25th Annual GLAAD Media Awards Winners Announced

By | Saturday April 12, 2014 @ 10:01pm PDT

25th Annual GLAAD Media Award WinnersThe 25th Annual GLAAD Media Awards were held tonight at the Beverly Hilton Hotel in Los Angeles, honoring 12 of their 29 media categories, with comedian Ross Mathews hosting. Previously announced honorees include Jennifer Lopez, who received the Vanguard Award, a kudo that honors artists and media professionals whose work has increased the profile and understanding of the lesbian, gay, bisexual and transgender community.  Lopez’s Nuyorican Productions is behind the ABC Family series The Fosters, which portrays a blended family with lesbian parents. Also Orange Is The New Black star Laverne Cox was presented with the Stephen F. Kolzak award by Oscar-nominated actress Ellen Page. The honor, named after a casting director who was a LGBT crusader, is presented to an openly LGBT media professional who has made a significant difference in promoting equality. The GLAAD Media Awards honor those who display a fair, accurate and inclusive representation of the LGBT community and their issues.  Additional awards will be presented at the org’s New York City event on Saturday, May 3.

Related: The 25th Annual GLAAD Media Award Nominees

Announced winners tonight include:

Pioneer Award  (presented by Wilson Cruz)
Norman Lear

Vanguard Award (presented by Rita Moreno)
Jennifer Lopez

Stephen F. Kolzak Award (presented by Ellen Page)
Laverne Cox, Orange Is the New Black 

International Advocate for Change Award
Manny de Guerre, founder of the Side by Side LGBT Film Festival in St. Petersburg, Russia

Outstanding Documentary
TIE:  Bridegroom … Read More »

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SXSW: Cinedigm Acquires Nacho Vigalondo Pic ‘Open Windows’

By | Tuesday April 1, 2014 @ 8:13am PDT

OpenWindowsElijah Wood and Sasha Grey star in writer-director Nacho Vigalondo‘s Open Windows, which premiered this month at SXSW in the Visions section. Cinedigm has landed U.S. distribution rights and plans a late summer or early fall 2014 release. Wood stars as Nick, who wins an online contest to have dinner with the hottest actress on earth Jill (Grey). When she cancels, he gets a call from a guy named Chord who offers to make it up to Nick by giving him the tools to spy on Jill from his computer for the rest of the night. Then the truth begins to reveal itself, with Nick playing a part in a much bigger plan. “Nacho is one of the most innovative and visionary filmmakers working today. And his talents are once again on full display in this high-tech, action-packed suspense film,” said Vincent Scordino, SVP Theatrical Releasing at Cinedigm. The deal was made by Cinedigm director of acquisitions Kristin Harris and CAA for the filmmakers.

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WWE Leads Q1 Media Stock Gainers While DreamWorks Animation Falls

By | Monday March 31, 2014 @ 5:22pm EDT

Market arrows up downThe markets closed the books today on Q1 trading, and it began with a shrug for media stocks. The Dow Jones U.S. Media Index fell 2.4% over the three-month period, behind the benchmark Standard & Poor’s 500, which was +1.3%. Sony was the top-performing Big Media company, with shares +10.6%. It was trailed by Disney (+4.8%), Viacom (-2.7%), CBS (-3.0%), Comcast (-3.7%), News Corp (-4.4%), Time Warner (-6.3%) and Fox (-9.1%). There’s a much wider gap between the best and worst performers among other media companies we track most closely. World Wrestling Entertainment led the pack, helped by its launch of WWE Network, a $9.99 a month live streaming video service. Its shares appreciated 74.2% — followed by Barnes & Noble (+39.8%), RealD (+30.8%), and Cinedigm (+26.7%). At the bottom we find DreamWorks Animation (-25.2%), National CineMedia (-24.9%), and Sinclair Broadcasting (-24.2%).

