
Following a relatively new tradition they started a few years ago, The Weinstein Company on Friday
night brought together a group of buyers, partners and press to preview its 2013 slate and meet filmmakers and stars. Although Harvey Weinstein never once mentioned the word “Oscar”, you can tell that’s definitely what he is thinking with a diverse mix of prestige projects that should give the awards-happy company lots of campaign fodder for 2013.
He said after a rocky start the company has had a very good last four years and for 2012 made more than they ever did at Miramax. He also made a plea to the international audience gathered for the presentation at the Majestic Hotel for the continued independence of European filmmaking, especially in light of problems with the European Cultural Initiative. “We can’t let Europe be the same like the United States. What’s great about European movies is they are different and as long as they reflect their culture there will always be special movies like Amour, which we didn’t release last year, and so many movies like that. So keep your eye on the newspaper when this stuff comes up for votes or things we can do to influence it, I think it’s very important,” he said.
Related: Cannes: Weinstein Eyes ‘Philomena’ In First Big Bidding Battle Of Festival
After the 40-minute reel led by the August 16th release The Butler and ending with the long-gestating Mandela: Long Walk To Freedom, Weinstein told me, “It’s a very eclectic, hard-hitting lineup that I am really proud of. What am I going to say? I feel very confident about this year”. Though he may not have been directly making an Oscar-season pitch (thankfully that’s still many months off even for Harvey — well, maybe not), he did make an overt plea for his official competition entries Only God Forgives and The Immigrant when introducing Cannes jury member Nicole Kidman, star of the December 27th release Grace Of Monaco. “We have a member of the jury with us tonight and she has to go for a jury meeting to hopefully decide which movie of mine wins the Palme d’Or. I have certainly given Steven (jury president Spielberg) enough money over the years,” he said to big laughs. Read More »



















Nevertheless, scheduling proved an issue for years until the script made its way through Warner Bros. to Ben Affleck, who was eager to make Argo his next project. With the box office hit and festival-circuit favorite firmly entrenched in the awards conversation, Heslov took time from the set of his next project, August: Osage County, to talk about arriving at the right budget number and why Smokehouse is always involved in the marketing of its films.

Jennifer Lawrence, The Silver Linings Playbook
Marion Cotillard, Rust And Bone




