Drafthouse Films’ Evan Husney Departing Creative Director Post

By | Wednesday April 16, 2014 @ 9:00pm PDT

Evan Husney DrafthouseDrafthouse Films‘ Evan Husney is stepping down from his post as Creative Director after nearly three years at the upstart distribution label. New York-based Husney, 27, will be shifting focus to producing and is working with directors Jason Eisener (Hobo With A Shotgun) and Todd Rohal (The Catechism Cataclysm) on their next features. Husney helped develop the specialty distro arm of Austin-based Alamo Drafthouse Cinemas from the ground up when company founder Tim League tapped him to run creative ops in 2011. Shortly thereafter Drafthouse Films scored an Academy Award nomination with one of its first acquisitions, director Michaël R. Roskam’s Belgian drama Bullhead, which vied for Best Foreign Film at the 2012 Oscars. Last year Husney and the Drafthouse team mounted their second Oscar campaign in three years for Best Documentary nominee The Act of Killing, director Josh Oppenheimer’s critically-acclaimed documentary about Indonesian death squad leaders.

Related: Drafthouse Films Embracing Risks With Genocide Doc ‘Act Of Killing’

Since its inception the label has acquired a variety of specialty releases spanning genre, action, drama, comedy, foreign, and repertory titles, plucking often-challenging fare from the lineups of Austin’s Fantastic Fest (which League founded) and SXSW. “When [Drafthouse Films] started we wanted to acquire movies we loved and films we thought are great, utilize our backgrounds as programmers and approach distribution with a curatorial quality – a real cinephiles for cinephiles label,” Husney told me. Read More »

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NBCU’s Wilshire Studios Inks Overall Deals With Producers Stephanie Bloch Chambers & C. Russell Muth

By | Wednesday April 16, 2014 @ 12:25pm PDT

WilshireNBCUniversal Cable Entertainment’s Wilshire Studios is ramping up its unscripted development slate, inking new overall deals with Stephanie Bloch Chambers (Chrisley Knows Best, Married To Jonas) and C. Russell Muth (DEA, Bordertown Laredo). Chambers worked on Bravo’s Toned Up, It’s A Brad Brad World and three seasons of Bethenny Ever After. Muth produced shows for Discovery Channel and TruTV such as American Chopper, American Casino, Tiger Team, and America’s Toughest Bars. He also produced Coast Guard Alaska for the Weather Channel and Big Easy Justice for Spike. Wilshire Studios also is growing its internal development team, hiring reality vet Benny Reuven as VP Development and Programming. Reuven previously served as a development executive at OWN and produced shows including Chef Wanted for Food Network.

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Discovery & BSkyB Poised To Acquire UK’s Channel 5: Report

channel5Back in February, word began to spread that longtime frenemies John Malone and Rupert Murdoch were eyeing a joint acquisition of the UK’s Channel 5. Malone-backed Discovery Communications and BSkyB, majority owned by Murdoch’s 21st Century Fox, have now reportedly gone ahead and sewn up a deal. Broadcast reported that Discovery and BskyB are nearing an announcement they have acquired the broadcaster in a deal valued at £350M, which would give the former a 70% stake and the latter 30%. But media entrepreneur Richard Desmond’s Northern & Shell, owner of Channel 5, has said it received several bids and was still evaluating them, according to Bloomberg. The free-to-air broadcaster was thought to be seeking a buyer with about £700M to spend, but many were skeptical it would fetch such a price; Desmond paid about £103.5M for it in 2010. Other companies that have been said to have shown interest include Viacom, Turner Broadcasting, BT, NBCUniversal and Saban Capital.

Channel 5 is notably the home of Big Brother, although its contract for the show expires in 2015. The net also airs U.S. dramas like Under The Dome, CSI and Person Of Interest; weekly average ratings hover around 4%. Read More »

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Pivot Picks Up Sky Series ‘Fortitude’, Sets Development Slate, Revamps ‘TakePart Live’

By | Wednesday April 16, 2014 @ 9:02am PDT
Nellie Andreeva

pivotParticipant Media‘s network Pivot today announced the pickup of Sky Atlantic’s 12-episode drama series Fortitude starring Stanley Tucci and Michael Gambon. The series became available in the U.S. in December when Starz, which originally had committed to the project, pulled out. Pivot is designed as a younger skewing network than Starz, with its target demo being 18-34. As part of its upfront presentation, Pivot also announced an overhaul of its nightly topical series, TakePart Live. Beginning Monday, May 12, the hour-long late-night program will move to primetime (10 PM) with a new producer, Michael Davies’ Embassy Row, which is behind Bravo’s Watch What Happens Live and AMC’s Talking Dead/Bad. Also undergoing makeover is the hosting team of Jacob Soboroff and Cara Santa Maria, with only Soboroff coming back, joined by Sen. John McCain’s daughter Meghan McCain and comedian Eddie Huang.

