Campaign Calls For Crew Boycott As ‘Midnight Rider’ Heads To L.A. For Pre-Prod

By and | Thursday April 17, 2014 @ 5:12pm PDT

Sarah Jones death Midnight RiderCrew around Los Angeles are getting word that pre-production on Midnight Rider is starting up in a few weeks back in L.A. with Randall Miller at the helm. Deadline broke the news earlier this week that Miller and his Unclaimed Freight banner were trying to resume filming on the Gregg Allman biopic following the tragic death of camera assistant Sarah Jones in Georgia. The decision to continue with the film has prompted a flurry of tweets to Allman and has given rise to a new Facebook page called “I REFUSE to work on Midnight Rider” which the daughter of director John Frankenheimer said everyone should join.

Midnight Rider Facebook Boycott

Jones, 27, was killed February 20 in Wayne County, GA in a train collision during filming on the pic. Seven other crew members were injured and multiple investigations are underway to determine the responsible parties.

Related: The Death Of Sarah Jones: Safety Concerns Raised Over ‘Midnight Rider’ Crew’s Previous Film In Georgia

“Morally how can he continue, knowing that his decision cost Sarah Jones her life? He had the ability to say no,” said Frankenheimer, who works as a location manager. “As the daughter of a director and I know that the director is the final voice. And if the director and producer allow it to happen, they have to accept responsibility.” She added: “It infuriates me. I find it an affront to all of us. “He doesn’t deserve a crew of any kind. No one should agree to work on this film. I find it shameful. I cannot believe that this man has the chutzpah to do this. If you don’t speak up then that’s just as bad.”

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Selena Gomez Leaves CAA; Signs With WME, Brillstein

By | Thursday April 17, 2014 @ 4:33pm PDT

Selena Gomez WMEFormer Disney star and recording artist Selena Gomez has exited as a client of CAA and has signed with WME. The 21-year-old singer and ex-Wizards of Waverly Place actress has also signed with Brillstein Entertainment Partners as she restructures her team and transitions from teen star to more adult projects. I hear the change has been long in the works as Gomez has taken meetings around town with various management firms. Last year she made a bold leap playing a partying coed in Harmony Korine’s Spring Breakers. Gomez has a huge social media following, with 57.9M Facebook fans and 19.3M Twitter followers. She’ll next be seen in William H. Macy’s directorial debut, Rudderless, which premiered in January at the Sundance Film Festival. Gomez continues to be repped by attorney P.J. Shapiro.

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How Social Media Helps Drive ABC’s ‘Scandal’

By | Thursday April 17, 2014 @ 4:12pm PDT

ABP-8201 Scandal KeyArt.inddABC‘s D.C. fixer drama Scandal has built big ratings in three seasons with a potent mix of often ridiculous plot twists and creator Shonda Rhimes’ savvy use of social media, which has bound fans closely to the show and its stars. That combo has paid off: Ahead of tonight’s season finale, which is certain to feature another signature shocker, Scandal has added 3 million viewers (for 11.5 million total). It’s up even more in the key adults 18-49 demo, +43% compared with last season, according to Nielsen. That demographic also represents most of the heaviest social-media users and is fervently sought by marketers.

Related: ‘Scandal’: Shonda Rhimes Does It Again With Season Finale

Scandal table with red borderScandal‘s OMG moments, and the chance to feverishly chat about them online as they happen, have glued fans to the show’s actual broadcasts, instead of waiting to watch an episode later on DVR, VOD or Hulu. To further stick fans to their TV-side seats, Rhimes and other show principals including star Kerry Washington also take part, tweeting and posting with fans before, during and after airings. That close connection has been a crucial part of the show’s growth. According to RelishMIX, the social-media analytics firm, followings for those show-connected accounts have exploded — led by Washington’s Facebook account, which jumped an eye-popping 466% in Season 3. That comes after an offseason filled with awards appearances that really fueled the show’s social-media growth. In fact, says RelishMIX CEO Marc Karzen, the biggest growth in Washington’s Facebook account happened in and around her (very pregnant) appearances at the Golden Globes and SAG Awards. Those red carpet photos set fans abuzz for days.

