EXCLUSIVE: Feature-film financing, production and sales company IM Global is expanding into television production and distribution with the launch of IM Global Television. Mark Stern, former President of Original Content at Syfy, has been tapped as president and a partner of the new venture. Founded by Stuart Ford in 2007 and part of Indian conglomerate Reliance ADA since 2010, IM Global has been in a growth mode, presenting its biggest slate ever at Cannes this year, and has offices in LA, London, Mumbai, Mexico City, and Beijing. Stern will be based in the company’s Los Angeles office on Beverly Boulevard. “We’ve spent a considerable amount of time exploring the right entry point for IM Global to enter the television business, and Mark brings to our new operation an outstanding track record, skill set and profile,” Ford said. “In just seven years we’ve established ourselves as one of the most prolific feature film players outside of the major studios in Hollywood, and in partnership with Mark, I look forward to us now becoming a recognized force in the fast-evolving global television arena.”
Second in a series
Some location managers still struggle to film downtown in front of developer Tom Gilmore‘s properties. But there’s a long history in Los Angeles of filmmakers being hit on for cash to secure film locations. And while Mayor Eric Garcetti is film friendly now, he was once caught putting the squeeze on a major studio to film a movie in his district.
As mayor, Garcetti created the position of Film Czar to cut red tape and re-invigorate local production, and he has lobbied Sacramento tirelessly to pass new state film incentives. But 12 years ago, as a member of the City Council, his requests for money contributed to a payoff culture that his own current deputy Film Czar Rajiv Dalal says has made Los Angeles “the extortion capital of the world for the film industry.”
In 2002, producers sought to close two blocks of Hollywood Boulevard for two days to film a scene for Sony’s Hollywood Homicide, which starred Harrison Ford and Josh Harnett. Garcetti, who represented the Hollywood area, told the studio he might not support the road closure unless they paid $10,000 to $25,000 for a study of traffic problems caused by filming in the area. He asked the studio to pay for the study, according to a Sony spokeswoman at the time. When asked by the media, however, then-Councilman Garcetti said he was going to get other studios to help cover the cost of the study; otherwise, he was going to withdraw all support from allowing crews to film on the famous boulevard.
UPDATE: Obama Praises ‘Scandal’ At Shonda Rhimes & Kerry Washington Fundraiser; Producer Says POTUS “Doing His Job Like A Boss”
UPDATE, 6:52PM: President Obama addressed a crowd of about 450 supporters tonight during a fundraiser hosted by Shonda Rhimes and her Scandal star Kerry Washington. According to White House pool reports, the president gave his traditional fundraising remarks but couldn’t resist citing the ABC drama about a D.C. fixer and her capital intrigue. “No offense — Scandal is a great show,” Obama said, “but it’s not something that we necessarily want to be living out day in, day out.” Earlier, Washington introduced Rhimes as “my boss,” then the prolific producer said of the president, “He’s been doing his job like a boss.” Obama later complimented Washington, saying “there were few people who worked harder” on his campaign than she did. Rhimes also was a big supporter of both of his presidential bids as a donor and a volunteer – even pitching in at a campaign phone bank. Singer Janelle Monae also was there, and the president joked about her having a video of him trying to keep up with Usher on the dance floor. ” Now, this is top secret,” he said of the video. “She has promised that this will never be released. But she can blackmail me at any time.” He joked later, “I did not drop in splits, but I did bust a move.”
Pool reports say the commander in chief arrived at Rhimes’ Spanish-style Hancock Park home a little after 5PM. With tickets ranging from $1,000 to $32,400, the event was held in the backyard, which was adorned with white umbrellas and U.S. and California flags. Among the guests were various members of the Scandal cast such as on-air President Fitz Grant, played by Tony Goldwyn. HBO’s Michael Lombardo, who held an event recently at his home with Michelle Obama, and ABC’s Paul Lee were also in attendance this evening. The President is staying overnight in Beverly Hills and has another fundraiser set for tomorrow at the home of Live Nation head honcho and transplanted Canadian Michael Rapino – so expected more traffic delays on Wednesday.
