At Least Four UK Nets Lining Up To Bid For FA Cup Rights
A bidding war reportedly is gearing up in the UK for TV rights to soccer tournament the FA Cup for the three seasons to 2017-18. Financial Times reports that BT, ITV, BSkyB and the BBC are entering bids. BT and ITV currently share rights to the FA Cup until the end of the 2013-14 season. FT says analysts predict that having all four in the ring could significantly push up the cost of the rights. In January 2012, ITV acquired free-to-air broadcast rights for 16 FA Cup games per season, along with some of England’s home qualifying games, for an annual cost of £43M. But the BBC is understood to be concerned about its lack of live soccer during the regular season. BT and BSkyB are still expected to be the most aggressive bidders.
Shanghai Now Second-Biggest Box Office Among Chinese Cities
Shanghai box office has become the second biggest of all mainland Chinese cities and is expected to continue to grow rapidly in the next few years, spurred on by investment from U.S. studios Disney and DreamWorks, according to a study by Artisan Gateway. In 2012, Shanghai’s box office was $214.2 million, a 22.2% year-on-year growth. The city, regarded as the birthplace of Chinese cinema, has 122 movie theaters, just two more than the No. 1 Beijing market. The U.S. Consulate, which sponsored the study, said it plans to contribute more to protecting IP rights, Shanghai Daily reported. Read More »
Paul Brownfield is an AwardsLine contributor.
On May 26 at 12:01 a.m., 15 new episodes of Arrested Development went live on Netflix; by 5 a.m., the series’ legions of fans probably had exhausted the new supply. The comedy’s cancellation of Arrested by Fox in 2006, after two seasons, prompted an afterlife of rumors and almost-announcements, as series creator Mitch Hurwitz worked on a feature script of his cult series. Like the fans, Hurwitz didn’t want to let go of his extended band of crazies, the Bluths, either. And then Ted Sarandos, Netflix’s chief content officer, suggested resurrecting the show to Imagine Entertainment’s Ron Howard. “And Ron said, ‘That’s a very nice thought, I don’t think it’s ever going to happen,’” Hurwitz says. Except it did happen.
Related: EMMYS: Comedy Series Overview
AwardsLine: How different was the process in working with Netflix?
Mitch Hurwitz: I wasn’t turning scripts in, because of the nature of the thing. We weren’t shooting one a week. We’d shoot pieces of eight different episodes in any given week. We were shooting 12, 14 pages a day, shooting like crazy. We screened it at the premiere — it was the first time an audience had seen it, but it was also the first time I’d seen two (episodes) in a row. I’d just been making them and putting them in the pipeline. And I guess that’s the case usually with television. The difference with this one, though, is that it’s all coming out on the same day. And it will be viewed by some as an eight-hour movie. Read More »
Michael Slezak is Senior Editor at TVLine.
You know those people who brag about not having a television? Girls’ Allison Williams has a handy response for ’em. “I always say very dryly and very honestly, ‘You should invest in one. I’m not even saying you would necessarily like our show. But TV is so good right now.’” Williams’ awareness of the number of great performances under consideration this Emmy season makes it all the more “exciting and unbelievable” when her name gets floated as a possible contender for supporting actress. And while she’s quick to credit Girls creator and star Lena Dunham—as well as the show’s writers, directors and hair and makeup staff—for helping her bring to life the rudderless Marnie Michaels, Williams admits that “it’s a really fun challenge to play someone who seems to have it all together and yet has this anxiety bubbling beneath the surface. It’s an anxiety she isn’t necessarily aware of herself.”
Related: EMMYS: Comedy Series Overview Read More »
Ray Richmond is an AwardsLine contributor.
