2013-14 ABC New Series

By THE DEADLINE TEAM | Wednesday May 22, 2013 @ 1:20pm PDT

2013-14 ABC New Series

Dramas

Betrayal — A chance meeting between photographer Sara Hadley (Hannah Ware) and Attorney Jack McAllister (Stuart Townsend) leads to an instant and undeniable attraction. Sarah’s husband, Drew (Chris Johnson), is a successful prosecutor with political aspirations, while Jack is married to Elaine (Wendy Moniz), the daughter of his boss, Thacher Karsten (James Cromwell). When Karsten’s brother-in-law Lou is murdered, all evidence points to Karsten’s son, T.J. (Henry Thomas). Jack, the company’s lead counsel, will have to defend him, but for Sara’s prosecutor husband, Drew, this is the kind of high-profile murder case that can secure his political future. Just as Sara and Jack’s affair is starting, the lovers find themselves in an impossible situation — on opposite sides of a murder investigation. “Betrayal” stars Hannah Ware (“Shame,” “Boss”) as Sara, Stuart Townsend (“The League of Extraordinary Gentlemen”) as Jack, James Cromwell (“Babe,” “American Horror Story”) as Thacher Karsten, Henry Thomas (“E.T.,” “Gangs of New York”) as T.J. Karsten, Chris Johnson (“The Vampire Diaries”) as Drew, Wendy Moniz (“Guiding Light,” “The Guardian”) as Elaine, Elizabeth McLaughlin (“The Clique”) as Val and Braeden Lamasters (“Men of a Certain Age”) as Vic. “Betrayal” was written by David Zabel (“ER”) and directed by Patty Jenkins (“The Killing,” “Monster”) and is executive-produced by David Zabel, Rob Golenberg (“Red Widow”) and Alon Aranya. “Betrayal” is produced by ABC Studios.

Killer Women — Of all the notorious lawmen who have ever patrolled the violent Texas frontier, none are more … Read More »

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UPDATE: ‘Iron Man 3′ Box Office Crosses $1B Global And $300M Domestic

By NIKKI FINKE, Editor in Chief | Friday May 17, 2013 @ 9:18am PDT

UPDATE, FRIDAY AM: Disney confirmed today that last night Iron Man 3 crossed $1B at the worldwide box office and $300M at the domestic box office. Iron Man 3The global milestone came on the 23rd day of release around the world, making it the second Marvel Studios film (after The Avengers, which crossed the mark in 19 days) and sixth Disney pic (Pirates Of The Caribbean: Dead Man’s Chest, Alice In Wonderland, Toy Story 3, and Pirates Of The Caribbean: On Stranger Tides, and Avengers) to cross that threshold. The domestic mark comes on the 14th day of release and is the ninth studio pic to reach that peak. To date, the pic has grossed $1.008B globally — $698.9M international and $301.9M domestic. It is the 16th highest-grossing film of all-time globally and 11th all-time internationally.

PREVIOUS EXCLUSIVE, WEDNESDAY PM: More records breaking for Summer 2013 as may continues to sizzle at the global box office. The Disney/Marvel threequel has only been in theaters for 23 days around the world but already Iron Man 3 is set to cross the $1B mark on Thursday. Its latest cumes are $294.7M domestic and $685.6M international through May 14. That makes it the 16th biggest film ever amid predictions it will finish as the 5th highest grossing film of all time when all theatrical grosses are in. Read More »

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‘Great Gatsby’ Upsets ‘Iron Man 3′ Box Office

By NIKKI FINKE, Editor in Chief | Thursday May 16, 2013 @ 8:58am PDT

OK, here’s some box office hilarity for you. Even if it’s only for one night, an adaptation of a 90-year-old novel toppled fanboy favorite Iron Man 3 as the #1 film in America Wednesday. Baz Lurhmann’s The Great Gatsby starring Leonardo DiCaprio became the top-grossing film in North America with $3.9M from 3,535 theaters vs Iron Man 3‘s $3.85M from 4,253 theaters, according to Warner Bros which co-financed with Village Roadshow and is distributing worldwide. Gatsby‘s 6-day cume is now $63.3M. “It’s a stunning box office upset for the ages,” one exec gushed to me this morning. On the other hand, Disney/Marvel’s Iron Man 3 opened two weeks earlier in the U.S. and three weeks earlier overseas and should pass $1 billion in worldwide gross today and $300 million in North America. And let’s not forget that IM3 lost tickets to the opening of Star Trek Into Darkness last night. Its cumulative performance to date is international $691.9M and domestic $298.6M for a global total of $990.5M. Iron Man 3 is now the 2nd highest grossing superhero movie of all time overseas behind Marvel’s The Avengers and currently stands as the #11 highest grossing film of all time in the international marketplace. By country: China $102.4M, Korea $55.6M, UK $49.7M, Mexico $43.6M, Russia $40.2M, Brazil $39.0M, France $36.4M, Australia $33.7M, Japan $21.4M, Italy $19.8M, Taiwan $18.4M, Germany $18.4M, Indonesia $14.6M, Philippines $14.3M, Hong Kong $13.1M, other markets $171.4M.