UPDATE 8 AM Saturday: Well, like the old saying goes, it ain’t over until the tall mayor sings. Or something like that. The Los Angeles Kings closed out the NHL’s Stanley Cup Final last night with a(nother) thrilling and exhausting double-overtime win, becoming champs of the hockey world for the second time in three years. That means, under the terms of the bet between the mayors of Los Angeles and New York City, after Kings defenseman Alec Martinez gathered in a rebounding shot and put it back between the pipes to win the series, that Bill de Blasio will be warming up his very different pipes to sing I Love L.A. on Jimmy Kimmel Live! with L.A.’s Eric Garcetti looking on. According to a release from Garcetti’s office, the two mayors will appear “on an upcoming episode.”
In the meantime, a victory parade and rally for the Kings has been scheduled for noon Monday in downtown Los Angeles. It will begin at 5th Street and Figueroa Boulevard and come south on Figueroa to the Staples Center for a tickets-only rally. If you’re heading downtown Monday, Figueroa will be closed between about 10 AM and 1 PM, so plan accordingly.
June 5: The traditional joke bets between city officials whose sports teams are meeting in a championship hit a high note this week when Los Angeles Mayor Eric Garcetti challenged New York Mayor Bill de Blasio to a song and a hot dog on Jimmy Kimmel Live! over the outcome of the NHL Stanley Cup Final. If the Los Angeles Kings win, de Blasio will have to go on the show, which tapes in Garcetti’s old Hollywood council district, and sing “I Love L.A.,” the slightly mocking Randy Newman chestnut more typically associated with the Kings’ Staples Center neighbors the NBA Lakers. If the New York Rangers win, Garcetti will have to sing “New York, New York,” the Kander & Ebb-penned classic that Frank Sinatra basically owns.
The loser also will have to provide Kimmel’s audience that night with hot dogs. If Garcetti has to pay up, the dogs will come from Pink’s, the eternally busy La Brea Avenue stand. If it’s de Blasio, they’ll come from Gray’s Papaya, a New York institution that now has a Hollywood outpost.
You may have heard that we are living in a glorious age of television, one where the biggest movie stars leap unceremoniously from the cineplex to the now-nontoxic small screen. An era of event programming and limited series, where stories of anti-heroes and the underbelly of the American Dream are being revealed simultaneously on broadcast networks, cable channels and streaming services. Television suddenly has become prestigious.
You may have heard all this, but that doesn’t make it true.
“It’s not like TV has suddenly become amazing and great — it’s always been amazing and great,” declares Under The Dome executive producer Neal Baer. He should know, having earned his stripes for almost 30 years on network shows such as Law & Order: SVU and ER. Baer has seen TV’s long arc bend back many times. “There was crap, but I could start listing path-breaking television series that thought about racism and drug abuse,” he says.
What’s new today is that TV is a creation of quantity as much as quality, with many more outlets and platforms to grab high-value consumers’ attention with content that up until just a decade ago would have made its home solely in the movies. We have traditional TV trying to recoup some of the luster it lost to non-advertiser-supported programming, but either way, the economics and creativity sit squarely in the small screen’s favor. One need only look at anthologies such as HBO’s True Detective or limited event series like Fox’s 24: Live Another Day or CBS’ Under The Dome to see that the torch is being carried on.
We won’t know for nearly a month who gets a piece of California’s $100 million Film and TV Tax Credit program pie this year, but we do know today how many projects were picked via lottery and how many applications were submitted. The California Film Commission says 23 projects have been initially selected and that 497 applications were submitted before Monday’s 3 PM deadline. In terms of the initial projects pulled in the lottery, there’s a slight decrease from last year. In terms of applications, that’s a record for a program where demand always outstrips supply. It’s about 30% more than last year’s record 380, when the likes of Warner Bros’ Entourage movie, the fourth season of MTV’s Teen Wolf and the fifth seasons of FX’s Justified and ABC Family’s Pretty Little Liars emerged as winners. Last year saw 29 projects initially successful in the lottery. That went up to 31 projects a day later on June 4, 2013, when a TV series dropped out and freed up funds. With a Deputy Fire Marshal pulling the numbers, the lottery started yesterday afternoon but was suspended around 4:30 PM when the CFC offices were evacuated due to a nearby bomb scare. Picking up where they left off, the commission restarted the lottery at 9 AM today.
Now that the initial winners of the credit covering about 20% of production costs also has been determined in a random selection process, the state office plans to take the next few weeks to check the applications thoroughly to make sure they are eligible for the incentive. A list of successful projects will be made available on July 1. In past years, the commission has announced the name and number of projects that scored on the lottery, but this time round it wants to thoroughly check each potential winning application individually to make sure it qualifies.
