Cannes: Official Selection Buzz Sharpens (& Sprawls) Ahead Of Thursday’s Reveal

22x30_Cannes2014On Thursday, Thierry Frémaux will unveil the lineup for the 67th running of the Cannes Film Festival. Speculation, comme d’habitude, has been rife for at least the past month as to which titles may make the trip to the Croisette. While one exec with movies in contention says, “It’s going to the wire this year,” some contenders are coming into sharper focus. Although nothing is confirmed until Frémaux says so, among the titles I hear consistently cited as near faits-accomplis are DreamWorks Animation‘s How To Train Your Dragon 2; the Dardenne brothers’ Two Days, One Night with Marion Cotillard; Bennett Miller’s Foxcatcher; Mike Leigh‘s Mr Turner; Tommy Lee JonesThe Homesman; and David Cronenberg‘s Maps To The Stars. There are many, many more required to fill the Competition, Out-of-Competition, Un Certain Regard, Special Screenings and other sections. Here’s a primer for what’s looking likely, and what isn’t, to make the cut in an official category on Thursday:

Related: Cannes: 67th Fest Poster Celebrates Marcello Mastroianni In Fellini’s ‘8 1/2’

We know that Nicole Kidman-starrer Grace Of Monaco is the opening-night film. French distributor grace of monacoGaumont is planning a classic Cannes soirée which will follow the official screening and dinner on May 14. In other certainties, French debut feature Party Girl is opening the Un Certain Regard sidebar; a less showy title than 2013’s Bling Ring, but one that fits with UCR jury president Pablo Trapero’s take on the section this year. Jane Campion, the only woman ever to win a Palme d’Or (for The Piano in 1993), is president of the Competition jury whose other members will be revealed shortly.

how-to-train-your-dragonAmong the high-profile Hollywood titles expected is DreamWorks Animation’s How To Train Your Dragon sequel, which I hear is getting a special screening. The studio isn’t commenting, but DWA and Cannes have a long history – going back to when Frémaux took over the selection in 2001 and caused a stir by putting Shrek in the Competition. We’ve heard that Frémaux has put a full-court press on Paul Thomas Anderson to get Inherent Vice (Warner Bros) to the festival. But with a release date at the end of 2014, this could be a long shot, and some I’ve spoken with believe it won’t be ready for next month. Some wonder if Clint Eastwood’s Jersey Boys jersey boyscould make the trip. Eastwood has been to Cannes several times before and is esteemed by Frémaux who gave him the inaugural Lumière Prize in 2009 at the October festival he oversees in Lyon with Bertrand Tavernier. Although I’m told Jersey Boys isn’t a typical Cannes film, I wouldn’t fully rule it out — it’s also got a timely June release. Read More »

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‘Magic Mike’ Sequel Gets July 2015 Release Date

By | Tuesday April 15, 2014 @ 10:44am PDT

MagicMikeWarner Bros has set Magic Mike 2 for July 3, 2015. The sequel to the 2012 film directed by Steven Soderbergh that was informed by Channing Tatum‘s early days as a male stripper. This is the latest extension of the pic that Soderbergh and Tatum hatched and financed themselves. It was a risk that turned into a major score when the original movie starring Tatum, Matthew McConaughey, Alex Pettyfer, Matt Bomer and other made $113.7M at the domestic box office — one of Soderbergh’s most lucrative movies ever — and has since spawned a Broadway musical now in the works.

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Ben Stiller Dancing With ‘Chippendales’; Alan Ball Pic Being Shopped With Weinstein Co In Pole Position

By | Monday March 31, 2014 @ 3:15pm PDT
Mike Fleming

stillerBen Stiller is in early talks to take a lead role in I Am Chippendales, a movie that Alan Ball wrote and will direct that’s being shopped right now. The Weinstein Company is the favorite to make a deal on the film. It’s an adaptation of the Rodney Sheldon book that sounds like a mix between Magic Mike and Scarface. Chippendales tells the story of Steve Banerjee, an immigrant who went from pumping gas in Culver City to running a high-end nightclub that evolved into Chippendales. As the male-stripper concept became a phenomenon in the 1980s at the height of the women’s lib movement, Banerjee was consumed by excess and competition. After hiring a New York choreographer to polish the all-male dance troupe, he  became wildly rich, and just as paranoid. Banerjee hired a hitman to murder the choreographer when negotiations went sour. After being arrested, Banerjee died in jail awaiting trial. Stiller will play the choreographer…. Read More »

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CinemaCon: Do Movie Theaters And Booze Mix?

