HBO, FX Lead Critics’ Choice TV Noms — But Where Are ‘Mad Men’ And ‘Modern Family’

By ERIK PEDERSEN | Tuesday May 21, 2013 @ 10:40pm PDT

Last year, the Broadcast Television Journalists Association likely helped fuel Homeland‘s surprise Emmy win by awarding its top drama prize to the then-rookie Showtime series. But with today’s announcement of nominees for its 3rd annual Critics’ Choice TV Awards, the group might make more noise with what it spurned than what it honored. HBO and FX lead the network tally with 21 and 19 noms, respectively, and CBS’ The Big Bang Theory and FX’s American Horror Story each drew six to top all programs, though the latter is not among the six finalists for Best Drama Series. However, a look at the Best Comedy and Best Drama races reveal some surprising omissions. Missing from the BJTA’s comedy series hopefuls are three-time defending Emmy champ Modern Family, along with recently wrapped perennial 30 Rock and, perhaps most glaringly, HBO’s hipster darling Girls. And conspicuously absent from the drama series combatants is four-time Emmy winner Mad Men, which earned only a single nom, for lead actress Elizabeth Moss.

Related: Critics’ Choice TV Awards: ‘Homeland’, ‘Community’ & ‘Sherlock’ Double Winners

Instead, vying for the Critics’ Choice Award for best drama are Homeland, HBO’s Game Of Thrones, PBS’ Downtown Abbey, CBS’ The Good Wife and AMC’s Breaking Bad — all of which also were nominated in the category last year — along with FX’s … Read More »

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Ricky Gervais Series ‘Derek’ Gets September Netflix Premiere

By THE DEADLINE TEAM | Tuesday May 21, 2013 @ 9:40am PDT

Ricky Gervais writes, directs, exec produces, and stars in the original series about a naive man who works in a nursing home, which Netflix will debut at 12:01 AM PT on September 12. Derek already premiered in the UK via Channel 4. The show will launch stateside and in international Netflix territories including Canada, Ireland, Latin America, Brazil and the Nordics in seven 30-minute episodes launching simultaneously. A second season has already been renewed. David Earl, Karl Pilkington and Kerry Godliman star in the comedy-drama series as fellow care workers. Derek is produced by Derek Productions Ltd. for Netflix.

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UPFRONTS 2013: The Overachievers

By NELLIE ANDREEVA | Friday May 17, 2013 @ 7:18pm PDT
Nellie Andreeva

First off, congratulations to all writers, producers, actors and agents who landed new series this week. I know it wasn’t easy. Here is Deadline’s annual list of those who excelled at the upfronts. I tried to be inclusive, but if I’ve missed anyone who’s had a banner week, let me know. I’ve also compiled a list of pods and independent producers with multiple broadcast series.

Cougar Town co-creator Bill Lawrence and his Doozer banner had three new series unveiled at the upfronts this week: comedies Undateable on NBC, Surviving Jack on Fox and Ground Floor on TBS. Also, TBS recently renewed Cougar Town for a fifth season.

Related: 2013-14 Schedule Grid & Top Face-Offs

J.J. Abrams‘ Bad Robot claimed one of the top new drama series last season with NBC’s Revolution and one of the hottest sophomore shows with CBS’ Person Of Interest. The company is keeping the momentum with two new series orders for next season: Almost Human at Fox and Believe at NBC.

Independent producer Aaron Kaplan of Kapital Entertainment received two new series orders from the broadcast networks: Back In The Game at ABC and Friends With Better Lives at CBS. Additionally, his freshman ABC comedy The Neighbors was renewed and his ABC pilot Bad Management is in serious contention for a series pickup. Kaplan also received two cable series orders in the past month, for Chasing Life on ABC Family and Instant Mom on NickMom, and also has comedy series Wendell & Vinnie on Nick at Nite and pilot HR at Lifetime.

Writer-producer Julie Plec also landed two new series this week, both at the CW: She wrote/executive produces the planted Vampire Diaries spinoff The Originals and executive produces The Tomorrow People. Additionally, she executive produces TVD, giving her three series on the air next season. (Fellow Tomorrow People executive producer Greg Berlanti has two, including returning CW hit Arrow.)

