UPDATE: Intl Box Office: ‘Rio 2′ Soars With $63.4M; ‘Captain America: The Winter Soldier’ Blasts Past $300M Overseas; ‘Noah’ Adds $36.2M; ‘Divergent’ Nearing $50M

Highlights: Rio 2 (FOX) has $63.4M weekend, lands $12.6M in China debut; Captain America: The Winter Soldier (DIS) crosses $300M international; Noah (PAR) adds $36.2M; Divergent (LGF/SUM/var) nears $50M; Spanish Affairs (UNI) has 5th No. 1 weekend in Spain…

cinemaworld4th UPDATE, 7:15 PM, PST: The final Divergent  numbers are in, with the film nearing $50M but not yet crossing it; it stands at $48.1M. The film is based on the YA novel of the same name (part of a trilogy) and Lionsgate is hoping it will become another big franchise. This is the same company that launched the wildly successful Hunger Games series. Divergent is at $124.7M in the U.S. after the 3-day weekend for a worldwide gross of $172.8M+.

3rd UPDATE, Monday, 1:52 PM, PST:  New grosses are in for Rio 2, The Grand Budapest Hotel, 300: Rise Of An Empire, The Lego Movie, Spanish Affairs and The Secret Life of Walter Mitty. Rio 2 did better than previously expected internationally over the weekend, with a total tally of $63.4M to date; the worldwide cume on the animated family picture is over $100M.

2ND UPDATE, MONDAY 12:45 AM PT: Last weekend, Captain America: Read More »

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Deadline’s Best Film Stories Of The Week

By | Sunday April 13, 2014 @ 6:35pm PDT

Catch up on the top film stories you missed this week:

Sarah Jones Midnight RiderThe Death Of Sarah Jones: Safety Concerns Raised Over ‘Midnight Rider’ Crew’s Previous Film In Georgia
By Jen Yamato
Local, state, and federal investigations are underway to determine who from the Gregg Allman biopic Midnight Rider is responsible for the February 20 train collision on location in rural Georgia that left 27-year-old camera assistant Sarah Jones dead and seven others injured. As the production community rallies around the tragedy and calls for stronger guidelines to ensure that similar accidents never happen again, a Deadline investigation that included interviews with people on the ground in and around Savannah has revealed several troubling factors preceding the afternoon when the crew of the movie, directed and produced by Randall Miller through his Unclaimed Freight Productions banner, placed a metal hospital bed on the live train tracks overlooking Southern Georgia’s Altamaha River.

Related:
Safety On Set: Camera Crew Outnumber Stunt Personnel In On-Set Deaths
Safety On Set: Helicopter Crashes Have Taken Most Lives On TV & Film Sets
Safety On Set: Three Workers Speak Out

BOX OFFICE: ‘Rio 2′ Runs Afowl Of ‘Captain America 2′ Which Blasts To No. 1, ‘Oculus’ Runs Over Disappointing Opener ‘Draft Day’
By Anita Busch
Even with a 56% drop in its second weekend, Disney/Marvel’s Captain America: The Winter Soldier surprised all the distribs and trackers this weekend by clipping the wings of Fox’s Rio 2.

Divergent posterLionsgate To Split Final ‘Divergent’ Sequel ‘Allegiant’ Into Two Films To Cap Sci-Fi Franchise
By Jen Yamato
EXCLUSIVE: Lionsgate/Summit will adapt Veronica Roth‘s Divergent novel trilogy into a total of not three, but four films starring Shailene Woodley as the dystopian sci-fi heroine Beatrice “Tris” Prior, Lionsgate Motion Picture Group Co-Chairmen Rob Friedman and Patrick Wachsberger revealed today.

Drew Goddard Near Helming Deal For Spider-Man Spinoff ‘Sinister Six’
By Mike Fleming Jr
BREAKING: Sony Pictures is nearing a deal with Drew Goddard to direct Sinister Six, the Amazing Spider-Man spinoff for the studio. Read More »

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The Death Of Sarah Jones: Safety Concerns Raised Over ‘Midnight Rider’ Crew’s Previous Film In Georgia

Anita Busch contributed to this report. First in a series.