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Joss Whedon At ABC Upfront Brings Longer Trailer For ‘Marvel’s Agents Of S.H.I.E.L.D.’

“Last spring, Bob Iger sent us some bonus footage from The Avengers, with a simple question, ‘Is there a show here?’” said ABC Entertainment Group chief Paul Lee at the network’s upfront presentation today. Obviously the answer was yes, and next fall the ABC series Marvel’s Agents of S.H.I.E.L.D. takes the Tuesday 8 PM slot previously given to Dancing With The Stars which moves to Monday night for a 2-hour block. Joss Whedon was nervous and rambling as he faced TV media buyers and advertisers right before the end of the presentation. He appeared on stage with the entire cast of S.H.I.E.L.D. – Clark Gregg, Ming-Na Wen, Brett Dalton, Chloe Bennet, Iain De Caestecker, Elizabeth Henstridge. Whedon at first tried to be funny. “I’ll be brief. I was born…” But then he grew serious. “I wasn’t born. I was grown in a lab… and fed on Marvel Comics — and that turned out OK for me.” As to why Avengers was so successful, Whedon said, “It worked because everyone felt included” and predicted the TV show would have the same effect on viewers. He praised S.H.I.E.L.D.‘s unorthodox leading man Clark Gregg as “an actor so talented even I couldn’t kill him” so Whedon said he “built S.H.I.E.L.D. around him” because he “had a story to tell [how] to be an ordinary person in an … Read More »

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Live-Blog: ABC’s Upfront Presentation

By NELLIE ANDREEVA | Tuesday May 14, 2013 @ 1:29pm PDT
Nellie Andreeva

ABC has the hottest broadcast drama series at the moment, Scandal, and the network didn’t waste any time to flaunt it to advertisers. ABC’s upfront presentation opened with a pre-taped skit featuring Kerry Washington as Olivia Pope summoned to the Oval Office to do damage control for Disney-ABC Group president Anne Sweeney and her henchman, played by Jimmy Kimmel. The skeletons in ABC’s closet:

1. “Dancing With the Stars … they’re not really stars. We pick them up at the bus station”. (Kimmel)

2. [ABC president] “Paul Lee isn’t really British – he’s Mexican. We think that’s why Univision is beating NBC”. (Kimmel)

3. “ABC Family is adopted” (Kimmel)

4. “I steal Diane Sawyer’s clothes… and eyelashes”. (Sweeney).

Pope’s advice — “Own it; go out there and admit everything” is met with objections from Kimmel. “I think we lie about everything except Good Morning America,” he says. And with that, Sweeney comes out onstage, greeted with scorning gestured by Sawyer. The highlight in her opening remarks is when she acknowledged Barbara Walters and her announcement yesterday that she will retire next year. A huge standing ovation brought down the house. Sweeney continued with the Scandal theme with a “gladiators” reference in her speech.

Related: ABC 2013-14 Schedule

“Hola,” Lee greets advertisers, drawing laughs. He is elaborating on the plan to introduce 8- to 12-episode limited series and splitting some of its serialized dramas into cycles running all originals from September to Christmas and then in the new year. “That will create buzz and lower repeats,” Lee said, also highlighting the switch to launches throughout the year to get away from the “September slugfest.”

Related: ABC New Series Trailers

Of the new ABC series, a supersized trailer for 1980s throwback The Goldbergs gets a very warm reaction as it plays heavily (and sweetly) on nostalgia. Also getting big laughs is the Bad News Bears-in-tone Back In The Game.

Hot Aussie comedian Rebel Wilson was on hand to introduce her new Wednesday comedy series Super Fun Night, which launches after Modern Family. The audience loved her raunchy monologue, which included lines like “Super Fun Night is the anti-Sex And The City: when these three ladies eat at night, they’re not talking about dick”, and “Don’t worry, I won’t be doing a Lena Dunham. I’ll only put my boobs out if it’s necessary for the storyline… or a Wednesday.” She received a big applause, with the trailer for her show also getting good reaction sans her American accent, which irked some. “Isn’t she great,” Brit Lee said seeing her off. “I have no idea why my ancestors sent her ancestors to prison.” Read More »

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2013 Produced By Conference: Nancy Daniels, Mark Gordon On Mentor List; Jon Favreau, Roberto Orci Among Speakers

By THE DEADLINE TEAM | Tuesday May 14, 2013 @ 12:29pm PDT

LOS ANGELES (May 14, 2013) – The Producers Guild of America (PGA) announced today the list of top industry producers and executives who will serve as mentors during the intimate Mentoring Roundtable meetings that will be held throughout the 5th annual Produced By Conference (PBC), June 8-9, at 20th Century Fox Studios in Los Angeles. Confirmed mentors include:

Read More »

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ABC 2013-14 Schedule: Rebel Wilson Gets Post-‘Modern Family’ Slot, ‘S.H.I.E.L.D.’ On Tuesday, ‘Dancing’ Shrinks To One Night

By NELLIE ANDREEVA | Tuesday May 14, 2013 @ 9:00am PDT
Nellie Andreeva

ABC is launching eight new series in the fall and taking some big swings, including a Tuesday lineup of all-new series, anchored by Marvel’s Agents Of S.H.I.E.L.D.. Rebel Wilson’s hot streak continues, with the rising star landing the post-Modern Family slot for her comedy Super Fun Night. ABC is looking to stem Dancing With The Stars‘ ratings decline by eliminating the Tuesday edition, with the Monday 8-10 PM show incorporating both performances and results. Dancing, as well as The Bachelor, Shark Tank and The Taste have been formally renewed for next season. Here is ABC’s fall schedule, analysis and descriptions of all 13 new series for next season, including newly picked up adventure reality series The Quest from The Amazing Race creators Bertram van Munster and Elise Doganieri:

Related: ABC To Air Some Dramas In Two Batches Of 12 Episodes

ABC FALL 2013-2014 SCHEDULE
(New programs in UPPER CASE; all times ET/PT)

MONDAY
8 PM – Dancing With The Stars
10 PM – Castle

TUESDAY
8 PM – MARVEL’S AGENTS OF S.H.I.E.L.D.
9 PM – THE GOLDBERGS
9:30 PM – TROPHY WIFE
10 PM – LUCKY 7

WEDNESDAY
8 PM – The Middle
8:30 PM – BACK IN THE GAME
9 PM – Modern Family
9:30 PM – SUPER FUN NIGHT
10 PM – Nashville

THURSDAY
8 PM – ONCE UPON A TIME IN WONDERLAND
9 PM – Grey’s Anatomy
10 PM – Scandal

FRIDAY
8 PM – Last Man Standing
8:30 PM – The Neighbors
9 PM – Shark Tank
10 PM – 20/20

SATURDAY
8 PM – Saturday Night College Football

SUNDAY
7 PM – America’s Funniest Home Videos
8 PM – Once Upon A Time
9 PM – Revenge
10 PM – BETRAYAL

From ABC’s returning series, left off the schedule are comedy Suburgatory and reality series The Bachelor, which comes on in midseason, and The Taste.

Read More »

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‘The Great Gatsby’ Hip-Hops To Big $52M; But ‘Iron Man 3′ Still Tops; ‘Peeples’ Flops

By NIKKI FINKE, Editor in Chief | Saturday May 11, 2013 @ 10:00pm PDT

Great Gatsby Box OfficeSATURDAY PM/SUNDAY AM, 4TH UPDATE: There’s more good news at the box office for the start of Summer 2013. Domestic grosses for Warner Bros‘ The Great Gatsby (3,035 theaters) just keep going strong. Big online seller Fandango tells me this female-driven film is heading into Mother’s Day and ticket sales show no signs of flagging across the country from city to heartland. Despite audiences giving it a ‘B’ CinemaScore. In addition to moviegoers showing up dressed in 1930s period costumes, exhibitors are reporting some audiences spontaneously bursting into applause when Leonardo first appears on screen. (When’s the last time that happened?) That’s prompted some Hollywood execs to speculate this is the original Titanic crowd. Warner Bros hopes the Baz Luhrmann-directed, DiCaprio starrer ”perfectly counter-programs” all the May action movies. My sources’ latest estimates for the 3D tentpole are $19.4M for Thursday/Friday, and -6% for $18M Saturday. Hollywood is expecting an overperforming $52M first weekend for the romantic drama co-financed by Village Roadshow and based on F. Scott Fitzgerald’s 1925 classic novel. The #1 film is still Disney/Marvel’s Iron Man 3 (which has the biggest theater count at 4,253) with $19.7M Friday (-72% from last Friday’s huge opening) and a huge $33M Saturday for $75M this weekend. (Last year The Avengers made an incredible $103M in its second weekend…) Before Friday, IM3 grossed $794M — international cume $581.6M and domestic $212.4M. Now the North American cume should be $287.4M through Sunday. Yowza! The only other major newcomer is Lionsgate’s Peeples (2,031 theaters), a ‘Tyler Perry Presents’ comedy not written or directed by him but by Tina Gordon Chism. It received a ‘B-’ CinemaScore and weak grosses even for a tiny budget of $15M: $1.1M Friday and $1.8M Saturday for a $4.2M weekend.