Pivot also unveiled a development slate that includes eleven projects from production companies including IAC’s Electus, Universal Cable Prods., FremantleMedia North America/Pukeko Pictures, Funny or Die, and Eyeworks, and revealed premiere 2014-15 dates, including an August 8 debut for the sophomore season of coming-of-age comedy, Please Like Me, and the comedy Human Resources. “Our second slate demonstrates our significant investment in, and commitment to, groundbreaking content for the thought-leading segment of Generation Y we call ‘Upstanders,’” said Pivot president Evan Shapiro. Here is Pivot’s full slate: Read More »

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Global Showbiz Briefs: Simon Dickson Leaving Shine Group’s Dragonfly; ITV Agrees To Revive ‘Hollywood Squares’ Format; More

By | Tuesday, 15 April 2014 06:00 UK

Simon Dickson Exiting As Managing Director Of Shine Group’s Dragonfly
Simon Dickson, Managing Director of Shine Group factual producer Dragonfly, is leaving the company after three years. The exec will step down next month, with Dragonfly Creative Director Mark Raphael and COO Lucinda Hicks taking over as Co-Managing Directors. Dickson joined Dragonfly in April 2011 as the company’s Creative Director before becoming Dragonfly_Logo_Large_UK1Managing Director in November 2012. Prior to joining Dragonfly, he served as Deputy Head of Documentaries at Channel 4. At Dragonfly, Dickson was executive producer on event documentary The Plane Crash (Discovery and Channel 4) and celebrities-in-the-wilderness series Bear Grylls’ Wild Weekends (Channel 4). Under his stewardship the company has delivered such documentaries as The Horsemeat Banquet (BBC Three), Terror At Sea: The Sinking Of The Concordia (Channel 4) and Hurricane Sandy: Anatomy Of A Superstorm (BBC Two) alongside series People Like Us and What Happens In Kavos for BBC Three and Channel 4, respectively. Read More »

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UPDATE: MGM & Bond Producer Slam Universal In Latest ‘Section 6′ Lawsuit Action

By | Monday April 14, 2014 @ 4:14pm PDT

DJP LEGAL BADGEUPDATED, 4:10 PM: The Section 6 lawsuit that sees two studios pitted against each other is starting to move faster than the opening sequence of a James Bond movie. Just three days after Universal responded to the multi-claim complaint from MGM and Bond producer Danjaq, the plaintiff today fired back with a response to the response. “Defendants thus admit that they not only have no plans to stop their infringing conduct, but that they are forging ahead—right now,” says today’s 4-page filing in federal court (read it here). “Even worse, as Universal knows from public reports, plaintiffs are investing hundreds of millions of dollars in the next James Bond motion picture,Universal-Pictures-logo-2013__140130232555__140321183123-275x141__140404181950 slated for theatrical release in October 2015 and home video release in early 2016,” the filing adds. On April 3, MGM and Danjaq hit Universal with a complaint for unspecified damages and an injunction against the announced Aaron Berg-written World War I spy drama. The plaintiffs charged that mgm__130913144151-200x137__131115203538Section 6 was a rip-off of the James Bond properties, which they own. On April 11, Universal claimed in a filed of its own that the film was not even greenlighted and was still in the very early stages of development and did not infringe on the Bond copyright at all when the script was in its final form. “In essence, Universal’s response is to claim: ‘Just trust us, we’re trying to fix it. But it will take time.,’” the filing says. “That is no basis for Universal to avoid the targeted discovery plaintiffs seek. Without that expedited discovery, any attempt by plaintiffs to obtain preliminary relief would be tantamount to shooting at a moving target. The Court cannot possibly ascertain the status quo under such circumstances, let alone fashion appropriate relief to address it.” Judge Dean D. Pregerson will have to weigh in on this soon, but it sounds like both studios can use an M to separate them in this you said/I said schoolyard brawl.