By | Thursday March 27, 2014 @ 1:20pm EDT

They can, but managers have to be careful, a panel at the industry’s CinemaCon confab in Las Vegas told exhibition execs this morning.Movie beer Companies are intrigued as they experiment with restaurant and fast-food offerings. “Everyone’s doing a dining concept,” says Carmike Cinemas VP Rob Lehman. As a result, “we’re in the beer and wine business.” But he warned colleagues to be careful when they go for liquor licenses. “It’s a long process but we work very closely with the police. Everyone has this perception that kids are going to get drunk at the back of the auditorium. We don’t want that.” Emagine Entertainment’s Gary Butske urged managers to train staff so they can deal with problem customers. His venues try to avoid trouble by strictly carding and giving wristbands to those old enough to buy. CinemaCon2014_badgeHe has a two-drink maximum (strong drinks such as a Long Island Iced Tea are classified as doubles), uses clear plastic cups for booze, and has video cameras that monitor the audience so managers can see whether a buyer passes a drink along to an underaged friend. “We reserve the right to refuse service to anybody.” But he says theaters could see a payoff, especially if they become creative about their bar offerings. He’s had success with craft beers, as well as drink specials for PG-13- and R-rated films including the Hangover trilogy, Sex And The City, and Magic Mike. His theaters also had a vodka drink for The Avengers and Looper. Read More »

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Joe Manganiello’s Male-Stripper Docu ‘La Bare’ Gets June Release Date

By | Tuesday March 11, 2014 @ 10:23am PDT

joemangMain Street Films has set a June 27, 2014 theatrical release for La Bare, which takes an insider’s look at the history, lives and culture of the most popular male strip club in the world, La Bare Dallas. Joe Manganiello, who played Big Dick Richie in Steven Soderbergh and Channing Tatum’s male-stripper pic Magic Mike, directed the docu and produced with his brother Nick through their 3:59 Inc shingle. Movie Package Company’s Raymond Mansfield and Shaun Redick executive produced. Main Street nabbed distribution rights out of Slamdance this year in a big deal for the fest: The pact was worth mid-six-figures for North American and Chinese rights and included a commitment by the distributor for a 20-market U.S. theatrical release.

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Tribeca 2014 Reveals Spotlight, Midnight & Special Screenings Slate

By | Thursday March 6, 2014 @ 9:00am PST

tribecaThe Tribeca Film Festival continues to roll out its lineup for this year’s  13th edition, which kicks off April 16. Here is the program slates for the Spotlight, Midnight, Special Screenings and Storyscapes sections. The fest’s shorts program will be unveiled Tuesday. Here are today’s films, which include Spotlight spots for Roman Polanksi’s Venus In Fur, the Robin Williams-starrer Boulevard from Dito Montiel, world premieres of films directed by actors Chris Messina and Courteney Cox, and of course the horror comedy Zombeavers:

Related: Tribeca Film Festival Unveils Competition Slate

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Backstage At The Oscars

By | Sunday March 2, 2014 @ 5:29pm PST

Anna Lisa Raya, Diane Haithman, and Anthony D’Alessandro are contributing to Deadline’s Oscar coverage.

Related: OSCARS: Deadline’s Live Blog

86th Annual Academy Awards - ShowSo did the 12 Years A Slave team contemplate a potential best pic loss tonight? According to producer and co-star Brad Pitt — it didn’t matter if they won or lost. 12 Years A Slave in and of itself is a benchmark in cinematic history, unlike many films being made Oscars selfie Ellentoday. Asserted Pitt, “I love this story. It’s a historical story of man in an inhumane situation finding freedom. It’s an important film because it deals with our history that hasn’t been shown on screen. It’s important that we understand this era as it explains who we were, so we can better understand who we are now. The film is a gentle reminder that we’re all equal and want dignity for ourselves and for our families.” Fielding a question about how 12 Years A Slave has evolved cinema about African-Americans in the south since Gone With The Wind 75 years ago, McQueen exclaimed, “It’s obviously a progression. The background characters are now in the foreground and now they’re being recognized. It’s indicative of what’s going on; how people are ready for this narrative and how they want to look at this history. It’s like Brad said, ‘If you don’t know your past, we don’t know our future.’” Speaking about 12 Years‘ momentum around the world, producer Dede Gardner pointed out how Solomon Northup’s book is now available in high school libraries throughout the country after being out of print, while producer Jeremy Kleiner said, “the universality of the film’s story has broken down ideological concepts of what is a domestic and what is an international story.”

Related: OSCARS: The Complete Winners List

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Lynn Harris Exits Warner Bros Exec Post; Could A Jeff Robinov Re-Team Be In The Cards?

By | Wednesday February 19, 2014 @ 10:35am PST
Mike Fleming

Premiere Of Warner Bros. Pictures' "Cloud Atlas" - Red CarpetWarner Bros EVP Production Lynn Harris is leaving the studio after a ten year run there. One of the smartest execs in town, she has long been rumored for top posts in all sorts of places, to the point where, each time I’d call her she would say, “Where am I going now?” The most recent speculation was that she could wind up in a high post at Disney after Alan Horn left Warner Bros to take over that studio. Harris will stay until June 1, and she will oversee Godzilla,warner_bros_logo-2__130321233618__130419003343__131121204956__131213030736__140121202406__140209183407 Jupiter Ascending, and Blended through their conclusions. The early speculation now is that Harris might go and rejoin Jeff Robinov in his new Sony deal, for which he is still raising money. They worked well together on Alfonso Cuaron’s Gravity, and I wouldn’t be surprised if it takes him that long to get things up and running. Harris said she hasn’t decided on anything yet.