A pair of long-running NBC comedies — 30 Rock and The Office — will be attempting a rare feat this year: They’ll be trying to win a top series Emmy in their final season. Both have tasted victory in the Outstanding Comedy Series race before, The Office taking the prize in 2006 and Rock in 2007, ’08 and ’09. But winning as a last hurrah is a whole other ballgame, though it’s happened four times before: The Mary Tyler Moore Show snared the comedy series prize in 1977, Barney Miller took it in 1982, Everybody Loves Raymond carted off the comedy trophy in 2005, and The Sopranos earned the top drama series statuette in 2007. Many other long-running series have tried to generate Emmy love in their last year. A few, like Seinfeld, have even been favored. (Seinfeld lost in its final season in 1998 to Frasier, which earned its record fifth statuette in a row.) But most series fail to cart off the gold amid the perception that their best days are behind them, whether accurate or not. As one Emmy-winning producer says: “By the time a show is in its final season, it’s no longer considered fresh or cool, and voters much prefer to reward the hot new thing. It’s just … Read More »
In the 12-year, eight-season history of HBO’s Hard Knocks, only one franchise – the Dallas Cowboys, often cited as “America’s Team” – has been featured twice. Make that two. The premium network on Monday officially tapped the Cincinnati Bengals to star on its popular series chronicling life at an NFL training camp. The Bengals first were featured in 2009, with the season earning a pair of Sports Emmys. Last year’s Hard Knocks showcased the Miami Dolphins, and plenty of screen time was devoted to aging former All-Pro wide receiver, who was known as Chad Ochocinco when he was onscreen with the ’09 Bengals. The show began in 2001 with then- and current defending Super Bowl champion Baltimore Ravens, followed by the Cowboys in 2002. But that was the last Hard Knocks until the Kansas City Chiefs in 2007. Since then it has aired every year expect 2011, when the series went dark because no team was willing to participate due to the looming lockout by NFL owners. The first episode of the Bengals return trip to the show will premiere August 6.
Diane Haithman is an AwardsLine contributor.
How many writer-producers does it take to make an Emmy-winning comedy? In the case of Modern Family, it’s a staff of 12 including co-creators/executive producers Steven Levitan and Christopher Lloyd. Like many series creators, Levitan and Lloyd mostly tapped colleagues from comedies they had either created or worked on to assemble a writers room where the team speaks the same language. Before creating Modern Family, Levitan and Lloyd worked on three comedies together: Wings, Frasier and the short-lived Back To You, which the pair co-created. Most members of Modern Family’s creative family are descendants of those three shows and/or two other comedies created by Levitan: Just Shoot Me and Stacked. AwardsLine has ventured deep into sitcom history — stripping the banana peel all the back way to 1990 — to trace the writing roots of Modern Family. Please note that this is not intended to represent each writer-producer’s complete, or necessarily best, credits. It covers only comedy series that have at some point included two or more Modern Family writer-producers on staff (as writer-producers unless otherwise noted).
Related: EMMYS: Comedy Series Overview
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Diane Haithman is an AwardsLine contributor.
Undergrads from UCLA’s Honors Physics 1B — who take this class because ordinary physics just isn’t difficult enough — were in for a surprise when they took a field trip to Warner Bros. Studios to be part of the live studio audience for CBS’ The Big Bang Theory. The set always features whiteboards marked up with dizzyingly complex equations. And it took awhile for any student to notice that today’s equations were the solutions for the midterm exam they’d taken that day. As Big Bang physicist Sheldon Cooper (Jim Parsons) might say: Bazinga! This visual gag was a lot like the continual pranks of Sheldon and his geeky pals on the show. But the man behind this in-joke was their professor, particle astrophysicist David Saltzberg, who also serves as science adviser on Big Bang.
Related: EMMYS: Comedy Series Overview
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Another veteran ABC executive is heading to NBC. I’ve learned that Quinn Taylor, SVP Movies, Miniseries and Acquisitions at ABC Entertainment Group, will be leaving the network after almost 20 years to join rival NBC, which is looking to restart a longform division. I hear his title will be EVP Movies, Miniseries and International Co-Productions.
NBC has The Sound Of Music staging coming up, which would be right up Taylor’s alley as he has overseen a number of TV musicals at ABC, including Meredith Willson’s The Music Man starring Matthew Broderick. ABC is the only broadcast network that kept its longform division, headed by a high-level executive, while TV movies and miniseries dwindled on broadcast TV during the past several years.
Given the longform drought, Taylor had been focused on lower-budget and acquired series recently, overseeing such ABC shows as this summer’s newcomers Motive and Mistresses and returning Rookie Blue. NBC has been also very aggressive in acquired/lower-license fee series, including this summer’s Camp and Crossing Lines as well as recently renewed Hannibal and next season’s Crossbones and Dracula.
In light of the blockbuster success of History’s Hatfields & McCoys and The Bible, miniseries and limited/event series are making a big comeback, something NBC clearly wants to be part of. Fox and FX launched a longform unit last fall and recently greenlighted their first three event/limited series: Fargo on FX and 24: Live Another Day and Wayward … Read More »
Michael Ausiello is Editor-in-Chief of TVLine.