The lottery for a piece of California’s $100 million Film and TV Tax Credit program was interupted today after a suspicious package was discovered on Hollywood Boulevard, closing down the busy stretch near La Brea Avenue. About 45 minutes into the lottery process, where a deputy fire marshal had the ceremonial duty of pulling winning numbers for successful candidates, police ordered the California Film Commission’s offices evacuated, sources tell me. The lottery is expected to pick up Tuesday morning where it left off. Commission officials left behind documents in the office that recorded the winning projects selected so far, I’m told. Hollywood has been closed between La Brea and Sycamore with traffic being pushed onto side streets (in other words, it was a nightmare). (UPDATE, 5:46 PM: LAPD says the bomb squad determined the package was not harmful and is planning to reopen the streets in the area soon.)
UPDATED: Tony Fire-Power For Albee Revival. Glenn Close, absent from Broadway since 2003, will return in the fall for an 18-week run opposite John Lithgow in a revival of Edward Albee’s A Delicate Balance. All-star cast includes Lindsay Duncan (spectacular in the current film Le Week-End), Bob Balaban, Clare Higgins and Martha Plimpton. Pam MacKinnon, Tony winner last season for her engrossing revival of Albee’s Who’s Afraid Of Virginia Woolf?, is set to direct the Scott Rudin production. Show will run at the the Shubert’s Golden Theatre beginning October 20, with opening night set for November 20. Rudin’s run of star-fired revivals includes this season’s Tony-nominated A Raisin In The Sun, with Denzel Washington; last fall’s Mike Nichols-directed version of Harold Pinter’s Betrayal, with Daniel Craig, Rachel Weisz and Rafe Spall; and, earlier, Nichols’ Philip Seymour Hoffman-led stunner of Arthur Miller’s Death Of A Salesman in 2012.
Albee’s 1966 Pulitzer Prize winner features the married Agnes (Close) and Tobias (Lithgow), their grown daughter (Plimpton), returned home following serial wrecked marriages, and best friends Balaban and Higgins along with Agnes’s boozy sister Claire (Duncan). Close has three Tony Awards (for Sunset Boulevard, Death And The Maiden and The Real Thing). Broadway regular Lithgow’s Tonys are for The Changing Room and Sweet Smell Of Success. Duncan owns Tonys for …
WRITETHRU: President Obama accepted the Shoah Foundation’s Ambassador of Humanity Award from Steven Spielberg tonight during a ceremony at the Hyatt Regency Century Plaza. Following some jokes from host Conan O’Brien and acoustic takes on set from Bruce Springsteen (“The Promised Land” and a haunting “Dancing In The Dark”), Spielberg presented the president with the honor, after which Obama gave a heartfelt and somber speech before a crowd of about 1,300, according to the White House pool report. He didn’t touch on any subjects directly related to the entertainment industry, but the crowd that included many Hollywood heavy-hitters was moved by its universal themes of violence, war and intolerance. “The work of this foundation,” he said, “the testimonies of survivors like those with us tonight, also remind us that the purpose of memory is not simply to preserve the past; it is to protect the future.” It was the second stop on the president’s visit to Los Angeles. Earlier in the evening, he spoke at a Democratic National Committee fundraiser hosted by Alan and Cindy Horn at their Bel-Air home. The mood was much lighter for the roughly 90 guests, including Jeffrey Katzenberg and Barbra Streisand, who shelled out $64,800 a couple. They heard the president give what amounted to a stump speech that also eschewed any mention of showbiz. Obama will stay overnight before leaving for San Diego in the late morning. A full transcript of his Shoah Foundation speech is at the bottom of the original post.