PREVIOUSLY, 10:39 AM: Looks like Universal have brought their own legal license to kill on board in the Section 6 lawsuit with MGM and James Bond producer Danjaq — in more ways than one. Just over a week after being hit by a multi-claim copyright infringement suit by the duo, the studio has responded and they’ve brought a top operative in Bert Fields to handle things for them. Read More »

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Discovery Communications Ups Rita Mullin To GM Science Channel

By | Monday April 14, 2014 @ 3:27pm PDT

An 18-year Discovery veteran, Rita Mullinmullin2 is moving up from her role as EVP Programming and Development at OWN to General Manager of Science Channel. The announcement was made today by Eileen O’Neill, Group President, Discovery Channel, Science Channel and Velocity, to whom Mullin will report. Science_LogoHer new position is effective June 2. “I am excited to call myself the newest member of the Science Channel team,” Mullin said. “I want to ignite people’s passions with the stories we have to share. Science is now. We want to capitalize on people’s curiosity for the unknown with thought-provoking programming, bold talent and out-of-this-world entertainment.” Read More »

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Discovery’s NBC-Produced Mt. Everest Jump Scheduled For May 11

By | Monday April 14, 2014 @ 7:25am PDT

EverestDiscovery Channel says it scheduled  Everest Jump Live to debut during the short window of opportunity dictated by weather on Everest. Everest Jump Live is set for Sunday, May 11 at 9 PM ET/6 PM PT.   The 2-hour event, chronicling climber Joby Ogwyn‘s attempt to jump from the summit of Mt. Everest wearing a wing suit equipped with cameras, is  produced by NBC News’ Peacock Productions. NBC officially unveils its schedule to advertisers Monday morning.

NBC News’ Willie Geist will host the jump, and be joined by The Weather Channel’s Jim Cantore, who will serve as chief meteorologist and track Everest’s unpredictable weather conditions. Kyle Martino of NBC Sports and Chris Jacobs of Discovery and Velocity will deliver on-the-ground updates at Everest Base Camp, while Geist and Cantore will be based at a studio in New York City.
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Peter Liguori To Leave Yahoo Board

By | Friday April 11, 2014 @ 6:40pm EDT

Peter LiguoriThis little item popped up in the Friday data dump of filings at the SEC. The Tribune CEO told Yahoo that he won’t seek re-election at the next annual meeting, when his term expires. Peter Liguori, formerly a honcho at Fox and Discovery, joined the board in 2012. Yahoo had hoped that the appointment of an independent director would help to derail a planned proxy fight by Third Point’s Daniel Loeb who said, among other things, that the company was underperforming in part because directors were too closely aligned with management. That plan didn’t work, though the company and Loeb finally made peace after it hired Marissa Mayer to be CEO. (Loeb is an investor in Variety with Deadline’s parent company, PMC.) Last year, Liguori also left the MGM board.

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Hot Trailer: ‘I Origins’

By | Friday April 11, 2014 @ 3:07pm PDT

Fox Searchlight has debuted the trailer to Mike Cahill‘s provocative sci-fi romance feature. The film marks Cahill’s second directorial feature following Another Earth. Similar to that film three years agoI Origins took home the Alfred P. Sloan Feature Film Prize at this year’s Sundance Film Festival, an award that is bestowed to a film that focuses on science or technology as a theme or depicts a scientist, mathematician or engineer as a major character. Fitting the latter part of that description in I Origins is molecular biologist Dr. Ian Gray (Boardwalk Empire‘s Michael Pitt), who is pursuing his Ph.D. in eye evolution with med student Karen (Brit Marling) as his lab assistant. While Karen is set on giving non-seeing organisms (i.e. worms) a pair of eyes, Dr. Gray only has eyes for Sofi (Astrid Berges-Frisbey), a mysterious beauty who captivates his life. Years later, after her departure, Karen and Dr. Gray make a discovery that jolts their world, sending them to India to validate their theory. Archie Panjabi (The Good Wife) and Steven Yeun (The Walking Dead) also star. Searchlight, which also distributed Another Earth, acquired worldwide rights on I Origins at Sundance for about $3 million. I Origins bows July 18. Take a look:

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Discovery Channel Preps For Big Leap With 5 Nights Of ‘Everest: Live From Base Camp’

