Specialty Box Office: Scarlett Johansson Reigns With Sci-Fier ‘Under The Skin’

By | Sunday April 6, 2014 @ 9:51am PDT

Specialty Box OfficeUPDATED: Boasting a bankable Hollywood star in a decidedly unconventional narrative, Jonathan Glazer’s stunning Under The Skin starring Scarlett Johansson (who also stars in this weekend’s fellow opener Captain America 2) proved a winning mix in the Specialty Box Office for distributor A24 in its opening weekend. The film, Glazer’s first in 10 years, grossed a robust $140K in four L.A. and NYC theaters. That comes in at a $35K screen average, easily the biggest since the The Grand Budapest Hotel‘s bombshell $202K PTA when it opened March 9. Scarlett Johansson Under the SkinUnder The Skin‘s initial numbers also bode well for A24, which opened in 2012 and had a streak of box office successes over last year, including Harmony Korine’s Spring Breakers, which had an $87,667 PTA when it opened last March ($14.1M cume), The Spectacular Now ($49,354 PTA in 4 theaters last August and a $6.85M cume), The Bling Ring ($42,879 PTA in 5 theaters last June and a $5.8M cume) and Ginger & Rosa ($14,279 PTA in 3 theaters in March 2012, $1M cume).

Said A24 this weekend: “[Under The Skin] opened to rave reviews and sold out shows in New York and Los Angeles this weekend. This unique cinematic event is second only to The Grand Budapest Hotel as the highest limited specialized film opening of the year. Scarlett Johannson, who stars in both Under The Skin and the Captain America sequel, was a box office star this weekend dominating the box office with Captain America and Under The Skin having the highest per screen average in the country.”

A24 noted that the title, which it acquired out of Toronto last year, is “an art movie that people are embracing.” A spokesperson told me Sunday that they “couldn’t sell more tickets” at its showing in New York’s Union Square. Read More »

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Specialty Box Office: ‘Grand Budapest’ Extends Reign In Expansion; ‘Nymphomaniac’ Bows So-So Theatrically

Specialty Box OfficeThe Grand Budapest Hotel maintained its box office magic over in its third weekend following an expansion, even as a slew of newcomers bowed with mixed results.

Lars von Trier’s much ballyhooed and anticipated Nymphomaniac: Vol. I culminated with a 25 theater bow this weekend, grossing a so-so $175K for a $7K theater average. Magnolia noted the film, the first part of two Nymphomaniac films (the next opens in theaters April 4) has already been available via VOD and digital platforms, so conceivably a sizable portion of audiences may have wanted to experience the romp in the privacy of home.

On a straight theatrical comparison, Magnolia opened LVT’s previous film Melancholia in 19 theaters, grossing over $257K for a $13,535 PTA in November 2011. nymphomaniacMelancholia went on to cume just over $3.03M domestically. Still, his 2009 release Antichrist opened in just 6 theaters in October 2009, averaging $11,900 ($404,122 domestic cume). Magnolia noted Sunday reporting its Nymphomaniac numbers: “The first volume of Nymphomaniac finally opened after months of buildup and anticipation – from audiences and from us. It did well across the country and lived up to our expectations for it. Combined with a really great VOD take so far, it’s a winner. We’re excited about Volume II, which is on VOD now and in theaters April 4.” On the other end of the spectrum, Freestyle Releasing’s God’s Not Dead blitzed the box office with $8.9M in 780 theaters; read more on that in Anita Busch’s mainstream b.o. report. Read More »

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Sam Shepard To Co-Star In Netflix Drama Series From ‘Damages’ Creators

By | Wednesday March 19, 2014 @ 6:00pm PDT
Nellie Andreeva

Sam Shepard (August: Osage County) samshepardhas joined the cast of Netflix‘s untitled psychological thriller drama from Sony Pictures TV. Written and executive produced by Damages creators Todd A. Kessler, Daniel Zelman and Glenn Kessler (KZK), the 13-episode series centers on a close-knit family of four adult siblings (Kyle Chandler, Ben Mendelsohn, Linda Cardellini, Norbert Leo Butz) whose secrets and scars are revealed when their black sheep brother (Mendelsohn) returns home. Shepard will play the patriarch of the family, with Sissy Spacek previously cast as his wife.

