The average consumer outlay for tickets, from the National Association of Theatre Owners, is down 0.6% vs the same three-month period in 2013 — mostly due to a drop in attendance for premium-priced 3D and large-screen films. Box office for the quarter was down 6.6% as tentpole films including The Amazing Spider-Man 2, A Million Ways To Die In the West, and Captain America: The Winter Solider fell short of some analysts’ expectations. Janney Capital Markets’ Tony Wible, for one, noted that in Q2 “64% of tentpoles underperformed [his forecasts] and offset stronger performance by Maleficent, Transformers, 22 Jump Street and Godzilla.” The $8.33 average price in Q2 was up 4.6% vs the first three months of the year, a period when studios typically release few 3D films. Consumers paid an average of $8.13 for a movie ticket in 2013.
Paramount Pictures has boarded worldwide distribution on two upcoming animated features hailing from Spanish director Enrique Gato. The studio has entered a landmark deal with Telecinco Cinema, Telefónica Studios and Los Rockets AIE on space race adventure Capture The Flag and Tad Jones: The Hero Returns, the sequel to 2012′s Tad, The Lost Explorer. Gato won the Best New Director Goya for The Lost Explorer, a wink to the Indiana Jones series, and the movie also took the screenplay honors last year. It is the highest grossing Spanish animated film of all time with a worldwide haul of about $45M. That film went through Paramount in Spain and this new deal sees the studio look more broadly at international where the movie did strong business with releases throughout Latin America and Europe. The sequel will roll out in 2016. The pact for both films is significant in that it’s the first studio deal on two upcoming Spanish toons. Latin American moviegoers are growing in importance at the international box office, notably in places like Mexico and Brazil, while animation can be smoothly translated for wider audiences. Last year’s Argentine and Spanish 3D football picture Metegol (aka Foosball 3D) was a big hit for Universal.
Peter Shinkoda has been tapped for a major recurring role in Netflix’s Marvel drama series Daredevil set to premiere in 2015. The series was written by executive producer Drew Goddard, with Steven S. DeKnight as executive producer/showrunner. Daredevil is the first of four 13-episode superhero series set in the Hell’s Kitchen neighborhood of New York City. Shinkoda, repped by D2 Management and Characters Talent Agency, will play Hachiro. Shinkoda was a regular on TNT’s Falling Skies and recently guest-starred on Hawaii Five-O. His big screen credits include I Robot, Godzilla and Paycheck.
Update: Intl Box Office: ‘Dawn Of The Planet Of The Apes’ Awakens To $31.3M Overseas; ‘Transformers’ Adds $100M+ To Crash Past $500M Barrier
UPDATE, Monday 5:30 PM: Updates are in from Fox and Universal which had the films everyone wanted to know about in the domestic marketplace this weekend as well — Dawn Of The Planet Of The Apes and the indie favorite Boyhood. Meanwhile, Paramount Pictures’ Transformers: Age of Extinction took in a little less than the $102M estimate, but nonetheless grossed $100.3M from 12 markets, according to the studio, to sail past the $500M market in just three weeks of release. The international cume is now $540.6M. Added with the domestic gross and the go-bots are hitting on all cylinders with $713.4M worldwide.
All other numbers are updated below for those two films as well as for X-Men: Days of Future Past, How to Train Your Dragon 2, The Other Woman, Neighbors, A Million Ways to Die in the West, and The Fault in Our Stars and newcomer Rico, Oskar Und Die Tieferschatten. Just received Warner Bros. and Disney final international grosses so more updates below on Tammy, Jersey Boys, Maleficent, Edge of Tomorrow, Blended, and Godzilla. Sony has come in at 3 PM with its numbers for 22 Jump Street, Deliver Us From Evil, Heaven is For Real and Think Like a Man Too.
Box Office: ‘Dawn Of The Planet Of The Apes’ Swings With $72.6M Weekend; ‘Boyhood’ Mans Up With Strong Per Screen
UPDATED, Monday 1:57 PM: Dawn of the Planet of the Apes, brought in, as we reported this AM a total take of $72.6M for the three-day weekend (which included $4.1M in Thursday late nights). This, after it took in $31.3M overseas so it has a worldwide total of $103M+ already and it has barely begun its international run.