Harris leaves after having her best year at the studio. She has a great relationship with filmmakers and had a strong hand in films from David Fincher’s breakthrough film Se7en, Paul Thomas Anderson’s Boogie Nights, and the Blade series at New Line, to such Warner Bros pics as Man Of Steel, the Fincher-directed Zodiac and The Curious Case Of Benjamin Button, the Steven Soderbergh-directed Contagion and Magic Mike, the Spike Jonze-directed Where The Wild Things Are and many others.

There is always fallout when regimes change at studios as happened at Warner Bros when Robinov exited last summer, and when you are a candidate for that top job and it goes to someone else, the next step is often elsewhere. This marks the second respected female executive to exit the Warner Bros ranks in quick succession, after Sarah Schechter left to run Greg Berlanti’s WB-based film and TV company. While Robinov has taken most of the bows for pushing Gravity through the green light process, I’ve always heard that Harris was the unsung hero who kept it on track through all of its travails. So expect her next move to be a good one. Here is the internal memo just disseminated by Greg Silverman: Read More »

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Open Road Acquires Gabriel Iglesias Comedy Concert Pic

By | Thursday February 13, 2014 @ 10:38am PST

GabrielIglesias2Open Road Films is back in business with stand-up comic Gabriel Iglesias, nabbing worldwide rights to The Fluffy Movie, a comedy concert film that will now hit theaters on July 11, 2014. Gulfstream Pictures, which teamed with Open Road on the animated family pic The Nut Job, financed and produced Fluffy with Gulfstream’s Mike Karz and Bill Bindley, Arsonhouse Entertainment’s Joe Meloche and Ron DeBlasio, Iglesias and his company Fluffy Inc, and Levity Entertainment Group producing. John Bravakis is executive producing. Iglesias had a voice role in Nut Job, which grossed $25.7 million over the MLK Jr holiday frame and has a sequel in the works for January 2016. The concert movie will be filmed at two upcoming shows on February 28 and March 1 in San Jose, CA. “Gabriel has worked incredibly hard to become a massive success in the world of stand-up comedy,” said Open Road CEO Tom Ortenberg. “With his roles in Magic Mike and The Nut Job and a hilarious performance in our upcoming film A Haunted House 2, he is a rising star on the big screen and this new film is certain to be a hit with comedy lovers everywhere.”

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Hollywood A-Listers Gather For Philip Seymour Hoffman’s Funeral In Manhattan

By | Friday February 7, 2014 @ 1:44pm PST

Hoffman FuneralA number of Hollywood’s biggest stars turned out today for the private Manhattan funeral for Philip Seymour Hoffman, the Oscar-winning actor’s actor who died Sunday. Friends and colleagues who came to pay their respects were Meryl Streep, Amy Adams, Cate Blanchett, Ethan Hawke, Julianne Moore, Joaquin Phoenix, Louis C.K., Spike Lee, Mike Nichols, Diane Sawyer, Mary Louise Parker, John Slattery, Jerry Stiller, Marisa Tomei, Brian Dennehy and Ellen Burstyn, the AP reported. Police cordoned off the block outside the Church of St. Ignatius Loyola, and media were kept away from the mourners. The funeral followed a small private wake for Hoffman held last night, and a larger memorial service is being planned for later in the month.

Related:
PHOTOS: Philip Seymour Hoffman (1967-2014)
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SXSW: ‘The Guest,’ ‘Oculus,’ ’13 Sins’ Among Midnighters; Full Shorts Slate Unveiled

By | Wednesday February 5, 2014 @ 11:00am PST

SXSW 2014 moviesThe final wave of programming set to unspool at SXSW next month will include Midnighter selections The Guest, starring Downton Abbey‘s Dan Stevens and directed by Adam Wingard (You’re Next), 13 Sins from Daniel Stamm (The Last Exorcism), Late Phases from Adrián García Bogliano (Here Comes the Devil), and Mike Flanagan‘s Oculus, the festival announced today. Today’s newly unveiled genre and shorts slate round out SXSW 2014′s full film lineup, which includes already-announced premieres for Universal’s Neighbors, Jon Favreau’s Chef, the Veronica Mars movie, and David Gordon Green’s Joe. Scroll down for the full Midnighters and Shorts program:

Related: SXSW: ‘Neighbors,’ ‘Joe,’ Wes Anderson Round Out Features Lineup

MIDNIGHTERS

The Guest Dan StevensThe Guest
Director: Adam Wingard, Screenwriter: Simon Barrett
A soldier on leave befriends the family of a fallen comrade, only to become a threat to all around him when it’s revealed he’s hiding dangerous secrets from his past.
Cast: Dan Stevens, Maika Monroe, Leland Orser, Lance Reddick, Sheila Kelley

13 Sins
Director/Screenwriter: Daniel Stamm, Screenwriter: David Birke
A cryptic phone call sets off a dangerous game of risks for Elliot, a down-on-his luck salesman. The game promises increasing rewards for completing 13 tasks, each more sinister than the last.
Cast: Mark Webber, Rutina Wesley, Devon Graye, Pruitt Taylor Vince, Richard Burgi, Tom Bower, Ron Perlman (World Premiere)