Related: Jane Fonda & Lily Tomlin To Topline Netflix Comedy Series

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Specialty Box Office: ‘Grand Budapest Hotel’ Checks In With Lofty $55K PTA In Expansion; Bateman’s ‘Bad Words’ Solid

By | Sunday March 16, 2014 @ 11:11am PDT

Specialty Box OfficeThe Grand Budapest Hotel continued to charm audiences as it expanded, cashing in. The Fox Searchlight powerhouse moved into 66 theaters in its second weekend, grossing a cool $3.64M for a still dazzling $55,152 per-theater average. The Wes Anderson film shattered a slew of records last weekend when it opened in four theaters with a $200K screen average. It is still a must-see in its second round and even surpassed Anderson’s last film Moonrise Kingdom in the b.o. in its second week. That film played in 16 theaters in its second weekend after a record-breaking opener $130K-plus average back in May 2012. In its second weekend, Moonrise averaged $53,043 and went on to cume over $45.5M.

Related: Box Office: ‘Mr. Peabody & Sherman’ Looks To Take No. 1 Spot; ‘Need For Speed’ Stalling; Tyler Perry’s ‘Mom’s Club’ Lackluster, ‘Budapest Hotel’ Exceptional … Again

grand-budapest_2813768bBudapest placed 8th in the overall box office. Noted Searchlight Sunday reporting the numbers: “The film is reaching a wide audience beyond the core Wes Anderson fans. While moviegoers have been visiting Art houses and Specialty venues in record breaking fashion this weekend, there have also been great results in the few mainstream multiplexes that we opened as well. It appears that the film has as opportunity to cross over to an audience who may not have seen his films before, but are now ready to check into The Grand Budapest Hotel.” Searchlight will take Budapest to an additional 40 markets next week and will expand in existing cities, taking the feature to 275 – 325 theaters. And it will expand further later in the month and into April. Read More »

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Specialty Box Office: Newcomers Overshadowed By ‘Grand Budapest Hotel’ Opener

By | Sunday March 9, 2014 @ 1:26pm PDT

boxoffice-specialty__111212022432-200x150 (1)After spending most of 2014 gushing over the Oscar nominees and relatively few others, the specialty box office biz got a massive jolt this weekend with the arrival of Wes Anderson‘s Berlin opener The Grand Budapest Hotel. The Fox Searchlight film broke records for a live-action opener, grossing a massive $800K in four theaters (the ArcLight Cinerama Dome in Hollywood, the Landmark in West LA, the Regal Union Square in NY, and the AMC Lincoln Square in NY) for a stunning $200K per-theater average. Other openers braved opening alongside Budapest this weekend with various results.

Related: Box Office: ‘Grand Budapest Hotel’ Checks In With Record Debut

Three of the bigger openings this weekend had not reported numbers as of this afternoon. Magnolia Pictures opened the Elijah Wood-starring thriller Grand Piano in one theater each in New York, L.A. and Austin. The distrib’s genre label Magnet Releasing is behind the North American rollout of China blockbuster Journey To The West: Conquering The Demons, which grossed $205 million in its home territory alone last year. It opened Friday in 10 markets ahead of a broader U.S. rollout. Another pic, the Italian drama Miele (Honey), opened in a single NY theater before expanding to LA next week. We’ll update with those numbers when they arrive.

Related: Specialty B.O. Preview: ‘The Grand Budapest Hotel’, ‘Grand Piano’, ‘Journey To The West, More

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Is Ellen DeGeneres’ Oscar Selfie A Game-Changer For Trophy Show Product Placement?

selfie2Awards ceremony broadcasts may have been changed forever at last night’s Oscars when Ellen DeGeneres took a selfie of herself and a dozen A-listers in the theater. She broke the record for most retweets – 3 million-plus and counting — causing a brief service issue with Twitter. “We just broke Twitter,” DeGeneres announced during ABC’s broadcast of the Oscars after word got out.

Related: Ellen Gets Mixed Reviews For Oscars

“The envelope please … to @TheEllenShow — this is now the most retweeted tweet with over 1 million RTs. Congrats!” chimed in Twitter when DeGeneres’ selfie hit that retweeting threshold. (According to Poptip, a platform that analyzes and synthesizes social conversation in real time, among last night’s Oscar highlights, four of the top 15 phrases about the Oscars were about the Samsung selfie.)