Another drama writer-producer, former ER showrunner David Zabel, saw both of his pilots picked up. He is the writer/exec producer on ABC’s Betrayal and co-writer/exec producer on ABC’s Lucky 7. Read More »

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Upfront Market: Will Auto Makers Subsidize TV Networks’ Rising Programming Costs?

By DAVID LIEBERMAN, Executive Editor | Friday May 17, 2013 @ 11:27am EDT

This is a — and possibly “the” — key question for Big Media investors coming out of the major broadcast and cable networks’ upfront programming presentations this week. As the sales pitches wore on it became clear that execs plan to spare no expense to recover from a year of dreary ratings. There’ll be 25 new programs on the Big Four networks, up from 18 planned this time last year. What’s more, “all of the broadcast networks are moving toward year-round original schedules, less re-runs [and] more frequent ‘mini-events’,” Bernstein Research’s Todd Juenger says. He adds that networks continue to depend on star power — for example CBS landed Robin Williams for its sitcom The Crazy Ones and Turner enlisted off-camera help from Michael Bay (Transformers), Dick Wolf (Law & Order), Howard Gordon (Homeland), Frank Darabont (The Walking Dead), and Jerry Bruckheimer (CSI). “These guys don’t come cheap, and we presume they must participate significantly in the back-end,” Juenger says. Execs no doubt feel confident that their bets will pay off. For example, hit dramas could play well in international syndication. Mini-series also should appeal to streaming services including Netflix and Amazon where subscribers like to binge view.

But domestic advertisers still provide lions’ share of revenues for TV shows. And if networks are optimistic about that market, it has as much to do with whether they believe consumers will buy lots of cars as with the merits of what programmers put on the screen. “Auto represents about 13% of annual TV ad spend and is seen as a pivotal player in this year’s upfront,” says Janney Capital Markets’ Tony Wible. That may be good news for the networks: Car companies appear to be headed for a big year as the economy improves and consumers take advantage of today’s low interest rates. As a result, Wible says “the tone of the upfront was more in favor of the sellers than we had anticipated” — leading him to forecast “substantial CPM [unit cost] increases that will offset recent ratings losses.” UBS Investment Research’s John Janedis forecasts that cable CPMs will be up as much as 7% with the major broadcasters “slightly better,” although some advertisers will just shift dollars for late this year from the scatter market to the upfront “which will make the total dollars look a little better.” Read More »

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Cannes: Brian Grazer, Ron Howard Introduce Imagine 2.0; A Pele Pic On The Croisette, A Crowd-Funded ‘Friday Night Lights’, ‘Dark Tower’, Jay-Z And One Angry White Whale

Mike Fleming

EXCLUSIVE:When Imagine Entertainment partners Brian Grazer and Ron Howard re-upped in their 26th year at Universal in early 2012, like all studio term producers they watched the deal get smaller. They also went from exclusive to first look and while that might have humbled less energetic founders who’d made 50 films for the same studio, Grazer and Howard took it as license to tap into new avenues of distribution and funding to be more productive than ever.

Consider that while Howard tinkers with the finished Formula One drama Rush and casts the Warner Bros adaptation of the Nathaniel Philbrick novel In The Heart Of The Sea with Chris Hemsworth, Grazer is on the Croisette, beating the drum for a Pele biopic to be directed by The Two Escobars helmer Jeff Zimbalist and his brother Michael. Grazer and production president Kim Roth called the film a close cousin to the search for genius depicted in 8 Mile, only here it’s a dirt-poor kid’s journey from being part of the Shoeless Wonders (a band of soccer wunderkinds too poor to afford shoes) to a phenom who at 17 led Brazil to the World Cup. Grazer and his partners will have the film ready by the time the world is whipped into a frenzy for World Cup action next year.