The Matt Reeves-directed film had a wonderful Saturday and ended up with an A- CinemaScore so audiences loved it as much as the critics. Sunday moviegoing was off for all films, probably due to the World Cup Finals and the nice weather. Fox’s other film, How to Train Your Dragon 2 had a great hold from Saturday to Sunday but will be hit by Disney’s Planes: Fire and Rescue when it bows next weekend. Apes should have at least two solid weeks of play before audiences look to Disney/Marvel’s Guardians of the Galaxy to keep them entertained when it bows on August 1. Transformers: Age of Extinction — in its third weekend of release — crossed $200M on Saturday.
Sony opens Sex Tape next weekend in hopes of making it pop over its estimated $42M+ budget. I’ve seen it and yes, it starts out raunchy, but it is really funny and even, at times, hilarious. The guys will go to see a naked Cameron Diaz and the girls will go see tall drink of water Jason Segel, but it’s really for couples. Rob Lowe also co-stars in this film from the next generation Kasden — Jake — who directed the two in Bad Teacher.
The other movie opening next weekend is Universal’s horror film, The Purge: Anarchy. And, after seeing the one-sheet, I certainly hope they aren’t running those teaser one-sheets reminiscent of the Joker around the Cinemark Theater in Colorado where it will be in the marketplace during the two-year mark of the theater shooting. To me and others who suffered through that, it’s a hard image to look at … sort of like the geniuses who came up with The Strain one-sheets that people don’t want to see either. “Not for everyone.” Indeed. The Purge is bowing today and over the weekend in 14 overseas markets. The chart follows:
Update: Intl Box Office: ‘Transformers’ Adds $52M In China Weekend; ‘Dragon 2′ Fires Up $30M; And How’s ‘Tammy’?; ‘Maleficent’ Dethrones ‘Frozen’ In Japan; More
5TH UPDATE, TUESDAY AM: Paramount came in with numbers late on Monday evening showing a slight bump in the overseas cume for Transformers: Age Of Extinction‘s 2nd frame. It was worth to $96.6M, the studio said, although the total overseas figure to date was unchanged at $400.9M. China‘s gross lifted to $52M from the previous $50.9M estimate. That was good for a total box office in the market through Sunday of $212.8M. There is some confusion over the tally, however, as local websites are reporting it had $222.74M through Sunday. That would push it past Avatar as the highest-grossing movie ever in China. We’re working to get the exact figures nailed down. All other figures for TAOE are updated in the copy below.
4th UPDATE, MONDAY, 4:00 PM PT: Paramount Pictures is the only studio that has not reported, and it has, of course, Transformers: Age Of Extinction, which is pounding it way across international markets. So we have finals for everything but the No. 1 pic internationally. The studio is still on holiday in the states. But Sony, Disney, Fox, Warner Bros and Universal have weighed in with updated numbers for their international releases this weekend.
The titles we have final updates for include 22 Jump Street, Deliver Us From Evil, Maleficent, Frozen, The Fault In Our Stars, How To Train Your Dragon 2, Rio 2, The Other Woman, X-Men: Days Of Future Past, Edge …
16th UPDATE, Monday, 2:40 PM: Here are the final gross updates for the Top 20 films of the July Fourth weekend. I’ve included both 3-day and 5-day totals for the Top Ten. The jump went to favorite son 22 Jump Street as this morning it looked like it was under Screen Gems’ Deliver Us From Evil. See below for the Monday updates. So while 22 Jump Street won the three-day weekend, it racked up a lesser per screen average than Evil which won the five-day derby. That’s a way to mix it up as they were neck in neck throughout the weekend. Overall, the Fourth of July holiday weekend was 42% lower than last year when Despicable Me 2 bowed to a whopping $83.5M. Last year, the 4th fell on a Thursday.
Interesting to see how the weather affected the box office holiday this weekend. On the Fourth, which was a Friday, Los Angeles was down only 1% night to night (which is fairly normal for the Fourth with good weather in L.A.). However, the East Coast where it was raining saw a huge jump in movie attendance — 76% up from Thursday to Friday in New York and 170% rise on Friday in Boston. When it rains in the summer, people go to the movies, esp. on a rainy holiday.
