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2013-14 ABC New Series

By THE DEADLINE TEAM | Wednesday May 22, 2013 @ 1:20pm PDT

2013-14 ABC New Series

Dramas

Betrayal — A chance meeting between photographer Sara Hadley (Hannah Ware) and Attorney Jack McAllister (Stuart Townsend) leads to an instant and undeniable attraction. Sarah’s husband, Drew (Chris Johnson), is a successful prosecutor with political aspirations, while Jack is married to Elaine (Wendy Moniz), the daughter of his boss, Thacher Karsten (James Cromwell). When Karsten’s brother-in-law Lou is murdered, all evidence points to Karsten’s son, T.J. (Henry Thomas). Jack, the company’s lead counsel, will have to defend him, but for Sara’s prosecutor husband, Drew, this is the kind of high-profile murder case that can secure his political future. Just as Sara and Jack’s affair is starting, the lovers find themselves in an impossible situation — on opposite sides of a murder investigation. “Betrayal” stars Hannah Ware (“Shame,” “Boss”) as Sara, Stuart Townsend (“The League of Extraordinary Gentlemen”) as Jack, James Cromwell (“Babe,” “American Horror Story”) as Thacher Karsten, Henry Thomas (“E.T.,” “Gangs of New York”) as T.J. Karsten, Chris Johnson (“The Vampire Diaries”) as Drew, Wendy Moniz (“Guiding Light,” “The Guardian”) as Elaine, Elizabeth McLaughlin (“The Clique”) as Val and Braeden Lamasters (“Men of a Certain Age”) as Vic. “Betrayal” was written by David Zabel (“ER”) and directed by Patty Jenkins (“The Killing,” “Monster”) and is executive-produced by David Zabel, Rob Golenberg (“Red Widow”) and Alon Aranya. “Betrayal” is produced by ABC Studios.

Killer Women — Of all the notorious lawmen who have ever patrolled the violent Texas frontier, none are more … Read More »

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Li Bingbing Joins ‘Transformers 4′ As Part Of China Push

By THE DEADLINE TEAM | Monday May 20, 2013 @ 12:45pm PDTTags: Li Bingbing, Paramount Pictures, Transformers 4

UPDATED: Paramount said when it announced in April that it was teaming with two China-based companies on a “cooperation agreement” for Transformers 4 that it would add Chinese talent. Now the fourth pic in the Michael Bay-directed tentpole series has done so, tapping Li Bingbing to join a cast that includes Mark Wahlberg, Stanley Tucci, Kelsey Grammer, Jack Reynor, Nicola Peltz and Sophia Myles. The film has a June 27, 2014 release date set in North America and around the same date is expected for its China bow; the last Transformers pic, Dark Of The Moon, was huge in China, grossing $165M locally. Some of the movie will shoot there as well as in the U.S. when production begins this summer. The agreement with state-backed China Movie Channel and U.S.-China streaming company Jiaflix was a first for CMC and a major motion picture from the West. The move follows a similar one by Disney/Marvel’s Iron Man 3, a China co-production with DMG. That pic featured Chinese stars Wang Xueqi and Fan Bingbing — though they had larger roles in the film’s official China version than what U.S. audiences saw. Li’s recent Chinese film credits include Tsui Hark’s Detective Dee And The Mystery Of The Phantom Flame and 1911, and in the U.S. she co-starred in Resident Evil: Retribution, Snow Flower And The Secret … Read More »

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‘Star Trek Into Darkness’ $164.5M Global: Lower Domestic But +80% Bigger Overseas; ‘Gatsby’ $132.1M Global, ‘Iron Man 3′ $1B

By NIKKI FINKE, Editor in Chief | Sunday May 19, 2013 @ 9:19am PDTTags: Box Office, J.J. Abrams, Star Trek Into Darkness