Related: ‘Scandal’ Among Peabody Award Winners

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Paul Walker’s Brothers Jumping In To Help Finish ‘Fast & Furious 7′ Action Scenes

By | Tuesday April 15, 2014 @ 2:18pm PDT

The film’s official Facebook page unveiled that Paul Walker‘s brothers Caleb and Cody will help complete his action scenes on Universal’s Fast & Furious 7. The note says Walker had completed his dramatic work on the latest film in the lucrative franchise before he was killed in a car crash in November in Santa Clarita, CA. Universal postponed the original July 2014 release and pushed the sequel’s debut by nearly a year to April 10, 2015. Here’s the statement:

Paul Walker DeadA Note to the Fans of FAST & FURIOUS

The FAST & FURIOUS saga is about family. The characters are connected by the bond of family, and it is how all of us who have worked together for more than thirteen years feel about each other. It certainly defines how we feel about our fans.

Our family experienced an unthinkable shock in November. We had to take time to grieve Paul, the brother we love and lost, and to figure out if we should move on with our film.

We came together and all felt the only choice was to continue. We believe our fans want that, and we believe Paul would want that too. Paul had already shot his dramatic scenes and most of his action for FAST & FURIOUS 7, and it’s among the strongest work of his career.

We have resumed shooting and now welcome Paul’s brothers, Caleb and Cody, into our FAST family. Caleb and Cody are helping us complete some remaining action for their brother and fill in small gaps left in production. Having them on set has made us all feel that Paul is with us too.

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ABC’s ‘World News Tonight’ Beats ‘NBC Nightly News’ In News Demo, With ‘Mad Men’ Pitching In

dianesawyerabcABC World News With Diane Sawyer ranked as the No. 1 evening newscast in the news demo for the week of April 7 — its first weekly demo win this season. Sawyer beat NBC Nightly News With Brian Williams by 12,000 Adults 25-54 (1.882 million vs. 1.870 million).  It was ABC evening newscasts first demo win since the week of July 22, 2013. Last July — one year after ABC’s Good Morning America snapped NBC’s Today show weekly winning streak, ABC’s evening newscast outstripped NBC’s in the news demo by 38,000 demo viewers, ending NBC’s  newscast’s ratings winning streak of nearly five years. During the week of April 7, Sawyer’s newscast covered breaking news –  high school stabbings in Pennsylvania, California bus crash, Terry Moran in Central African Republic with UN Ambassador Samantha Power covering refugees and violence — but the newscast also featured a broadcast exclusive with Mad Men stars and creator as they debuted the AMC series’ final season.  The week of April 7 also marked the newscast hitting 1 million likes on Facebook, which some have correlated to the weekly demo win. ABC’s was the only broadcast up in the demo from one year ago during the comparable week (1%) – NBC’s newscast tumbled by 18% and CBS’s Scott Pelley-anchored newscast dropped 10% in the demo.
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BOX OFFICE FINAL: ‘Captain America 2′ Tally $41.2M, ‘Rio 2′ Runs Afowl With $39.3M, ‘Oculus’ $12M Over Disappointing Opener ‘Draft Day’ With Only $9.7M

OPENING: Rio 2 (FOX) on Friday was expected to fly to No. 1 for $43.9M to $44.3M (Fox was the only one to predict $45M), then Saturday got its wings clipped by Captain America: The Winter Soldier and ended at $39.3M, Oculus (REL) was expected to scare up $12M to $12.8M for third spot and ended up at $12M; Draft Day (LGF) on Fri. was second round pick for $10.9M (although Summit estimated lower $10.5M) and ended the weekend with $9.7M. NOTEWORTHY: Captain America 2 (DIS) expected to fall 56% in second weekend but will take No. 1 with $40.5M to $41.4M to end the 3-day with $41.2M.

