Specialty Box Office: ‘Fading Gigolo’ Seduces In Limited Opening; ‘Under The Skin’ Passes $1M

Indie FilmsFading Gigolo cashed in at the box office this Easter weekend, catapulting itself to the second-highest theater average of 2014 among specialty releases. The feature directed by John Turturro and starring Turturro, Woody Allen and Sharon Stone opened in five locations in New York and LA on Friday, grossing an estimated $198,399 through Sunday for a solid $39,680 average. That outranks A24′s strong debut for Under The Skin starring Scarlett Johansson, which opened at the beginning of this month. That film, incidentally, passed the $1M cume mark this weekend, with the Jonathan Glazer-directed experimental sci-fi pic grossing $140K in four theaters for a $35K average. The top opener by far of course is Fox Searchlight’s sizzling The Grand Budapest Hotel, which bowed to a record $202K per-theater average March 9.

Related: Box Office: ‘Heaven Is For Real’ Rises, ‘Transcendence’ Descends Into Hell

FadingGigoloThe opening for Fading Gigolo portends a good run for the comedy, which centers on Fioravante (Turturro), who decides to become a Don Juan as a way of making money for his cash-strapped friend Murray (Allen). Turturro told me last week the film had sold to “top notch” distributors worldwide with strong opens in some international territories ahead of its U.S. launch. “It’s a date movie and even people in their 20s like the movie,” he said. “If they like the movie, then anyone will like the movie.” Millennium Entertainment CEO Bill Lee said this morning that Fading Gigolo is performing better than even hoped. “We saw a spectacular jump from Friday to Saturday, which goes to show that audiences were craving a funny and heartfelt film,” he said. Millennium will hold in NY and LA next week expanding the film to 25 runs in both metropolitan areas. It will head to San Francisco, Dallas, Boston, Chicago, Philadelphia, Washington D.C. and Miami on May 2, then to additional markets May 9.

Related: INTL BO: ‘Spider-Man 2′ Spins $47M Global Web For Biggest Opening Of 2014

Under The Skin saw a sizable expansion and grossed more than $467K in 176 theaters, averaging $2,656. Last week, the film grossed over $309K from 54 runs ($5,727 PTA). Its cume now stands at $1,086,241.

Related: Specialty B.O. Preview: ‘Fading Gigolo’, ‘The Final Member’, More Read More »

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WonderCon: 20th Century Fox Executes Bryan Singer PR Control During ‘X-Men: Days Of Future Past’ Panel

Keri Russell WonderconWhile fans were allowed to ask questions to the string of talent from Dawn Of The Planet Of The Apes, The Maze Runner and DreamWorks’ How To Train Your Dragon 2 at 20th Century Fox’s WonderCon panel, the one creative talent not fielding questions from the crowd was X-Men: Days Of Future Past writer and producer Simon Kinberg. While a “no questions” policy wasn’t blatantly announced, Fox gracefully saved its X-Men presentation for the final portion of its nearly two-hour panel. And it was brief next to the half-hour-plus devoted to Planet Of The Apes. Kinberg stepped in at the last minute after the studio pulled Bryan Singer in the wake of the director being slammed with a sexual abuse civil lawsuit. Kinberg promised the crowd that he had footage that was never seen before, but that wasn’t the case: He showed the same clip that was on the MTV Movie Awards last weekend with the young X-Men including Kitty Pryde, Colossus and Iceman fighting a rather large latex figure who absorbs their powers. Fox, unlike ABC — which pulled Singer’s name off their Black Box TV spots — kept the filmmaker’s name on the trailer that was shown at WonderCon today. The crowd was unfazed when his name came up on screen.