Here’s how individual companies fared: Read More »

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Hot Trailer: ‘Night Moves’

By | Thursday March 27, 2014 @ 8:10pm PDT

Things get mighty tense as three eco-saboteurs plot to take out a hydroelectric dam in Oregon. Jesse Eisenberg, Dakota Fanning and Peter Sarsgaard star in Night Moves, which Cinedigm picked up after it screened at Toronto, Venice and Deauville. Kelly Reichardt directed the thriller, which she wrote with Jon Raymond. Here’s the trailer for the pic, which arrives May 30:

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Cinedigm Acquires Danish Pic ‘Antboy’

By | Monday March 24, 2014 @ 11:08am PDT

fantastic-trailer-for-the-superhero-film-antboy-headerCinedigm has acquired U.S. distribution rights to Antboy, the Danish live action family film directed by Ask Hasselbalch, which premiered last year at Toronto. The pic, based on Kenneth Bogh Andersen’s comic book series, follows shy and ordinary 12-year-old Pelle as he is transformed into an extraordinary superhero after being bitten by a super-ant. When the girl of his dreams is kidnapped, Pelle (now “Antboy”) sets about to rescue her, bringing him into an adrenaline-charged conflict with super-villain “The Flea.” Antboy will premiere theatrically on April 16 in Los Angeles, Dallas, Denver, Phoenix and Seattle. Pic was produced by Birgitte Hald, Eva Jakobsen and Lea Løbger. The deal was negotiated by Macias on behalf of Cinedigm.

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CinemaCon: Will Confab Be A Calm Moment Before An Exhibition Industry Storm?

CinemaCon2014_badgeIt sure looks that way as exhibition and studio execs prepare to head to Las Vegas next week for the annual confab. There are no obvious, explosive controversies to address this time out — which is unusual. Since 2011, when the meeting formerly known as ShoWest became CinemaCon, “some big issue has blown up,” Cinemark CEO Tim Warner tells us. “I hope that doesn’t happen [this year] because the business is going so good.” Says National Association of Theatre Owners CEO John Fithian: “Sometimes we go into these conventions we go into this with one or two issues, but that’s not the case this year. We’ll be talking about product supply and movies, and how it relates to product returns. We’ll also be talking about technology.”

Related: Deadline Big Media 77 – CinemaCon Preview Podcast

This all comes as the exhibition business is poised for dramatic, and possibly painful, changes as owners deal with consumers who say that ticket prices are too high, a creative boxoffice-moneycommunity that wants better projection and sound quality, studios that want a bigger share of the box office pie, and investors who demand higher dividends.

Cheerleading is to be expected at a trade show, and there’s sure to be a lot as execs look ahead to a tsunami of sequels that could make 2015 a blowout year for box offices. Paramount, Universal, Sony, Fox and Warner Bros will show their product reels. Disney will feature its Jon Hamm-starring sports-themed Million Dollar Arm. Not to be outdone, Lionsgate will feature its sports-themed comedy-drama Draft Day from director Ivan Reitman and starring Kevin Costner, while Universal swings back around with a screening of the comedy Neighbors about newlyweds with a baby who must live next to a fraternity house. And filmmaker Chris Nolan (Inception, The Dark Knight Rises) will take part in a discussion about his career. The late Tom Sherak will also be honored on Wednesday night at The Pioneers Dinner.

legoOn broad-stroke matters, exhibitors can pretty much cross off their top concern from last year: the dearth of family-oriented titles in Q1 followed by a summer onslaught. Exhibitors wanted family films spaced out better. “We had encouraged the studios to think about that more, and they did,” Fithian says. Family fare from this year’s early months included The Nut Job, The Lego Movie, Mr. Peabody And Sherman, and — this weekend — Muppets Most Wanted.

There’s also been progress on exhibition’s call for more small- and medium-budget movies. As the six big studios cut their output by 40%, Read More »

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Logan Miller Signs On To Paramount’s ‘Scouts vs. Zombies’