BoxOffice_logo__131122164403-275x206UPDATED, MONDAY, 3:37 PM:  Rio 2 opened to $39.3M right in line with the first film which opened in 2011 to $39.2M. That hurts, but overseas, the film has already grossed $63.4M, so it has already pulled in over $100M worldwide and it should get some decent multiples as there is really nothing standing in its way for some weeks to come … well, there is the long- in-release Mr. Peabody & Sherman and Muppets Most Wanted. But for the sequel not to surge past the first film, something went a little haywire. Captain America: The Winter Soldier was the champ again this weekend and the final tally ended up at $41.2M but next weekend, it has competition when Warner Bros. opens the Johnny Depp sci-fi thriller Transcendence. The big disappointment of the weekend was the Kevin Costner, Jennifer Garner football feature Draft Day (LGF). It took in only $9.7M. That’s three in a row for Costner that really didn’t thrill audiences — behind 3 Days To Kill and Jack Ryan: Shadow Recruit, although the criticism for that film really was directed at Chris Pine not being a strong enough lead. Regardless, it’s too bad for all involved. Oculus, despite its C CinemaScore, was able to pull in $12M for the weekend which served Relativity well. Noah also bypassed Divergent to step into the Top Five. Read More »

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Lionsgate Forges Alliance With RocketJump Studios

By | Monday April 14, 2014 @ 7:22am PDT

Lionsgate_newlogo__130418225246-200x107SANTA MONICA, CA, and VANCOUVER, BC, April 14, 2014 – Lionsgate (NYSE: LGF), the premier next generation global content leader, and RocketJump Studios, a pioneering digital studio that has emerged as one of YouTube’s hottest innovators, have formed a ground-breaking multiyear partnership for the creation of film, television and digital content, the two companies announced today.

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Robert Downey, Jr. Finally Gets His Own Twitter Account, Reflective Of Social Media’s Importance To Film Marketing

Kodak TheatreThe Iron Man himself has finally joined Twitter. With only 4 tweets this morning, he’s dipped his toe into the social media universe. Within hours, Downey has tallied 912K followers. Wow, word travels fast. And why not? Iron Man is a billion dollar franchise for Marvel since they first introduced Downey, Jr. as Tony Stark in 2008. Worldwide the first film grossed $585M, the second one, $623.9M and the third, $1.2B. The next Marvel title for the actor is Avengers: Age of Ultron which will bow May 1, 2015 from Disney. Welcome to the SMU, Mr. Downey, No doubt, Disney and Marvel are thrilled. The actor has long been a strong presence on social media due to his many fans who call him #RDJ. His fans post video bits from the actor from media, on-stage award shows, red carpet appearances, and other media events showcasing the wise-cracking, irreverance. His opening Tweet:

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Sunshine Sachs Ups Heather Lylis And Keleigh Thomas Morgan To Partner Level

By | Friday April 11, 2014 @ 6:22pm PDT
Mike Fleming

sunshSunshine Sachs’ Principals Ken Sunshine and Shawn Sachs have elevated Heather Lylis and Keleigh Thomas Morgan to Partner. They will join Sunshine and Sachs as the only other partners at the firm. The PR firm started 23 years ago to service a wide variety of clients. Sunshine and Sachs said their new partners have been invaluable over the past decade in growing the firm.

Thomas Morgan, who runs west coast operations for the firm, previously served as Senior Vice President of the company. She started in New York, relocated to Los Angeles in 2007 and her client list includes Jennifer Lopez, Tyler Perry, Natalie Portman, Andre Benjamin, Mariska Hargitay, Lee Daniels, The Golden Globes, Parkes MacDonald, Ivanhoe Pictures, Cinetic,  and The Geffen Playhouse. Lylis has helped expand the firm’s media relations, social media, creative, sponsorship, talent integration, and events work with clients in the non-profit, corporate, media, and advertising industries, including Feeding America, Girl Scouts of America, Human Rights Campaign, NAACP Legal Defense Fund, Dave Thomas Foundation for Adoption, Opportunity International, Global Poverty Project, Bing, Facebook, Instagram, Virgin Mobile, eBay Giving Works, Clear Channel, and Advertising Week. She also played a large role in the opening of the firm’s Washington, DC office in 2013. Prior to Sunshine Sachs, she worked at Boston based Solomon McCown & Co. She is a graduate of Northwestern University.