Sarah Jones death Midnight RiderLocal, state, and federal investigations are underway to determine who from the Gregg Allman biopic Midnight Rider is responsible for the February 20 train collision on location in rural Georgia that left 27-year-old camera assistant Sarah Jones dead and seven others injured. As the production community rallies around the tragedy and calls for stronger guidelines to ensure that similar accidents never happen again, a Deadline investigation that included interviews with people on the ground in and around Savannah has revealed several troubling factors preceding the afternoon when the crew of the movie, directed and produced by Randall Miller through his Unclaimed Freight Productions banner, placed a metal hospital bed on the live train tracks overlooking Southern Georgia’s Altamaha River. Was the “whatever it takes” spirit that’s fueled filmmaking for decades partly to blame for such an avoidable on-set tragedy?

Related: Safety On Set: Three Workers Speak Out

The city of Savannah, GA has been hungry to grow into a contender to rival competing industries in nearby Atlanta and Wilmington since generous incentives started boosting productions locally in 2009. After a busy 2012, however, film business slowed. Last year Paramount sequel SpongeBob SquarePants 2 was the lone feature to film in the city and became the center of a local firestorm when Jay Self, Savannah’s Film Commissioner of 18 years, was terminated after fighting with the studio over permit requests he said did not adequately protect the interests of local business owners and the City of Savannah.

Self publicly accused city officials of ordering him to approve permits for productions like SpongeBob SquarePants 2 in his termination hearing statement. He told me last month in Savannah that his bosses urged him to issue permits against his concerns when an L.A.-based director came to town to make a new movie in 2012. Self said his concerns went unheeded, and the same filmmaker in question prepared to bring his next feature production to Georgia. That filmmaker was Randall Miller.

Midnight Rider And The Accident Of February 20, 2014

Midnight Rider Doctortown trestleThe Allman biopic Midnight Rider was set to be Miller’s third feature in three years in the Savannah area. He and his L.A.-based Unclaimed Freight first brought production cash flowing into the city’s local economy in 2011 with the Jim Caveziel / Chiwetel Ejiofor-starrer Savannah. The following year he came back to film the NYC-set punk period piece CBGB. By the time he returned with Midnight Rider, Miller had developed a favored position within the local industry, despite his reputation for instilling a maverick sensibility on his sets and surrounding himself with a team of like-minded production crew.

Related:
Safety On Set: Camera Crew Outnumber Stunt Personnel In On-Set Deaths
Safety On Set: Helicopter Crashes Have Taken Most Lives On TV & Film Sets

Read More »

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BOX OFFICE FINAL: ‘Noah’ Rises, ‘God’s Not Dead’ Surprises As Schwarzenegger Brought To Knees; ‘Budapest Hotel’ Checks In Again; ‘300′ Passes $100M

By | Monday March 31, 2014 @ 1:25pm PDT

OPENING: Noah (PAR) estimated around $43.7M for weekend’s No. 1; Sabotage (OPRD) tanks in No. 7 with maybe $5.2M; Cesar Chavez (LGF) in limited release. NOTEWORTHY: The Grand Budapest Hotel (FSL) expands for about $8.5M and another strong per screen; Bad Words (FOC) expands to weak result.

Box officeUPDATED, MONDAY, 1:25 PM: The final numbers are in and Paramount’s Noah grossed $43.7M (which includes strong Thursday late nights that started at 7 PM of $1.6M). Freestyle Releasing’s God’s Not Dead did, in fact, rise into the Top 5 and was down only 5% from last weekend, having added theaters, but still a very respectable showing in its second weekend with a solid $7,468 per screen. “It took a village to market the movie,” said Freestyle co-president Mark Borde. “On every conference call there were about 20 people on the conference call.” Gods-Not-Dead-FacebookPure Flix, a faith-based producer of product, produced this picture and it used a marketing company called Working Title Agency in Tennessee to come up with a very arresting one-sheet. “They also had a pre-sales group for tickets and a social media team, just various individuals that managed the YouTube and Twitter and Facebook. To be honest, there is no way to quantify the results of social media, but in this case, I have to say that I believe the social media aspect is a very strong contributor,” Borde said. “The Facebook had over a million likes and they weren’t bought. Not one penny was spent and at any given time, there were over 700,000 talking it at any given time.” It was also trending on Twitter No. 5 and Fandango as No. 3, said Borde, who added God’s Not Dead was actually tracking in the past two weeks.