4TH UPDATE, 10:15 PM: Host Conan O’Brien kicked off the Shoah Foundation event where President Obama was being honored with a few zingers. “Whoever Steven [Spielberg] suckered to tell jokes at this event is a true idiot,” he said in his opening remarks. The late-night host teased Obama about the traffic gridlock his visit caused. “You left Washington six hours ago, but I left Burbank seven hours ago.” But O’Brien got one of the night’s biggest laughs when he mentioned Spielberg’s efforts to record Holocaust survivors and other victims of genocide. O’Brien said the filmmaker “was recording evidence of intolerance long before Donald Sterling’s girlfriend.” Obama was seen laughing at the remark. The TBS host also acknowledged the philanthropists and other humanitarians in the room before reminding everyone of the true nature of Hollywood. “I’m also told there are some people from CAA here, so that evens it out,” he said to a huge laugh. “They don’t represent me, so I don’t care.” He then introduced Bruce Springsteen, who played a couple of acoustic numbers including a haunting version of “Dancing In The Dark.” As he introduced Spielberg after the performance, O’Brien recalled a lunch they’d had when he first moved to LA in 2009 for what ended up being a short stint hosting The Tonight Show. “Steven took me on a tour of his awards,” he said. “It took 5 hours.”
Spielberg then took the podium. “Everywhere from Syria to southern Sudan, the world has yet to learn the lessons,” he said of genocide and war during his introduction of Obama.”This program exists because we know the future can be re-written.” Then he introduced the president, who gave a somber and heartfelt speech that ran about 15 minutes.
“Memory has become a sacred duty of all people of good will,” Obama said after accepting the Ambassador of Humanity Award from Spielberg. The president passionately praised genocide survivors in the packed ballroom as “inspirations of hope.” He also praised the foundation’s work capturing on video the survivors’ stories “Recording the memories that would be lost to time. … They turn never forget into never again.”
He later said, “It’s up to us to search our own hearts for those stories that have no place in our world.” The president asked the crowd to “erode” the destructive forces of anti-Semitism and other bigotry and injustice. “Drop by drop by drop … never forget, never again,” said Obama, who mention in closing the abduction of hundreds of schoolgirls in Nigeria and the civil war in Syria.
The Board Of Governors of the Academy Of Motion Pictures Arts and Sciences on Tuesday night renewed, as expected, CEO Dawn Hudson‘s contract for another three years. The fact that it was a three-year renewal is seen as a real vote of confidence on the part of the Board. There were rumors that some only wanted to re-up her for a year, but this never panned out. She’s in for the long haul. Her predecessor, Bruce Davis, served for 30 years. This new contract will take Hudson through the planned opening of the Academy Museum Of Motion Pictures, which is scheduled to be unveiled in 2017. It’s only appropriate since she has been a main mover and shaker in the drive to make the long-dreamed-of museum a reality.
Under Hudson’s tenure, ratings for the Oscar show have consistently gone up, and there has been stability in the selection of producers — a long-desired Academy goal — with Craig Zadan and Neil Meron re-upping for a third year to produce the show in 2015. This is the longest tenure for Academy Award show producers since Gil Cates did it three times in a row 1995-97. She also has been a leading voice for diversity in all aspects of the Academy since signing on for her gig in April 2011. And for the first time last year there was a general Academy membership meeting in May which also re-emphasized her goal of making the notoriously closed organization a little more democratic. Plans for a similar meeting this year have yet to be announced. Also for the first time this year, all 24 Oscar categories were open to all members and a mailing was sent with screeners including nominees for Best Foreign Language Film, Short and Feature Documentaries, Live Action and Animated shorts. Previously most of these categories were limited to members who attended special screenings.
Hudson got off to a shaky start in 2011 as staff shakeups and private complaints about her management style threatened to disrupt the normally quiet and conservative institution. All that has settled as the Academy membership started embracing change which was not always easy with this group. One example was the introduction of online voting in 2012. The first year was rocky indeed, but things were smoothed out in the last season and there were few complaints about its implementation. Learning curves can sometimes be difficult but Hudson and the Academy leadership weathered the storm.
Beverly Hills, CA – Forty-one students from 23 U.S. colleges and universities as well as 10 students from foreign universities have been selected as finalists in the Academy of Motion Picture Arts and Sciences’ 41st Student Academy Awards competition. The winning students will be brought to Los Angeles for a week of industry activities and social events that will culminate in the awards ceremony on Saturday, June 7, at 6 p.m., at the DGA Theater in Hollywood.
The finalists are (listed alphabetically by film title):
Academy members will get the chance this weekend to see Noah and The Grand Budapest Hotel when their official Academy screening program finally resumes after a break for Oscar. But while the Samuel Goldwyn Theater at the Academy’s Beverly Hills headquarters is undergoing major renovations, the screenings have moved to Hollywood at the Acad’s much smaller Linwood Dunn Theater at its Pickford Center For Motion Picture Study on Vine Street. That’s a loss of about 700 seats, so it could get dicey, especially since no extra screenings are added and RSVPs aren’t taken. For a lot of films the Academy screens, 300 seats is just fine, but these fall squarely in the hotter want-to-see category, and it’s still first-come-first-served, just as it is at the Wilshire Boulevard location. Could get nasty for members wanting a free screening. Better get there early, folks.