By | Saturday March 15, 2014 @ 3:23pm PDT

Logan MillerActor Logan Miller is joining Paramount‘s upcoming Christopher Landon horror comedy Scouts vs. Zombies. Miller, whose credits include two seasons on Disney XD’s I’m in the Band, Cinedigm’s Night Moves and Sofia Coppola’s The Bling Ring, plays Carter, a class clown who yearns to get out of the scouts so he can join his place alongside the popular kids. After returning from a camping trip with his troop, he learns that his small town is under attack by zombies, and he’s forced to defend it with his fellow scouts. Scouts vs. Zombies is scheduled to start lensing in May.  Logan is repped by Jennifer Patredis at Innovative Artists and Eric Skinner and Jeff Morrone at Intellectual Artists Management. Miller joins Tye Sheridan (Mud, Tree of Life) who plays the lead scout. Deadline reported exclusively in September that Paranormal Activity: The Marked Ones director Landon became attached to Scouts vs. ZombiesThe film is produced by Todd Garner and his Broken Road Productions, Andy Fickman and Betsy Sullenger of Oops Doughnuts, and Bryan Brucks and his Brucks Entertainment. Broken Road’s Sean Robins is exec producer.

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SXSW: Audience Award Winners Are Announced With ‘Cesar Chavez’, ‘Before I Disappear’ & HBO’s ‘Silicon Valley’ Among The Faves

SXSW 2014The South by Southwest (SXSW) Film Conference and Festival announced their Audience Award-winners today including wins for Diego Luna‘s biopic Cesar Chavez in the narrative spotlight and the Emmy Rossum-starring drama Before I Disappear in the narrative feature spotlight.  Also getting a crowd-pleasing boost before its April 6 HBO premiere is Mike Judge’s Silicon Valley which took the Episodic award.  Last year’s winner in the narrative feature competition was Short Term 12 which was released by Cinedigm and had some awards buzz this past fall.  The SXSW Jury Awards were announced on Tuesday with the Grand Jury Prize going to Fort Tilden and the  The Great Invisible, Margaret Brown’s look at the oil industry’s secretive world in the wake of the Gulf Coast disaster, earning the top documentary prize. Below are a list of the SXSW Film Festival Audience Award winners: Read More »

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Specialty B.O. Preview: ‘Enemy’, ‘Bad Words’, ‘Le Week-end’, ‘On My Way’, ‘Teenage’, ‘Big Men’, ‘Dark House’, ‘Shirin In Love’

By | Thursday March 13, 2014 @ 6:38pm PDT

boxoffice-specialty__111212022432-200x150 (1)The shadow of the Oscar season and last weekend’s record shattering theatrical debut of Fox Searchlight’s The Grand Budapest Hotel hang over the coming weekend’s releases. Some competitors hailed its success and said they hoped to ride in its wake as they head to theaters this Friday and beyond. A24 will roll out Jake Gyllenhaal starrer Enemy by Denis Velleneuve who has had success in both the studio and indie space. Jason Bateman takes the director’s chair for the first time with TIFF and SXSW feature Bad Words for Focus. Music Box Films will open U.K.’s Le Week-end after delaying its roll out post awards-season. France’s On My Way starring Catherine Deneuve opens in theaters following its premiere at an annual French film series in NYC via Cohen Media Group. Abramorama is opening doc Big Men with the support of Brad Pitt who executive produced. Jason Schwartzman also exec produced a doc opening this weekend, the hybrid Teenage from Oscilloscope. And Paladin and Cinedigm are teaming on indie thriller Dark House, while Shirin In Love takes a bilingual approach as it heads to theaters in the Specialty space this weekend.

Enemyenemy2
Director: Denis Villeneuve
Writers: Javier Gullón, José Saramago (novel)
Cast: Jake Gyllenhaal, Mélanie Laurent, Sarah Gadon, Isabella Rossellini, Joshua Peace
Distributor: A24

Québécois filmmaker Denis Villeneuve won acclaim and an Oscar nomination for his 2011 feature Incendies, which Sony Classics released with a cast unknown in the States, taking in $2 million-plus domestically. His next feature was crime-thriller Prisoners with Hugh Jackman and Jake Gyllenhaal, a studio film that grossed over $61 million domestically. Gyllenhaal returns with Enemy, a mystery-thriller about a man who seeks out his exact look-alike after spotting him in a movie. A24, which had multiple box office hits in the Specialty arena in its first year, including Spring Breakers, The Bling Ring and The Spectacular Now, first caught Enemy at last year’s Toronto International Film Festival. Read More »