Related: Biblical and Faith-Based Movies: In Hollywood To Stay?

“We knew that when we showed up in tracking we were going to do OK, but not this OK,” said Borde. “If you add all that together, we had a sense that we were going to be very strong in the marketplace. But the key to success in this movie is word-of-mouth. It’s the reason it’s held. We had the smallest drop of any movie from Saturday to Sunday on the first weekend and on the second weekend – Son Of God was our model and we had the smallest drop again. What that tells me is — we didn’t increase the buys or advertising — that’s word of mouth. That’s better than anything you can buy. There’s a lot of luck in the movie business, but Duck Dynasty stars were embroiled in a big controversy right before this happened and they were on the front page and we had the first movie they were in.”  They also had the very popular Chrstian pop rock band Newsboys. Freestyle Releasing will add about 200 theaters this weekend.

The Grand Budapest Hotel from Fox Searchlight expanded well with an $8.5M take for a per-screen average of $8,741. Opening next weekend is the Disney/Marvel franchise Captain America: The Winter Soldier, which is expected to take all of the air out of the box office as it opens wide and pull in the same demo as Divergent which had two good weekends in a row for Lionsgate and Summit grossing a total of $94.3M. Tracking already shows Captain America at anywhere from $80M-$85M or higher and it has already grossed more than $75M internationally since bowing this past weekend. It’s a total shoot-em-up and more bullets than there are extras in the film. Keeping the previous chart below so anyone who wants to can compare the estimates with the final numbers. Here are the final grosses for the Top 20 via Rentrak:

1). Noah (PAR), 3,567 theaters / 3-day cume: $43.7M / Per screen average: $12,257 / Wk 1

2). Divergent (LGF), 3,936 theaters (0) / 3-day cume: $2.6 (-53%) / Per screen: $6,509 / Total cume: $94.3M / Wk 2

3). Muppets Most Wanted (DIS), 3,194 theaters (0) / $3-day cume: $11.2M (-34%) / Per screen: 3,531/ Total Cume: $33.1M to $33.8M / Wk 2

4). Mr. Peabody And Sherman (FOX), 3,299 theaters (-308) / 3-day cume: $9M (-23%) / Per screen: $2,750/ Total cume: $94.4M / Wk 4

5). God’s Not Dead (FREE), 1,178 theaters (+362) / 3-day cume: $8.7M (-5%) / Per screen: $7,468 / Total cume: $21.7M / Wk 2

6). The Grand Budapest Hotel (FSL), 977 theaters (+673) / 3-day cume: $8.5M (+26%) / Per screen: $8,741 / Total cume: $24.1M / Wk 4

7). Sabotage (OPRD), 2,486 theaters / 3-day cume: $5.2M / Per screen: $2,121 / Wk 1

8). Need For Speed (DIS), 2,705 theaters (-410) /3-day cume: $4.2M (-47%) / Per screen: $1,562 / Total cume: $37.6M / Wk 3

9). 300: Rise Of An Empire (WB), 2,601 theaters (-484) / 3-day cume: $4.2 (-51%) / Per screen: 1,618 / Total cume: $101M / Wk 4

10). Non-Stop (UNI), 2,515 theaters (-430) / 3-day cume: $4M (-38%) / Per screen: 1,595 / Total cume: $85M / Wk 5

Read More »

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AMC Greenlights First Comedy Pilot, Sets Projects From Chris Carter, Seth Rogen & Evan Goldberg And Kevin Smith, Adds Dave Erickson To ‘The Walking Dead’ Spinoff

By | Wednesday March 26, 2014 @ 1:58pm PDT
Nellie Andreeva

amclogo4As part of its upfront, AMC as usual is making a slew of programming announcements. They include an increased focus on comedy development, including a first pilot green light to a half-hour project, We Hate Paul Revere, written, executive produced and starring Ethan Sandler and Adrian Wenner, and several comedy projects in development including one from Seth Rogen and Evan Goldberg (This is the End) and half-hours toplined/written by John Leguizamo and Wyatt Cenac. On the drama side, AMC’s development slate includes projects from Chris Carter, Amy Lippman and Josh Applebaum, André Nemec, Scott Rosenberg & Jeff Pinkner and producer Aaron Kaplan.