Box OfficeSUNDAY 9 AM, 7TH & 8TH UPDATE (WRITETHRU): The iconic space tentpole grossed a lot of money worldwide as May continues to sizzle for Summer 2013. But came nowhere near the $80M weekend and $100M total predicted. Star Trek Into Darkness from Paramount Pictures, Skydance Productions, and director J.J. Abrams‘ Bad Robot opened with $2M Wednesday from IMAX late shows, $11.5M Thursday, $22M Friday, $27.2M Saturday (for a +25% bump), and an estimated $21.2M Sunday. So that’s a $70.5M weekend from 3,868 theaters and an $84M domestic cume. Exit polling shows that the audience was 64% male/36% female with 27% under age 25/73% age 25 and over. Despite the passage of 4 years and the addition of 3D and IMAX for ticket premiums, 4 1/2 days of Star Trek Into Darkness barely beat 2009′s Star Trek 3-day weekend opening. Rightly or wrongly, fanboys (who are notoriously hard to please) saw the sequel as a ripoff of 1982′s The Wrath Of Khan. I felt the problem was that the latest pic’s marketing assumed people had seen the first installment and therefore didn’t target newbies. The iconic space tentpole in 3D received a coveted “A” CinemaScore to help word of mouth and 87% positive Rotten Tomatoes score setting it up for a strong weekend. The budget was a costly $190M, but the studio was predicting a 3-day weekend domestic estimate of $80M and 4-day estimate of $100M. Abrams’ first grossed $257.7M in North America but only $128M overseas where the franchise has long underperformed. STID was expected to easily beat the North American take so Abrams filmed 30 minutes using high-resolution cameras to increase the IMAX grosses which comprised 16% of domestic. To expand international, Paramount dispatched Abrams’ Bad Robot partner Bryan Burk to share 20 minutes of footage with media and distributors abroad earlier this year. It helped: international told a stronger story. Since sequels usually play well overseas, the total is $80.5 from 40 markets through Sunday, or +80% from the prior film. For comparison, STID is running +33% on a global basis compared to the 2009 reboot. Worldwide total is $164.5M. Chris Pine and Zachary Quinto reprise their roles as Kirk and Spock with its ensemble USS Enterprise cast and Benedict Cumberbatch debuts as the movie’s mysterious baddie in this sequel to Abrams’ 2009 reboot of the franchise, which began as a 1960s TV series. Star Trek Into Darkness, based on Gene Roddenberry’s creation, was written by credited scripters Roberto Orci & Alex Kurtzman & Damon Lindelof, who also are producers along with the Bad Robot duo of Abrams and Burk.

1. Star Trek Into Darkness (Skydance/Paramount) Week 1 [3,868 Theaters]
Wed $2.0M, Thurs $11.5M, Fri $22.0M, Sat $27.2M, Est Sun $21.2M
Wkd $70.5M, Dom Cume $84.0M, Intl Cume $80.5M, WW Total $164.9M

2. Iron Man 3 (Marvel/Disney) Week 3 [Runs 4,237]
Friday $9.6M, Saturday $15.8M, Weekend $35.5M,
Dom Cume $337.1M, Intl Cume $736.2M, Worldwide Total $1.073.3B

On May 16, the film crossed the $1B benchmark at the global box office in 23 days and the $300M threshold at the domestic box office in 14 days. Iron Man 3 is now the #9 highest grossing film of all time globally and the #9 highest grossing film of all time internationally. This is the 2nd Marvel Studios film and the 6th Walt Disney Studios release to reach $1B globally, and the 9th Disney release to reach $300M domestic.

3. The Great Gatsby (Warner Bros) Week 2 [Runs 3,550]
Friday $7.6M, Saturday $9.5m, Weekend $23.6M (-53%)

Dom Cume $90.1M, Intl Cume $42.1M, Worldwide Total $132.2M

Baz Luhrmann’s biggest to date here and overseas looks to make $140M domestic all in. “Domestic box office results are excellent,” a Warner Bros exec gushed. “Counter-programming can succeed with great success in a summer of tentpole fanboy event films.” Coming off the heels of a gala opening night event at the Cannes Film Event, The Great Gatsby in 3D released in 49 territories overseas and grossed a big $42.1M (ith 4.6Madmissions from almost 8,400 screens). This was 38% higher than Luhrmann’s Australia in the same markets ($30.4M) and 3x higher than Moulin Rouge ($13.8M). This weekend’s rollout abroad represent 70% of the international box office; major markets yet to launch include Australia (May 30th), Mexico (May 31st), Brazil (June 7th), Japan (June 14th). This weekend’s results included some #1 placements despite stuff competition: Russia $6.2M (Rbl 194M), UK $6.1M (£4.0M), France $4.7M (€3.6M), Korea $4.3M (KRW 4.75B), Italy $3.8M (€2.9M), Germany $3.7M (€2.8M), Spain $2.2M (€1.7M), Taiwan $779K (NT$23.9M).