Related:
WonderCon: Warner Bros Still Earns Cheers With Largely Star-Less Presentation & Jaw-Dropping ‘Godzilla’ Tsunami Clip
Hot Trailer: ‘X-Men: Days Of Future Past’ Read More »

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WonderCon: Warner Bros Still Earns Cheers With Largely Star-Less Presentation & Jaw-Dropping ‘Godzilla’ Tsunami Clip

By | Saturday April 19, 2014 @ 12:47pm PDT

Bill Paxton WonderconNext to the all-star fireworks Warner Bros unleashed at CinemaCon last month with Adam Sandler, Johnny Depp and Clint Eastwood, the studio kicked off WonderCon’s Saturday movie schedule on a sleepy note with a low wattage of stars. Comparisons to Disney’s previous D23s are inevitable, especially due to the fact that the Mouse House has trotted out such megastars at this same venue — the Anaheim Convention Center Arena — in its previous confabs, i.e. Angelina Jolie, Natalie Portman, and Robert Downey Jr. First up for Warner Bros today was a fresh Edge of Tomorrow trailer, spotlighting co-star Bill Paxton as a Kentucky sergeant. Paxton later took the stage, but Edge of Tomorrow star Tom Cruise didn’t show; the crowd Godzilla 2014 logodidn’t seem to mind, though, rolling their cheers in appreciation for the Aliens thespian, but still — Cruise isn’t here. Nor was Godzilla castmember Bryan Cranston, a fave for his panel appearances for Breaking Bad at ComicCon.

Related: WonderCon: 20th Century Fox Executes Bryan Singer PR Control During ‘X-Men: Days Of Future Past’ Panel

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‘Amazing Spider-Man 2′ Swinging Strong In International Debut As It Casts Global Web

By | Thursday April 17, 2014 @ 5:25pm PDT

Nancy Tartaglione contributed to this report.

the-amazing-spider-man-2-new-details-on-spideys-suitThere’s absolutely no arachnophobia in international markets for The Amazing Spider-Man 2. Sony Pictures Entertainment’s latest film in its mega-franchise opened in 15 territories — including across Europe in the U.K. Spain, Germany and Belgium and in other top markets of Mexico and Australia — and numbers are just now rolling in … and they are very strong and off to a great start.

In four markets — the U.K., Germany, Australia and Belgium — the movie already has logged the biggest opening days of the year. In the U.K., Spidey grossed $2.73M, which is not surprising since it’s a top school holiday and kids are flooding into the market now. Back in 2012, The Amazing Spider-Man made $40.3M in the U.K. all in, so this is one of the most important markets for the studio. The film grabbed $1.44M Down Under in Australia, a big $1.3M in Germany and in Belgium $190K for its opening day. Other markets where Spidey opened are Austria, Denmark, Israel, New Zealand, Portugal, Switzerland, Uraguay, Bulgaria, and Sweden. Read More »

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Warner Bros Bringing ‘Godzilla’, ‘Edge Of Tomorrow’ & ‘Into The Storm’ To WonderCon

By | Monday April 14, 2014 @ 5:41pm PDT

warner_bros_logo-2__130321233618__130419003343__131121204956__131213030736__140121202406__140209183407__140215004412__140226000049The studio tweeted today that it is bringing three of its high-priority summer pics to the Anaheim Convention Center this weekend. Saturday’s Warner Bros panel will cover the rebooted creature feature Godzilla, Tom Cruise’s futuristic war pic Edge Of Tomorrow – whose teaser trailer aired during last night’s MTV Movie Awards — and tornado actioner Into The Storm. The annual sci-fi, movie and comic book confab runs Friday to Sunday.

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China Film Co Dips Toe In Hollywood With Investment In Legendary Pics

By | Monday April 14, 2014 @ 2:24pm PDT

legendary-pictures-logo-1280x629BREAKING: Thomas Tull’s Legendary East said that China Film Co Ltd. has made an eight-figure equity investment in two Legendary Entertainment pics: the Jeff Bridges starrer Seventh Son and Warcraft, the pic based on the Blizzard online game that Duncan Jones is writing and directing. It marks the first time China Film Co has taken a stake in Hollywood films, and if the pics are approved by China‘s government it will distribute them in the booming movie market with support via Legendary East and global distribution partner Universal.