Related: OSCARS: A Selfie-Important Academy Awards Honors Past And Future

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Deadline’s Oscars Blog: ‘12 Years A Slave’, ‘Gravity’ And Boredom Reign Supreme

By and | Sunday March 2, 2014 @ 5:30pm PST

Oscars Live Blog
Here we are again after the Golden Globes,  Mike Fleming and Anita Busch taking on the task of play by play during the most wide-open Oscar race we can remember. Even on the party circuit, industry insiders who usually have a grasp of who’ll walk away with Oscars were evenly torn between Alfonso Cuaron’s 3D masterpiece Gravity and Steve McQueen’s 12 Years A Slave. Then again, there were so many terrific films that got Best Picture nominations, and all of them have at least a puncher’s chance at an upset.

Related: OSCARS: Pete Hammond’s Absolute FINAL Predictions

That includes American Hustle, where David O Russell co-wrote the Best Original Script nominee with Eric Warren Singer and got tour de force performances and nominations for Christian Bale, Amy Adams, Bradley Cooper and Jennifer Lawrence. Perfs so strong there was no room on the nomination roster for perennial Oscar nominee Jeremy Renner. The film is up for 10 awards, and has grossed over $240 million on a $40 million budget.

86th Annual Academy Awards - Red CarpetThen there is The Wolf Of Wall Street, with Leonardo DiCaprio giving the most emphatic and complete performance of a great career, and Jonah Hill right there with him as his crazy con man sidekick. The film is up for five nominations, including Martin Scorsese for directing a terrific adaptation from The Sopranos and Boardwalk Empire vet Terence Winter.

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Specialty Box Office: SPC’s ‘The Lunchbox’ Solid Newcomer As Oscar Hopefuls Continue Their Reign

By | Sunday March 2, 2014 @ 11:40am PST

boxoffice-specialty__111212022432-200x150 (1)All attention is on the Oscars (and Spirits) this weekend, but a couple new specialty releases managed to gain some sparkle as they rolled out in limited release. Sony Pictures Classics’ Cannes debut The Lunchbox from India reigned over a half-dozen newcomers that rolled out Friday. e LunchboxThe feature from the subcontinent (and not a “usual Bollywood” film) found traction to the tune of $51K-plus in an NYC & LA platform release for a solid $17,108 average, while Cinedigm’s Bag Man also bowed decently, grossing over $28K for a $14,245 average.

Related: BOX OFFICE: ‘Non-Stop,’ And Powerful ‘Son Of God’ Fly Past ‘Lego’ On Wings And A Prayer; ‘Lego’ Passes $200M, ‘Frozen’ To Pass $1 Billion

“It’s one of those engaging foreign films that has a potential to cross over [audiences],” SPC’s Michael Barker said about the film this week. “It’s culturally Indian, however the story crosses all borders.” Barker said the film will head to up to a dozen markets the following week, eventually playing the top 50 markets within five weeks of this weekend’s initial rollout.

Related: OSCARS: Pete Hammond’s Absolute FINAL Predictions In Every Category In One Of The Most Competitive Races Ever

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OSCARS: Pete Hammond’s Absolute FINAL Predictions In Every Category In One Of The Most Competitive Races Ever

Pete Hammond

This column originally ran Thursday.

With no real clarity from the usually reliable guild contests and critics awards, the best picture race is one of the mostOscar Predictions 201480th Academy Awards NYC Meet the Oscars Opening unpredictable in years. Considering the preferential Oscar voting system, it is not probable there will be a winner on the first ballot because it’s unlikely any film in this great year for films will be able to  muster more than 50% of the first-place votes required. The second choice on those best picture ballots could end up being the most important. The top three contenders—12 Years A Slave, American Hustle and Gravity—are in a real dog fight, which means a dark horse like The Wolf Of Wall Street, PhilomenaDallas Buyers Club or Nebraska could sneak in if a true three-way split occurs, although I don’t think that scenario is too likely. Never say never though. In 1981 for example no one was expecting a small British film called Chariots Of Fire to sneak in and take Best Picture but indeed it did. The last huge upset in the Picture race was probably Crash over Brokeback Mountain in 2005 but judging from voter interviews that year I saw a tidal wave of last minute support. This year I don’t get that. There are lots of opinions out there and it looks like … Read More »

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Specialty Box Office: ‘Elaine Stritch’ & Oscar Contender ‘Omar’ Bow OK; ‘Beijing Love Story’ Continues To Seduce