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BOX OFFICE FINAL: ‘300: Rise Of An Empire’ Commands $45M; ‘Mr. Peabody’ Chases In $32.2M; ‘Son Of God’ Falls 59% In Second Weekend, ‘Budapest Hotel’ Per Screen Stuns With Over $202K

OPENING: 300: Rise of An Empire (WB) commands $43M to $45M and ended on the high end; Mr. Peabody And Sherman (FOX) $29M to $31M and made $32.5M; Son of God (FOX) dropped 61% in its second weekend. NOTEWORTHY:  Best Picture winner 12 Years A Slave (FOX) re-upped to 1,065 screens and breaks back into the top ten. The Grand Budapest Hotel on four screens in L.A. and N.Y. a phenomenal, record-breaking per screen for a live-action film of $192,250 and might climb to $200,000.

BoxOffice_logo__131122164403-275x206

5TH UPDATE, MONDAY, 1: 30 PM: The final numbers are in with The Grand Budapest Hotel pulling in $811,000 for Fox Searchlight to take in a per-screen average of $202K+ on four screens. High end of yesterday’s estimate. Warner Bros.’ and Legendary Pictures’ 300: Rise Of An Empire was on the money with yesterday’s cume and Mr. Peabody And Sherman‘s numbers were almost in line with yesterday’s while the ten spot was finally figured out … it went to Ride Along, not RoboCop but only by a hair. We are keeping in yesterday’s chart below for comparisons for those of you who want to see the differences (i.e. Son Of God down 59% instead of 61%, so Sunday’s numbers were slightly better than expected).

Next weekend’s openers are Disney’s Need For Speed, Lionsgate’s Tyler Perry’s Single Mom’s Club going wide and in limited release will be Focus Features’ Bad Words, Warner Bros’ Vernonica Mars (also on VOD), and The Weinstein Company’s One Chance. Here is the Top 20:

1). 300: Rise Of An Empire (WB), 3,470 theaters / 3-day cume: $45M / Per screen: $13,006 / Wk 1

2). Mr. Peabody And Sherman (FOX) 3,934 theaters / 3-day cume: $32.2M / Per screen: $8,187 / Wk 1

3). Non-Stop (UNI), 3,113 theaters (+23) / 3-day cume: $15.8M (-45%) / Per screen: $5,085 / Total cume: $52.5M / Wk 2

4). The Lego Movie (WB), 3,290 theaters (-480) / 3-day cume: $10.9M (-48%) / Per screen: $3,317 / Total cume: 224.8M / Wk 5

5). Son Of God (FOX), 3,271 theaters (+11) / 3-day cume: $10.3M (-59%) / Per screen: $3,173 / Total cume: $41.8M / Wk 2

6). Monuments Men (SONY), 2,001 theaters (-1,001) / 3-day cume: $3M (-38%) / Per screen: $1,537/ Total cume: $70.5M / Wk 5

7). 3 Days To Kill (REL), 2,348 theaters (-543) / 3-day cume: $3M (-39%) / Per screen: $1,282 / Total cume: $25.5M / Wk  3

8). Frozen (DIS), 1,660 theaters (-86) / 3-day cume: $2.9M (-19%) / Per screen: $1,780 / Total cume: $392.9M / Wk 16

9). 12 Years A Slave (FSL) 1,065 theaters (+654) / 3-day cume: $2.1M (+116%) / Per screen: $1,982 / Total cume: $53M / Wk 21

10). Ride Along (UNI), 1,323theaters (-546) /3-day cume: $2,024M (-33%) / Per screen: $1,530 / Total cume: $129.9M / Wk 8

Read More »

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Tribeca 2014 Reveals Spotlight, Midnight & Special Screenings Slate

By | Thursday March 6, 2014 @ 9:00am PST

tribecaThe Tribeca Film Festival continues to roll out its lineup for this year’s  13th edition, which kicks off April 16. Here is the program slates for the Spotlight, Midnight, Special Screenings and Storyscapes sections. The fest’s shorts program will be unveiled Tuesday. Here are today’s films, which include Spotlight spots for Roman Polanksi’s Venus In Fur, the Robin Williams-starrer Boulevard from Dito Montiel, world premieres of films directed by actors Chris Messina and Courteney Cox, and of course the horror comedy Zombeavers:

Related: Tribeca Film Festival Unveils Competition Slate

Read More »

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Specialty Box Office: SPC’s ‘The Lunchbox’ Solid Newcomer As Oscar Hopefuls Continue Their Reign

By | Sunday March 2, 2014 @ 11:40am PST

boxoffice-specialty__111212022432-200x150 (1)All attention is on the Oscars (and Spirits) this weekend, but a couple new specialty releases managed to gain some sparkle as they rolled out in limited release. Sony Pictures Classics’ Cannes debut The Lunchbox from India reigned over a half-dozen newcomers that rolled out Friday. e LunchboxThe feature from the subcontinent (and not a “usual Bollywood” film) found traction to the tune of $51K-plus in an NYC & LA platform release for a solid $17,108 average, while Cinedigm’s Bag Man also bowed decently, grossing over $28K for a $14,245 average.

Related: BOX OFFICE: ‘Non-Stop,’ And Powerful ‘Son Of God’ Fly Past ‘Lego’ On Wings And A Prayer; ‘Lego’ Passes $200M, ‘Frozen’ To Pass $1 Billion

“It’s one of those engaging foreign films that has a potential to cross over [audiences],” SPC’s Michael Barker said about the film this week. “It’s culturally Indian, however the story crosses all borders.” Barker said the film will head to up to a dozen markets the following week, eventually playing the top 50 markets within five weeks of this weekend’s initial rollout.

Related: OSCARS: Pete Hammond’s Absolute FINAL Predictions In Every Category In One Of The Most Competitive Races Ever

Read More »

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Specialty B.O. Preview: ‘The Bag Man’, ‘Repentance’, ‘Stalingrad’, ‘The Lunchbox’, ‘Fatal Assistance’

By | Thursday February 27, 2014 @ 6:00pm PST

boxoffice-specialty__111212022432-200x150 (1)Big Sony is opening Russian epic Stalingrad in a record number of IMAX theaters this weekend. The roll out may be a watershed for Russian filmmaking in the U.S. and it marks another blending of “specialty” and “Hollywood” though that isn’t really new as the grey areas have mounted for years. Hollywood’s biggest stars have long had indies intervals between studio cash cows. Cinedigm will open The Bag Man with Robert De Niro and John Cusack theatrically, while the Universal acquisition will remain with the studio’s non-theatrical lineup. Lionsgate/Codeblack will bow Repentance with Anthony Mackie and Forest Whitaker in over 150 theaters, targeting its primarily African-American audience. On the traditional end, Sony Classics will platform Cannes debut The Lunchbox this weekend, while Velvet Films will open an exclusive engagement at Film Society of Lincoln Center for Raoul Peck’s Fatal Assistance.

The Bag Manthe-bag-man-movie-poster
Director-writer: David Grovic
Writers: Paul Conway, James Russo, Marie-Louise von Franz (inspired by her short story, The Cat)
Cast: John Cusack, Rebecca Da Costa, Robert De Niro, Crispin Glover, Dominic Purcell
Distributor: Cinedigm

First-time feature filmmaker David Grovic landed quite a cast for his crime thriller The Bag Man. Starring John Cusack, Rebecca Da Costa and Robert De Niro, the title centers on a criminal who bides his time at a seedy motel, waiting for his boss after killing several men and making away with a mystery bag. “We were incredibly fortunate to get essentially first choices in all the roles,” said Grovic. “Unless you’re a studio paying huge money, I think the only way you can get this quality of cast is by making it a passion project.” Grovic said that the cast responded to the script’s non-stereotypical traits including De Niro’s hair and eccentric dialog as well as Da Costa’s wonder woman outfit for starters. Read More »

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Mixed Martial Arts Star Anderson Silva Inks With ICM Partners, Eyes Showbiz Career