Related: China-Hollywood “Gatekeeper” Confirms Exit From China Film Group

China-And-Hollywood__130605112955-150x150__130925193515China Film Co is majority-owned by China Film Group and is the largest producer and distributor of Chinese content — CFG has an exclusive grip on Mainland revenue-share releasing. There has been talk that a new government-approved distributor could emerge, but a number of China-watchers are skeptical. Today’s deal stems from the multi-year agreement Legendary East and CFC inked in May 2013 to together produce tentpole-scale films for the global market. As part of the investment structure, CFC will be credited on these films, and its equity recouped, on a worldwide basis, the companies said. Today’s announcement was made by China Film Co chairman La Peikang and Legendary East CEO Peter Loehr.

Related: A 2nd Film Distribution License In China? Not So Fast

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‘Oklahoma’ Restoration Launches TCM Film Fest As Classic Hollywood Gets Ready For Its Closeup

By | Friday April 11, 2014 @ 11:05am PDT
Pete Hammond

share“You need to show more re-releases. You need to show the great old movies in your theatres,”  director Christopher Nolan told exhibitors at their CinemaCon convention a couple of weeks ago, but sadly no one in that crowd applauded the sentiment. I thought of that as I attended last night’s kickoff  of  TCM’s 5th Annual Classic Film Festival, a nirvana for movie lovers. At least this is still a place you can see “great old movies”  in theatres and in pristine condition. And people from around the U.S., and even the world travel to Hollywood for the opportunity. For that Nolan should at least be thankful.

2014 TCM Classic Film Festival - Opening Night Gala And World Premiere Of The Restoration Of "Oklahoma!"This edition got underway Thursday night with the World Premiere of a stunning TODD AO restoration of the 1955 musical OklahomaStar Shirley Jones joined TCM host Robert Osborne (a “rock star” to the TCM crowd that comes from everywhere for this four-day smorgasboard of movies) for a pre-screening Q&A at the newly renovated TCL Chinese Theatre IMAX.  It was the first film for the Oscar-winning star who just turned 80 last week.  It’s probably safe to say the movie didn’t even look this good when it originally premiered almost 60 years ago  thanks to14682 20th Century Fox’s 8-month effort (led by restorer Schawn Belston) to bring it back to life in the same 30 frame per second TODD AO format in which it was made. Fox is releasing this film and several other Rodgers And Hammerstein musicals in a Blu-ray box set later this Spring.  The TODD AO process was sort of an answer to the 3D craze of the 50′s and in this incarnation it actually feels at times like you are watching some scenes (like a runaway horse sequence) in 3D without glasses. Read More »

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Ex-Aardman Exec Launches UK Animation Studio Backed By Elisabeth Murdoch

sarah smithFormer Aardman Animation Creative Director Sarah Smith is branching out on her own, creating the UK’s first dedicated high-end CG feature animation studio, Locksmith Animation. The new shingle’s focus will be on creating a long-term slate of CG-animated pics for a worldwide audience. Locksmith has received backing from Elisabeth Murdoch, who is the principle shareholder and made the investment in a personal capacity, as well as VFX house Double Negative which will collaborate closely with the company. This is a major development in the UK toon sector following the introduction of the animation tax credit last year.

locksmithSmith made her animation debut as director and co-writer of 2011′s Arthur Christmas, and co-exec produced The Pirates! Band Of Misfits in 2012. Her other credits include producing UK TV series The League Of Gentlemen, and several collaborations with Armando Iannucci. She joined Aardman in 2006. Double Negative, a major player in Britain’s bustling VFX arena, counts credits that include The Dark Knight Rises, Skyfall, Les Misérables, Fast & Furious 6, Captain Phillips, Rush, Man Of Steel, The Hunger Games: Catching Fire, Transcendence and Godzilla. Smith said today, “With animated films among the most beloved and successful movies in the world, but still only a handful of producers out there, the UK offers Locksmith a unique opportunity, including a world class CG Visual FX industry, brilliant comedy writers and … Read More »

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Deadline’s Best Film Stories Of The Week

NoahBiblical and Faith-Based Movies: In Hollywood to Stay?
By Anita Busch
After this weekend’s successful opening for Noahis there any doubt anymore that if Hollywood builds it, they will come?