Also, Universal’s May 24th domestic opener Fast & Furious 6 kicked off its worldwide release in the UK and Ireland this weekend with a record breaking #1 opening. The film grossed $13.8M (£9M) at 460 dates scoring Universal’s biggest 3-day opening weekend in that territory (smashing the previous record set by Les Miserables of $13.1M). It is the biggest opening weekend in the UK for the franchise and the highest opening weekend for Vin Diesel and Dwayne Johnson. F&F6 is now the 2nd biggest opening weekend of 2013 there behind IM3‘s $17.6M.

Read More »

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Cannes: Before Action Starts On ‘Crouching Tiger 2,’ Harvey Weinstein Woos Donnie Yen And Yuen Wo Ping For ‘Seven Samurai’

By MIKE FLEMING JR | Sunday May 19, 2013 @ 8:08am PDTTags: Cannes Film Festival, Crouching Tiger Hidden Dragon, Donnie Yen, Michelle Yeoh, Yuen Wo Ping
Mike Fleming

Right after my Deadline Hollywood colleague Pete Hammond moderated a Weinstein Company panel this morning on Big Eyes, the film that Tim Burton will direct with Christoph Waltz and Amy Adams, I moderated another on Crouching Tiger, Hidden Dragon: The Green Destiny, a sequel to the 2000 film that won the Best Foreign Language Film Oscar, and at the time became the biggest grossing foreign language film in America. I was joined onstage by producer David Thwaites, Harvey Weinstein, actor Donnie Yen, director and martial arts choreography legend Yuen Wo Ping (he handled action choreography of the Ang Lee-directed original Crouching Tiger). Also with us was exec producer Anthony Wong, who translated for the director. Michelle Yeoh was seen on a screen, after being set to reprise her role. Scripted by John Fusco, this film is derived from Iron Knight, Silver Vase, the fifth book in the Wang Dulu’s Crane Iron Pentalogy. Fusco borrowed from some of the other books, but made the final title his primary focus. Weinstein acknowledged he courted Yen very hard to make his first English language movie with TWC (this will be shot in both English and Mandarin), and wasted no time setting the stage for a followup. Noting that Martin Scorsese helped him get rights to Kurosawa’s Seven Samurai, Weinstein … Read More »

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UPDATE: ‘Iron Man 3′ Box Office Crosses $1B Global And $300M Domestic

By NIKKI FINKE, Editor in Chief | Friday May 17, 2013 @ 9:18am PDTTags: Box Office, Disney, Iron Man 3, Marvel Studios

UPDATE, FRIDAY AM: Disney confirmed today that last night Iron Man 3 crossed $1B at the worldwide box office and $300M at the domestic box office. Iron Man 3The global milestone came on the 23rd day of release around the world, making it the second Marvel Studios film (after The Avengers, which crossed the mark in 19 days) and sixth Disney pic (Pirates Of The Caribbean: Dead Man’s Chest, Alice In Wonderland, Toy Story 3, and Pirates Of The Caribbean: On Stranger Tides, and Avengers) to cross that threshold. The domestic mark comes on the 14th day of release and is the ninth studio pic to reach that peak. To date, the pic has grossed $1.008B globally — $698.9M international and $301.9M domestic. It is the 16th highest-grossing film of all-time globally and 11th all-time internationally.

PREVIOUS EXCLUSIVE, WEDNESDAY PM: More records breaking for Summer 2013 as may continues to sizzle at the global box office. The Disney/Marvel threequel has only been in theaters for 23 days around the world but already Iron Man 3 is set to cross the $1B mark on Thursday. Its latest cumes are $294.7M domestic and $685.6M international through May 14. That makes it the 16th biggest film ever amid predictions it will finish as the 5th highest grossing film of all time when all theatrical grosses are in. Read More »

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‘Great Gatsby’ Upsets ‘Iron Man 3′ Box Office

By NIKKI FINKE, Editor in Chief | Thursday May 16, 2013 @ 8:58am PDTTags: Box Office, Iron Man 3, The Great Gatsby