Transformers: Age of Extinction, in its second weekend dropped 63%. It also dropped 75% Friday to Friday (which included $8.75M of late night grosses) so the studio likely made their adjustments during the week or weekend. Despite what others reported, everyone knows that this industry has yet to see a picture open to $100M. Next weekend, we have Dawn of the Planet of the Apes coming from Fox, but that is not expected to do it either even though it is a high-quality film well-targeted for its demo. Expect a high CinemaScore and great word of mouth. Right now, it’s expected to surpass the opening weekend of Rise of the Planet of the Apes which bowed to $54.8M in April 2011. Dawn opens at 10 PM on July 10.
A shout out to a very high-quality film coming out this coming weekend: Richard Linklater’s Boyhood from IFC Films. It is, simply put, one of the best films I’ve seen so far this year.
Meanwhile, it will be interesting to see how far Tammy falls next weekend as word of mouth is going to hurt it. Here’s the finals from the studios:
Atlanta’s Plaza, the state’s oldest continuously operating film palace, will open celebrations of its 75th anniversary on July 18 with an extremely rare screening of Star Wars: Episode IV, the first of the six films (for the moment) in the much beloved sci-fi movie cycle. That original Star Wars film came out in 1977, then underwent a substantial cleanup of its VFX and more during the Special Edition version that came out on the film’s 20th anniversary. Disney officials confirmed that the digital print being provided the Plaza will be based on the Special Edition version which got a wide release in 1997. The original 1977 was re-released in April of 1981.
But think of this, some of the tickets are going for $75 a pop.
A few years ago, during a special event spotlighting Star Wars’ visual effects at the American Cinematheque in Los Angeles, writer-director George Lucas said that he would never want to re-release the film’s original version featuring the old (though then ground-breaking) VFX, because the technological progress made in the ensuing decades allowed him to come closer to actually creating the movie that he saw in his own head. Whatever the version on screen, the original Star Wars hasn’t had a lot of runs in theaters in quite a while. But then again, when the movie came out, it stayed out, setting box office records and running in some theaters for more than a year (76 weeks(!) at one Beaverton, Ore., theater alone) as part of …
The Very Big Opening of Transformers: Age Of Extinction did nothing to lift the box office for the first half of the year. It’s basically flat when compared to 2013, down .8%. The box office summer — which semi-officially begins the first Friday of May — is way off, down 14.9% from 2013, when the box office was plumped up by such films as Iron Man 3 and Monsters University. We have neither a $300M grosser nor do we have a $100M opening weekend yet. It would be great to see Fox’s The Dawn of the Planet of the Apes pull it off, but expectations are that we won’t see it until November, when Lionsgate bows its adaptation of the first part of the last book of Suzanne Collins’ Hunger Games‘ trilogy, Mockingjay.
Last year was a record year at the box office. “Comparing to last year’s record, you have to keep up and hit it of the park every time and that’s difficult to do. It’ll happen next year, but it a cyclical business,” said Paul Dergarabedian, senior media anaylst with Rentrak. “People can talk about all these external forces going on like The World Cup and weather, but when you have the product, it delivers.”
Right now, Warner Bros./Legendary Pictures Godzilla is the only picture in history to have had an opening weekend larger than $90M that has yet to cross $200M mark for its domestic cume. This past weekend …
Update: Intl Box Office: Boosted By China, ‘Transformers’ Crushes $202.1M Says Paramount For Biggest 2014 Offshore Bow; ‘Breakup Guru’ Woos; ‘Dragon’ Still Flying
FINAL UPDATE, MONDAY, 2:30 PM: Final numbers are in for Sony’s 22 Jump Street, Think Like a Man Too, and The Amazing Spider-Man 2, Warner Bros.’ Edge of Tomorrow, Jersey Boys, Blended and Godzilla, Disney’s Maleficent and Frozen (in Japan), Fox’s How to Train Your Dragon 2, The Fault in Our Stars, The Other Woman, and Uni’s batch of films, Mrs. Brown’s Boys D’Movie, Neighbors, Boyhood, and A Million Ways to Die in the West, Transcendence (which debuted in France and Japan) and Heaven Is For Real. We just updated territory by territory breakdowns of Paramount’s Transformers: Age of Extinction.