Among The Living (France)
Director/Screenwriter: Julien Maury, Alexandre Bustillo
After horror favorites Inside and Livid, Maury and Bustillo pair up again for a horror-thriller at the cross roads between Stand by Me and Friday the13th. Cast: Anne Marivin, Béatrice Dalle, Francis Renaud, Fabien Jegoudez, Nicolas Giraud (World Premiere)

Exists
Director: Eduardo Sánchez, Screenwriter: Jamie Nash
Five friends on a camping weekend in the remote woods of East Texas struggle to survive against a legendary beast that is stronger, smarter and more terrifying than they would have ever believed exists. Cast: Chris Osborn, Dora Madison Burge, Roger Edwards, Denise Williamson, Samuel Davis (World Premiere)

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SXSW: ‘Neighbors,’ ‘Joe,’ Wes Anderson Q&A Round Out Features Lineup; New Episodic TV Section Unveiled

By | Thursday January 30, 2014 @ 12:00pm PST

SXSW 2014 moviesUniversal’s May comedy Neighbors, David Gordon Green’s Nic Cage starrer Joe, and Mike Myers’ directorial debut docu Supermensch are just a few of the newly announced titles set to screen at SXSW 2014, which debuted its full Features line-up today. They join previously announced opener Chef, from Jon Favreau, the world premiere of the Veronica Mars movie in a slate packed with over 115 features, 76 world premieres, Nic Cage in Joe10 North American premieres, including the latest films from Alejandro Jodorowsky (The Dance of Reality), Jason Bateman (Bad Words), Nacho Vigalondo (Open Windows), a special screening of 1954′s original Gojira with Q&A with Godzilla remake helmer Gareth Edwards, and a rare Texas appearance by UT grad Wes Anderson who will present his new film Grand Budapest Hotel in an extended Q&A session.

Related: Jon Favreau’s ‘Chef’ To Open SXSW; ‘Veronica Mars’ Movie Among Premieres

In recent years SXSW has increased its television-focused programming, debuting SXSW alum Lena Dunham‘s Girls in 2012 and presenting a Bates Motel panel in 2013. fromdusktilldawnThis year the Austin film fest is introducing an entire Episodic programming section devoted to small screen works. In addition to a previously announced screening of Fox’s COSMOS: A SpaceTime Odyssey with Neil deGrasse Tyson, the Episodic section will include Hulu and Lionsgate TV’s supernatural comedy Deadbeat starring Tyler Labine with cast and crew Q&A, a screening of El Rey and Robert Rodriguez’s From Dusk Till Dawn pilot, AMC’s 1980s-set computer drama Halt and Catch Fire, Showtime’s John Logan-created Penny Dreadful, and HBO’s new sitcom Silicon Valley co-created by Mike Judge. Read More »

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66th Annual DGA Awards: Alfonso Cuarón Wins Best Feature Film Director For ‘Gravity’, TV Winners Include Vince Gilligan ‘Breaking Bad’, Steven Soderbergh ‘Behind The Candelabra’, Beth McCarthy-Miller ’30 Rock’, Glenn Weiss ‘Tony Awards’ Don Roy King ‘Saturday Night Live’

DGA Award WinnersUPDATED WITH ALL WINNERS AND SPEECHES: The 66th annual DGA Awards was held tonight at the Hyatt Regency Century Plaza in Los Angeles, hosted by Jane Lynch. The DGA Award for Outstanding Directorial Achievement in Feature Film went to Alfonso Cuaron for Gravity. This was his first DGA nomination. Cuaron reflected on his research for the film, which in many ways, focuses on Gravity‘s philosophical commentary on humanity. “We saw all these 66th Annual Directors Guild Of America Awards - Press Roomphotographs of earth from space, and it’s absolutely beautiful; hues of greens and blues,” explained Cuaron, “Everything seems so organic (from space). Those silly lines and boundaries we put on political maps, you can’t see that from space. It’s a bizarre experiment of nature, that is the human experience. And it’s what we as directors try to sort out as filmmakers.” It’s worth recalling that while cuaron hasn’t made a bad movie, getting Gravity made was very difficult. Universal kicked it to the curb after Angelina Jolie dropped out. Warner bros took it in, but it was in peril after Robert Downey Jr. decided not to play the role George Clooney wound up playing. the studio looked at several actresses including Natalie Portman, before deciding on Sandra Bullock. It was a real show of faith by Warner Bros, whose movie chief Jeff Robinov championed the project. It has become an outsized global hit, following in the footsteps of Life Of Pi and Avatar. It was this movie that inspired TriStar’s Tom Rothman to want to make his first film To Reach The Clouds, the Robert Zemeckis directed film about Philippe Petit’s groundbreaking high wire walk from the North to South Tower of the World Trade Center in 1974. They are hoping Joseph Gordon Levitt will play him and that production will begin by summer. In the other major film award, Jehane Noujaim was honored as Best Documentary Director for The Square. TV winners included Vince Gilligan for Breaking Bad’s “Felina” episode, Steven Soderbergh for Behind The Candelabra and Beth McCarthy-Miller for the 30 Rock finale.