Gatsby‘s success might all seem surprising considering the film’s uneven reviews. Then again these critics — the vast majority white middle-aged men — are complaining about Luhrmann’s supposed “sacrilege” in adding hip-hop to Gatsby which of course is set in the decade dubbed “The Jazz Age”. Way to make themselves look old and out of touch. (Are these the same purists who piled on when Bob Dylan went electric? I found the music a fresh touch.) While Leo’s and Tobey Maguire’s performances are praised, Carey Mulligan’s is not. Then again there were misgivings in the media from the day the extravagant Baz project was first announced – the 4th attempt to film the novel after Warner Baxter starred in 1926, Alan Ladd in 1949, and Robert Redford in 1974. But tracking told a different story: it was strong from the day Lurhmann’s version co-scripted with Craig Pearce came on — especially heavy with females but also registering decently with men. The Great Gatsby kept improving its numbers as the full frills and very effective marketing campaign took hold. Even without P&A, the movie’s cost reportedly ballooned up to $200M. But Warner Bros claims that figure is $160M, which was brought down to $105M because of ”tons of rebates” from Luhrmann’s Australia filming location. That was then split 50-50 between the studio and co-financier Village Roadshow. (Initially the budget was $80M when Sony passed, and then $120M when Warner Bros and Village Roadshow first came aboard.) Read More »

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UPDATE: ABC Picks Up ‘Once Upon A Time’ Spinoff, ‘Mixology’, ‘The Returned’, ‘Killer Women’, ‘Lucky 7′, ‘Betrayal’, ‘Trophy Wife’, Cullen Bros, ‘Influence’, ‘The Goldbergs’, ‘Super Fun Night’, ‘S.H.I.E.L.D.’ To Series

By NELLIE ANDREEVA | Friday May 10, 2013 @ 6:13pm PDT
Nellie Andreeva

When all was said and done tonight, ABC picked up a total of 12 new series — seven dramas and five comedies. All comedies are single-camera as ABC passed on both of its multi-camera pilots. Here is how it all came down today as the network opened the pickup process with one Disney-friendly shoo-in pilot, Marvel’s S.H.I.E.L.D., and closed it with another, the Once Upon A Time spinoff. Descriptions of all ABC series and first-look photos at the bottom of the post.
ABC’s Once Upon A Time is officially a franchise as the network just ordered spinoff Once Upon A Time In Wonderland to series, joining the original series, which also was renewed.

Also picked up at ABC are ensemble comedy Mixology, which had been heating up, drama The Returned, now called Resurrection, said to be one of Paul Lee’s favorite pilots, and female procedural Killer Women, executive produced by Sofia Vergara and Ben Silverman. The Malin Akerman starrer Trophy Wife also has gotten a series pickup.

It’s a great day for David Zabel, who just got a pickup call for both of his ABC pilots, dramas Lucky 7 and Betrayal.

Two more series pickups at ABC to two 20th TV pilots, the Cullen Bros. comedy starring James Caan and executive produced by Aaron Kaplan, titled Back In The Game, and the Steve Zahn-Christian Slater procedural Minds Games (formerly Influence).

Also getting a series pickup at ABC is comedy frontrunner Adam Goldberg, whose autobiographical 1980s dysfunctional family comedy is now called The Goldbergs. 

ABC wants to be in the Rebel Wilson business. The network’s first new comedy series pickup went to Wilson’s Super Fun Night. The pilot was not perfect, but with Wilson’s star rising so fast, the network couldn’t pass up the opportunity to have her on its air.

No surprise here — ABC’s first new series order for next season has gone to Marvel’s S.H.I.E.L.D., from The Avengers’ Joss Whedon. The network will air a first-look at the series, officially titled Marvel’s Agents of S.H.I.E.L.D., during the season finale of Once Upon A Time on Sunday. This marks the first pilot and first series for Disney-owned Marvel on ABC.
Read More »

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Cannes: Jon Favreau’s ‘Chef’ Adds Robert Downey Jr.; Aldamisa Selling International

Robert Downey Jr. has joined ensemble comedy Chef, reteaming with his Iron Man and Iron Man II director and co-star Jon Favreau. Favreau wrote and is helming the film. Also on board are Sofia Vergara, John Leguizamo and Bobby Cannavale. Aldamisa International will start pre-sales in Cannes on the movie that’s based on an original idea from Favreau about a man who loses his job as a chef and starts a food truck to reclaim his artistic promise. Production starts July 8 in LA. Karen Gilchrist and Aldamisa co-chair Sergei Bespalov are producing. Aldamisa is financing with partner Kilburn Media and Mark Manuel. CAA packaged and is repping U.S. rights. The deal was negotiated by Jere Hausfater and Philip Elway on behalf of Aldamisa.