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UPDATE: Jon Stewart Kvells Over Stephen Colbert’s Move To CBS (Video)

stephen-colbert-and-jon-stewartUPDATED WITH VIDEO: “As you can imagine, it’s been a wild day around here. You may remember a few years back there was a gentleman on this program by the name of Stephen Colbert,” Jon Stewart said tonight at the top of his Comedy Central program The Daily Show, addressing CBS‘ hire of Colbert to replace David Letterman on Late Show. (Video below)

Wild cheering from the studio audience.

Related: Moonves Takes A ‘Late Show With Stephen Colbert’ Victory Lap

“He was yea high, skin like porcelain, very talented actor, writer, dancer, improvisational comedian. We would send him to the field, usually with some type of fruit, and see where the day took us.”

Dailyshow_logo__120924052923-200x94Stewart showed viewers a video from Colbert’s early days on The Daily Show in which the two men laugh uncontrollably while Colbert eats a banana.

Related: CBS’ Late-Night Drama Not Over Yet

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Can Stephen Colbert Compete With The Jimmys In Late-Night Social Media Wars?

By | Thursday April 10, 2014 @ 6:39pm PDT

late-show-with-colbert-logo_In all today’s news about The Colbert Report host taking over as host of Late Show sits one question David Letterman never really tried to answer: How will Stephen Colbert use social media to lock in a young, eagerly sought TV audience that isn’t much interested in mainstream entertainment?

Related: CBS’ Late-Night Drama Not Over Yet

The social-media crews behind late-night competitors Jimmy Fallon and Jimmy Kimmel have been flooding online audiences with viral YouTube videos and nifty posts on Twitter and Facebook, each trying to grab audience attention that will translate to TV ratings. Now, the team behind The Colbert Report, itself a social-media power, will attempt to transition its audience to broadcast TV and Late Show. Deadline reached out to our pals at RelishMIX, who analyze social-media engagement for TV shows and films, for a quick look at who’s doing what right now on Facebook, Twitter and YouTube. The verdict? Colbert is already in good shape on Facebook and Twitter, if he can transition his fan base, but he has a lot of work to do on YouTube, where The Jimmys rule by a massive margin. ”With the Fallon/Kimmel battle on YouTube, we’ll see how Colbert builds his team to compete,” said RelishMIX CEO Marc Karzen. “Is CBS betting that Colbert’s 13 million [social media] fans will move over with him? Stay tuned.”

Related: Moonves Takes A ‘Late Show With Stephen Colbert’ Victory Lap

Here are the breakdowns by platform of followers for all the late-night contenders, according to RelishMIX. Remember that RelishMIX measures not just the official feeds from each show but also those of each show’s stars and other principals and, importantly, the “superfans” on each platform who are not directly connected to the show but are busily sharing and posting in support of the core brand. It’s designed to capture all the social-media connections being made around a show, not just the official stuff.

Twitter

Colbert’s show is fourth overall here, even after ceremonially (and quite amusingly) blowing up his @ColbertReport Twitter feed last week. The stunt was a clever bit of social-media jujitsu, done live in the presence of a Twitter executive after some activists perceived a tweet from the show to be racially insensitive. Colbert will need to be even lighter on his feet with Twitter under the glare of broadcast TV attention. As it is, though, Colbert already is leading Kimmel’s show by 2 million followers, or a whopping 42 percent.