We have overall cume numbers of Paramount’s Transformers: Age of Extinction now. Internationally, it was estimated at $201.3M yesterday and the studio says its final number for the weekend is $202.1M. In China, the estimate was $90M and today’s final the studio says is $91.9M. The worldwide gross sits around $299.6M based on true domestic three-day domestic grosses of $97.5M. Paramount’s claim of a $100M three-day box office is being widely disputed by all other distributors in the U.S. who also think the $97.5M is about right. In 10,152 locations, the Michael Bay-directed movie opened No. 1 in all 37 territories that it debuted in and Paramount Pictures was 35% bigger than the last installment, 2011′s Transformers: Dark of the Moon.
4TH UPDATE SUNDAY 3:28 PM PT: Michael Bay’s fourth in the Transformers franchise, as expected, dominated international play this weekend. With what Paramount says on Monday is a final of $202.1M, Age Of Extinction is the biggest international opener of the year and has bragging rights as the biggest imported bow ever in China at what was estimated at $90M but Monday showed $91.9M. China was the top market for Transformers: Dark Of The Moon which tallied $165.5M in 2011. TAOE included an added incentive for the Chinese given its Mainland locales, home-grown star Li Bingbing and a big publicity push that boasted the Hong Kong world premiere and the closing-night berth at the Shanghai Film Festival. The overall international numbers for the Top 10 films this weekend are worth 56% more than last weekend, but they are still 3% down on the comparable frame in 2013. That seems kind of surprising.
But, looking at last year, there was World War Z with $70.1M, Man Of Steel with $52.2M, Monsters University with $44.2M, Despicable Me 2 with $40.1M and local Chinese romancer Tiny Times, which debuted to $42.8M. Studios this year were already getting out of the way of the World Cup, and with TAOE sucking a lot of air out of the Asian markets, ultimately the result has its reason. One film that did creep up into the top echelons this weekend as local counterprogramming to TAOE in China was The Breakup Guru. The romantic comedy opened to $20.57M in two markets – China and the U.S. – and helps explain why holdovers like Maleficent or Godzilla dropped in their Middle Kingdom runs. (More on Breakup Guru below in the territory round-ups). TAOE has yet to bow in several territories, in many cases because of the ongoing World Cup, and could yet provide further records. They include the UK (July 5), Mexico (July 11), France (July 16), Germany and Brazil (July 17) and Japan (August 8). Of those, only France, Germany and Brazil are still moving forward in the mega-football tourney, so having their release dates fall after the final looks somehow prescient. The European premiere for TAOE will be held in Berlin this week.
Box Office: ‘Transformers’ Controversy Erupts As Paramount Stakes Claim To $100M Three-Day Gross, No One’s Buying It
FINAL UPDATE, MONDAY 1:20 PM: Sorry, Paramount, but our Box Office chart will reflect what we believe is the more accurate three-day gross of Transformers: Age Of Extinction. We are also posting Par’s numbers so we can show the industry how they claimed to have gotten there. See below. Also, it is worth noting that with the accurate grosses, it puts Transformers 4‘s worldwide total at $299.6M. With Paramount’s inflated domestic grosses, it puts their worldwide gross at an inflated $302.1M. But what better headlines to please the bosses and shareholders with: A $100M domestic and over $300M worldwide. The only problem? It’s a public company and there are strict guidelines about this type of thing.
10th UPDATE, MONDAY 9:43 AM: The first big controversy of box office in the sixth months since I’ve been reporting erupted this AM as Paramount Pictures put the final three-day domestic cume of Transformers: Age Of Extinction at $100.038M as its opening weekend for the fourth installment. “They’re lying,” said one distribution head at a major studio. Said another, “I don’t get get it. Is it just arrogance? What is the point of inflating your box office numbers? So they can claim the first $100M movie opening of the year? Oh please, who cares? It’s a great opening anyway.”
That being said, the Box Office Chart below reflects both the industry three-day gross for Transformers as well as Paramount’s purported final gross, which, by everyone’s account in the industry is inaccurate and inflated.
One insider at Paramount with knowledge of the financials told Deadline that there have been concerns that there could be more layoffs if Transformers 4 didn’t hit the $100M mark. So maybe that’s what’s going on. Even so, everyone in town — and I mean everyone – has it much less than $100M. Hey, as one my colleagues just said, the movie itself is inflated to 2 hours and 45 minutes, so why not the box office grosses, too?