By | Sunday February 23, 2014 @ 11:27am PST

Specialty Box OfficeElaine Stritch‘s new docu opened in a pair of New York theaters this weekend to a decent crowd. The Tribeca ’13 doc opened at Lincoln Plaza and IFC Center grossing $30K. Now in a wheelchair and frail, the Tony and Emmy Award-winning actress/performer nevertheless made headlines last weekend when she delivered the F-bomb on The Today Show with Kathie Lee Gifford and Hoda Kotb, giving the film a round of publicity in the lead up to its weekend opening. elaine stritch shoot meElaine Stritch: Shoot Me got off to a fantastic start as the film will roll out to the top twenty markets throughout March. “Audiences came out to see the well reviewed documentary about the legendary Emmy and Tony award winner,” noted IFC Films Sunday. It will also be available via VOD soon.

Related: BOX OFFICE: ‘Lego’ Is Lord Of Business, Costner’s ’3 Days To Kill’ No. 2 Buries ‘Pompeii’

Adopt Films opened its Foreign-Language Oscar nominee Omar in a fairly wide 51 theaters. The Palestinian feature by Hany Abu-Assad won festival accolades from Cannes, London, NYFF and AFI Fest had by far the widest opening among its fellow Oscar contenders that have opened Stateside. Tribeca Film’s Broken Circle Breakdown opened in one theater grossing $7,100 ($158 cume), while Magnolia’s The Hunt bowed in 10 theaters last July, growing $43K ($613 cume). Janus Films’ The Great Beauty is by far the box office winner among the pack, passing the $2 million cume threshold this week. It opened in one location in November, grossing $23,442. Strand’s The Missing Picture from Cambodia will open next month. Read More »

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OSCARS: Harvey Weinstein On His Dark Horse Best Picture Candidate ‘Philomena,’ And, Well, Everything Else

By | Wednesday February 19, 2014 @ 5:51pm PST
Mike Fleming

harEach year, Harvey Weinstein has taken time out from his Sundance buying frenzies to do an Oscar-season interview that touches on his Academy hopefuls, all the films he bought in Park City, and politics. Well, January’s Sundance couldn’t have been duller — outside of his multiplatform arm RADiUS, The Weinstein Company made zero buys there for the first time in forever — but so much has happened since that we needed a catch-up call to get it all in. Here, Weinstein touches on everything from watching Philomena get the Best Picture Oscar nomination over higher-profile TWC films to Quentin Tarantino’s leaked The Hateful Eight script to his battle with Warner Bros over The Hobbit gross points, to the NRA. And, just as he came out of Toronto with the big acquisition in Can A Song Save Your Life?, Weinstein walked away from Berlin with The Imitation Game, the drama about genius British mathematician Alan Turing, whose work cracking the Nazi Enigma Code made him a bona fide WWII hero but who later was prosecuted for being homosexual, chemically castrated and eventually committed suicide.

DEADLINE: We started this interview at the tail end of Sundance and you uncharacteristically hadn’t bought a single movie. You went right to Berlin and paid a record $7 million for U.S. rights to The Imitation Game. What happened?
WEINSTEIN: One of the things I’ve never been great at is discipline, but we just didn’t feel like there was anything we had to have at Sundance. We decided that, like with Can A Song Save Your Life? at Toronto, we wanted the movie. Imitation Game was a project all of us followed, and those 20 minutes gave that zeitgeist feeling to me, David Glasser, everyone on our team. Negeen Yazdi, who runs our English office, tracked this one so hard that it was like she was trying to break the Enigma Code.

imDEADLINE: How hard is it to make such a big commitment based on a 20 minute compilation of scenes?
WEINSTEIN: It was easier in that we all knew the script and could see the level of performance Morten Tyldum got in his first English language film. Alan Turing is not outwardly very sympathetic. He’s brilliant, but the way that Benedict Cumberbatch played him showed us these guys found the right level of vulnerability, genius and the arrogance of the character, too. We felt after reading the script that you could get this wrong, from the tone to the casting. The reason we didn’t make it ourselves was, it felt like a near impossible walk on a tightrope. Morten walked the tightrope. And Keira Knightley is so brilliant in Can A Song Save Your Life and she was helpful and loyal in pushing it our way that we wanted this huge run she is about to have to be with us.