RelishMIX-ColbertTWITTER

 

 

Related: Stephen Colbert Reacts To ‘Late Show’ Hire

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Media Stocks Hit As NASDAQ Suffers Biggest One-Day Drop Since 2011

By | Thursday April 10, 2014 @ 4:45pm EDT

stock arrow downThe tech-heavy exchange fell 3.1% today to a two-month low as investors, fearful that the bull market for Internet and biotech companies has run its course, continued to shift their cash into more conservative investments. On NASDAQ’s worst day since 2011, the Standard & Poor’s 500 fell 2.1% and the Dow Jones Industrial Average slipped 1.6%. Media stocks also felt the chill: The Dow Jones U.S. Media Index fell 2.8%. All of the major companies we track lost ground. CBS (-3.8%) was hardest hit in Big Media followed by Time Warner (-3.7%), Disney (-3.7%), Sony (-3.6%), Viacom (-3.6%), Comcast (-2.8%), News Corp (-2.2%), Fox (-2.1%), and Discovery (-1.7%). In the rest of the sector companies licking their wounds include Pandora (-10.5%), WWE (-7.2%), Facebook (-5.2%), Netflix (-5.2%), Lionsgate (-4.8%), and RealD (-4.6%)

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Rupert Murdoch Talks About Succession, Politics, And His Greatest “Screwup”: Fortune

murdoch-rupertRupert Murdoch is all over Twitter. (“My family are horrified that I’m on it,” he says.) But in agreeing to sit down for a broad interview with Fortune, one of the media industry’s most powerful moguls signals that he’s finally ready to return in a serious way to the public stage that he has largely abandoned as he grappled with his UK hacking scandals and a bitter divorce, as well as uncertainty about the prospects for his media empire — which he split into two companies last year — and his succession plans. You should check out the piece by senior editor-at-large Pattie Sellers. Here are a few of the highlights:

Related: Rupert Murdoch Says There May Be Multiple ‘Avatar’ Sequels: Fortune

Succession: His sons James and Lachlan are first in line to take over although “I’m going to be here for a long time. And so will [Fox COO] Chase Carey and [News Corp CEO]  Robert Thomson.” murdochsThe effort to bring Lachlan back intensified after a private meeting with James at last year’s Allen & Co confab in Sun Valley. “We had two or three hours together. Lachlan was not not going to come back. It was a question of how we would work together.”

Related: Lachlan And James Murdoch Given Big New Roles At News Corp

Daughter Liz Murdoch’s decision not to join the News Corp board: Rupert says he’d “rather not go into that.” A lot of close families “have good arguments. That doesn’t mean they don’t love each other.” And it’s “more than possible” that she’ll return to the family business.

Who’ll be the GOP’s 2016 presidential candidate: Murdoch says former Florida Gov. Jeb Bush is “my number one” calling him “a man of very fine character.” He also has “particular admiration” for Wisconsin Rep. Paul Ryan. New Jersey Gov. Chris Christie “could recover” from inquiries into his possible role in manufactured traffic jams at the George Washington Bridge. Murdoch agrees with Kentucky Sen. Rand Paul on “a great number of things” but disagrees on foreign policy “too strongly perhaps to vote for him.”

His view of Hillary Clinton: He left open the possibility of supporting her but “it would depend on the Republican candidate totally.” He adds that he “could live with Hillary as President. We have to live with who we get. We don’t have any choice.” Read More »

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Starz Sets Premiere Date For Drama ‘Power’, Releases Key Art, Theme Song By 50 Cent

By | Tuesday April 8, 2014 @ 1:38pm PDT
Nellie Andreeva

powerkeyartStarz‘s new original series Power will debut at 9 PM Saturday, June 7. The pay cable network made the announcement in conjunction with the release of “Big Rich Town”, a new music video by Power executive producer Curtis “50 Cent” Jackson. The single was created specifically for the show and will serve as the main title theme. It features never-before-seen footage from the New York-based crime drama from writer Courtney Kemp Agboh, which is set in two different worlds, the glamorous New York club scene and the brutal drug trade. “For me, the musical component of Power is so important,” Jackson said. “I wanted to let the music speak to the viewers as they are watching the show and being able to create the theme song, ‘Big Rich Town’, was crucial as it sets the tone of the show.” Power centers on James “Ghost” St. Patrick (Omari Hardwick), the owner of an up-and-coming new nightclub in New York with plans to build an empire who also is a drug kingpin. Watch the video here.