Getting to know Kelli O’Hara has hardly been the problem for Broadway — but getting her a Tony Award is another matter. Five times a nominee — most recently for The Bridges Of Madison County — but never a winner, O’Hara will get another shot next spring when she stars as “I” in the Lincoln Center Theater revival of the Rodgers & Hammerstein classic, The King And I.
In the title role created (and oft-reprised) by Yul Brynner, Oscar nominee Ken Watanabe (The Last Samurai) will make his American stage and Broadway debut as the stubborn ruler torn between custom and a desire to join the modern world, challenged by the arrival of the widowed British schoolmarm imported to teach his platoon of children.
Everyone has been hoping for Transformers: Age Of Extinction to pull the summer out of its box office flatline, and while it will be No. 1 this weekend, with a 2:45 minute play time and a huge budget (around $180M with another $140M+ for marketing ww) and with director Michael Bay getting 10% FDG and others like Mark Wahlberg and Steven Spielberg getting high participations as well, Paramount Pictures needs this one to blow the lid off. Even toymaker Hasbro has gross participation (I hear maybe 5%). Will it be a $100M weekend? It certainly looked like it in its tracking earlier. Now, it depends. Its late night opening starts at 9 PM. If this movie doesn’t break $100M, it may take until November when we see a $100M weekend when Mockingjay opens from Lionsgate. Gulp. However, if it takes in $50M over the two days, it should easily get to or pass $100M. I would hope so as it’s in around 4,200 theaters and … get this … on 10,000 screens.
Transformers: Revenge Of The Fallen also opened the weekend before July 4th in 2009. It grossed $62M on a Wednesday (included previews) and $30M on Thursday and by the end of the three day it had tallied $108.9M; the five-day was $200M. Transformers: Dark Of The Moon opened June 29 in 2011, had a $43M opening (included previews) and ended the three-day with $97.8M; in six days it grossed about $180M.
The Oscar organization has unveiled its annual invitees list for 2014. Check out the release below:
LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 271 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitations will be the only additions to the Academy’s membership in 2014. “This year’s class of invitees represents some of the most talented, creative and passionate filmmakers working in our industry today,” said Academy President Cheryl Boone Isaacs. “Their contributions to film have entertained audiences around the world, and we are proud to welcome them to the Academy.”
The 2014 invitees are:
From the country that brought you Godzilla comes another terrifying beast — one that threatens to put some TV talent out of work. Meet Kodomodroid, billed as the world’s first android newscaster. She — after much debate, we went with that pronoun — was the star debutante at Japan’s National Museum of Emerging Science and Innovation, which is opening an exhibit on humanoid robotics. The eerily lifelike anchorbot will provide museum visitors with the news of the day. She can read in several languages and even gives voice to tweets, though with a decidedly creepy twist. Is the planet ready for Anchorman meets Westworld? While we schedule a meeting to pitch that at Fox, commenters are urged to leave their best headlines for the Roboprompter.
Fox 2000‘s The Fault In Our Stars just crossed $100M domestically to become one of the most profitable films released in 2014. On a $12M negative (not counting marketing and distribution costs), the film based on the best-selling John Green book is also besting Twilight’s opening in the UK and in Brazil. In fact, in Brazil, where the World Cup is in full swing, the tearjerker is on fire and remains the top market for overseas where it has earned $18.2M to date. And, how surprising is this? In Brazil, in 11 days it surpassed the lifetime gross of not only Twilight, but also The Hunger Games and Divergent (which featured Shailene Woodley and Ansel Elgort as brother and sister). Fox can thank their international distribution team of Paul Hanneman and Tomas Jegeus and their staff.
The international cume is now $64.9M a for a worldwide cume of over $165M. How cool is that for these two young actors? Elgort and Woodley’s stars have been rising and now they are certified international presences. Great news for the filmmakers who just signed Elgort in Van Cliburn. As my colleague Mike Fleming reported exclusively yesterday, Elgort will star in a movie about the famous Texas-born pianist who rose to prominence during the Cold War between Russia and the U.S. It’s also great news for Lionsgate Films, where Woodley and Elgort are currently shooting the Divergent sequel Insurgent. Elgort will next be seen in Jason Reitman’s Men, Women & Children opposite Adam Sandler.