Related:
DGA Awards Film: ‘Gravity’ Soars With DGA Win For Alfonso Cuaron
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Slamdance Announces Award Winners

By | Thursday January 23, 2014 @ 9:05pm PST

SlamdanceAs Sundance continues in Park City, the 20th annual Slamdance Film Festival wrapped tonight with its awards ceremony. The fest handed its Audience Award for Narrative Feature going to Mark Raso’s Copenhagen and the documentary nod to Kate S. Logan’s Kidnapped For Christ. Slamdance 20 logoThe Jury Awards went to Fernando Frias De La Parra’s Rezeta (Narrative) and Matthew Bauckman and Jaret Belliveau’s Elliot (Documentary). And The Spirit Of Slamdance Award went to The Greggs, from directors Bruce Bundy, Nigel DeFriez, Rob Malone, Kira Pearson, Alex Mechanik, Jessie Levandov, Jonathan Rosenblit. The feature competition films in the Documentary and Narrative Programs are limited to first-time filmmakers working with production budgets of less than $1 million. Here is the full list of winners and special mentions:

Related:
Slamdance: ‘Magic Mike’s Joe Manganiello’s Male Strip Docu ‘La Bare’ Is Well Endowed By Main Street Films Distribution Deal
Jack Black’s Electric Dynamite To Remake Slamdance Pic ‘Wizard’s Way’

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Slamdance: ‘Magic Mike’s Joe Manganiello’s Male Strip Docu ‘La Bare’ Is Well Endowed By Main Street Films Distribution Deal

By | Tuesday January 21, 2014 @ 6:29pm PST
Mike Fleming

joemEXCLUSIVE: Main Street Films has acquired distribution rights to La Bare, a documentary directed by Joe Manganiello about the history, lives and culture of the world’s most popular male strip club, La Bare Dallas. Manganiello, who played Big Dick Richie alongside Channing Tatum in the Steven Soderbergh-directed Magic Mike, made the film through 3:59 Inc., which is run by his brother, Nick Manganiello.  The deal was worth mid six-figures for North American and Chinese rights and includes a commitment by Main Street to give the docu a 20-market U.S. theatrical release in the summer.

This is a big deal for Slamdance and Manganiello came for the film’s Sunday night debut at the Treasure Mountain Inn, followed by a raucous Q&A featuring Elvis Mitchell and Manganiello, the True Blood star who’ll next be seen in Sabotage. “I was immediately impressed by Main Street’s excitement, vision, resources and character,” Manganiello said. “I got that sense in my gut right away that this was the right company to help launch 3:59′s flagship film La Bare, as well as form a strong partnership for future projects.”

joemanDeal was brokered by Main Street’s Harrison Kordestani, who said the deal allows the distributor to get into the documentary game. “We are really impressed with what Joe has produced and are excited to partner with him on distributing La Bare in North America.” The film’s music was composed by star DJ … Read More »

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25th Annual PGA Awards: First-Ever Tie For Best Motion Picture — ‘Gravity’ And ‘12 Years A Slave’; ‘Breaking Bad’ & ‘Modern Family’ Take Top TV Awards; Winners List

pga67UPDATED WITH WINNERS AND BACKSTAGE REACTIONS: The Producers Guild Awards at the Beverly Hilton ended with a stunner: The first tie for the top film prize in the PGAs’ 25-year history. Gravity and 12 Years A Slave shared the Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures. The award for Gravity catapults the Warner Bros picture squarely into the Best Picture Oscar race, whereas up until now, it seems that 12 Years A Slave and American Hustle were the front-runners. Deadline’s Pete Hammond will post an analysis of the awards later tonight.

On the TV side, AMC’s now-wrapped Breaking Bad won The Norman Felton Award for Outstanding Producer of Episodic Television, Drama, and ABC’s Modern Family took the Danny Thomas Award for Outstanding Producer of Episodic Television, Comedy, for a fourth consecutive year. The wins mirror last night’s SAG Awards and the Emmys. Breaking Bad also won the Golden Globe last week, but rookie Brooklyn Nine-Nine took the comedy prize.

PGA Awards GravityIf it weren’t for Jeff Robinov, former president of Warner Bros Motion Picture Group, Gravity would not have gotten made. The picture that stars Oscar nominee Sandra Bullock and George Clooney got shoved aside by Universal after Angelina Jolie dropped out. Enter Robinov, who took the project under his wing and was its behind-the-scenes champion. Read More »

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20th Annual SAG Awards: ‘American Hustle’ Wins Best Motion Picture Ensemble, Matthew McConaughey & Cate Blanchett Best Actors; ‘Breaking Bad’, Bryan Cranston And ‘Modern Family’ Take Top TV Honors

Related: SAG Awards Winners (Full List)