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The Death Of Sarah Jones: Safety Concerns Raised Over ‘Midnight Rider’ Crew’s Previous Film In Georgia

Anita Busch contributed to this report. First in a series.

Sarah Jones death Midnight RiderLocal, state, and federal investigations are underway to determine who from the Gregg Allman biopic Midnight Rider is responsible for the February 20 train collision on location in rural Georgia that left 27-year-old camera assistant Sarah Jones dead and seven others injured. As the production community rallies around the tragedy and calls for stronger guidelines to ensure that similar accidents never happen again, a Deadline investigation that included interviews with people on the ground in and around Savannah has revealed several troubling factors preceding the afternoon when the crew of the movie, directed and produced by Randall Miller through his Unclaimed Freight Productions banner, placed a metal hospital bed on the live train tracks overlooking Southern Georgia’s Altamaha River. Was the “whatever it takes” spirit that’s fueled filmmaking for decades partly to blame for such an avoidable on-set tragedy?

Related: Safety On Set: Three Workers Speak Out

The city of Savannah, GA has been hungry to grow into a contender to rival competing industries in nearby Atlanta and Wilmington since generous incentives started boosting productions locally in 2009. After a busy 2012, however, film business slowed. Last year Paramount sequel SpongeBob SquarePants 2 was the lone feature to film in the city and became the center of a local firestorm when Jay Self, Savannah’s Film Commissioner of 18 years, was terminated after fighting with the studio over permit requests he said did not adequately protect the interests of local business owners and the City of Savannah.

Self publicly accused city officials of ordering him to approve permits for productions like SpongeBob SquarePants 2 in his termination hearing statement. He told me last month in Savannah that his bosses urged him to issue permits against his concerns when an L.A.-based director came to town to make a new movie in 2012. Self said his concerns went unheeded, and the same filmmaker in question prepared to bring his next feature production to Georgia. That filmmaker was Randall Miller.

Midnight Rider And The Accident Of February 20, 2014

Midnight Rider Doctortown trestleThe Allman biopic Midnight Rider was set to be Miller’s third feature in three years in the Savannah area. He and his L.A.-based Unclaimed Freight first brought production cash flowing into the city’s local economy in 2011 with the Jim Caveziel / Chiwetel Ejiofor-starrer Savannah. The following year he came back to film the NYC-set punk period piece CBGB. By the time he returned with Midnight Rider, Miller had developed a favored position within the local industry, despite his reputation for instilling a maverick sensibility on his sets and surrounding himself with a team of like-minded production crew.

Related:
Safety On Set: Camera Crew Outnumber Stunt Personnel In On-Set Deaths
Safety On Set: Helicopter Crashes Have Taken Most Lives On TV & Film Sets

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Safety On Set: Three Workers Speak Out

By and | Tuesday April 8, 2014 @ 9:57am PDT

David Robb contributed to this story. Second in a series.

Related: The Death Of Sarah Jones: Safety Concerns Raised Over ‘Midnight Rider’ Crew’s Previous Film In Georgia

There seems to be a fear among crew members in the industry about refusing to take part when they feel something is unsafe on a set, or speaking out after an accident lest they will be seen as a problem and lose future work, ostracized from the industry they love. But that is not always the case. It has been done in the past and a few courageous individuals are doing it today in hopes of getting the conversation started in the film and TV industries for the sake of all of their brethren. Legendary cinematographer Haskell Wexler, longtime location manager/scout Billy Fox and assistant location manager Brianne Brozey (in Local 399) who was injured on a set in March 2011 are willing to shine a light now on a very real problem in the industry.