OK, here’s some box office hilarity for you. Even if it’s only for one night, an adaptation of a 90-year-old novel toppled fanboy favorite Iron Man 3 as the #1 film in America Wednesday. Baz Lurhmann’s The Great Gatsby starring Leonardo DiCaprio became the top-grossing film in North America with $3.9M from 3,535 theaters vs Iron Man 3‘s $3.85M from 4,253 theaters, according to Warner Bros which co-financed with Village Roadshow and is distributing worldwide. Gatsby‘s 6-day cume is now $63.3M. “It’s a stunning box office upset for the ages,” one exec gushed to me this morning. On the other hand, Disney/Marvel’s Iron Man 3 opened two weeks earlier in the U.S. and three weeks earlier overseas and should pass $1 billion in worldwide gross today and $300 million in North America. And let’s not forget that IM3 lost tickets to the opening of Star Trek Into Darkness last night. Its cumulative performance to date is international $691.9M and domestic $298.6M for a global total of $990.5M. Iron Man 3 is now the 2nd highest grossing superhero movie of all time overseas behind Marvel’s The Avengers and currently stands as the #11 highest grossing film of all time in the international marketplace. By country: China $102.4M, Korea $55.6M, UK $49.7M, Mexico $43.6M, Russia $40.2M, Brazil $39.0M, France $36.4M, Australia $33.7M, Japan $21.4M, Italy $19.8M, Taiwan $18.4M, Germany $18.4M, Indonesia $14.6M, Philippines $14.3M, Hong Kong $13.1M, other markets $171.4M.

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Latest On The Future Of ‘Happy Endings’, ‘Paging Dr. Freed’ And ‘Psych’ At USA

By NELLIE ANDREEVA | Thursday May 16, 2013 @ 7:10am PDTTags: Happy Endings, Modern Family, Upfronts, USA Network
Nellie Andreeva

Comedy is expected to take center stage at USA Network‘s upfront presentation this afternoon as the cable network touts to advertisers the fall launch of its big off-network acquisition, Modern Family, and unveils its newly picked up original comedy series Sirens and Playing House. The cable network has been getting extra attention from comedy fans in the past week following ABC’s decision last Friday to cancel cult series Happy Endings. Talks between USA and leading Happy Endings producer Sony TV continue. At this point, I hear a pickup appears unlikely but the network is carefully exploring the opportunity to migrate a show with some success on broadcast TV and a dedicated fan base the way ABC’s Cougar Town moved to TBS.

Related: ‘Happy Endings’ Cancelled At ABC, Will USA Step In?

Of its three comedy pilot/presentations it had in consideration, USA picked up two, Sirens and Playing House. The third, Paging Dr. Freed, which was the first one ordered almost two years ago, is still in contention. I hear USA brass liked the pilot for the family medical comedy but thought it felt more like a season finale and didn’t properly introduce the characters. I hear the network approached Paging Dr. Freed creator Michael Feldman and studio Fox 21 about redeveloping the project and writing a new pilot script. If USA likes the new script, I hear it is intent on picking up the project straight to series. The options on the Paging Dr. Freed producers have been extended while those on the cast have lapsed. I hear USA is keen on bringing Annie Potts back if she is available. (Her ABC pilot Murder In Manhattan did not get picked up but is being considered by cable networks.) Read More »

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CW 2013-14 Schedule: ‘Hart Of Dixie’ & ‘Beauty And The Beast’ Move To Monday, ‘Supernatural’ To Tuesday, ‘Carrie Diaries’ To Friday, ‘Reign’ To Follow ‘Vampire Diaries’

By NELLIE ANDREEVA | Thursday May 16, 2013 @ 6:00am PDTTags: the CW, Upfronts
Nellie Andreeva

The CW schedule features far more sweeping changes than any network this year. Like last fall, the CW is introducing three new series this fall — The Vampire Diaries spinoff The Originals, costume drama Reign and sci-fi drama The Tomorrow People — with three more series — dramas The 100; Star-Crossed; and reality show Famous In 12, from the TMZ team — on tap for midseason. For a second year in a row, the CW will hold its fall launches until October to avoid the blitz of new shows and allow for more uninterrupted originals. Here is the schedule, followed by analysis and descriptions of the CW’s new series:

Related: CW New Series First Looks: Video

CW FALL 2013-2014 SCHEDULE
(New programs in UPPER CASE; NN=New Night)

MONDAY
8-9 PM – Hart Of Dixie (NN)
9-10 PM – Beauty And The Beast (NN)

TUESDAY
8-9 PM – THE ORIGINALS
9-10 PM – Supernatural (NN)

WEDNESDAY
8-9 PM – Arrow
9-10 PM – THE TOMORROW PEOPLE

THURSDAY
8-9 PM – The Vampire Diaries
9-10 PM – REIGN

FRIDAY
8-9 PM – The Carrie Diaries (NN)
9-10 PM – America’s Next Top Model

The CW is shaking up its schedule big time, with changes on every night. In all, only the network’s two top series, The Vampire Diaries and Arrow, are staying put. They are being used to launch two of the CW’s highest-profile new series, the Mary, Queen of Scots drama Reign and the Greg Berlanti-Julie Plec produced futuristic The Tomorrow People. CW brass has high hopes for female-centered reign, so it opted to launch the series behind the network’s series with the highest concentration of female viewers, Vampire Diaries.