The gap between Modern Family and the rest of the Emmy comedy field has been so wide that even an imperfect third season landed the ABC family comedy a third consecutive best series win last year. But Modern Family is wrapping another uneven season, and with its ratings slipping and challengers gaining on it, a fourth statuette is far from guaranteed. HBO’s Girls is coming off a Golden Globe win, there’s a growing sentiment that CBS’ Nielsen juggernaut The Big Bang Theory is past due to be recognized, and former best comedy series Emmy winner Arrested Development is back. Will Modern Family’s winning streak come to an end this year? Here’s our assessment of the show’s chances, as well as the rest of the contenders. Read More »
Poor Matt Damon. Damon’s tour de force one night “hosting” stint January 24th on Jimmy Kimmel Live was a real triumph, maybe the funniest and finest work by any guest on a variety (as talk shows are classified in the Emmys) series this season. Damon’s rep tells me they had been trying for a very long time to make this appearance possible and finally his schedule freed him up to do it. But as far as Emmys go, it doesn’t exist.
Of course the whole show was one big gag based on Kimmel’s long standing show biz mock hatred of Damon. He’s ended virtually every episode of his decade-old talker by saying that unfortunately the show ran out of time for Damon’s appearance. Of course Damon was never really booked and it was all an elaborate running joke but finally it paid off when Damon supposedly kidnapped Kimmel, tied him up and took over the host desk. With Kimmel, his mouth taped shut , hopelessly looking on from the background , Damon took over with a great monologue and a couch full of A-listers that included Nicole Kidman, Gary Oldman, Demi Moore, Reese Witherspoon, Amy Adams, Sarah Silverman (Kimmel’s ex), Andy Garcia, Robin Williams and others including BFF Ben Affleck. Read More »
EXCLUSIVE: Following a five week run at The Barrow Street Theatre in New York City last month, Colin Quinn Unconstitutional will be re-opening at The Cherry Lane Theatre on July 4. Quinn, the former Weekend Update anchor on Saturday Night Live, wrote and stars. Rebecca A. Trent directs him. It is presented by Brillstein Entertainment Partners and Mike Lavoie.
Basically, Quinn tackles 226 years of American Constitutional calamities in 70 minutes. The reviews were strong in its first limited run. The show will also hit the road, with Quinn starring in a tour that starts with the 13 original American colonies, sometime in the fall. Quinn’s last one man stage show, Colin Quinn Long Story Short, debuted in 2010 with Jerry Seinfeld directing. The show received a Drama Desk nomination as well as an Emmy Award for the HBO broadcast of the play. Onscreen, Quinn will next be seen in Grown Ups 2 for Sony, and he will reprise his recurring role in the new season of the HBO series Girls.
EXCLUSIVE: Modern Family star Ed O’Neill has signed with Paradigm, joining his longtime agent Iris Grossman who moved from ICM Partners to Paradigm earlier this month. O’Neill, who is managed by Brillstein Entertainment Partners, is the third major Grossman client to follow her from ICM to Paradigm joining Mandy Patinkin and Fraces Conroy. O’Neill stars as patriarch Jay Pritchett on ABC’s Emmy-winning comedy Modern Family, a role that has earned him two Emmy nominations. He is one of the highest-paid actors on TV as he also has ownership in the show. O’Neill’s previous series credits include Married… With Children, John From Cincinnati and The West Wing. In features and on stage, O’Neill has a decades-spanning affiliation with the Pulitzer-winning playwright David Mamet, appearing in his films The Spanish Prisoner, Spartan and Redbelt and stage productions of Lakeboat and Keep Your Pantheon.
Here’s an enterprising awards campaign from the folks at Netflix during Emmy-voting crunch time. Or rather, lunch time. Today and Tuesday between 11 AM-3 PM, the network’s House Of Cards is slinging grub in LA from the Rollin’ Rib BBQ food truck (masquerading as Freddy’s BBQ, favored joint of Kevin Spacey’s Frank Underwood) free to card-carrying members of the Academy of Television Arts & Sciences. Deadline hears that some Emmy voters even received home deliveries. “I appreciate your vote,” Underwood menaces from the truck’s FYC ad wrap. Ballots are due June 28. Will Academy members vote with their stomachs?