SAG Awards 2014UPDATED WITH WINNERS AND BACKSTAGE REACTIONS: American Hustle cemented its status as on Oscar Best Picture frontrunner tonight, taking the top ensemble award at the 20th Annual SAG Awards, which were handed at LA’s Shrine Auditorium. The actor races also gained further clarity with more wins for Matthew McConaughey and his Dallas Buyers Club co-star Jared Leto, and Blue Jasmine‘s Cate Blanchett. 20th Annual Screen Actors Guild Awards - Show(A mild upset came in Supporting Actress, when 12 Years A Slave‘s Lupita Nyong’o won over a field that included Golden Globes winner Jennifer Lawrence.) On the TV side, Breaking Bad ended its final season on the air by taking the Best Ensemble Drama Series crown for the first time, with Bryan Cranston winning Best Drama Actor for a second consecutive year. In comedy, Modern Family won its fourth consecutive ensemble award, and Ty Burrell became the first individual winner from the series. There were a few good one liners over the two-hour-plus ceremony (organizers eventually asked winners to pare their speeches to 45 seconds — some did, some didn’t). Among the cracks were Burrell’s 5 Simple Steps to 20th Annual Screen Actors Guild Awards - Show20th Annual Screen Actors Guild Awards - ShowSuccess in Acting; Rita Moreno’s F-bomb (caught by the censors) at the beginning of her Lifetime Achievement Award acceptance speech; and Blanchett brushing off an off-camera clock during her time onstage, saying of McConaughey’s, er, wide-ranging speech just before hers: “Matthew McConaughey just spoke about Neptune, so I think I can have an extra 5 seconds.”

Related:
SAG Awards Film: ‘American Hustle’ Gets Big Boost, But Will First Guild Results Impress Oscar?
SAG Awards TV: ‘Breaking Bad’ Has Great Last Hurrah, ‘Modern Family’ Extends Streak

Actor statuettes up for grabs in 13 categories — five for film and eight for TV. There also are TV and film stunt ensemble categories, with those winners unveiled ahead of the main ceremony simulcast live on TNT and TBS. Final voting by the Screen Actors Guild’s eligible membership — that’s about 100,000 actors — was due yesterday, which gave ballot-casters a chance to soak in the Golden Globe winners last weekend.

Deadline had all the SAG scoops in our live-blog of the ceremony. Jen Yamato and Ross Lincoln were on the ground at the Shrine, and Film Editor Anita Busch, TV Editor Nellie Andreeva and Awards Columnist Pete Hammond provided analysis. Here’s how it went down: Read More »

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Fleming On 2014 Sundance Forecast: Thriving Indie Biz Makes Appetite Strong; Un-Commercial Slate Could Limit Big Deals

Mike Fleming

Sundance2014_badge__140109214059__140116020608The Sundance Film Festival market gets underway tonight, and it could start with a bidding bang for Whiplash, seen here first as a short and now a feature starring Miles Teller as a drummer trying to survive his ruthless school band conductor (J.K. Simmons). Then again, buyers could find it’s not the second coming of Precious, Beasts Of The Southern Wild, or last year’s gem Fruitvale Station. It will still sell if that happens, it will just take longer, with its prospect for a meaningful theatrical release dimming with each passing day.

Park City Prepares For The Sundance Film Festival - 2014 Sundance Film FestivalMore than any recent year in memory, this Sundance program might well have been programmed by Butch Cassidy And The Sundance Kid screenwriter William Goldman, because of how the fest follows his famous adage about Hollywood that “Nobody knows anything.” It’s harder than usual to predict this fest’s breakout films because nothing jumps off the page as a can’t-miss. How does that make buyers feel? One buyer likened himself and his competitors as being like a bunch of old men on a beach, with shorts, black socks, and metal detectors, combing the sand for that diamond ring someone dropped amidst the beer can pull tops and other debris. “You’ve got to cover the whole beach or you’ll miss something,” he said. “On paper, a lot of these films have good casts and potential until you see them, get disappointed and find something in the little movie which has no stars, and is much harder to market,” the distributor said. “There are so many buyers here and so much competition, you really have to be on your toes and see everything.”

Related: 2014 Sundance: Fest Films With Highest Wanna-See From Buyers

frankThere is a sense of deja vu here for the number of past Sundance directors returning with projects (they include Zach Braff, Mike Cahill, Richard Linklater, Lynne Shelton, Gregg Araki and Jake Paltrow), but also because of programming decisions which seem to increasingly bring the fest back to its origins of prizing smaller left-of-center fare. Read More »

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OSCARS: 86th Academy Award Nominations Announcement: Nine Best Film Nominees – ‘American Hustle’ And ‘Gravity’ Lead Way With 10 Noms Each, ‘12 Years A Slave’ Gets 9 (FULL LIST)

By | Thursday January 16, 2014 @ 5:31am PST

Related: OSCARS: Who Got Snubbed By Academy?