Related: AMC Sets Projects With John Leguizamo & Wyatt Cenac As Part Of Push In Comedy

Kevin SmithAMC also announced the renewal of Kevin Smith’s unscripted series Comic Book Men for a fourth season.The network is expanding its relationship with Smith to include the development of a late-night project, Hollywood Babble-On, starring Smith and his co-host of their popular podcast, Ralph Garman, to be produced by Wilshire Studios and executive produced by Smith, Ralph Garman and Gary Auerbach. Additionally, AMC is also working with Smith on the development of a docu-series featuring super-collector and Comic Book Men regular Robert Bruce. Produced by Original Media and Smith’s Smodcast Pictures, and exec produced by Dan Laikind, Charlie Corwin, Elyse Seiden and Smith, Bruce and his fellow experts scour the country searching real estate sales, auction houses and flea markets on a quest to find rare items that will feed the needs of his demanding clients and add to Bruce’s own colossal collection.

AMC also has made an overall deal with Dave Erickson (Sons Of Anarchy), who will co-write, along with Robert Kirkman, and serve as an executive producer on the unnamed The Walking Dead companion series. “AMC is introducing more hours of original programming and the most robust, diverse development slate in our network’s history,” said AMC president Charlie Collier. Unwavering is our commitment to the eclectic, quality dramatic series that have come to define our brand and to the unconventional unscripted worlds we love to explore. And today we also happily dive head-first into our first-ever scripted comedy pilot.”  Here is AMC’s full slate, which includes drama, comedy and unscripted projects as well as two books optioned for series: Read More »

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UPDATE: Intl Box Office: ‘Need For Speed’ Adds $29.2M For No. 1; ‘Noah’ Reigns In Mexico & Korea With $14M; ‘Peabody & Sherman’ Crosses $100M; ‘Spanish Affairs’ Muy Caliente; Asian Pics Advance; More

Highlights: Noah (PAR) floods Mexico and Korea with opening cume of $14M; Muppets Most Wanted (DIS) scores $1.5M in eight debut markets; Need For Speed (DIS/var) drives another $29.2M; 300: Rise Of An Empire (WB) seizes further $21.2M; Mr Peabody & Sherman (FOX) at $103M; Rio 2 (FOX) flies to $10.5M in Russia/Ukraine; The Grand Budapest Hotel (FOX) has extra room for $9.7M; Frozen (DIS) nearing Toy Story 3‘s record; Uni’s 8 Apellidos Vascos (aka Spanish Affairs) still seducing Spain; trio of Asian pics enters Top 20…

cinemaworld6TH UPDATE, MON, 12:43 PM PT: Final numbers are in now for The Grand Budapest Hotel, Mr. Peabody and Sherman, Monuments Men as well as Ride Along, 300: Rise of an Empire and The Lego Movie (which grossed more than previously thought). Final numbers also came in Monday night for Oscar Best Picture winner 12 Years a Slave which added another $3.9M to raise its international cume to $121.7M, most of its gross has come from the U.K. with $32.7M; the film has made $178M worldwide. Lionsgate opened Divergent in 18 international markets, but are not releasing numbers as yet. We are using Rentrak which has five small territories (see below for more info on that). Lionsgate, as they always do, pre-licensed international so there are many distributors handling the film in their prospective territories. The big territory rollout for Divergent will be April 4 in the U.K., Italy, Belgium, Netherlands, Mexico, and Finland, followed April 11 by France, Germany, Russia, Australia, Denmark and Norway. Read More »

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Tribeca Film Festival Unveils Shorts Lineup

By | Tuesday March 11, 2014 @ 9:00am PDT

tribeca-film-festival-logo_1New York, NY [March 11, 2014] The 2014 Tribeca Film Festival (TFF), presented by AT&T, today announced its lineup of 58 short films, 29 of which are world premieres. The selections were curated from 3,074 submissions. The 2014 program includes shorts from 16 countries, including Australia, Austria, Canada, Denmark, Finland, France, Iceland, India, Iraq, Ireland, Israel, Italy, Japan, Scotland, Switzerland, and the United Kingdom.