Related: Bong Joon-Ho And Harvey Weinstein Reach Truce On ‘Snowpiercer’
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BOX OFFICE FINAL: ‘Lego’ Blocks ’80s Remakes, ‘About Last Night’ No. 2; ‘RoboCop’ And ‘Endless Love,’ ‘Men’ Round Out Top 5 In Valentine’s Day/Presidents Day Weekend

OPENING: About Last Night (Sony) No. 2, was estimated at $34.5M for four-day holiday, then $30M and now $28M to $29M, RoboCop (Sony/MGM opened Wed) No. 3 domestically with was $22M, then $25M and now $25M+ as international takes off, Endless Love (Uni) No. 5 was $20M+, then $15.1M and now $14.5M to $15M, Winter’s Tale (WB) soft and No. 7 was $11.5M, then $8.5M and now $8M.

hr_The_LEGO_Movie_96th UPDATE, 1:45 PM: Final numbers, both 3-day and 4-day Valentine’s Day/Presidents Day weekend, are in from the studios. Some of these distribution executives are very smart in how they’ve been handling their films. Ride Along, for instance, shed 283 theaters and Frozen dropped 359 theaters to both keep their strong holds of only 9% drops. Also holding well is The Lego Movie (-28%), and Monuments Men is only down 30% in its second week in the same number of theaters. Highest per screens, not surprisingly, for the three-day were Lego and opener About Last Night. And, interestingly, Frozen in its 13th week of release and Gravity in its 20th week of release has similar per screen averages of about $2,900 which puts them both above the opening of Winter’s Tale. That hurts, but everyone in this business knows, you win some and you lose some. Here are the studio’s final numbers for the Top 20 via Rentrak:

1). The Lego Movie (WB), 3,775 theaters (0) / 3-day cume: $49.8M (-28%) / Per screen average: $13,204 / 4-day cume: $62.4M / Total Cume: $142.7M / Wk 2

2). About Last Night (Sony), 2,253 theaters / 3-day cume: $25.6M / Per screen average: $11,384 / 4-day cume: $27.8M / Wk 1

3). RoboCop (Sony) 3,372 theaters / 3-day cume: $21.6M / Per screen average: $6,430 / 4-day cume: $25M / Total Cume: $30M (includes previews) / Wk 1

4). Monuments Men (Sony) 3,083 theaters (0) / 3-day cume: $15.4M (-30%) / Per screen average: $5,020 / 4-day cume: $17.9M / Total Cume: $46.5M / Wk 2

5). Endless Love (Uni) 2,893 theaters / 3-day cume: $13.3M / Per screen average: $4,595 / 4-day cume: $14.4M / Wk 1

6). Ride Along (Uni) 2,511 theaters (-174) / 3-day cume: $8.7M (-9%) / Per screen average: $3,460 / 4-day cume: $9.8M / Total Cume: $117.2M / Wk 5

7). Frozen (DIS) 2,101 theaters (-359) / 3-day cume: $6.2M (-9%) / Per screen average: $2,964 / 4-day cume: $8M / Total Cume: $378.2M / Wk 13

8). Winter’s Tale (WB) 2,965 theaters / 3-day cume: $7.2M / Per screen average: $2,461 / 4-day cume: $8M / Wk 1

9). Lone Survivor (UNI), 2013 theaters (-856) / 3-day cume: $4M (-27%) / Per screen average: $2,030 / 4-day cume: $4.6M / Total Cume: $118.9M / Wk 8

10). That Awkard Moment (FOC), 1,922 theaters (-887) / 3-day cume: $3.4M (-34%) / Per screen average: $1,811 / 4-day cume: $3.8M / Total Cume: $21.9M / Wk 3

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OSCARS: How The Adapted And Original Screenplay Races Could Go Down To The Wire

Pete Hammond

When it comes to predicting who will take home Oscars for adapted and original screenplay, don’t lookAwardsLine to the recent Writers Guild Awards for any significant clues. Usually the guild will give some indication of which way the winds are blowing among the scribes of the Academy of Motion Picture Arts and Sciences, even though the 372-member writers branch has different criteria and eligibility rules than the more stringent 20,000-plus WGA membership. The WGAs differ from other guild awards in not nominating any movies not made under their basic agreement or within guild guidelines. That isn’t a huge factor this year, as the Academy matched the WGAs’ nominee list in original screenplay and chose three of the same adaptations (Oscar nominees 12 Years A Slave and Philomena were not allowed to compete in the WGAs). Lone Survivor and August: Osage County nabbed the other two nominations, although neither won. In fact, in a highly unusual result, the WGA winners, Her for original and Captain Phillips for adapted, have not been considered slam-dunks to pull off the same trick at the Oscars on March 2.

