AFM kicked off today, and my has that indie business changed over the years. The schlock is almost all gone, and the chase is on for fewer movies of higher quality, with recognizable stars and filmmakers who have classed up a business. The elevated level of product has been made possible by studios vacating the tweener film space, leaving a lot of orphaned development available to the indies.
That means it’s a lot less fun. When I first got to Variety in the ’90s, I was dispatched to AFM and asked to come back with a report about what it all meant. A distributor friend recounted observing a stranger who was going around making tiny offers on films for his obscure home territory. Based on what he was buying, he seemed to have zero taste. Finally, somebody stopped the guy to see what he was doing. Turned out he was a distributor — but produce, not movies. He had a chain of outdoor vegetable stands, and showed movies to his customers. The worse the film, the more vegetables his patrons bought to throw at the screen.
Any thoughts I had that this was a too-good-to-be-true story faded when I got there. You could throw a rock and hit Fred Williamson, the gridiron great-turned-star of many forgettable action films. And hey, be careful, you almost stepped on Nelson de la Rosa, the world’s smallest man who would go on to become Brando’s sidekick in The Island Of Dr. Moreau. The halls were lined with one-sheets where all the creativity went into the titles. And while the Weekly Variety AFM issue was thick as a phone book, I’d hear salesmen grumble about getting stiffed for ads on movies that didn’t sell.
Aside from a few titles still exploiting the bogus Sharknado craze, it’s a world of different now. The schlock meisters are relics, and the projects ringing the bell with distributors coming from all over the world are the ones that have name directors like Woody Allen, David Koepp, Tom Tykwer, Tommy Lee Jones, and stars like Meryl Streep, Daniel Radcliffe, Emma Stone, Colin Firth, Ian McKellen, Jesse Eisenberg, Tom Hardy, Andrew Garfield, Johnny Depp, Tom Hanks, Robert De Niro, Russell Crowe, Michael Fassbender and Nicole Kidman. These are studio-caliber names.
“You will see the occasional hilarious poster, but since the high end studios abandoned everything but superheroes, the independent financiers and producers have been the beneficiaries,” said Millennium Films president Mark Gill. “Olympus Has Fallen would have had studios all over it five years ago. We were able to do it.” Read More »