FINAL Intl Box Office: ‘How To Train Your Dragon 2′ Rides To $43.2M; ‘Maleficent’ Casts $21.8M China Spell; More
Highlights: Maleficent (DIS) crosses $500M global led by China bow; How To Train Your Dragon 2 (FOX) scores No. 1s in 30+ markets; Edge Of Tomorrow (WB) adds $21.3M; The Fault In Our Stars (FOX) shines bright with $19.9M; Godzilla (WB) cumes $67.7M in China; 22 Jump Street (SONY) shows muscle in World Cup markets; Jersey Boys (WB) plays to upscale crowds for $1.6M.
FINAL UPDATE, MONDAY, 6:03 PM: All final numbers in for Clint Eastwood’s Jersey Boys, Disney’s Maleficent, Fox/DreamWorks Animation’s How to Train Your Dragon 2 and X-Men: Days Of Future Past, Sony’s 22 Jump Street and Heaven Is For Real, the Tom Cruise sci-fi actioner Edge of Tomorrow and Godzilla from Warner Bros., Fox’s tearjerker The Fault in Our Stars, the Seth Rogen comedy Neighbors, Richard Linklater’s Boyhood, the female-centric comedy The Other Woman and the billion-dollar grosser Frozen, which is still at No. 1 for a 15th week in a row in Japan and Paramount’s final grosses for Noah (which debuted in Japan last weekend). Transcendence added on Tuesday at 10:45 AM.
UPDATE, SUNDAY, 7:04 PM PT: This weekend was ultimately pretty stable against last with just a 5% drop across the top 10 titles internationally. That’s not altogether surprising given last weekend was largely a Hollywood holdover frame with some new market plays and only one major new entry in How To Train Your Dragon 2. That movie rolled into a further 28 markets this weekend, but with Maleficent hitting China in its 4th frame, HTTYD2 missed the top overseas spot by a scant $1.2M in the estimates. Disney’s fairy tale spin starring Angelina Jolie earned $21.8M in China and an overall $47.9M extra this weekend. HTTYD2 grossed $43.5M, notably scoring the second-biggest animated opening ever in Brazil with $6.8M and the No. 1 spot. Given that Fox also has the No. 2 film in that market, teen romance The Fault In Our Stars, the World Cup counterprogramming strategy there is paying off. The latter was even up 6% this weekend with a local cume of $18.26M after three frames. See the original post below for the other pics still running notable plays.
‘The Lego Movie’ & ‘Captain America’ Top U.S. Grossers In First Half Of 2014 So Far As ‘Transformers’ Readies In Wings
Prior to Paramount Pictures’ Transformers: Age Of Extinction bow this weekend — and it’s tracking to big numbers and could be the first movie in 2014 to have a $100M opening – the first half of the year has been fairly flat compared to last year. It has, however, seen two movies in a virtual dead heat for the title of biggest grosser domestically so far. Warner Bros’ The Lego Movie, which opened February 7, and Disney/Marvel’s Captain America: The Winter Soldier, released April 4. After this weekend, these two films are only $6,038 apart. Meanwhile, Disney’s Maleficent is expected to pass Godzilla by the end of its run. The Angelina Jolie-starring fantasy film opened to $69.4M already has grossed $185.8M and is still playing strong in its fourth week of release. By comparison, Godzilla opened to $93.1M six weeks ago and is at $194.98M after grabbing another $1.8M over the three-day.
Here are the biggest domestic grossers of 2014 for the first half of the year. Ranking six to 10 are Maleficent, Divergent (LGF), Neighbors, Ride Along and Rio 2. And the Top Five that U.S. audiences reacted to?
FINAL BOX OFFICE: First Half Of 2014 No Growth From Year Earlier As ‘Think Like A Man Too’ Debuts With $29M+; ‘Jersey Boys’ With $13.3M
OPENING: Think Like A Man Too (SONY/SCREEN GEMS) to come in at No. 1 and around $29.2M as first predicted; Jersey Boys (WB) at No. 4 at $13.3M.
6th UPDATE, MONDAY 3:16 PM: The first half of 2014 is flat so far — as in no growth year from last year — up only .5% in terms of box office revenue. The summer box office so far is actually down around 15% this year as well so Transformers: Age of Extinction will be a welcome offering this weekend. One note is that last summer and last year both were revenue records, driven by such top hits as Hunger Games: Catching Fire, Iron Man 3, Despicable Me 2, and Man of Steel to name a few. This year is kind of seen as a transition year before sequelmania hits in 2015.