Related: ‘12 Years A Slave’ Writers Win 2014 USC Scripter Award: John Ridley, Solomon Northup

Spike-Jonze-Her-ss-14Phillips is listed as a 100-to-1 shot on betting website Gold Derby, … Read More »

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Specialty Box Office: ‘Beijing Love Story’ Solid Niche Opening In Quiet Holiday Weekend

By | Sunday February 16, 2014 @ 12:12pm PST

beijinglovestoryThe Presidents Day weekend was rather quiet for the Specialty Box Office in a holiday otherwise dominated by Legos. Only one newcomer bothered to report 3-day numbers Sunday, though they were decently solid. China Lion’s Valentine’s offering Beijing Love Story brought out its niche following of audiences who gravitate to China’s big screen features. The film grossed $128K for a $14,222 PTA. “We’re in our core communities and pushing our grassroots outreach there,” China Lion’s Robert Lundberg said this week.

Specialty Box OfficeAs of early afternoon EST, other Specialty openers including Girl On A Bicycle (Monterey Media), Lucky Bastard (Cavu Pictures) and Jimmy P. (IFC Films) hadn’t reported their numbers. Here’s hoping IFC Films will back Jimmy P., a film that premiered in competition in Cannes and later debuted Stateside at the New York Film Festival. It has had decent reviews, so hopefully it is not simply being dumped by the distributor. Stay tuned…

Related: Box Office: ‘Lego’ Blocks ’80s Remakes In Valentine’s Day/President’s Day Weekend

Among second weekend holdovers, Kino Lorber continued to reap decent numbers for its doc Afternoon Of A Faun: Tanaquil Le Clercq, which continued its exclusive engagement at the Film Society of Lincoln Center. Read More »

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OSCARS: Acting Races Head Into The Homestretch — So Who’s Got The Best Shot For The Gold?

By | Saturday February 15, 2014 @ 12:27pm PST
Pete Hammond

It’s a banner year for Oscar newcomers in the uber-competitive acting races. Outside of the veteran-AwardsLineheavy lead actress contest, 13 of the 20 nominees in lead and supporting are receiving either their first or second nominations. Considering how often the Academy of Motion Picture Arts and Sciences tends to play favorites, it is good to see new blood. As voters enter the final balloting period before the March 2 ceremony, the guilds and other precursor awards have provided two fairly solid lead-category frontrunners—one of whom is a first-time nominee.

Related: SAG Awards: American Hustle Gets A Big Boost

matthewmccon1__131129221532-e1385763361431With wins at the Golden Globes, Critics Choice Movie Awards and the Screen Actors Guild Awards, Dallas Buyers Club’s Matthew McConaughey has leapt to the front of the pack in the incredibly tight best actor race, which has see-sawed all season. But storm warning ahead, Matthew: The all-important British Academy of Film and Television Arts Awards are still to come on Sunday, and you didn’t even snag a nomination there, leaving an opening for your chief rivals: The Wolf Of Wall Street’s Leonardo DiCaprio, a four-time acting nominee looking for his first win; 12 Years A Slave’s Chiwetel Ejiofor (who is British and a first-time Oscar nominee); and Nebraska’s Bruce Dern, enjoying his second nom. American Hustle’s Christian Bale, who won a supporting Oscar in 2011 for The Fighter, rounds out the category.
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ICM Partners Adds Agent Lara Sackett

By | Thursday February 13, 2014 @ 3:26pm PST

Lara SackettEXCLUSIVE: The longtime partner at the Skouras Agency has moved to the motion picture production department at ICM Partners. Lara Sackett will be bringing a slew of her below-the-line clients along with her including production designers David Crank, Jack Fisk, Game Of Thrones’ and recent ADG Awards winner Gemma Jackson, Hunger Games‘ Philip Messina and Sharon Seymour. Sackett also reps DPs such as Stephen Goldblatt, August: Osage County’s Adriano Goldman and Salvatore Totino along with film editors like Bob Ducsay, Dana Glauberman and Saar Klein. She had been a Skouras partner since 2003.