The shorts will be presented in 9 thematic programs —5 narrative, 3 documentary, and 1 experimental. Last year’s popular genre-specific program returns this year as “Totally Twisted” with some added unusual comedies. Here’s the full list of the short film selections within the nine programs is as follows:

Read More »

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MTV Movie Awards Nominees Unveiled

By | Thursday March 6, 2014 @ 4:00am PST

A pair of flicks that were shut out at the Oscars on Sunday lead the field for the erstwhile music network’s film nods. American Hustle and The Wolf Of Wall Street snagged eight noms apiece for the 23rd MTV Movie Awards. Close behind are The Hunger Games: Catching Fire with seven and MTV Movie AwardsWe’re The Millers with six, including a coveted Best Shirtless Performance nom for Jennifer Aniston. Anchorman 2: The Legend Continues, Dallas Buyers Club, The Hobbit: The Desolation of Smaug, This Is The End and Best Picture champ 12 Years A Slave are next with four apiece. Conan O’Brien will serve as host of this year’s festivities, which air live on April 13 at the Nokia Theatre in L.A. The show — which last year switched from its longtime post-Memorial Day date to April — again relishes is such signature categories as Best Kiss, Best Scared-As-S**T Performance and #WTFMoment, The telecast is exec produced by Jesse Ignjatovic. Here are the nominees: Read More »

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Deadline’s Oscars Blog: ‘12 Years A Slave’, ‘Gravity’ And Boredom Reign Supreme

By and | Sunday March 2, 2014 @ 5:30pm PST

Oscars Live Blog
Here we are again after the Golden Globes,  Mike Fleming and Anita Busch taking on the task of play by play during the most wide-open Oscar race we can remember. Even on the party circuit, industry insiders who usually have a grasp of who’ll walk away with Oscars were evenly torn between Alfonso Cuaron’s 3D masterpiece Gravity and Steve McQueen’s 12 Years A Slave. Then again, there were so many terrific films that got Best Picture nominations, and all of them have at least a puncher’s chance at an upset.

Related: OSCARS: Pete Hammond’s Absolute FINAL Predictions

That includes American Hustle, where David O Russell co-wrote the Best Original Script nominee with Eric Warren Singer and got tour de force performances and nominations for Christian Bale, Amy Adams, Bradley Cooper and Jennifer Lawrence. Perfs so strong there was no room on the nomination roster for perennial Oscar nominee Jeremy Renner. The film is up for 10 awards, and has grossed over $240 million on a $40 million budget.

86th Annual Academy Awards - Red CarpetThen there is The Wolf Of Wall Street, with Leonardo DiCaprio giving the most emphatic and complete performance of a great career, and Jonah Hill right there with him as his crazy con man sidekick. The film is up for five nominations, including Martin Scorsese for directing a terrific adaptation from The Sopranos and Boardwalk Empire vet Terence Winter.

Read More »

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Deadline’s Best TV Stories Of The Week

By | Sunday March 2, 2014 @ 3:15pm PST

Dylan McDermottDylan McDermott To Star In CBS’ Kevin Williamson Drama Pilot
By Nellie AndreevaHostages‘ Dylan McDermott is set as the male lead in another CBS/Warner Bros TV drama project, the untitled Kevin Williamson pilot. Read More »

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Forget The Academy — ‘Wolf Of Wall Street’ Wins The Social Media Oscar In A Landslide

By | Sunday March 2, 2014 @ 1:00pm PST

The Academy’s membership will reveal its Best Picture choice later today, but the social-media universe has already picked its Oscar favorite, and by a wide margin: The Wolf Of Wall Street. Social-media Oscar_badgemarketing and analytics company RelishMix looked at nearly 40 million data points — tweets, YouTube video reposts, Facebook shares and the like — focused on the nine Best Picture Oscar nominees and found Martin Scorsese’s three-hour ride with Leonardo DiCaprio down the darkest roads of Wall Street excess to be the clear online favorite.