Of course this is not exactly crunch time for serious 2014 Oscar contenders, so distributors need not worry too much about disgruntled voters getting turned away from their hot-button potential nominees. But recently I got an email from a veteran Oscar campaign consultant who asked the simple question, “Is NOAH a contender?” And it got me wondering if not only director Darren Aronofsky’s towering epic, which screens Sunday at 3 PM, but also Wes Anderson’s Grand Budapest Hotel, which runs Saturday at 7:30 PM both might actually have a decent shot at racking up numerous nominations, including Best Picture, despite their first quarter release dates (Noah opened March 28 and Budapest has been playing since March 7th). Both are doing extremely well at the box office and riding high with critics too (Noah is 77% fresh and Budapest is 91% fresh at Rotten Tomatoes) and have the kind of first-rate production values to which Oscar voters usually pay serious attention.
Third Installment Of ‘Ghostbusters’ A Go For Early 2015; Death Of Pal Harold Ramis Prompts Ivan Reitman To Turn Over Directing Reins
EXCLUSIVE: Sony Pictures is eyeing an early 2015 production start in New York on its next installment of Ghostbusters. There is a major change, though. In the wake of the death of his close friend and original Ghostbuster Harold Ramis, Ivan Reitman has decided he won’t direct the film, after all. Instead, Reitman will help Amy Pascal find a new director to take over what everyone hopes will reboot what the studio considers to be one of its most important franchises.
In all the years Sony has tried to get this film up and running, Reitman has been the most stable part of the equation, long locked to direct his third installment. This included the long campaign to get Bill Murray to reprise his signature role, when it became impossible to even get him to read a script that Sony, Reitman and their other architect Dan Aykroyd were happy with. It has been clear for a while that Murray wasn’t going to be part of this, and momentum has been building. Then Ramis, a catalyst for some of the biggest film comedies of the 1970s and ’80s, passed away. That has changed everything.
Reitman spoke exclusively with Deadline on his decision, and I’m going to give him ample room to explain why he changed his mind after so many years of being the primary person pushing this forward.
“There has been all kinds of stuff, unofficially written about Ghostbusters,” Reitman told me. “I’ve been reading things online for about four years, speculation on who’s writing, what they’re writing, who’s in it, who we will use, and who’s directing. We’d decided not to comment up till now, I wasn’t sure what I was going to do, and it was never clear what Bill was going to do. A lot of things happened in the last few months, the most significant of which was the passing of Harold, who was a very good friend who was extraordinarily influential in my career. We did five movies together including both Ghostbusters.”
Reitman confirmed the Murray chase, one that encompassed not one but two scripts.
‘Midnight Rider’ Victim Sarah Jones Memorialized At Camera Operators Awards; ‘Gravity’ And ‘Mad Men’ Land Wins
The Society of Camera Operators held an in memoriam tribute to assistant camerawoman Sarah Jones as part of its annual awards ceremony tonight at the Skirball Cultural Center. The tribute was the second to be held for the 27-year-old this weekend following Friday’s Sunset Boulevard candlelight walk and vigil in her honor, which counted nearly 1,000 local union members. Attending both events were Jones’ parents Richard and Elizabeth from South Carolina. Jones was killed in an on-set train accident during the production of the Gregg Allman biopic Midnight Rider on February 20 in Jesup, GA. Jones’ death has spurred an industrywide outcry for improved safety standards.
As part of the ceremony, her parents were presented with a plaque accepting her as an honorary member of the SOC. Former SOC president Dan Kneece, who cut together the moving tribute video of Jones as the Hall & Oates song “Sara Smile” played, said he was crying as he put together the presentation. Although he didn’t know Jones personally, he was friends with her on Facebook because of a mutual friend, Amanda Etheridge, who spoke at Friday night’s memorial about her friend and mentor. The tribute was part of the SOC’s annual awards ceremony tonight in which Gravity‘s Peter Taylor won the Camera Operator of the Year-Feature Film award and Mad Men‘s Don Devine the Camera Operator of the Year-TV award. The event took place before an audience of 500, including Society of Camera Operators and International Cinematographer Guild members. (See the full list of winners an honorees below.)