Related: ‘Avengers’ Cast And Stingy Marvel Ready To Rumble Over Sequel Cash & Strong-Arming

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‘Avengers’ Cast And Stingy Marvel Ready To Rumble Over Sequel Cash & Strong-Arming

EXCLUSIVE: Robert Downey Jr is set for another huge payday from a mega-hit Marvel movie, this time Iron Man 3. I’ve learned he’s already made $35 million from the actioner, which grossed $680 million worldwide in its first 12 days. He should exceed his biggest payday to date — that $50M from The Avengers which I’ve learned was more like $70M-$80M now that the film is all in. But it’s really Avengers 2 where he’ll clean up big-time — if he wants to reprise the role. He’s hinting to some media it may be time to retire Tony Stark. And saying to other outlets that Marvel better show him more money for Avengers 2. ”I don’t know,” he said on The Daily Show. ”I had a long contract with them and now we’re gonna renegotiate.” (“You are Iron Man! You are!” cheered Jon Stewart.) I’ve learned that Marvel and therefore owner Disney are going to run into big trouble on that sequel because the upfront pay, backend compensation, break-even points and box office bonuses aren’t pinned down yet for several big stars and castmates. This is major hurdle that Walt Disney Co Chaiman/CEO Bob Iger hasn’t even mentioned to Wall Street or shareholders though he’s already been hyping Avengers 2 for more than a year now.

First and foremost Marvel does not have Downey in place yet. ”They need him, and they don’t have him. He’s got a lot of leverage,” one insider tells me. Much less so Scarlett Johannsen (paid to pop up in Marvel movie after movie), Chris Evans (whom some sources say made his deal for Avengers 2 when he signed for Captain America 2), Chris Hemsworth (a much bigger star now than before and unsigned for Avengers 2), Mark Ruffalo (whose Hulk role already was cast 3 times and could be the most vulnerable), Jeremy Renner (probably grateful for more exposure), Samuel L. Jackson (Scarlett’s doppelganger) among others who were paid pittances for their first movies, not much better for the sequels, and are counting on at least $5 million upfront and better back ends for Avengers 2. That means much better than what Marvel claimed was Avengers’ break-even point: a whopping $1.1 billion in global grosses. (“If Avengers wasn’t profitable until then, why would you make it?” one rep pointedly asked Marvel top execs Kevin Feige and Louis Esposito.) In a business where studio accounting is known as fatal subtraction and even worldwide blockbusters are still supposedly in the red, Marvel and its famously frugal CEO Ike Perlmutter still give new meaning to the term stingy. I’ve learned that one reason why The Avengers was nominated for only one Oscar – Best Visual Effects – in the 85th Academy Awards contest was because Marvel refused to pay for an awards season campaign for the picture. And even when Disney offered to foot the bill, Marvel still wouldn’t budge. (Yet the Academy Of Motion Picture Arts & Sciences assembled the cast onstage to create buzz.) Here’s how one exec describes any negotiation with Marvel: “I wouldn’t say it’s brutal. It’s uncompromising, not mean or draconian. The fact is this is the reality of the world we’re living in right now.”

Related: Disney And Marvel Do Damage Control After Media Scrutiny Of Ike Perlmutter

But The Avengers cast are ready to rumble with Marvel for the Avengers sequel slated for a May 2015 release. “Some received only $200,000 for Avengers and Downey got paid $50M. On what planet is that OK?” an insider tells me. CAA represents an overwhelming majority of the Marvel stars and is trying hard to keep the negotiations out of the public limelight and media headlines. But that may not be possible with some reps blaming the studio for ’scorched earth’ tactics past and present. ”Marvel has created so much animosity by strong-arming and bullying on sequels already. It’s counterproductive,” one source tells me. Says another, “I’m sick of Kevin Feige telling me again and again how Marvel is ‘reinventing the movie business’. It doesn’t work like this. They’re reinventing business, period.” I’ve learned Marvel already has threatened to sue or recast when contracts and/or options are challenged. That prompted a few cast members to respond, “Go ahead.” I hear Hemsworth especially wasn’t anxious to go back into that arduous diet and training regimen and subsist primarily on egg whites for Thor: Dark World which hits theaters November 8th. I also understand that Scarlett Johanssen told castmates she’s “not going to cut her quote” for Marvel’s Avengers 2. The actress as butt-kicking operative Black Widow in The Avengers and Iron Man 2 is wrapping Captain America: The Winter Soldier and has a whopping 8 options total.

Already a lot of brinkmanship played out for Captain America 2 and Thor 2. Calling it the “weirdest experience”, one rep still can’;t believe Marvel offered “only a $500,000 raise and then would pay another $500,000 when the movie hits $500M. Are they out of their minds?” When it was pointed out to Marvel that Hemsworth already had received $5M for his starring role in Snow White And The Huntsman, the studio shot back, ”I don’t know why you’re complaining when Marvel only has hit movies.” To which the response was, “He’s happier working at a place like Universal.” After hard-fought bargaining, Chris Evans for Captain America 2 and Chris Hemsworth for Thor 2 wound up with deals still weighted on the back end but at least with attainable break-even numbers and small upfront guarantees and box office bonuses.