RelishMIX-OscarNomLiftRelated: OSCARS: Pete Hammond’s Absolute FINAL Predictions In Every Category In One Of The Most Competitive Races Ever

Second place in this online race went to another entertaining romp through the dark side of late-20th century excess, David O. Russell’s American Hustle — which might say something very deep and complicated about the tastes of social-media users.

Related: OSCARS: ABC Unveils Nate Silver’s Oscar Number-Crunch Data: Video

Read More »

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OSCARS: Pete Hammond’s Absolute FINAL Predictions In Every Category In One Of The Most Competitive Races Ever

Pete Hammond

This column originally ran Thursday.

With no real clarity from the usually reliable guild contests and critics awards, the best picture race is one of the mostOscar Predictions 201480th Academy Awards NYC Meet the Oscars Opening unpredictable in years. Considering the preferential Oscar voting system, it is not probable there will be a winner on the first ballot because it’s unlikely any film in this great year for films will be able to  muster more than 50% of the first-place votes required. The second choice on those best picture ballots could end up being the most important. The top three contenders—12 Years A Slave, American Hustle and Gravity—are in a real dog fight, which means a dark horse like The Wolf Of Wall Street, PhilomenaDallas Buyers Club or Nebraska could sneak in if a true three-way split occurs, although I don’t think that scenario is too likely. Never say never though. In 1981 for example no one was expecting a small British film called Chariots Of Fire to sneak in and take Best Picture but indeed it did. The last huge upset in the Picture race was probably Crash over Brokeback Mountain in 2005 but judging from voter interviews that year I saw a tidal wave of last minute support. This year I don’t get that. There are lots of opinions out there and it looks like … Read More »

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David O. Russell Exits ABC Drama Project, Which Continues As Series, Casts 1st Actor

By | Wednesday February 26, 2014 @ 6:30pm PST
Nellie Andreeva

russellAmerican Hustle writer/director David O. Russell has departed the ABC drama series he was to executive produce with Susannah Grant. Russell developed the project with Grant, CBS TV Studios and studio-based Timberman-Beverly for several months. It was quietly set up at ABC and a month ago, the network greenlighted it straight-to-series with a 13-episode order. That order remains in place following Russell’s exit, with the series, now titled Thhernandeze Club, locking in its first regular cast member, Callie Hernandez (Sin City 2). Russell, nominated for writing and directing Oscars for American Hustle, is rumored to have had issues with the script written by Erin Brockovich scribe Grant based on a story she co-wrote with Russell, and is expected to refocus fully on features. It is not unusual for big-name filmmakers to back out of a TV project. Ang Lee departed the pilot for FX’s Tyrant, which he was supposed to direct. Ben Affleck couldn’t direct Fox series The Middle Man as hoped (His role as a director was subject to availability, which was made impossible by his commitments to Gone Girl, Batman vs. Superman and Live by Night. He continues as executive producer on the project)

Related:
OSCARS Q&A: David O. Russell On ‘American Hustle’
2014 ABC Pilots

The Club is an upstairs/downstairs soap set at a private country club. Hernandez will … Read More »

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2014 OSCARS PARTY ROUNDUP

By | Wednesday February 26, 2014 @ 6:20pm PST

Oscar Parties 2014Tuesday, February 25

7:00 PM: BVLGARI “Decades of Glamour” Oscar Party hosted by Naomi Watts
Location: Soho House

7:30 PM: Oscar Week – Animated and Live Action Shorts Celebration hosted by Kevin Pollak
Location: Samuel Goldwyn Theater, Beverly Hills

2nd Annual ICON MANN Pre-Oscar POWER 50 Dinner
Location: Peninsula Hotel

Vanity Fair and Fiat Toast “Young Hollywood”
Location: No Vacancy

Wednesday, February 26

10 AM: The Art of Elysium 7Th Annual Pieces Of Heaven Charity Art Auction
Location: Siren Studios, Los Angeles

5:30 PM: LoveGold Celebrates Lupita Nyong’o
Location: Chateau Marmont

6 PM: 7th Annual TOSCARS Awards Show
Location: Egyptian Theater, Hollywood

6:30 PM: Global Green USA Pre-Oscar® Party with performance by Moby and The Crystal Method
Location: The Avalon Hollywood, 1735 Vine Street, Los Angeles Read More »