Related: ‘Nikita’ To End Run With Final Six-Episode Installment Read More »

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Pinewood Studios Expansion Project Rejected By Local UK Council

By NANCY TARTAGLIONE, International Editor | Wednesday, 15 May 2013 19:43 UKTags: Pinewood Studios

This is a surprising result given it’s the second time the UK’s venerable Pinewood has had an expansion project thwarted – and despite the increased interest of major U.S. studios to shoot there. The studio, which is home to the 007 set built in honor of the James Bond films that have been filmed there and which houses many major Hollywood pictures, first applied for permission to expand back in 2009 and was refused in early 2012 because it was eyeing protected land. The studio owns the land, but failed to satisfy the Buckinghamshire Council’s requirement of “special circumstances” to proceed. Today, the council refused a more recent modified application for an increase in capacity. Earlier this week it was reported that Hollywood studios, including Disney, Marvel, 20th Century Fox and Universal, had written to the decision makers urging approval. Read More »

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Sony Takes Worldwide Rights To Angry Birds Movie, Will Release It In 2016

By THE DEADLINE TEAM | Wednesday May 15, 2013 @ 10:06am PDTTags: Angry Birds, Sony Pictures

Rovio announced feature-film plans for its money-printing game back in December, tapping Despicable Me producer John Cohen as producer. Former Marvel Studios boss David Maisel, who came aboard the gamemaker as a special adviser in June 2011, is now an exec producer on the movie, which Sony Pictures has now landed. The Angry Birds assault includes a 52-episode animated TV series that rolled out worldwide in March. The 3D pic will be the first for Rovio Entertainment, which is producing it in-house. Here’s the official release:

CULVER CITY, Calif., May 15, 2013 – Sony Pictures Entertainment has won the exclusive worldwide distribution rights to the eagerly anticipated Angry Birds animated film, making it one of the most high-profile deals of the year. The 3D film is being developed, produced, and financed by Rovio Entertainment and will be released worldwide by Sony Pictures on July 1, 2016. Several major studios pursued the global film rights in recent weeks, with Sony Pictures Entertainment emerging as the winner.

Michael Lynton, Chairman & CEO of Sony Pictures Entertainment, Amy Pascal, Co-chairman of Sony Pictures Entertainment, and Mikael Hed, CEO of Rovio Entertainment jointly announced their partnership today. John Cohen and David Maisel – producer of Despicable Me and executive producer of Iron Man, respectively – are both on board for the new Angry Birds feature film. Cohen will serve as producer and Maisel is executive producer.

Read More »

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Joss Whedon At ABC Upfront Brings Longer Trailer For ‘Marvel’s Agents Of S.H.I.E.L.D.’

By NIKKI FINKE, Editor in Chief | Tuesday May 14, 2013 @ 3:45pm PDTTags: ABC, Joss Whedon, Marvel's Agents of S.H.I.E.L.D., Upfronts

“Last spring, Bob Iger sent us some bonus footage from The Avengers, with a simple question, ‘Is there a show here?’” said ABC Entertainment Group chief Paul Lee at the network’s upfront presentation today. Obviously the answer was yes, and next fall the ABC series Marvel’s Agents of S.H.I.E.L.D. takes the Tuesday 8 PM slot previously given to Dancing With The Stars which moves to Monday night for a 2-hour block. Joss Whedon was nervous and rambling as he faced TV media buyers and advertisers right before the end of the presentation. He appeared on stage with the entire cast of S.H.I.E.L.D. – Clark Gregg, Ming-Na Wen, Brett Dalton, Chloe Bennet, Iain De Caestecker, Elizabeth Henstridge. Whedon at first tried to be funny. “I’ll be brief. I was born…” But then he grew serious. “I wasn’t born. I was grown in a lab… and fed on Marvel Comics — and that turned out OK for me.” As to why Avengers was so successful, Whedon said, “It worked because everyone felt included” and predicted the TV show would have the same effect on viewers. He praised S.H.I.E.L.D.‘s unorthodox leading man Clark Gregg as “an actor so talented even I couldn’t kill him” so Whedon said he “built S.H.I.E.L.D. around him” because he “had a story to tell [how] to be an ordinary person in an … Read More »

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ABC New Series Trailers Unveiled: ‘Back In The Game’, ‘Betrayal’, ‘The Goldbergs’, ‘Killer Women’, ‘Lucky 7′, ‘Mind Games’, ‘Mixology’, ‘Once Upon A Time In Wonderland’, ‘Resurrection’, ‘Super Fun Night’, ‘Trophy Wife’

By THE DEADLINE TEAM | Tuesday May 14, 2013 @ 1:39pm PDTTags: ABC, Upfronts

ABC has released first looks at its new series as it kicks off its upfront presentation right now in NYC. The network unveiled its 2013-2014 schedule earlier today.