NoahsArkIn 1928, motion picture pioneer Hal Mohr set the standard for safety in Hollywood when he refused to take part in a stunt he deemed too dangerous. Mohr, who would go on to win two Oscars, was the head cameraman on Noah’s Ark that day, and when shown how the flood scene would be shot, he objected on grounds that hundreds of extras’ lives would be put at risk. When he was overruled by studio executives, he walked off the picture in protest. As he had feared, when 15,000 tons of water were released on the specially built set, three extras were drowned and dozens more were seriously injured. One of the extras who survived that day would go on to become a Hollywood legend: John Wayne.

152_Hal-MohrThe accident Mohr had warned about — at the time the worst in the history of the young movie business — would lead to the implementation of the industry’s first stunt safety regulations, according to the book Stunt: The Story Of The Great Movie Stunt Men by John O. Baxter. Incidentally, Mohr is noteworthy as well for being the only person to win an Oscar despite never being nominated in a competitive category; he won by write-in vote for A Midsummer’s Night Dream in 1936. He was the first cinematographer to win an Oscar for both black-and-white and color photography.

Billy FoxLocation manager Billy Fox, who has worked in the business for 31 years, has witnessed numerous close calls in dangerous situations that have arisen from eager filmmakers and producers pushing the boundaries of safety to get a shot. He says sometimes even the location manager raising safety concerns on a shoot is seen as an enemy in the production’s ranks. “It’s ‘Whose team are you on?’ ” said Fox. On one feature in 1990, a planned train explosion that made Fox wary was beefed up for a bigger effect, resulting in downed power lines that blacked out a nearby town and cost the film millions in insurance costs. On another indie, he battled with the film’s director, unit production manager, and 1st assistant director over a car stunt he felt was unsafe and pulled his name from the film’s permit the morning of the shoot. “At 10:38 AM my pager went crazy. The second unit camera crew had been driven over, sustaining broken bones and a crushed pelvis,” he said. Read More »

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Shorty Awards Winners Announced

By | Monday April 7, 2014 @ 8:52pm PDT

Jerry Seinfeld, Aaron Paul and Batkid were among the big winners tonight as the 6th annual Shorty Awards for the best in social media were handed out in New York. The trophy show, which this year added a category for best Vine video, honors various online video, business, entertainment, journalism and social-media stars. Seinfeld’s Comedians In Cars Getting Coffee was voted best web show, while Paul was tapped as favorite actor Parks And Recreation‘s Retta took the actress prize. Other winners included Patton Oswalt, Paul Feig and Cosmos host Neil deGrasse Tyson. Will Ferrell picked up the Lifetime Achievement Award. Here’s Seinfeld’s taped acceptance speech. The full list of winners is after the jump:

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ABC’s ‘World News With Diane Sawyer’ Celebrates 1 Million Facebook ‘Likes’: Video

By | Monday April 7, 2014 @ 1:44pm PDT

ABC‘s World News With Diane Sawyer posted a video touting the fact it hit 1 million Facebook “likes” and is the only broadcast alg-abc-diane-sawyer-jpgnetwork newscast that’s grown this season to date in the news demo. NBC Nightly News With Brian Williams is up 5% season to date among ages 18-49 while remaining flat in the older 25-54 news demo.  Conversely, Sawyer’s newscast is up 4% in the news demo and flat among 18-49ers. CBS Evening News With Scott Pelley is up 7% in overall viewers but down 5 % in the news demo and 3% with the younger group. Williams newscast is up 8% in total viewers and Sawyer’s is up 3%. Yes, counterintuitively, more people are watching broadcasts evening news this TV season,  including an average of 9.52 million watching Williams, 8.34 million watching Sawyer, and 7.27 million watching Pelley. In the news demo, Williams remains the front-runner, standing firm at 2.4 million 25- to 54-year-old viewers; Sawyer’s now up to 2.19 million and Pelley is clocking 1.81, season to date. Read More »