Related: J.C. Mills Joins ICM Partners As International TV Agent

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Juliette Lewis Joins ABC’s ‘Secrets & Lies’

By | Wednesday February 12, 2014 @ 4:30pm PST
Nellie Andreeva

Juliette LewisJuliette Lewis is set as the female lead opposite Ryan Phillippe in ABC’s drama pilot Secrets & Lies, which has a series penalty. An adaptation of the upcoming Australian crime mystery series, Secrets & Lies centers on Ben (Phillippe), a family man who becomes the prime suspect in the murder of a young boy when he finds the body. Lewis will play Detective Andrea Cornell, who is conducting the investigation into the boy’s murder, focusing on Ben. Lewis, repped by Untitled Entertainment and UTA, was most recently seen in August: Osage County and recently wrapped indies Hellion and Kelly And Cal. Charles McDougall is directing Secrets & Lies, from ABC Studios, Hoodlum and Kapital Entertainment.

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OSCARS: On The Scene As Nominees Lunch Brings Out Record Number And EVERYONE Is A Winner In This Room

By | Monday February 10, 2014 @ 6:17pm PST
Pete Hammond

No question the nominees lunch, which took place today at the Beverly Hilton, is the feel good event of a very long Oscar season — at least as far as the86th Oscars®, Nominees Luncheon, Group Photo nominees who have made it this far are concerned. If the Governors Awards in November is a great networking opportunity for contenders, this luncheon has become a “must attend” for nominees, who get their certificates, a goodie bag and the chance to meet their fellow nominees in a collegial atmosphere where everyone’s a winner. At least until March 2. Oscar producers Craig Zadan and Neil Meron made a point of telling them a billion people will be watching in more than 225 countries and that the time begins the moment they hit the microphone and they will have only 45 seconds. “But don’t be nervous,” smiled Zadan. “Just prepare”.

Related:
86th Academy Awards Nominees Photo
OSCARS: 86th Academy Award Nominations
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BOX OFFICE: ‘Lego’ Blockbuster $69M; ‘Monuments Men’ Solid Second; ‘Vampire Academy’ Has No Bite

By | Monday February 10, 2014 @ 1:08pm PST

OPENING: The Lego Movie (WB), blockbuster expected anywhere from $69M; The Monuments Men (Sony), around $22M in 2nd position; Vampire Academy (TWC) anemic with $3.9M.

BoxOffice_logo4TH UPDATE, 1 P.M: The Lego Movie ended its weekend run with $69M. Sony is reporting The Monuments Men at $22M (slightly less than yesterday) and the other newcomer distributed by The Weinstein Company, Vampire Academy, ended the 3-day holiday weekend with a mere $3.9M. Next weekend openers are a slew of 1980s back-to- the-future movies with re-worked titles MGM’s Robocop, which opens Wednesday; Sony’s About Last Night, starring Ride Along‘s Kevin Hart; and Universal’s remake of Endless Love. Here are the final numbers as reported from the studios for Top 20 titles from this weekend:

1). The Lego Movie (WB) 3,775 theaters / Est. 3-day Cume: $69M / Per screen: $18,291 / Wk 1

2). The Monuments Men (SONY), 3,083 theaters / 3-day Cume: $22M / Per screen: $7,137 / Wk 1

3). Ride Along (UNI), 2,800 theaters (-67) / 3-day Cume: $9.5M (-20%) / Per screen: $3,425 / Total Cume: $105.3M / Wk 4

4). Frozen (DIS), 2,460 theaters (-294) / 3-day Cume: $6.8M (-23%) / Per screen: $2,794 / Total Cume: $368.6M / Wk 12

5). Lone Survivor (UNI), 2,869 theaters (-416) / 3-day Cume: $5.5M (-22%) / Per screen: $1,940 / Total Cume: $112.8M / Wk 7

6).  That Awkward Moment (FOCUS), 2,809 theaters (0) / $3-day Cume: $5.2M (-40%) / Per screen: $1,864 / Total Cume: $16.5M / Wk 2

7). Vampire Academy (TWC), 2,676 theaters / 3-day Cume: $3.9M / Per screen: $1,466 / Wk 1

8). The Nut Job (OPRD), 3,004 theaters (-468) / 3-day Cume: $3.7M (-48%) / Per screen: $1,249 / Total Cume: $55M / Wk 4

9). Jack Ryan: Shadow Recruit (PAR), 2,139 theaters (-768) / 3-day Cume: $3.5M (-34%) / Per screen: $1,651 / Total Cume: $44.4M / Wk 4

10). Labor Day (PAR), 2,584 theaters (0)/ 3-day Cume: $3.1M (-38%) / Per screen: $1,233 / Total Cume:  $10.1M /Wk 2 Read More »

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