CBS is the first broadcast network to set its fall premiere dates. The net once again went for a traditional rollout, debuting virtually its entire lineup during premiere week, which starts September 23. It will be preceded by CBS’ coverage of the 65th Primetime Emmy Awards on September 22, which will no doubt be used to promote the network’s fall launch. Providing a seamless transition, the hourlong premiere of How I Met Your Mother‘s final season will kick off premiere week at 8 PM on Sept. 23 featuring star Neil Patrick Harris who will host the Emmys the night before. As usual, reality veteran Survivor is starting a bit early, with a 90-minute premiere September 18. (Survivor is getting an early start for the 11th time in the past 12 seasons.) CBS also has set up a February 24 premiere date for new midseason drama Intelligence, which is slated to alternate with new fall drama Hostages in the Monday 10 PM slot. No dates yet for new drama Reckless, new comedies Friends With Better Lives and Bad Teacher and returning Mike & Molly. Here are CBS’ 2013-2014 premiere dates so far (new shows in bold caps): Read More »
This just in from the newly renamed Sterling Cooper & Partners. Will it help give AMC‘s Mad Men more late-game Emmys viral attention? Via AMC and sent out by “Peggy Olson” shortly after the conclusion of tonight’s episode:
The 40th Daytime Emmy Awards named Days Of Our Lives Outstanding Drama Series at the annual awards held Sunday at the Beverly Hilton, where the National Academy of Television Arts and Sciences honored the best in daytime programming. It was a big win at the end of the night for the NBC soap after all previous statuettes had gone to its competitors, CBS’ Young and the Restless and Bold and the Beautiful and ABC’s General Hospital. CBS led this year’s winners with seven major wins while George Lucas took home his first Emmy for his animated series Star Wars: The Clone Wars. (See full list of nominees here.) Meanwhile, it took three co-hosts – Robin Meade, Sam Champion, and AJ Hammer – to emcee a snafu-laden telecast that one Tweeter appropriately deemed “must watch train wreck TV.” (Just scroll down for the laundry list of HLN network flubs that ran 35 minutes late and had viewers irate on both coasts.)
Related: ‘Ellen,’ ‘Sesame Street,’ CBS Lead 40th Daytime Creative Arts Emmy Awards
In his first Emmy win, George Lucas accepted the award for Outstanding Special Class Animated Program for his Star Wars: The Clone Wars series from presenter Carrie Fisher who joked before opening the envelope, “Our nominees haven’t taken acid, at least not with me – which is, as most of you know, the only way to go. Right, George?” Lucas thanked the TV Academy for including animation in their annual program and gave a shout out to “all those poor souls who toil over their computers.”
It wasn’t the smoothest of award shows. The Talk co-host Aisha Tyler was handed the wrong envelope presenting for Best Informative Talk Show and had to use her comic chops to stall while the correct winner was relayed to her onstage. Mic and audio issues dotted the HLN telecast – including mics completely turned off and an errant audio feed of co-host Meade shouting into her backstage mic, “Can you guys hear me? You can? This is my song from my album!” over an HLN network ad playing between commercial breaks. And that was before presenter Corbin Bernsen dropped an uncensored f-bomb on live TV. Read More »
The Ellen DeGeneres Show and PBS‘s Sesame Street led the 40th Daytime Creative Arts Emmys with six wins apiece at the annual awards presented Friday night by the National Academy of Television Arts & Sciences and the Academy of Television Arts and Sciences. CBS tied PBS as the most-awarded network as honors were doled out in over 55 categories, while Leeza Gibbons won in her first Emmy nomination in 15 years. Embattled Sesame Street fixture Kevin Clash won three Emmys for his work on the children’s show as co-exec producer, performer, and director. Here’s the full list of winners: Read More »
Ray Richmond contributes to Deadline’s TV coverage.
(SPOILER ALERT! This report outlines news events that are covered in Season 2 of HBO’s The Newsroom.) Creator-showrunner Aaron Sorkin took the wraps off a chunk of the forthcoming second season of his controversial HBO journalism drama tonight as a gift to voting members of the TV Academy, hoping that a little sneak peek will help win them over just as Emmy balloting gets underway. During an event at the Academy of Television Arts & Sciences, Sorkin described that clip of The Newsroom as the first 15 minutes of the new campaign. “When I was wondering which clip to show, our costume designer said, ‘Well, you know nothing ever really happens in the first 15 minutes of everything you write’,” Sorkin quipped. That convinced him that he wouldn’t be leaking too many spoilers in what the packed house saw. However, it did reveal one or two.
SPOILER ALERT! The new season kicks off with a present-day deposition involving the lawyer portrayed by Marcia Gay Harden in a guest turn and features Jane Fonda returning as the CEO of the show’s fictional network parent company. It then flashes back to Aug. 23, 2011, and the beginning of Mohammar Gadhafi’s fall in Libya. If possible, the pacing is even faster rat-a-tat-tat and adrenalin-infused than it was in its inaugural season. Sample dialogue: Lawyer: “Fourteen months after you went on the air, you called the Tea Party ‘The American Taliban.’ What happened?” Anchor: “The Taliban resented it.”
Related: TV TEASER: HBO’s ‘The Newsroom’
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