Related: Joss Whedon Unveils ‘Marvel’s Agents Of S.H.I.E.L.D.’

Back In The Game– Comedy
Produced by from 20th Century Fox Television and Kapital Entertainment. From writers/executive producers Mark and Robb Cullen, director/executive producers John Requa and Glenn Ficarra, and executive producer Aaron Kaplan:

Betrayal — Drama
Produced by ABC Studios. From writer/executive producer David Zabel and executive producers Rob Golenberg and Alon Aranya:

Read More »

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Live-Blog: ABC’s Upfront Presentation

By NELLIE ANDREEVA | Tuesday May 14, 2013 @ 1:29pm PDTTags: ABC, Upfronts
Nellie Andreeva

ABC has the hottest broadcast drama series at the moment, Scandal, and the network didn’t waste any time to flaunt it to advertisers. ABC’s upfront presentation opened with a pre-taped skit featuring Kerry Washington as Olivia Pope summoned to the Oval Office to do damage control for Disney-ABC Group president Anne Sweeney and her henchman, played by Jimmy Kimmel. The skeletons in ABC’s closet:

1. “Dancing With the Stars … they’re not really stars. We pick them up at the bus station”. (Kimmel)

2. [ABC president] “Paul Lee isn’t really British – he’s Mexican. We think that’s why Univision is beating NBC”. (Kimmel)

3. “ABC Family is adopted” (Kimmel)

4. “I steal Diane Sawyer’s clothes… and eyelashes”. (Sweeney).

Pope’s advice — “Own it; go out there and admit everything” is met with objections from Kimmel. “I think we lie about everything except Good Morning America,” he says. And with that, Sweeney comes out onstage, greeted with scorning gestured by Sawyer. The highlight in her opening remarks is when she acknowledged Barbara Walters and her announcement yesterday that she will retire next year. A huge standing ovation brought down the house. Sweeney continued with the Scandal theme with a “gladiators” reference in her speech.

Related: ABC 2013-14 Schedule

“Hola,” Lee greets advertisers, drawing laughs. He is elaborating on the plan to introduce 8- to 12-episode limited series and splitting some of its serialized dramas into cycles running all originals from September to Christmas and then in the new year. “That will create buzz and lower repeats,” Lee said, also highlighting the switch to launches throughout the year to get away from the “September slugfest.”

Related: ABC New Series Trailers

Of the new ABC series, a supersized trailer for 1980s throwback The Goldbergs gets a very warm reaction as it plays heavily (and sweetly) on nostalgia. Also getting big laughs is the Bad News Bears-in-tone Back In The Game.

Hot Aussie comedian Rebel Wilson was on hand to introduce her new Wednesday comedy series Super Fun Night, which launches after Modern Family. The audience loved her raunchy monologue, which included lines like “Super Fun Night is the anti-Sex And The City: when these three ladies eat at night, they’re not talking about dick”, and “Don’t worry, I won’t be doing a Lena Dunham. I’ll only put my boobs out if it’s necessary for the storyline… or a Wednesday.” She received a big applause, with the trailer for her show also getting good reaction sans her American accent, which irked some. “Isn’t she great,” Brit Lee said seeing her off. “I have no idea why my ancestors sent her ancestors to prison.” Read More »

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2013 Produced By Conference: Nancy Daniels, Mark Gordon On Mentor List; Jon Favreau, Roberto Orci Among Speakers

By THE DEADLINE TEAM | Tuesday May 14, 2013 @ 12:29pm PDTTags: 2013 Produced By Conference

LOS ANGELES (May 14, 2013) – The Producers Guild of America (PGA) announced today the list of top industry producers and executives who will serve as mentors during the intimate Mentoring Roundtable meetings that will be held throughout the 5th annual Produced By Conference (PBC), June 8-9, at 20th Century Fox Studios in Los Angeles. Confirmed mentors include:

Read More »

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Tuesday “Comedy Sigalert” Back With Fox, NBC & ABC Again Doing 9-10 PM Block