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BOX OFFICE FINAL: ‘Captain America’ Smashes April Opening Record With Estimated $95M For Disney/Marvel, Includes $10.2M Thursday Previews; Year Up 6.8%, Weekend Ahead 23% From 2013

OPENING: Captain America: The Winter Soldier (DIS), smashes April opening records with estimated $95M to $96.2M opening and ended up at $95M.

captain-america-wallpaper-batman-vs-superman-avengers-2-captain-america-2-spider-man-2-is-this-the-golden-age-of-superhero-movies

UPDATED, MONDAY, 1:00 PM: Captain America: The Winter Soldier‘s final numbers are in, and it’s on the low end of the estimate to $95M with international numbers still coming in. But what a huge start overseas: The Disney/Marvel franchise has commanded an estimated international cume of $207.1M, with $32.9M coming this weekend from China alone. So worldwide, it already has grossed $302.1M to date. It’s about 47% ahead of the first Captain America, which made $193.9M overseas and ended its run with $370.5M worldwide in 2011.

Domestically, it should be clear sailing next weekend for Captain America as bowing will be the animated kid’s fare Rio 2 From Fox, which has already hit overseas markets to gross $55.4M. It hasn’t swung into China or Mexico yet. The first Rio made $143M domestically and $484.6M worldwide in 2011. But family audiences are growing weary of both Muppets Most Wanted and Mr. Peabody & Sherman, which have been in the marketplace for three and five weeks, respectively, so its prime time to come out with another family film. In addition, Lionsgate Films’ opens in wide release the Ivan Reitman-directed Draft Daystarring Kevin Costner, who must be exhausted from the number of press junkets he’s had to go through this year with Jack Ryan: Shadow Recruit, 3 Days to Kill and now Draft Day. Blumhouse Prods’ horror flick Oculus from Relativity hopes to mirror the success of Evil DeadOculus premiered at Toronto while Evil Dead also went the festival circuit last year at SXSW before bowing in April. In limited release from The Weinstein Company will be opening the Colin Firth-Nicole Kidman starrer Railway Man, the WWII film based on the Eric Lomax’s best-selling book.

1). Captain America: The Winter Soldier (DIS), 3,938 theaters / 3-day cume: $95M ($10.2M from previews) / Per screen average: $24,129 / Wk 1

2). Noah (PAR), 3,571 theaters (+4) / 3-day cume: $17M (-61%) / Per screen average: $4,773 / Total cume: $72.3M / Wk 2

3). Divergent (LGF), 3,631 theaters (-305) / 3-day cume: $12.9M (-49%) /Per screen average: $3,573 /  Total cume: $114M / Wk 3

4). God’s Not Dead (FREE), 1,758 theaters (+580) / 3-day cume: $7.7M (-12%) / Per screen average: $4,416 / Total cume: $32.5M / Wk 3

5). Muppets Most Wanted (DIS), 3,052 theaters (-142) / 3-day cume: $6.1M (-46%) / Per screen average: $2,014 / Total Cume: $42M / Wk 3

6). The Grand Budapest Hotel (FSL), 1,263 theaters (+286) / 3-day cume: $6.1M (-28%) / Per screen average: $4,842 / Total cume: $33.19M / Wk 5

7). Mr. Peabody And Sherman (FOX), 2,931 theaters (-368) / 3-day cume: $5.1M (-43%) / Per screen average: $1,751 / Total cume: $102M / Wk 5

8). Sabotage (OPRD), 2,486 theaters / 3-day cume: $1.9M (-62%) / Per screen average: $2,486 / Total cume: $8.8M / Wk 2

9). Need for Speed (DIS), 1779 theaters (-926) /3-day cume: $1.8M (-57%) / Per screen average: $1,016 / Total cume: $40.8M / WK 4

10). Non-Stop (UNI), 2,515 theaters (-430) / 3-day cume: $1.7M (-55%) / Per screen average: $1,040 /  Total cume: $88.1M / Wk 6 Read More »

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