 

Writers Rail As Talks Resume: A Deadline Survey
By Mike Fleming, Jr.
As talks are about to resume Monday on the final elements that many hope will lead to a new deal for the Writers Guild Of America, we wanted to lend some perspective and give voice to the TV and feature writers whose fortunes will be tied directly to the deal their union makes. Deadline spoke with 10 film and TV scribes and asked them the following questions: Read More »

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‘Godzilla’ Legal Battle Between Legendary & Tossed Producers Gets Trial Date

By | Friday March 28, 2014 @ 12:45pm PDT

DJP LEGAL BADGEIt’ll be almost a year to the day after the new Godzilla hits the big screen, but the long legal clash between Legendary Pictures and a trio of veteran producers dumped from the reboot now has a trial date. Despite Legendary’s efforts to keep the matter private, the parties will be arguing their case in front of a jury in LA Superior Court starting Godzilla 2014 logoMay 17, 2015. That could change if the two sides reach a settlement over credits and compensation for the Warner Bros-distributed tentpole. If that doesn’t happen, the trial, which ejected producers Roy LeeDan Lin and Doug Davison have been seeking since filings started flying in January 2013, is scheduled to last around 10 days. The case was reassigned to Judge Michael Beckloff earlier this week. The new Godzilla movie, from director Gareth Edwards and starring Bryan Cranston, Aaron Taylor-Johnson, Elizabeth Olsen, David Strathairn, Juliette Binoche and Sally Hawkins, opens May 14.

Related: Legendary “Confident” Of ‘Godzilla’ Lawsuit Outcome Despite Appeals Court Loss

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CinemaCon: Warner Bros Brings Out Heavy Star Power To Court Theater Owners – Eastwood, Depp, Freeman, Sandler, Tatum Hit Vegas

By | Thursday March 27, 2014 @ 6:38pm PDT
Pete Hammond

If CinemaCon delegates were waiting for a busload of movie stars to show up at the convention, Warner Bros granted their wish this afternoon delivering, by far, CinemaCon 2014 - Warner Bros. Pictures Invites You To "The Big Picture," An Exclusive Presentation Highlighting The Summer Of 2014 And Beyondmore star power to the stage of the Caesars Palace Colosseum Theatre than the other studios combined. Clint EastwoodAdam Sandler, Drew Barrymore, Melissa McCarthy , Morgan Freeman, Johnny Depp, Channing Tatum and Mila Kunis were among the names who were trotted out by the studio to the delight of theater owners in the audience. But sometimes it gets awkward up there. Tatum and Kunis just read their lines off a teleprompter, and CinemaCon2014_badgeDepp couldn’t seem to figure out if he had any. Usually at these things he just walks across the stage and waves. Sandler actually was quite funny, bantering with a very pregnant Barrymore, who was still in tears she said over the preceding clip from Godzilla. Eastwood managed a standing ovation and, in talking about the very high-decibel sound levels of the film clips, charmed his way through a brief introduction to footage from his forthcoming musical Jersey Boys.

warner_bros_logo-2__130321233618__130419003343__131121204956__131213030736__140121202406__140209183407__140215004412The heavy star presence distinguished Warners’ turn in the spotlight, the last of the major studios to come to bat, in a presentation that was otherwise very corporate in its approach. Warners had much to crow about and clearly knew it after coming off a record $5.03 billion year, 10 Oscars and a personal-best 21 nominations. It also had a 2013 summer that produced another record: All seven releases earned more than $100 million each. And Warners touted early results in 2014 as being just as promising, with The Lego Movie earning $400 million worldwide so far and the sequel 300: Rise Of An Empire already up to a symmetrically perfect $300 million. Whether the studio can continue on this kind of roll is anyone’s guess as it has a year ahead that’s almost totally lacking in bread-and-butter sequels. Read More »