Oscar Nominees 2014Nominations for the 86th Academy Awards were announced at 5:30 AM PT this morning at a news conference at the Academy’s Samuel Goldwyn Theater in Beverly Hills. The Best Picture category ended up with nine nominees, including for Sony’s American Hustle and Warner Bros’ Gravity, which led the field with 10 nominations overall. They were followed by Fox Searchlight’s 12 Years A Slave, which had nine noms overall. 86th Academy Awards Nominations AnnouncementThe rest of the Best Pic list: Sony’s Captain Phillips (though no actor nom for Tom Hanks or director nom for Paul Greengrass), Focus Features’ Dallas Buyers Club, Warners’ Her, Paramount’s Nebraska, The Weinstein Company’s Philomena and Paramount’s The Wolf Of Wall Street, the last and maybe most hot-button movie to land in voters hands this awards season which also landed noms for Best Actor (Leonardo DiCaprio), Supporting Actor (Jonah Hill), Directing (Martin Scorsese) and Adapted Screenplay (Terence Winter).

Related:
OSCARS: Nominations By Picture
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New Academy Of Motion Picture Arts and Sciences president Cheryl Boone Isaacs presented the nominees list this year with Thor star Chris Hemsworth. The Oscars for outstanding film achievements of 2013 will be awarded on Sunday, March 2 at the Dolby Theatre at Hollywood & Highland, televised live on ABC and hosted by Ellen DeGeneres for a second time. Nominations voting in the Oscars’ 24 categories closed January 8 and final voting begins February 14, with ballots due back February 25 at 5 PM PT. Here is the full list of nominees:

Related: OSCARS: Reactions To Academy’s Nominations

PERFORMANCE BY AN ACTOR IN A LEADING ROLE
Christian Bale in “American Hustle” (Sony Pictures Releasing)
Bruce Dern in “Nebraska” (Paramount)
Leonardo DiCaprio in “The Wolf of Wall Street” (Paramount)
Chiwetel Ejiofor in “12 Years a Slave” (Fox Searchlight)
Matthew McConaughey in “Dallas Buyers Club” (Focus Features)

PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE
Barkhad Abdi in “Captain Phillips” (Sony Pictures Releasing)
Bradley Cooper in “American Hustle” (Sony Pictures Releasing)
Michael Fassbender in “12 Years a Slave” (Fox Searchlight)
Jonah Hill in “The Wolf of Wall Street” (Paramount)
Jared Leto in “Dallas Buyers Club” (Focus Features)

PERFORMANCE BY AN ACTRESS IN A LEADING ROLE
Amy Adams in “American Hustle” (Sony Pictures Releasing)
Cate Blanchett in “Blue Jasmine” (Sony Pictures Classics)
Sandra Bullock in “Gravity” (Warner Bros.)
Judi Dench in “Philomena” (The Weinstein Company)
Meryl Streep in “August: Osage County” (The Weinstein Company)

PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE
Sally Hawkins in “Blue Jasmine” (Sony Pictures Classics)
Jennifer Lawrence in “American Hustle” (Sony Pictures Releasing)
Lupita Nyong’o in “12 Years a Slave” (Fox Searchlight)
Julia Roberts in “August: Osage County” (The Weinstein Company)
June Squibb in “Nebraska” (Paramount)

BEST ANIMATED FEATURE FILM OF THE YEAR
“The Croods” (20th Century Fox)
Chris Sanders, Kirk DeMicco and Kristine Belson
“Despicable Me 2” (Universal)
Chris Renaud, Pierre Coffin and Chris Meledandri
“Ernest & Celestine” (GKIDS)
Benjamin Renner and Didier Brunner
“Frozen” (Walt Disney)
Chris Buck, Jennifer Lee and Peter Del Vecho
“The Wind Rises” (Walt Disney)
Hayao Miyazaki and Toshio Suzuki

ACHIEVEMENT IN CINEMATOGRAPHY
“The Grandmaster” (The Weinstein Company) Philippe Le Sourd
“Gravity” (Warner Bros.) Emmanuel Lubezki
“Inside Llewyn Davis” (CBS Films) Bruno Delbonnel
“Nebraska” (Paramount) Phedon Papamichael
“Prisoners” (Warner Bros.) Roger A. Deakins

ACHIEVEMENT IN COSTUME DESIGN
“American Hustle” (Sony Pictures Releasing) Michael Wilkinson
“The Grandmaster” (The Weinstein Company) William Chang Suk Ping
“The Great Gatsby” (Warner Bros.) Catherine Martin
“The Invisible Woman” (Sony Pictures Classics) Michael O’Connor
“12 Years a Slave” (Fox Searchlight) Patricia Norris

ACHIEVEMENT IN DIRECTING
“American Hustle” (Sony Pictures Releasing) David O. Russell
“Gravity” (Warner Bros.) Alfonso Cuarón
“Nebraska” (Paramount) Alexander Payne
“12 Years a Slave” (Fox Searchlight) Steve McQueen
“The Wolf of Wall Street” (Paramount) Martin Scorsese