By | Friday April 11, 2014 @ 1:50pm PDT

For those who can’t wait to watch that guy jump from the top of Mount Everest on live TV next month, Discovery has a way to get you even more pumped up. The channel that will air Joby Ogwyn’s wing-suit leap from the world’s highest peak will broadcast five nights of live programs Jobyfrom his base camp in the lead-up to the stunt. Hosted by Kyle Martino and Chris Jacobs, Everest: Live From Base Camp will offer behind-the-scenes looks at what Discovery calls “the most challenging and complicated live broadcast ever attempted.” Starting on May 5 — weather permitting, Discovery notes — Live From Base Camp will look in on Ogwyn as he prepares for his leap, give updates on atmospheric conditions and offer interviews with medics, Sherpas and other climbers. Ex-soccer pro Martino and TV hosting veteran Jacobs will begin their ascent of the mountain next week. “These nightly live programs will give viewers a chance to see what it’s like to actually be at Everest Base Camp – not just for Joby but for all those who contribute to Everest’s unique culture,” said Eileen O’Neill, Group President of Discovery, Science and Velocity Networks. NBC News’ Peacock Productions is producing the shows.

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Comedy Central’s Late-Night: From Minor Leagues To Major Player & Innovator With Deep Bench Of Talent Competitors Vie For

Nellie Andreeva

For years in the 1990s, Comedy Central was considered nothing jonstewart-stephencolbert_indecision2008more than an incubator for late-night talent. Its first notable weeknight late-night show, Politically Incorrect With Bill Maher, originated there and ran for three years — from 1993-96 — before ABC snatched it to get into the late-night talk-show game. Maher’s successor at ABC, Jimmy Kimmel, also is a Comedy Central discovery, having gotten his start as host on the network’s Win Ben Stein Money and then The Man Show. Before Politically Incorrect left Comedy Central, it helped launch The Daily Show, which premiered behind PI at 11:30 PM before moving to the tentpole 11 PM slot. Back then, the Daily Show had Craig Kilborn as a host. In 1998, he was poached by CBS as a host of the Late Late Show. Sixteen years later, CBS once again is reaching out to Comedy Central’s Daily Show franchise to replenish its late-night ranks, this time drafting the former Daily Show regular and current host of spinoff The Colbert Report to succeed David Letterman on the Late Show.

Related: Stephen Colbert Named New ‘Late Show’ Host

comedycentral1A lot has changed over those 16 years. Since Jon Stewart replaced Kilborn at the helm of The Daily Show in January 1999, the show has risen to become a late-night leader. It became a top late-night choice for younger viewers and, with the addition of spinoff The Colbert Report in 2005 to form a 11 PM-midnight block, Comedy Central evolved from a late-night poaching ground to a force to be reckoned with. The two shows became pop culture phenomenons and strengthened their hold on the younger crowds by embracing the Internet and social media before most of their late-night competitors. They have enjoyed buzz as well as critical acclaim, with their Emmy dominance nothing short of staggering. The Daily Show won the best variety series category for a record 10 consecutive times before its streak was ended last year by The Colbert Report to give Comedy Central 11 consecutive victories. (It’s worth mentioning that it was the man Colbert is replacing, David Letterman, who ruled the top variety category before Comedy Central’s dynamic duo kicked off their dominant run with five consecutive trophies.) In the variety series writing category, The Daily Show and Colbert Report have won 10 of the past 11 years.

Related: CBS’ Late-Night Drama Not Over Despite Practically Perfect Stephen Colbert Hire

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Media Stocks Hit As NASDAQ Suffers Biggest One-Day Drop Since 2011

By | Thursday April 10, 2014 @ 4:45pm EDT

stock arrow downThe tech-heavy exchange fell 3.1% today to a two-month low as investors, fearful that the bull market for Internet and biotech companies has run its course, continued to shift their cash into more conservative investments. On NASDAQ’s worst day since 2011, the Standard & Poor’s 500 fell 2.1% and the Dow Jones Industrial Average slipped 1.6%. Media stocks also felt the chill: The Dow Jones U.S. Media Index fell 2.8%. All of the major companies we track lost ground. CBS (-3.8%) was hardest hit in Big Media followed by Time Warner (-3.7%), Disney (-3.7%), Sony (-3.6%), Viacom (-3.6%), Comcast (-2.8%), News Corp (-2.2%), Fox (-2.1%), and Discovery (-1.7%). In the rest of the sector companies licking their wounds include Pandora (-10.5%), WWE (-7.2%), Facebook (-5.2%), Netflix (-5.2%), Lionsgate (-4.8%), and RealD (-4.6%)

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Safety On Set: Camera Crew Outnumber Stunt Personnel 4-To-1 In On-Set Deaths

By | Tuesday April 8, 2014 @ 9:55am PDT

Third in a series.