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Hot Trailer: Clive Owen & Juliette Binoche Romcom ‘Words And Pictures’

Fred Schepisi’s adult romantic comedy Words And Pictures had its world premiere as a Gala Presentation in Toronto where Roadside Attractions acquired it for the U.S. Written by Gerald Di Pego, it stars Clive Owen and Juliette Binoche, respectively as a writer whose talent has dried up, and an artist struggling to paint as her body betrays her (Binoche’s own artwork features). The two clash at the prep school where they teach, sparking a flamboyant courtship and a school-wide war over which is more powerful: the word or the picture. Binoche, who won an Oscar for The English Patient, hasn’t been in too many English-language pics of late, much less a comedy, so this looks like a charming departure. Speaking of departures, she’s up in Warner and Legendary’s Godzilla which opens May 16, ahead of Words And Pictures‘ bow on May 23.

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CinemaCon: Disney’s Alan Horn Says ‘Million Dollar Arm’ Is Highest Testing Movie He’s Ever Had

By | Wednesday March 26, 2014 @ 5:16pm PDT
Pete Hammond

CinemaCon2014_badgeAlthough Disney devoted a good chunk of its CinemaCon presentation today to talk of Star Wars and The Avengers and clips of upcoming movies including first looks at the live-action re-telling of Cinderella and Pixar’s Inside Out, theater owners left the near three-hour session really singing the praises of one of the lesser-known films on the slate: the May 16 release Million Dollar Arm. It stars Mad Men’s Jon Hamm, who received the convention’s Excellence In Acting award from studio Chairman Alan Horn just before a full screening of the movie, which Horn told the crowd has scored higher than any movie he has ever tested Jon Hamm Alan Horn handshakeat Disney, or Warner Bros before that. “And that includes the first Harry Potter, which was so highly anticipated,” he said. Judging from the reaction in the Caesars Palace Colosseum theater and comments afterward, those test scores would seem to be justified. This is the kind of increasingly rare non-animated family film that should play across the board. “It’s comical, it’s emotional, it has great music” was what one exhibitor was heard saying as he walked out. That music, by the way, is from two-time Oscar winner A.R. Rahman, who scored Slumdog Millionaire.

Related: Hot Trailer: Jon Hamm In ‘Million Dollar Arm’

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Shaun Evans Nabs Male Lead In Amazon Pilot ‘Cosmopolitan’; Victor Rasuk Joins Kevin Williamson Drama Pilot

By | Thursday March 20, 2014 @ 3:00pm PDT

Shaun Evans (Endeavour) shaunevans1is set as a male lead in Amazon comedy pilot Cosmopolitan, from The Last Days Of Disco filmmaker Whit Stillman. Cosmopolitan, which Stillman wrote and will direct and executive produce, chronicles the loves and adventures of a group of young expatriates in Paris. Evans will play Hal, a divorced, good-looking but somber young man who’s struggling with his most recent heartache in the company of his two best friends, fellow American Jimmy and European Woddy, who’s less than sympathetic. The friend roles have yet to be cast. Evans, repped by Don Buchwald & Associates and Hamilton Hodell in the UK, next will be seen in upcoming feature War Book.

Related: 2014 Amazon Studios Pilots

victorrasuk3Victor Rasuk (Raising Victor Vargas) has been cast as a series regular in CBS‘ untitled Kevin Williamson drama pilot, from Warner Bros TV. Written by Williamson and directed by Liz Friedlander, the psychological thriller revolves around two detectives, Beth (Maggie Q) and Jack (Dylan McDermott), who handle stalking incidents for the Threat Assessment Unit of the LAPD. Rasuk will play Ben, an ambitious detective with the Threat Assessment Unit who’s loyal but not entirely trustworthy. He next will be seen in upcoming features Godzilla and Fifty Shades Of Grey. He is repped by Gersh.