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VH1 Picks Up Drama ‘Hindsight’ To Series

By | Wednesday February 26, 2014 @ 2:52pm PST
Nellie Andreeva

VH1 logo.jpgVH1 is expanding its scripted portfolio with Hindsight, handing out a 10-episode series pickup to the hourlong scripted drama pilot from writer Emily Fox (Jane By Design) and Timberman-Beverly for a premiere in early 2015. The project, previously developed at NBC, marked the first scripted pilot order for VH1′s new head of development Susan Levison. Now it is her first scripted series pickup and a ramseylaurafollowup to the network’s first hourlong scripted series, the Queen Latifah-produced Single Ladies, and summer breakout Hit the Floor. The network most recently had scripted success with the highly rated TLC biopic and just greenlighted a Drumline sequel with Nick Cannon. 

Related: Primetime Pilot Panic

Hindsight, whose pilot was directed by Michael Trim, is set in 1990s New York and stars Laura Ramsey, Legend Of The Seeker‘s Craig Horner and Sarah Goldberg. Read More »

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PILOT SEASON 2014: The Overachievers

By | Monday February 24, 2014 @ 4:06pm PST
Nellie Andreeva

overachieversHere is Deadline’s annual list of The Overachievers Of Pilot Season. For anyone, landing a pilot is a major accomplishment. These selected few individuals/production companies took that achievement to the next level.

Related: Primetime Pilot Panic!

3artslogoWith marquee comedy clients including Tina Fey, Amy Poehler and Kevin Hart, 3 Arts has been building a strong TV production business. The management/production company has set a new personal record this season with nine greenlights. That includes one straight-to-series order for the Tina Fey/Robert Carlock comedy Tooken at NBC, one pilot/series track order at Fox for Cabot College, from Matt Hubbard, Fey and Carlock, and five more pilots: the comedies untitled Kevin Hart project at ABC, Amy Poehler’s Old Soul and Love Is Relative at NBC and Tom Papa’s More Time With the Family at CBS, plus untitled Richard LaGravenese drama at ABC. Additionally, three 3 Arts pilots from last season, Mulaney and Mr. Robinson, recently received series orders for next season.
AmblinTVAmblin TV has one pilot/series track order at Fox for drama Red Band Society, starring Octavia Spencer, and pilot orders for drama The Visitors at ABC and comedy The Money Pit at NBC. Additionally, the company scored a straight-to-series order this season for sci-fi drama Extant, which landed Halle Berry as the lead, for a summer launch.
Related: PILOT SEASON: How Many Orders Is Each Broadcast Network Eyeing This Year
Sarah Timberman and Carl Beverly‘s Timberman-Beverly has a straight-to-series order at ABC for untitled David O. Russell/Susannah Grant drama and three pilots at CBS, comedy The Odd Couple starring Matthew Perry and untitled John Cusack and David Marshall Grant drama projects.
kapitalAaron Kaplan‘s one-man indie shop Kapital Entertainment landed a pilot order with series penalty at ABC for Secrets & Lies, toplined by Ryan Phillippe, and pilot orders for drama The Mysteries of Laura starring Debra Messing at NBC and comedy Dead Boss starring Jane Krakowski at Fox. Read More »

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OSCARS: ‘American Hustle’ Nominee Jennifer Lawrence On Her Role And Chemistry With David O Russell

Mike Fleming

EXCLUSIVE: The chance that Jennifer Lawrence will repeat as an Oscar winner, this time for Best Supporting Actress for her work Jennifer Lawrence American Hustle Oscar Racein American Hustle, has grown stronger since she won the Golden Globe and then surprisingly took the BAFTA award for Supporting Actress.