By NELLIE ANDREEVA | Tuesday May 14, 2013 @ 10:06am PDTTags: ABC, Fox, NBC, Upfronts
Nellie Andreeva

Here we go again. Last May, Fox, NBC and ABC all scheduled single-camera comedies from 9-10 PM on Tuesday, a move CBS’ scheduling czar Kelly Kahl called a “comedy sigalert.” Of the comedies scheduled in the hour last year, only Fox’s New Girl and The Mindy Project survived and continue in the slot. Meanwhile, ABC and NBC are both back at it, with ABC scheduling new comedies The Goldbergs and Trophy Wife in the fall and NBC slating Welcome To The Family and About A Boy in midseason. “Last year, we had very similar comedies airing against each other,” ABC president Paul Lee said today about the scheduling move. “Now we have a blockbuster show at 8 PM (Marvel’s Agents Of S.H.I.E.L.D.), we will be promoting The Goldbergs, and we’re playing from strength as (ABC comedies are tackling) areas nobody is.” It is true that last year, most 9-10 PM comedies were ensembles about single people (New Girl, Mindy, ABC’s Happy Endings and Don’t Trust The B—-, and NBC’s Go On), but this year both ABC and NBC are going for family fare in the hour.

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2013-14 ABC Schedule

By THE DEADLINE TEAM | Tuesday May 14, 2013 @ 9:03am PDT

2013-14 ABC Schedule
(New programs in UPPER CASE; all times ET/PT)

MONDAY
8 PM – Dancing With The Stars
10 PM – Castle

TUESDAY
8 PM – MARVEL’S AGENTS OF S.H.I.E.L.D.
9 PM – THE GOLDBERGS
9:30 PM – TROPHY WIFE
10 PM – LUCKY 7

WEDNESDAY
8 PM – The Middle
8:30 PM – BACK IN THE GAME
9 PM – Modern Family
9:30 PM – SUPER FUN NIGHT
10 PM – Nashville

THURSDAY
8 PM – ONCE UPON A TIME IN WONDERLAND
9 PM – Grey’s Anatomy
10 PM – Scandal

FRIDAY
8 PM – Last Man Standing
8:30 PM – The Neighbors
9 PM – Shark Tank
10 PM – 20/20

SATURDAY
8 PM – Saturday Night College Football

SUNDAY
7 PM – America’s Funniest Home Videos
8 PM – Once Upon A Time
9 PM – Revenge
10 PM – BETRAYAL

Related: 2013-14 Schedule Grid & Top Face-Offs

Related: ABC New Series First Looks: Video

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ABC 2013-14 Schedule: Rebel Wilson Gets Post-‘Modern Family’ Slot, ‘S.H.I.E.L.D.’ On Tuesday, ‘Dancing’ Shrinks To One Night

By NELLIE ANDREEVA | Tuesday May 14, 2013 @ 9:00am PDTTags: ABC, Dancing With The Stars, Super Fun Night
Nellie Andreeva

ABC is launching eight new series in the fall and taking some big swings, including a Tuesday lineup of all-new series, anchored by Marvel’s Agents Of S.H.I.E.L.D.. Rebel Wilson’s hot streak continues, with the rising star landing the post-Modern Family slot for her comedy Super Fun Night. ABC is looking to stem Dancing With The Stars‘ ratings decline by eliminating the Tuesday edition, with the Monday 8-10 PM show incorporating both performances and results. Dancing, as well as The Bachelor, Shark Tank and The Taste have been formally renewed for next season. Here is ABC’s fall schedule, analysis and descriptions of all 13 new series for next season, including newly picked up adventure reality series The Quest from The Amazing Race creators Bertram van Munster and Elise Doganieri:

Related: ABC To Air Some Dramas In Two Batches Of 12 Episodes

ABC FALL 2013-2014 SCHEDULE
(New programs in UPPER CASE; all times ET/PT)

MONDAY
8 PM – Dancing With The Stars
10 PM – Castle

TUESDAY
8 PM – MARVEL’S AGENTS OF S.H.I.E.L.D.
9 PM – THE GOLDBERGS
9:30 PM – TROPHY WIFE
10 PM – LUCKY 7

WEDNESDAY
8 PM – The Middle
8:30 PM – BACK IN THE GAME
9 PM – Modern Family
9:30 PM – SUPER FUN NIGHT
10 PM – Nashville

THURSDAY
8 PM – ONCE UPON A TIME IN WONDERLAND
9 PM – Grey’s Anatomy
10 PM – Scandal

FRIDAY
8 PM – Last Man Standing
8:30 PM – The Neighbors
9 PM – Shark Tank
10 PM – 20/20

SATURDAY
8 PM – Saturday Night College Football

SUNDAY
7 PM – America’s Funniest Home Videos
8 PM – Once Upon A Time
9 PM – Revenge
10 PM – BETRAYAL

From ABC’s returning series, left off the schedule are comedy Suburgatory and reality series The Bachelor, which comes on in midseason, and The Taste.