By | Wednesday February 26, 2014 @ 4:24pm PST

Anderson SilvaThe man who’s widely regarded as the greatest mixed martial arts fighter of all time is looking for a second career outside the ring. Anderson Silva has signed with ICM Partners for worldwide representation as he looks into acting and producing films and TV, publishing and endorsement branding. The Brazilian is a superstar in his growing ICM-Partners-logo__131003031105-275x105__131010003006 (1)sport, reigning as the UFC middleweight championship from 2006-13 and holding the record for most consecutive wins (16) and title defenses (10). He was the subject of the documentary Like Water, which won the best director prize for Pablo Corce at the 2012 Tribeca Film Festival and was picked up by Cinedigm. Silva, who boasts more than 5 million Twitter followers and 4 million Facebook fans, is managed by Hebert Mota and theatrically managed by Talize Sayegh.

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Specialty Box Office: Docus ‘Afternoon Of A Faun,’ ‘Kids For Cash’ Bow Solid As Oscar Holdovers Hold Sway

Specialty Box OfficeDocumentaries ruled the school this weekend in the Specialty Box Office. Kino Lorber Films’ doc Afternoon Of A Faun: Tanaquil Le Clercq pirouetted atop the Specialty Box Office among the weekend’s newcomers including fellow docu Kids For Cash and Ben Wheatley’s A Field in England. Afternoon of a Faun, which debuted at the 51st New York Film Festival, Afternoon of a Faun ballet documentaryreturned to the Film Society of Lincoln Center for its theatrical roll out, clearly tapping into an audience familiar with the famous ballerina, affectionately known as Tanny. Kino Lorber booked over $4,800 in pre-sales before its opening at Film Society. The film played the Elinor Bunin Munroe Film Center and moved later to the bigger Walter Reade Theater. Noted Kino Lorber’s Gary Palmucci Sunday: “With perfect first positioning by the Film Society of Lincoln Center, Afternoon of a Faun certainly blasted off this weekend – we’re all thrilled and getting ready to pirouette into national release in the coming weeks.”

kidsforcashProducer-director Robert May’s SenArt Films teamed with Mark Urman’s Paladin on Kids For Cash, a documentary centered on a scandal that took place in Pennsylvania. The partners kept it local, opening at several locations in and around the Philadelphia area and other cities, tapping into public awareness of the story. The strategy of ducking the usual L.A.-NYC roll out appears to have mostly paid off in its first bow.Kids For Cash grossed $40,800, for a $10,200 PTA. “At the end of February, we’ll take on other major markets,” Urman told Deadline this week. “We’re not sneaking into town to that place that typically plays your usual documentary. It’s a gut punch of a movie and we see no reason to treat it as if it were for the only discerning few.” Read More »

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Media Stocks Slammed As Markets Reel From Weak Economic Data

By | Monday February 3, 2014 @ 4:31pm EST

Stock arrow downDisappointing data about factory performance added to investor concerns about prospects for the economy as the Federal Reserve pulls back on its stimulus efforts. The Dow Jones U.S. Media Index fell 2.7% today — ahead of a 2.3% drop in the Standard & Poor’s 500 and 2.1% slide in the Dow Jones Industrial Average. All but a handful of the companies we track lost ground. CBS was hardest hit among Big Media, with shares off 4.1%. It was followed by Viacom (-4.0%), Disney (-3.6%), Sony (-3.2%),  Comcast (-3.1%), Fox (-3.0%), News Corp (-2.8%), Discovery (-2.2%), and Time Warner (-2.1%). In the broader media universe, companies licking their wounds today include DreamWorks Animation (-7.4%), Lionsgate (-5.6%), IMAX (-5.4%), Starz (-5.3%), and AMC Networks (-4.7%). The few gainers include Cinedigm (+4.6%, touching a multiyear high during the day), AOL (+1.7%), Time Warner Cable (+0.6), and Apple (+0.2%).