While Lawrence probably ate more salmon than an Alaskan grizzly bear during last year’s endless awards circuit banquet campaign leading up to winning the Best Actress Oscar for Silver Linings Playbook, she has been relatively scarce in this race, mainly because she has been busy moving between her role as Katniss Everdeen in the final two installments of The Hunger Games shooting back-to-back, and playing Mystique in X-Men: Days Of Future Past. Lawrence was doing re-shoots on the latter when she won the BAFTA last week. It was David O Russell, who directed Lawrence in both Silver Linings Playbook and American Hustle, who accepted the award in her place. “I’d sat with her at last year’s BAFTAs, when she didn’t win, and me being loyal to her, I was upset and that became a screen grab for everybody and so this year, it was my pleasure to give what might have been the most heartfelt speech ever on her behalf after Leonardo DiCaprio gave me her award,” Russell told me.

Where was Lawrence during all this drama?

american-hustle-clip-jennifer-lawrence-photo“Oh, it was a big surprise,” she told me when she took a few minutes away from shooting. “I didn’t remember that the BAFTAs were happening that day. I certainly did not think I was going to win one so I put it out of my mind,” she said. “So there I was, in the middle of being painted blue, and someone said, ‘You just won the BAFTA!’ And I said, ‘Oh, go f*ck yourself!’ And then it turned out they were serious.”

This is the refreshing thing about watching this young actress grow up before our eyes. She is more fun to watch than a lot of veteran actresses who win, and act like it’s the first time even as you suspect they’ve already made room on the mantel for yet another trophy. With Lawrence, the coltish awkwardness and unpredictability seem genuine, and seem just right for a 23-year-old who has gotten her third Oscar nomination and who anchors one of Hollywood’s most lucrative film franchises in Hunger Games. In fact, these awards fill her with so much anxiety that she has found it refreshing to be working rather than going from one campaign stop to the next. Read More »

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‘American Hustle’s Alessandro Nivola Joins J.C. Chandor’s ‘A Most Violent Year’

By | Friday February 21, 2014 @ 9:34am PST

alessando navoliimagesEXCLUSIVE: Alessandro Nivola will join Jessica Chastain, Oscar Issac and Albert Brooks in J.C. Chandor’s thriller A Most Violent Year for Participant Films and Image Nation Abu Dhabi. Nivola is most recently remembered for playing the FBI agent with the slicked-back hair whose ambition was as grand as his sideburns in David O. Russell’s American Hustle, the ensemble film that has been nominated for 10 Academy Awards, including Best Picture.

Newly formed distribution company A24 acquired domestic distribution rights to A Most Violent Year at Sundance this year. Written and directed by Chandor, the thriller is set during the winter of 1981 in New York — one of the most violent years on record in the city’s history. ALeqM5imiOyNKKEfrIZw9lQyJ95kHtkMvgThe story, according to the distributor, “follows the lives of an immigrant and his family trying to expand their business and capitalize on opportunities as the rampant violence, decay, and corruption of the day drag them in and threaten to destroy all they have built.” Nivola will play Peter Forente, a heating oil distributor who is a competitor to Isaac’s character. A24 is looking at the dark drama as a possible Oscar contender for next year and with that cast and writer-director, it seems destined to deliver. Read More »

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OSCARS Q&A: Julie Delpy, Andy Koyama, Beau Borders, Billy Ray & More

By | Wednesday February 19, 2014 @ 8:53pm PST

Interviews by AwardsLine Editor Christy Grosz and Deputy Editor Anna Lisa Raya.

Here are some of this year’s lesser-known Oscar nominees, whose skills helped make the director’s andAwardsLine actors’ visions come to life. Without their research, technical mastery, or their ability to translate a story into melodies or visual effects, there would be none of the groundbreaking, iconic, historically significant films we’ve seen this past year. These are the real players who toiled in front of and behind the camera to make the 2013 Oscar season one of the best in recent memory.

beforemidnight2Julie Delpy, Adapted Screenplay, Before Midnight

AwardsLine: What was the biggest challenge in writing and acting the 14-minute-long opening take?
Delpy: If we were able to do that as an improvised scene, we’d be geniuses. And we’re not geniuses. We work really hard at making it seem flawless, especially writing backstory stuff without seeming on the nose or expository. It’s the hardest part. How do you make it seem like we’re just having a conversation when we’re actually setting up the entire rest of the film, explaining what happened in the past nine years?

Related: OSCARS: How The Adapted And Original Screenplay Races Could Go Down To The Wire
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