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TV Teaser: ‘Marvel’s Agents Of S.H.I.E.L.D.’

By THE DEADLINE TEAM | Sunday May 12, 2013 @ 6:05pm PDTTags: ABC, Joss Whedon, Marvel's Agents of S.H.I.E.L.D.

UPDATE: Here’s the full 30-second first look at ABC‘s Marvel’s Agents Of S.H.I.E.L.D. unveiled tonight:


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‘The Great Gatsby’ Hip-Hops To Big $52M; But ‘Iron Man 3′ Still Tops; ‘Peeples’ Flops

By NIKKI FINKE, Editor in Chief | Saturday May 11, 2013 @ 10:00pm PDTTags: Box Office, Iron Man 3, The Great Gatsby, Warner Bros

Great Gatsby Box OfficeSATURDAY PM/SUNDAY AM, 4TH UPDATE: There’s more good news at the box office for the start of Summer 2013. Domestic grosses for Warner Bros‘ The Great Gatsby (3,035 theaters) just keep going strong. Big online seller Fandango tells me this female-driven film is heading into Mother’s Day and ticket sales show no signs of flagging across the country from city to heartland. Despite audiences giving it a ‘B’ CinemaScore. In addition to moviegoers showing up dressed in 1930s period costumes, exhibitors are reporting some audiences spontaneously bursting into applause when Leonardo first appears on screen. (When’s the last time that happened?) That’s prompted some Hollywood execs to speculate this is the original Titanic crowd. Warner Bros hopes the Baz Luhrmann-directed, DiCaprio starrer ”perfectly counter-programs” all the May action movies. My sources’ latest estimates for the 3D tentpole are $19.4M for Thursday/Friday, and -6% for $18M Saturday. Hollywood is expecting an overperforming $52M first weekend for the romantic drama co-financed by Village Roadshow and based on F. Scott Fitzgerald’s 1925 classic novel. The #1 film is still Disney/Marvel’s Iron Man 3 (which has the biggest theater count at 4,253) with $19.7M Friday (-72% from last Friday’s huge opening) and a huge $33M Saturday for $75M this weekend. (Last year The Avengers made an incredible $103M in its second weekend…) Before Friday, IM3 grossed $794M — international cume $581.6M and domestic $212.4M. Now the North American cume should be $287.4M through Sunday. Yowza! The only other major newcomer is Lionsgate’s Peeples (2,031 theaters), a ‘Tyler Perry Presents’ comedy not written or directed by him but by Tina Gordon Chism. It received a ‘B-’ CinemaScore and weak grosses even for a tiny budget of $15M: $1.1M Friday and $1.8M Saturday for a $4.2M weekend.

Gatsby‘s success might all seem surprising considering the film’s uneven reviews. Then again these critics — the vast majority white middle-aged men — are complaining about Luhrmann’s supposed “sacrilege” in adding hip-hop to Gatsby which of course is set in the decade dubbed “The Jazz Age”. Way to make themselves look old and out of touch. (Are these the same purists who piled on when Bob Dylan went electric? I found the music a fresh touch.) While Leo’s and Tobey Maguire’s performances are praised, Carey Mulligan’s is not. Then again there were misgivings in the media from the day the extravagant Baz project was first announced – the 4th attempt to film the novel after Warner Baxter starred in 1926, Alan Ladd in 1949, and Robert Redford in 1974. But tracking told a different story: it was strong from the day Lurhmann’s version co-scripted with Craig Pearce came on — especially heavy with females but also registering decently with men. The Great Gatsby kept improving its numbers as the full frills and very effective marketing campaign took hold. Even without P&A, the movie’s cost reportedly ballooned up to $200M. But Warner Bros claims that figure is $160M, which was brought down to $105M because of ”tons of rebates” from Luhrmann’s Australia filming location. That was then split 50-50 between the studio and co-financier Village Roadshow. (Initially the budget was $80M when Sony passed, and then $120M when Warner Bros and Village Roadshow first came aboard.) Read More »

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