannes competitor and favorite Paul Thomas Anderson’s Inherent Vice and Fox Searchlight did the same with Alexander Gonzalez Inarritu’s Birdman even apart from the usual reasons that they may not “be ready.” Last year Paramount decided at the last minute to take Alexander Payne’s Nebraska to Cannes even though he initially favored more postproduction time. Payne had competed once before with About Schmidt, headed the Un Certain Regard jury, and served on the main competition jury so he was a favorite of Cannes’ chief programmer Thierry Fremaux. The film ended up winning Best Actor for Bruce Dern but after Cannes the director “tinkered” with it and made it tighter before hitting the Telluride Film Festival over Labor Day with his final cut. It went on to win six Academy Award nominations including Best Picture and Director and Actor after finally opening November 15 (it didn’t win any Oscars, though). It’s not the first time a filmmaker has made changes after their film was shown to the world’s press and reviewed in Cannes. The growing feeling among distributors is it is best to wait until the movie is really locked before risking exposure at this most visible of all festivals. Read More »
Cannes Film Festival chief Thierry Frémaux is about to unveil the Official Selection lineup for the 67th running of the event which kicks off May 14 with Nicole Kidman in Grace Of Monaco. Folks are settled in at the UGC Normandie movie theater on the Champs-Elysées to get some clarity on the rampant speculation that annually precedes the daddy of all international festivals. Will Paul Thomas Anderson’s Inherent Vice be in the mix? Which of the myriad French movies made the cut? Has Cannes pinned down the Foxcatcher premiere? I’ll be updating the titles as they are revealed, so keep refreshing for the latest.
Related: Cannes: Lineup Has Few Surprises, Big Canadian Presence & Lots Of Female Helmers
Opening Film: Grace Of Monaco, dir: Olivier Dahan
Closing Film: To be announced
Winter Sleep, dir: Nuri Bilge Ceylan
Clouds Of Sils Maria, dir: Olivier Assayas
Saint Laurent, dir: Bertrand Bonello
Maps To The Stars, dir: David Cronenberg
Two Days, One Night, dirs: Jean-Pierre and Luc Dardenne
Mommy, dir: Xavier Dolan
The Captive, dir: Atom Egoyan
Goodbye To Language, dir: Jean-Luc Godard
The Search, dir: Michel Hazanavicius
Jimmy’s Hall, dir: Ken Loach
The Homesman, dir: Tommy Lee Jones
Futatsume No Mado, dir: Naomi Kawase
Mr Turner, dir: Mike Leigh
Foxcatcher, dir: Bennett Miller
Leviathan, dir: Andrey Zvyaginstev
Wild Tales, dir: Damian Szifron
Le Meraviglie, dir: Alice Rohrwacher
Timbuktu, Abderrahmane Sissako
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Highlights: Noah (PAR) floods Mexico and Korea with opening cume of $14M; Muppets Most Wanted (DIS) scores $1.5M in eight debut markets; Need For Speed (DIS/var) drives another $29.2M; 300: Rise Of An Empire (WB) seizes further $21.2M; Mr Peabody & Sherman (FOX) at $103M; Rio 2 (FOX) flies to $10.5M in Russia/Ukraine; The Grand Budapest Hotel (FOX) has extra room for $9.7M; Frozen (DIS) nearing Toy Story 3‘s record; Uni’s 8 Apellidos Vascos (aka Spanish Affairs) still seducing Spain; trio of Asian pics enters Top 20…
6TH UPDATE, MON, 12:43 PM PT: Final numbers are in now for The Grand Budapest Hotel, Mr. Peabody and Sherman, Monuments Men as well as Ride Along, 300: Rise of an Empire and The Lego Movie (which grossed more than previously thought). Final numbers also came in Monday night for Oscar Best Picture winner 12 Years a Slave which added another $3.9M to raise its international cume to $121.7M, most of its gross has come from the U.K. with $32.7M; the film has made $178M worldwide. Lionsgate opened Divergent in 18 international markets, but are not releasing numbers as yet. We are using Rentrak which has five small territories (see below for more info on that). Lionsgate, as they always do, pre-licensed international so there are many distributors handling the film in their prospective territories. The big territory rollout for Divergent will be April 4 in the U.K., Italy, Belgium, Netherlands, Mexico, and Finland, followed April 11 by France, Germany, Russia, Australia, Denmark and Norway. Read More »