BEST DOCUMENTARY FEATURE
“The Act of Killing” (Drafthouse Films)
A Final Cut for Real Production
Joshua Oppenheimer and Signe Byrge Sørensen
“Cutie and the Boxer” (RADiUS-TWC)
An Ex Lion Tamer and Cine Mosaic Production
Zachary Heinzerling and Lydia Dean Pilcher
“Dirty Wars” (IFC Films)
A Civic Bakery Production
Richard Rowley and Jeremy Scahill
“The Square” (Netflix in association with Worldview
Entertainment and Participant Media)
A Noujaim Films and Maktube Production
Jehane Noujaim and Karim Amer
“20 Feet from Stardom” (RADiUS-TWC)
A Gil Friesen Productions and Tremolo Production
Nominees to be determined

BEST DOCUMENTARY SHORT SUBJECT
“CaveDigger”
A Karoffilms Production
Jeffrey Karoff
“Facing Fear”
A Jason Cohen Production
Jason Cohen
“Karama Has No Walls” (Mudhouse Films)
A Hot Spot Films Production
Sara Ishaq
“The Lady in Number 6: Music Saved My Life”
A Reed Entertainment Production
Malcolm Clarke and Nicholas Reed
“Prison Terminal: The Last Days of Private Jack Hall”
A Prison Terminal LLC Production
Edgar Barens

ACHIEVEMENT IN FILM EDITING
“American Hustle” (Sony Pictures Releasing) Jay Cassidy, Crispin Struthers and Alan Baumgarten
“Captain Phillips” (Sony Pictures Releasing) Christopher Rouse
“Dallas Buyers Club” (Focus Features) John Mac McMurphy and Martin Pensa
“Gravity” (Warner Bros.) Alfonso Cuarón and Mark Sanger
“12 Years a Slave” (Fox Searchlight) Joe Walker

BEST FOREIGN LANGUAGE FILM OF THE YEAR
“The Broken Circle Breakdown” (Tribeca Film) – Belgium
A Menuet Production
“The Great Beauty” (Janus Films) – Italy
An Indigo Film Production
“The Hunt” (Magnolia Pictures) – Denmark
A Zentropa Entertainments 19 Production
“The Missing Picture” (Strand Releasing) – Cambodia
A Bophana Production
“Omar” (Adopt Films) – Palestine
An Omar Production Company Production

ACHIEVEMENT IN MAKEUP AND HAIRSTYLING
“Dallas Buyers Club” (Focus Features) Adruitha Lee and Robin Mathews
“Jackass Presents: Bad Grandpa” (Paramount) Stephen Prouty
“The Lone Ranger” (Walt Disney) Joel Harlow and Gloria Pasqua-Casny

ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES (ORIGINAL SCORE)
“The Book Thief” (20th Century Fox) John Williams
“Gravity” (Warner Bros.) Steven Price
“Her” (Warner Bros.) William Butler and Owen Pallett
“Philomena” (The Weinstein Company) Alexandre Desplat
“Saving Mr. Banks” (Walt Disney) Thomas Newman

ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES (ORIGINAL SONG)
“Alone Yet Not Alone” from “Alone Yet Not Alone” (Enthuse Entertainment)
Music by Bruce Broughton
Lyric by Dennis Spiegel
“Happy” from “Despicable Me 2” (Universal)
Music and Lyric by Pharrell Williams
“Let It Go” from “Frozen” (Walt Disney)
Music and Lyric by Kristen Anderson-Lopez and Robert Lopez
“The Moon Song” from “Her” (Warner Bros.)
Music by Karen O
Lyric by Karen O and Spike Jonze
“Ordinary Love” from “Mandela: Long Walk to Freedom” (The Weinstein Company)
Music by Paul Hewson, Dave Evans, Adam Clayton and Larry Mullen
Lyric by Paul Hewson

BEST MOTION PICTURE OF THE YEAR
“American Hustle” (Sony Pictures Releasing)
A Columbia Pictures and Annapurna Pictures Production
Charles Roven, Richard Suckle, Megan Ellison and Jonathan Gordon, Producers
“Captain Phillips” (Sony Pictures Releasing)
A Columbia Pictures Production
Scott Rudin, Dana Brunetti and Michael De Luca, Producers
“Dallas Buyers Club” (Focus Features)
A Voltage Pictures, R2 Films, Evolution Independent Production
Robbie Brenner and Rachel Winter, Producers
“Gravity” (Warner Bros.)
A Warner Bros. UK Services Limited Production
Alfonso Cuarón and David Heyman, Producers
“Her” (Warner Bros.)
An Annapurna Production
Megan Ellison, Spike Jonze and Vincent Landay, Producers
“Nebraska” (Paramount)
A Paramount Vantage Production
Albert Berger and Ron Yerxa, Producers
“Philomena” (The Weinstein Company)
A Pathé, BBC Films, BFI, Canal+, Cine+ and Baby Cow/Magnolia Mae Production
Gabrielle Tana, Steve Coogan and Tracey Seaward, Producers
“12 Years a Slave” (Fox Searchlight)
A River Road, Plan B, New Regency Production
Brad Pitt, Dede Gardner, Jeremy Kleiner, Steve McQueen and Anthony Katagas, Producers
“The Wolf of Wall Street” (Paramount)
A Red Granite Production
Nominees to be determined Read More »

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