The issue going forward is how many of the Avengers stars and starlets are still bound by early agreements and longterm options which Marvel can continue to exploit individually. To counter, I’ve learned the Avengers cast are becoming united behind Robert Downey Jr who is seen as the “leader” – like “a big brother” in the words of one rep - for all the younger actors in the ensemble. “He’s the only guy with real power in this situation. and balls of steel, too. He’s already sent a message that he’s not going to work for a place where they treat his colleagues like shit,” one source explains. Another rep tells me, “I have four words for Marvel – ‘Fuck you, call Robert.’”  Read More »

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Big Media Moguls With Out-Of-Whack Compensation: EXCLUSIVE DEADLINE LIST

Media CEO Compensation 2012EXCLUSIVE: Big Media companies don’t tell you when something’s rotten with the corporate culture. But this list should help you begin your search. This is Deadline’s third annual tally of out-of-whack CEO compensation. It’s an account of chiefs who not only make vastly more than you and me, but also collect far more than their closest colleagues at their own companies. Corporate governance experts become concerned when a CEO consistently makes at least three times more than the median for the four other highest-paid execs that the SEC requires companies to list in the annual proxy statement. That’s the standard I use, and it indicates that 14 out of 31 media companies that I tracked and that have already filed 2012 data failed the test — in many cases miserably.

Related: Big Media Pay: Who Were 2012′s Highest Paid CEOs?

Out of whack CEO pay can send a poisonous message to employees, including others in the C-suite. Internal pay parity “is critical to ensuring fairness and encouraging a collaborative team effort,” News Corp says in its proxy. Huge disparities also can tip you off to troublesome boardroom beliefs. It might indicate that directors lack faith in the business or leadership team — and fear that things will unravel if the top dog leaves. It may be a symptom of corporate groupthink where people give the chief credit for everything that goes well, and seek scapegoats for everything that doesn’t. Or it might mean that directors are beholden to the CEO — or share a cynical and grandiose sense of entitlement — and see nothing wrong with helping him (it’s almost always “him”) stuff his pockets with shareholders’ money, even where there’s little danger that he might leave if paid less. Whatever the case, researchers find that all too often the damage from such obeisance to the CEO eventually hurts a company’s performance and stock price. (For example, herehere, here, and here.)

Related:
Out Of Whack — 2011
Out Of Whack — 2010

This list looks at the biggest and best known infotainment providers. I include Web-based companies such as AOL and Yahoo that produce and sell their own content, and added Facebook which depends on ad sales. But I left out ones including Apple and Verizon that generate most of their revenues from hardware or personal communications services. (I’ve also left out Google, where the top execs benefit from stock performance and only collect a symbolic $1 in compensation.) For context, I’ve also noted how many people the company employs, and how that’s changed since the last fiscal year, to see whether these fabulously rich CEOs were job creators. The data isn’t nearly as revealing as it ought to be. For example, the SEC doesn’t require companies to specify how many jobs are based in the U.S., or even how many are full time. I’ve also included the CEO’s 2012 compensation rank among other media chiefs in our list, as well as among all media executives listed in their company proxies, and the average compensation over the last three years. (To avoid having them counted twice, I combined the compensation that Sumner Redstone collects as chairman of  CBS and Viacom, and that Charles Dolan collects at Cablevision and AMC Networks.)

A few things to keep in mind: The SEC reporting rules only cover the top-paid executives of publicly traded U.S. companies. That means we’ll miss a lot of highly paid people who work at subsidiaries of a big company; Universal Studios’ Ron Meyer may be a big deal in Hollywood, but he didn’t make the top echelon at his corporate parent Comcast. Also, the pay data given to the SEC can spike in a year when an executive cashes in stock or collects deferred compensation. Averages also can be skewed when people on the list come and go in the middle of the year. So consider this to be a starting point to judge whether a CEO was paid fairly — not a final verdict.

I’ll be back soon with additional information including a similar list showing CEOs whose pay was more in line with his or her colleagues. Here’s how the out-of-whack CEOs stack up for 2012:

1. Live Nation: Michael Rapino. The concert and ticketing giant had a so-so year generating higher revenues but even higher costs — and a net loss. Last year’s big tours included Madonna, Lady Gaga, Coldplay, Roger Waters, and Bruce Springsteen & the E Street Band. Company shares appreciated 8.1% in 2012, lagging the benchmark Standard & Poor’s 500 which was +12.7%. But the big excitement took place at year-end with the surprising departure of Chairman Irving Azoff, taking performers he represents including Eagles, Van Halen, and Christina Aguilera. That left Rapino clearly in charge — but under the watchful eye of Liberty Media, which owns nearly 27% of the stock. With a flood of option awards, the CEO’s compensation rose 138.4% to $28.5M (The package: $2.2M salary, $243,281 bonus, $2.6M stock awards, $19M option awards, $4.4M non-equity compensation, $46,408 other compensation.) That was a whopping 17.0 times more than the median for the four other highest paid execs — up from last year’s 5.5 times — and 46% of the pie. Even these numbers underplay the disparity in executive pay: The group of other execs includes Azoff who made $27.4M. The company had 7,100 full time employees at year end, up 500. (Pay rank among media CEOs: 9. Among all media execs: 11. Average annual pay over last three years: $18.7M.) Read More »