Related: 2014 CBS Pilots

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Hot Trailer: ‘Godzilla’

By | Tuesday March 18, 2014 @ 3:46pm PDT

Something caused all that damage. Earthquake? Typhoon? Bryan Cranston says the authorities are lying about what really happened. But you and I know it’s Godzilla. Warner Bros has released a new international trailer for this latest reboot of the classic kaiju property. The military is doing its best, but history shows again and again how nature points up the folly of man. Or, as Ken Watanabe puts it, “The arrogance of man is thinking nature is in our control — and not the other way around.” The Legendary Pictures actioner from director Gareth Edwards and writer Max Borenstein also stars Aaron Taylor-Johnson, Elizabeth Olsen, David Strathairn, Juliette Binoche and Sally Hawkins. It arrives May 16:

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Need For Hit Fuels DreamWorks’ Lively And Raucous ‘Need For Speed’ Hollywood Premiere

By | Friday March 7, 2014 @ 2:54pm PST
Pete Hammond

Premiere Of DreamWorks Pictures' "Need For Speed" - Red CarpetThere may be lots of speculation about the future of DreamWorks in its current incarnation at Disney as my colleague Mike Fleming wrote earlier this week, but you would never know it from last night’s rip-roaring premiere of its latest film, Need For Speed, at the Chinese Theatre. I went in expecting a poor man’s Fast & Furious and instead got a riveting and fun entertainment with lots of heart and emotion in addition to all the stunt driving. The film, which opens Friday and stars Breaking Bad’s Aaron Paul as a street racer out for revenge after being framed for a death of a young street-racing rookie, has all the requisite action you would expect from this kind of movie, but there’s so much more.  The fact that it marks the second feature directed by former stuntman Scott Waugh (the son of another stuntman, Fred Waugh, who passed away while his son was in preproduction) would lead one to believe it would be all pedal-to-the-metal and no soul, but that’s not the case. Waugh’s first feature behind the camera, Act Of Valor, proved he knew how to put humanity into a genre film. What he’s made here is a good old-fashioned movie that doesn’t rely on CGI, has a genuine story  to tell with three-dimensional characters (in 3D, no less), and great locations.

posterIt also presents yet another reason the Academy Of Motion Picture Arts & Sciences needs to re-consider its decision not to create a 25th category for stunt work. Come on, these people deserve the recognition on a regular basis. I do understand the ticklish situation with the Actors branch, the Academy’s largest and most powerful, but this kind of work is definitely Oscar worthy. The Television Academy has a stunt peer group and recently even split comedy and drama stunt coordination into two separate Emmy categories. Veteran stuntman-director Hal Needham got an Honorary Oscar in 2012, and I suppose the Academy feels that’s enough recognition for now (Needham passed away several months after getting that Oscar). But it’s not.

Related: Hot Trailer: DreamWorks’ ‘Need For Speed’

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Legendary “Confident” Of ‘Godzilla’ Lawsuit Outcome Despite Appeals Court Loss

By | Tuesday March 4, 2014 @ 1:42pm PST

DJP LEGAL BADGEWith mere weeks until the big guy is back in theaters May 16, the Godzilla battle between Legendary Pictures and producers Roy LeeDan Lin and Doug Davison over the upcoming Warner Bros-released reboot looks more likely than ever to be heading to trial. A California Appeals Court judge today rejected Legendary’s attempt to have the matter dealt with in private legendary_pictures_logo__130110013445-275x158__131231055309-1arbitration (read it here). Justice Judith Ashmann-Gerst said that “substantial evidence supports the trial court’s finding that  the parties never had a written agreement to arbitrate their dispute.”  On January 9 last year, Legendary filed a complaint to remove Lin, Lee and Davison from the blockbuster project with a puny $25,000 payout. According to Legendary, the tiny sum was all the three were entitled to under the March 2011 Producer Loan Agreement between them and the company. Today’s ruling was in response to a May 10, 2013 ruling by Judge Abraham Khan of the LA Superior Court denying Legendary’s desire for arbitration in the potentially multimillion-dollar lawsuit.