Related: The Death Of Sarah Jones: Safety Concerns Raised Over ‘Midnight Rider’ Crew’s Previous Film In Georgia

Sarah Jones Midnight RiderStunt drivers have helmets, roll bars, air bags and five-point safety harnesses to help keep them safe. All that a cameraman has between him and an oncoming speeding stunt car is his camera. It’s why so many cameramen and their assistants have gotten killed on film and TV productions: they’re right on top of the action — and sometimes killed beneath it. The loss of 27-year-old camera assistant Sarah Jones on the set of Midnight Rider is yet another tragic death. Her passing has shined a light on set safety. It is particularly dangerous for cameramen and their assistants. In the last 10 years, more than four times as many camera department personnel have been killed making movies and TV shows than stunt performers. By comparison, two stuntmen – Kun Liu on The Expendables 2 and Lu Yanqing on John Woo’s Red Cliff – have been killed in the last 10 years, and none in America. (Also critically injured on The Expendables 2 was Nuo Sun.) Lu was only 23 years old. The following year, Kun’s family filed a wrongful death suit against Nu Image and Millennium Films, and stunt coordinator Chad Stahelski.

Here is a list of some of those cameramen and stuntmen who have perished while working in the industry:

February 24, 2013
Canadian cameraman John Driftmier and his pilot were killed when their small plane crashed on a location shoot in Kenya for the Discovery Canada channel’s Dangerous Flights, a series that documents the hazardous work of ferry pilots who deliver small, private planes to customers around the world. He was the second Canadian cameraman to die in two years while filming reality TV shows. Driftmier’s brother, journalist Peter Driftmier, maintains that a pervasive “culture of fear” in the Canadian reality TV industry is putting lives at risk. “The fact of the matter is that the hardworking people who create Canada’s factual TV productions are not being supported to make their workdays as safe as possible,” he said. “In fact, there is a widespread culture of fear in the industry that is steering people away from speaking up to improve safety on the job.” His brother’s death, he says, “has helped prompt many in the industry to become more conscious of their own safety, and to speak out.”

Related: Safety On Set: Three Workers Speak Out

p1022513813-3
February 10, 2013
Cameraman Darren Rydstrom, 46, and two others were killed in northern Los Angeles County when their helicopter crashed while filming of an untitled military-themed reality show for the Discovery Channel. Friends and family members recall that even as a kid, Rydstrom always had a camera in his hands. “He was the biggest pain in the neck because he had his eye in a lens all the time,” his mother, Jeri Rydstrom, told a reporter at his hometown paper, the Rapid City (S.D.) Journal. One of his last phone calls, made just a few hours before his death, was to wish her a happy birthday. He told her that her birthday gift was a private golf lesson, and that he’d see her soon and take her golfing. “And then the sheriff was at my door,” she said.

Related: Discovery Reality Show Chopper Crash Due To “Cost-Cutting Measures”, Lawsuit Claims

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Safety On Set: Helicopter Crashes Have Taken Most Lives On TV And Film Sets

Fourth in a series.

Related: The Death Of Sarah Jones: Safety Concerns Raised Over ‘Midnight Rider’ Crew’s Previous Film In Georgia

helicopter crashWith all its car crashes, explosions, and hair-raising stunts, the film and TV industry is a notoriously dangerous business. But your chances of getting killed while making a movie go up dramatically the minute you step foot inside a helicopter. Indeed, helicopter crashes have taken more lives on film sets than any other type of accident in modern times. Since 1980, 33 film and TV workers — nearly one a year — have been killed in helicopter accidents around the world, 14 in the U.S. and 15 more for American companies shooting abroad.

Related: Safety On Set: Camera Crew Outnumber Stunt Personnel 4-To-1 In On-Set Deaths

In the 1980s, two crashes alone — both being shot on the cheap in the Philippines by the same production company — claimed nine lives in the span of just two years. The ’80s were by far the deadliest decade for helicopter crashes on movie sets, accounting for all but five of the 31 helicopter-related film and TV production fatalities in the last 34 years. The list:

Related: Safety On Set: Three Workers Speak Out

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MIPTV: Discovery Invests In DogTV Network For Stay-At-Home Canines

dogtvDiscovery Communications is going to the dogs, via DogTV that is. The company has made an investment in 2-year-old channel bills itself as the first television network created just for canines. The companies also  have formed a strategic partnership to help accelerate DogTV’s growth and allow for collaboration with Animal Planet. DogTV is a 24-hour network that effectively helps babysit stay-at-home pooches with programming specifically designed for their eyes and ears. Content is split into three categories — relaxation, stimulation and exposure — to help mip tv logo 2provide balance for their daily routines. Dr. Nicholas Dodman, program director of the Animal Behavior Clinic at Tufts University, is DogTV’s chief scientist. Prior to the channel’s launch in 2012, he performed a study monitoring dogs’ behavior in their own homes, which captured viewing time and preferences, leading to the development of DogTV’s programming. Additional pet experts include Victoria Stilwell, of Animal Planet’s It’s Me Or The Dog, and veterinarian Dr Marty Becker, who frequently appears on Good Morning America and The Dr. Oz Show.

Related: Super Bowl Blowout Sends Record 13.5 Million To ‘Puppy Bowl X’

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NatGeo Channel To Telecast World Free-Diving Record Attempt

By | Monday April 7, 2014 @ 10:12am PDT

Days after Discovery Communications announced Nik Wallenda would take next take his high-wire act to Chicago to walk between two natgeochanneltall buildings, rival NatGeo said the holder of 15 free-diving world records will attempt to swim to a depth of 350 feet — deeper than the height of the State of Liberty — setting a new world record. On a single breath and with only his hands and feet to propel him, William Trubridge, 33, will attempt his dive into the abyss at Dean’s Blue Hole in the Bahamas.

Discovery has found ratings success with white-knuckle stunts. Wallenda’s walk across the Grand Canyon area of Arizona last year attracted more than 10 million live viewers. At its upfront pageant last week, Discovery did not set a date for Wallenda’s Chicago encore, except to say it probably will take place in November. The network also recently  announced that it will telecast California mountain climber Joby Ogwyn’s attempt to jump off the top of Mount Everest, the world’s tallest peak, in a specially constructed wing suit. Read More »

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Deadline Big Media 79 – The Amazon Streaming Box Podcast

By and | Friday April 4, 2014 @ 7:06pm EDT

Deadline Big Media podcast 79In this week’s podcast, Deadline’s executive editor David Lieberman and host David Bloom wrap up the latest in the big Aereo case before the U.S. Supreme Court later this month, including briefs from an unexpected collection of supporters and financial backer Barry Diller’s comments on the TV service’s future if it loses. The two Davids also weigh Amazon’s rather tardy arrival as a purveyor of video-streaming devices with this week’s launch of the Amazon Fire TV; the Tribune Co.’s evolution as its digital wing buys one TV-oriented data company and relaunches another; and Discovery’s latest in a flurry of deals, as it launches a digital studio in partnership with two big-name Hollywood veterans, Ron Howard and Brian Grazer.

Listen to the podcast in your choice of audio formats here:
Deadline Big Media podcast 79 (.MP3 version)
Deadline Big Media podcast 79 (.M4A version)
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Media Stocks Pulled Down As Investors Unload Tech Holdings

By | Friday April 4, 2014 @ 4:17pm EDT

Stock arrow downThe tech-heavy NASDAQ fell 2.6% today, apparently reflecting fears that many companies — after soaring in 2013 — will report disappointing info on Q1 sales. The concern has been building: Netflix, for example, is down 25.7% over the past month. But it seemed to spread today, and soured the rest of the market with the Standard & Poor’s 500 -1.3% and the Dow Jones U.S. Media Index -1.7%. Viacom, down 2.8%, was the hardest hit Big Media company followed by Fox (-2.6%), Comcast (-1.8%), CBS (-1.7%), Disney (-1.5%), Discovery (-0.8%), Time Warner (-0.4%), and Sony (-0.3%). News Corp was the only gainer in the group, rising 0.1%. In the broader media universe, Barnes & Noble fell 5.4% — for an 18% drop in the two days since Liberty Media said it will sell 90% of its holdings in the book retailer. Tech-oriented media companies followed including Netflix (-4.9%), Pandora (-4.9%), Google (-4.7%), Facebook (-4.6%), Yahoo (-4.2%), RealD (-4%), and Amazon (-3.2%). Only a few media stocks appreciated. They include Madison Square Garden (+0.4%), which sold its Fuse TV network, and Scripps Networks (+0.5%) after Wunderlich Securities’ Matthew Harrigan changed his recommendation to “buy” from “hold.”

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