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Disney, ‘Iron Man 3′ Dominate 2013 Golden Trailer Awards

By THE DEADLINE TEAM | Sunday May 5, 2013 @ 1:55pm PDT

Golden Trailer Awards Winners 2013The annual marketing kudos went big for Disney pics Iron Man 3, Wreck-It-Ralph, Monsters University, Brave, and The Avengers at the Golden Trailer Awards Friday night. The GTAs didn’t just fete the best movie promos of the year. They also doled out Trashiest Trailer (to A24′s Spring Breakers) and gave indie comedy Hit & Run the Golden Fleece award, awarded to a trailer better than its actual movie. Here’s the full list of winners:
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‘Iron Man 3′ Breaks Records: $175.3M Sets 2nd Biggest Domestic Opening Weekend; Worldwide Totals Franchise Best $680.1M

By NIKKI FINKE, Editor in Chief | Sunday May 5, 2013 @ 8:15am PDT

SUNDAY AM, 9TH UPDATE Walt Disney Company Chairman/CEO Bob Iger has his Wall Street earnings call on Tuesday and more good news to report with the stock already at an all-time high. Disney/Marvel’s 3D Iron Man 3 kicked off the North American summer movie season in 4,253 theaters with $68.3M Friday and a very good hold for $62.2M Saturday. With an estimated $44.7M Sunday, that $175.3M domestic weekend puts it on a path to the #2 biggest Friday-Saturday-Sunday opening ever (previously occupied by Harry Potter And The Deathly Hallows Part 2 with $169.2M). But it’s behind Marvel’s #1 The Avengers and its $207.4M. Audiences gave Iron Man 3 a coveted ’A’ CinemaScore so word of mouth should stay strong. Exit polling showed that audiences mostly saw the film in 2D (55%) vs 3D (45%, including 9% IMAX), were overwhelmingly male (61%) and couples (52% vs  families 27% and teens 21%). The age breakdown was 2-11 (9%), 12-17 (13%), 18-25 (23%) 26-34 (26%), 35-49 (20%), 50+ (9%).

Pic’s international cume to date is $504.8M through Sunday for an updated global box office of $680.1M. Iron Man 3 has now passed the franchise total worldwide for Iron Man ($585M) and Iron Man 2 ($624M). Internationally, the 12-day run of the Robert Downey Jr-starring/Shane Black-directed actioner has passed the total international box office of Captain America ($192M), Iron Man ($267M), Thor ($268M) and Iron Man 2 ($312M). Overseas it played in 54 territories by the end of the weekend after beginning its international rollout on April 24, debuting #1 in every territory and setting the biggest opening weekend of all time in Latin America and Asia Pacific and the biggest opening of 2013 in Europe. This weekend’s box office take from Iron Man 3 means that Disney has now crossed the $1B box office threshold internationally and represents the fastest time that Disney has ever achieved this. Here are the new Iron Man 3 cumulative results after the weekend: China $63.5M, Korea $42.6M, United Kingdom $38.3M, Mexico $35.8M, Brazil $30.1M, Australia $28.4M, France $27.8M,  Russia $21.7M, Italy $17.4M, Japan $16.4M, Taiwan $15.1M,   Philippines $12.3M, Indonesia $10.6M, Hong Kong $10.5M, Malaysia $10.5M, Germany $10.5M, other markets $113.8M. Read More »

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‘The Avengers’ Marketing Chiefs Assemble For New Golden Trailers Nod

By THE DEADLINE TEAM | Wednesday May 1, 2013 @ 5:38pm PDT

Avengers, Golden Trailer AwardsIf your trophy show is going to inaugurate its first new category since the Clinton administration, not a bad idea to dole it out to the third-biggest film of all time. Deadline has learned exclusively that the Golden Trailer Awards will lay its spanking-new Top of the Box Office prize for the year’s top-grossing film on the marketing superheroes behind Disney/Marvel’s superflick The Avengers. The trailer-topped statuette will go to Walt Disney Studios’ Asad Ayaz, SVP Marketing, Live Action and Marvel, and John “Ibby” Ibsen, SVP Creative Film Services. While saving the world, The Avengers made off with $1.51B worldwide last year, beating the No. 2 title, Sony’s Skyfall, by more than $400M. The 14th annual Golden Trailers — which honor achievement in movie marketing, including film trailers, posters and TV spots — will be handed out Friday at the Saban Theatre in Beverly Hills. Rob Schneider and Aisha Tyler are your hosts.