The Tribeca Film Festival continues to roll out its lineup for this year’s 13th edition, which kicks off April 16. Here is the program slates for the Spotlight, Midnight, Special Screenings and Storyscapes sections. The fest’s shorts program will be unveiled Tuesday. Here are today’s films, which include Spotlight spots for Roman Polanksi’s Venus In Fur, the Robin Williams-starrer Boulevard from Dito Montiel, world premieres of films directed by actors Chris Messina and Courteney Cox, and of course the horror comedy Zombeavers:
Earlier, this afternoon, Bruce Broughton had his say about the rescinding of the Oscar nomination for the title song from Alone Yet Not Alone. Here’s another side of the story, in a letter Deadline obtained that was sent to the Academy by Martin M. Bandier, the influential chairman of Sony/ATV Music Publishing. Like Broughton, he also is calling for changes in the Best Song category, but he specifically has a beef with the rule that doesn’t provide for another nominee to replace one that might be nixed, as happened this year. There certainly were other songs that warranted inclusion, and the one that I thought the category missed most was Lana Del Rey’s haunting “Young and Beautiful,” which added so much to the courtship seen between Gatsby and Daisy in Baz Luhrmann’s The Great Gatsby. There were others, too. Bandier sent the letter to AMPAS chief Cheryl Boone Isaacs, and it won’t be surprising if she spend some energy looking hard at this, but it seemed relevant enough right now to air it here. Read the letter below:
Tuesday, February 25
7:00 PM: BVLGARI “Decades of Glamour” Oscar Party hosted by Naomi Watts
Location: Soho House
7:30 PM: Oscar Week – Animated and Live Action Shorts Celebration hosted by Kevin Pollak
Location: Samuel Goldwyn Theater, Beverly Hills
2nd Annual ICON MANN Pre-Oscar POWER 50 Dinner
Location: Peninsula Hotel
Vanity Fair and Fiat Toast “Young Hollywood”
Location: No Vacancy
Wednesday, February 26
10 AM: The Art of Elysium 7Th Annual Pieces Of Heaven Charity Art Auction
Location: Siren Studios, Los Angeles
5:30 PM: LoveGold Celebrates Lupita Nyong’o
Location: Chateau Marmont
6 PM: 7th Annual TOSCARS Awards Show
Location: Egyptian Theater, Hollywood
6:30 PM: Global Green USA Pre-Oscar® Party with performance by Moby and The Crystal Method
Location: The Avalon Hollywood, 1735 Vine Street, Los Angeles
BEVERLY HILLS, CA – To ensure public safety, support security strategies and facilitate the production of this year’s Oscars®, the Academy of Motion Picture Arts and Sciences and the City of Los Angeles have finalized street closure plans around the Dolby Theatre™ at Hollywood & Highland Center® in Hollywood.
To accommodate the construction of press risers, fan bleachers and pre-show stages along the Oscars red carpet, Hollywood Boulevard will be closed between Highland Avenue and Orange Drive beginning at 10 p.m. on Sunday, February 23, and remain closed until 6 a.m. on Tuesday, March 4.
EXCLUSIVE: Writer-director William Monahan has signed a two-year first-look deal with Paramount Pictures. His company, Henceforth Pictures, has a number of projects already in development, including several Monahan originals. The deal comes as the Monahan-scripted reboot of The Gambler is in production at Paramount with Mark Wahlberg and Jessica Lange starring and Rupert Wyatt directing. Monahan also adapted the book Cocaine Cowboys into Desperado, a film that will re-team Lone Survivor helmer Peter Berg with Wahlberg and which Paramount will put into production in the fall.
Monahan separately has turned in a scripted adaptation of John Le Carre’s most recent novel, A Delicate Truth, to BBC Films. He has numerous other projects in the pipeline, including Robert Rodriguez’s Sin City 2: A Dame To Kill For, as well as an adaption of Sympathy For Lady Vengeance that will star Charlize Theron, with Monahan producing with Theron and Megan Ellison. He also adapted the adventure novel The Wild Geese, which was previously turned in to the 1978 film that starred Richard Burton, Richard Harris and Roger Moore. Monahan is producing that with Greg Shapiro and Patrick Milling Smith.