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Specialty Box Office: Docus ‘Tim’s Vermeer,’ ’12 O’Clock Boys’ Lead Indie Newcomers

Specialty Box OfficeTwo docs joined the Specialty Box Office ranks this weekend doing OK business in theaters, while holdovers grabbed most of the shine. SPC re-released Tim’s Vermeer after a December qualifying run. The film failed to secure a nomination, 12 O'Clock Boysbut nevertheless bowed fairly well in 4 theaters, grossing almost $58K for a $14,461 PSA. Oscilloscope, meanwhile, opened SXSW ’13 doc 12 O’Clock Boys with less robust theatrical numbers, averaging $2,452 in 21 theaters. The film is also available on demand and the outfit noted it “enjoyed the top performing documentary spot on iTunes throughout the entire weekend.”

Magnolia Pictures once again packaged Oscar-nominated shorts, opening the pack of films in 100 theaters. It has, thankfully, had success in the past with the release and hopefully this year will be no different. Hats off to them for doing so. The shorts grossed $330K for a $3,300 average.

Stranger by the LakeStrand Releasing stuck its neck out with the Cannes Un Certain Regard French-language sexually charged feature Stranger By the Lake. The film opened decently last weekend in two locations and held on in its second round in six theaters, grossing just over $34K for a $5,678 average. Read More »

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GLAAD Media Awards Noms Unveiled

By | Thursday January 30, 2014 @ 3:01am PST

The nation’s LGBT media advocacy group has revealed the nominees for its 25th annual GLAAD Media Awards. In the Outstanding Film – Wide Release category, Sundance Selects’ Blue Is The Warmest Color will go up against Focus Features’ Dallas Buyers Club, Sony Pictures Classics Kill Your Darlings, Sony Pictures’ The Mortal Instruments: City Of 25mediaawardslogoBones and The Weinstein Company’s Philomena. On the TV side, nominees for Outstanding Drama Series are The Fosters (ABC Family), Grey’s Anatomy (ABC), Orphan Black (BBC America), Pretty Little Liars (ABC Family) and Shameless (Showtime). The Comedy Series hopefuls are Brooklyn Nine-Nine (Fox), Glee (Fox), Modern Family (ABC), Orange Is The New Black (Netflix) and Please Like Me (Pivot). The MSNBC leads all networks with four noms, followed by ABC with three. Sony Pictures, The Weinstein Company and Breaking Glass Pictures are the only multiple nominees on the film side. The honors recognize media for their fair, accurate and inclusive representations of the lesbian, gay, bisexual and transgender community and the issues that affect their lives. Here is the full list of nominees in 29 categories: Read More »

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Specialty Box Office: ‘Gloria’ Gets Her Number; ‘Gimme Shelter’ Opens Limited; ‘Dallas’ & ’12 Years’ Ride Oscar Wave

gloriaGloria was dissed by Oscar, but she scored on the box office rebound. Chile’s entry for Foreign Language Oscar consideration opened in three theaters to a solid debut, grossing $58,775 for a $19,445 average.

Still, Oscar nominee The Great Beauty opened with a $23,442 average though that was in one theater (its 11 week cume is over $11.45M). Gloria trumped over Belgian nominee Broken Circle Breakdown, which opened with $7,100 also in a single location. Denmark’s The Hunt bowed in 4 runs, averaging $10,761 Stateside and the others have yet to show their pizzazz.

Specialty Box OfficeCannes Un Certain Regard Director’s prize winner Stranger By The Lake opened at Film Society of Lincoln Center and IFC Center in New York with a good debut. Set on a beach (and the nearby woods) lakeside in rural France, the sexually upfront feature grossed $26,741 for a $13,370 average. It will next head to San Francisco, Seattle and Miami. And Visitors opened in one run. The Cinedigm release grossed $10,742.

gimmeshelterRoadside also opened Gimme Shelter in a fairly large 385 theaters, continuing its strategy of skirting the traditional platform release when it has a title with named talent. High School Musical alum Vanessa Hudgens stars as a pregnant teen who runs away from her abusive addict mother (Rosario Dawson) to find her Wall Streeter dad (Brendan Fraser). The film grossed almost $721K for a $1,872 average. “The film went up a promising 23% from Friday to Saturday and we are finding terrific word of mouth for the film,” noted Roadside chief Howard Cohen Sunday. “We expect the audiences we are targeting to discover the film over the next few weeks.” Read More »

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