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Robert Downey Jr “Renegotiating” Next ‘Iron Man’ Contract, He Tells Jon Stewart: Video

Two days before Iron Man 3 hits North American screens, looks like the Armored Avenger is negotiating in public over future movies in the Marvel/Disney franchise. Robert Downey Jr told The Daily Show’s Jon Stewart on Tuesday that he wasn’t sure if he would be doing another Iron Man. “I don’t know. I had a long contract with them and now we’re gonna renegotiate,” the actor told the fake news show host. Of course, it should be added that in typical Downey fashion this was literally done with a wink, so perhaps the actor, who is expected to return for the already announced Avengers 2, was just joking.

Related: ‘Iron Man 3′ Breaking Records Overseas: $195.3M

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Cannes Market Briefs: Lightning’s ‘Gus’, UConnect’s ‘Close Enough’, TrustNordisk’s ‘Someone You Love’

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Lightning Strikes For SXSW Comedy ‘Gus’
Lightning Entertainment has acquired international rights to the comedy Gus, starring Michelle Monaghan, Radha Mitchell and Michael Weston. It premiered at this year’s SXSW and is the feature debut of Jessie McCormack, who wrote and directed. ICM Partners reps Monaghan and Mitchell and is also repping U.S. rights to the film in Cannes, where it will make its market bow May 16. Gus centers on Lizzie (Mitchell), who longs to start a family with her husband Peter but is unable to conceive. Her best friend Andie (Monaghan), single and adrift, gets pregnant from a one-night stand and offers to give Lizzie the baby. Reluctantly, Peter agrees to be the child’s father, and before he knows it Andie has moved into the guest room for the duration of her pregnancy. When Peter invites his ne’er-do-well recovering-addict brother (Weston) to the house, chaos ensues. McCormack produces alongside Kathryn Himoff, Kevin Fitzmaurice Comer and Erik Van Wyck. Richard N. Gladstein is exec producer. Read More »

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Alex Pettyfer In ‘50 Shades Of Grey’? Tom Hiddleston In ‘The Crow’? Dont Dress For Either

Mike Fleming

The fast pace of digital-age reporting means a lot of half-truths and half-baked conversations being reported as fact. First, I’ve gotta call bullshit on these recent reports (sorry, PMC-owned sister publication Hollywood Life) that Alex Pettyfer has been set to play Christian Grey in the eagerly awaited Universal Pictures adaptation of E.L. James’ Fifty Shades Of Grey. That book is selling faster than Harry Potter, another novel series about a guy with a magic wand. There hasn’t been a shred of discussion at the studio about Pettyfer playing Grey. The actor filmed the “deflowering” scene from the book for Gus Van Sant, who did that on spec in an attempt to get himself the helming job. A lot of major directors have been discreetly approached, but everyone is waiting on a script by Kelly Marcel. They would not set any cast without input from a filmmaker.

Also not happening is Thor and The Avengers antagonist Tom Hiddleston starring in Relativity Media’s reboot of The Crow. A simple conversation has been overhyped and reported like it was going to happen. The guy to keep an eye on here is True Blood‘s Alexander Skarsgard, who is getting numerous offers since his plans to star for David Yates in Tarzan died on the vine when Warner Bros halted the project over budget. No formal offer yet, but it sounds to … Read More »

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‘Iron Man 3′ Breaking Records Overseas: $195.3M

By NIKKI FINKE, Editor in Chief | Sunday April 28, 2013 @ 12:45pm PDT

SUNDAY 2ND UPDATE: Iron Man 3 internationally is opening bigger than even The Avengers with $195.3M from its first 5 days in theaters in 42 territories representing 79% of the marketplace abroad. Iron Man 3It’s the #1 film in every market and is the biggest opening weekend  of all time in Asia Pacific and Latin America. The Marvel/Disney actioner starring Robert Downey Jr already has surpassed the entire international run of Captain America in one weekend and looks like it will knock off all the previous international Marvel films in no time. The first Iron Man took in $266M internationally, the second took in $308M, and last year’s Thor took in $269M. The Avengers went on to make a staggering $895M overseas. Iron Man 3 hasn’t opened in Russia, China and Germany yet but it’s breaking records around the world including the biggest opening weekends ever in Argentina, Hong Kong, Indonesia, Vietnam, Taiwan, Philippines, Singapore and Malaysia. It’s also the biggest opening day ever in Taiwan, Philippines, Singapore, Vietnam and Malaysia.  Iron Man 3 is ahead of The Avengers in Australia, Sweden, Norway, Denmark, Netherlands, Finland, Hungary, Romania, New Zealand, Argentina and Hong Kong. The film opens in the U.S. and Canada on May 3rd.

Performance to date by key territories: UK $21.5M, Korea $19.2M, Australia $18.4M, Mexico $16.1M, France $14.7M, Brazil $12.3M, Italy $11.2M, Taiwan $8.4M, Philippines $7.4M, Japan $5.4M, India $5.2M, Spain $5.0M, Hong Kong
$4.9M, Malaysia $4.6M, Indonesia $4.5M.

FRIDAY AM Read More »

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