Related: Hot Trailer: ‘Godzilla’

Not that Legendary is breaking a sweat publicly after fighting so hard to keep things behind closed doors. “The Court of Appeals decision today decided nothing more than where Legendary’s dispute with Roy Lee and Dan Lin will be litigated,” the company’s lawyer Dale Kinsella said today after the ruling. “Irrespective of the location of the forum, Legendary is confident it will prevail on the merits of the case, for which this recent ruling has no bearing whatsoever. Kinsella is with Kinsella Weitzman Iser Kump & Aldisert LLP. (UPDATE, 2:59 PM - “We are pleased that the Court of Appeal has agreed with our legal and factual position,” said the three producers’ lawyer Stanton L. Stein in a statement. “We look forward to presenting our case in a court of law before a jury. We are confident the jury will find in our favor.”) Read More »

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Hot Trailer: Warner Bros / Legendary’s ‘Godzilla’

By | Tuesday February 25, 2014 @ 10:02am PST

There have been glimpses and teasers of the rebooted monster but today the first full-blown trailer of Legendary Pictures and Warner BrosGodzilla has dropped. Helmed by Gareth Edwards and featuring Aaron Taylor-Johnson, Elizabeth Olsen, Bryan Cranston, David Strathairn, Ken Watanabe, Juliette Binoche and Sally Hawkins, Godzilla hits the big screen on May 16.

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Lynn Harris Exits Warner Bros Exec Post; Could A Jeff Robinov Re-Team Be In The Cards?

By | Wednesday February 19, 2014 @ 10:35am PST
Mike Fleming

Premiere Of Warner Bros. Pictures' "Cloud Atlas" - Red CarpetWarner Bros EVP Production Lynn Harris is leaving the studio after a ten year run there. One of the smartest execs in town, she has long been rumored for top posts in all sorts of places, to the point where, each time I’d call her she would say, “Where am I going now?” The most recent speculation was that she could wind up in a high post at Disney after Alan Horn left Warner Bros to take over that studio. Harris will stay until June 1, and she will oversee Godzilla,warner_bros_logo-2__130321233618__130419003343__131121204956__131213030736__140121202406__140209183407 Jupiter Ascending, and Blended through their conclusions. The early speculation now is that Harris might go and rejoin Jeff Robinov in his new Sony deal, for which he is still raising money. They worked well together on Alfonso Cuaron’s Gravity, and I wouldn’t be surprised if it takes him that long to get things up and running. Harris said she hasn’t decided on anything yet.

Harris leaves after having her best year at the studio. She has a great relationship with filmmakers and had a strong hand in films from David Fincher’s breakthrough film Se7en, Paul Thomas Anderson’s Boogie Nights, and the Blade series at New Line, to such Warner Bros pics as Man Of Steel, the Fincher-directed Zodiac and The Curious Case Of Benjamin Button, the Steven Soderbergh-directed Contagion and Magic Mike, the Spike Jonze-directed Where The Wild Things Are and many others.

There is always fallout when regimes change at studios as happened at Warner Bros when Robinov exited last summer, and when you are a candidate for that top job and it goes to someone else, the next step is often elsewhere. This marks the second respected female executive to exit the Warner Bros ranks in quick succession, after Sarah Schechter left to run Greg Berlanti’s WB-based film and TV company. While Robinov has taken most of the bows for pushing Gravity through the green light process, I’ve always heard that Harris was the unsung hero who kept it on track through all of its travails. So expect her next move to be a good one. Here is the internal memo just disseminated by Greg Silverman: Read More »

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