* While they’ve temporarily halted the move to turn Jack Bauer loose in a 24 feature, they’ve instead decided to bring him back in a limited series, this after selling an Arrested Development revival directly to Netflix. Grazer tells me they are absolutely moving forward with a movie version of another Imagine series, Friday Night Lights, and they will likely use crowdfunding to directly tap the rabid fan base of that drama for some of the budget. “We made a terrific feature with Pete Berg, turned it into a terrific TV series and will now make a movie from that series,” Grazer said. “I’m not sure such a thing has been done before.” Read More »

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Will Ferrell And Conan O’Brien Mock TV Business At Turner Upfront

Turner Entertainment seems to try hardest to make advertisers laugh at its upfront presentation — and generally succeeded this time with help from Will Ferrell, Conan O’Brien, and TBS newcomer Pete Holmes. In a recorded routine, Ferrell said that he had bought the company and with his background in comedy “I couldn’t care less” about networks including CNN, TNT, and TruTv. Since “I like to mess around with my new toys,” he introduced the new boss: Charles Barkley. The former NBA star said that since “I’m in charge now” viewers would be “seeing a lot more Charles Barkley” — cutting to clips from Turner shows that insert him into the action. “This is the kind of bold thinking I was hoping for,” Ferrell said. “With me as CEO of Turner, and Charles, can you really go wrong?”

Related: TBS Urges Advertisers To Favor Engagement Measures Over Demo Ratings Read More »

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Lorenzo Di Bonaventura & Break Media Team For Multi-Platform Pic ‘Higher Power’

By DOMINIC PATTEN | Wednesday May 15, 2013 @ 11:32am PDT

EXCLUSIVE: Transformers producer Lorenzo di Bonaventura is making his first foray into the digital world, joining with Break Media on thriller Higher Power (see trailer below). Produced by Di Bonaventura Pictures and the digital video company’s SVP Entertainment Development Greg Siegel and Evan Cholfin, the film is a sci-fi thriller about a regular guy who acquires the power of a demi-God. The plan is to shoot Higher Power as a feature but release it in several formats. As one example, the movie will be reformatted into chapters to be distributed online through Break Media’s male-targeted network. Higher Power will also come out as a feature through more traditional distribution options including Netflix and Amazon, VOD and international film and television channels. 300 and X-Men Origins: Wolverine VFX specialist Matthew Santoro is slated to direct from a script by Julia Fair. “We are very excited about the opportunity to partner with Greg, his team at Break Media, and Matt and Julia on this project, which I believe can be a new model for bringing high-concept, long-form content to the public,” said di Bonaventura in a statement today. Both di Bonaventura and Santoro are repped by CAA. Check out the trailer here:

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Kevin Spacey To Deliver MacTaggart Lecture; Speech Usually Given By Major UK TV Execs

In a first for a Hollywood star, Kevin Spacey will deliver the keynote MacTaggart Lecture at the Edinburgh International TV Festival in August. The influential speech traditionally focuses on serious issues facing the UK TV business. It has in the past been delivered by three members of the Murdoch family: Rupert, James and Elisabeth, who gave last year’s address. Other previous speakers include Ted Turner, Eric Schmidt and former BBC chief Mark Thompson.

Spacey’s involvement comes on the heels of exec producing and starring in House Of Cards, which Netflix positioned as a game-changer by releasing all 13 episodes of the drama’s first season at once. Season two is currently filming. On giving the MacTaggart, Spacey said, “Clearly this has been an exciting period for me personally, but also I believe this is a time of huge opportunity, innovation and creativity for all of us who live to tell stories and engage audiences. I’m excited to share my thoughts and meet players from across the media industry. I’m also an Edinburgh TV Festival virgin so have no idea what I am letting myself in for!” Read More »

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TV Teaser: ‘Arrested Development’

By THE DEADLINE TEAM | Sunday May 12, 2013 @ 8:00pm PDT

Here’s your first look at the reborn Arrested Development, which debuts 15 new episodes on Netflix on Sunday, May 26 and this week launches a viral Bluth’s Frozen Banana Stand campaign on the streets of New York. Check it out:


Watch this video on YouTube.

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WE TV Eyes Expansion Into Scripted Programming With Series Order To AMC’s LaGravenese/Goldwyn Drama Pilot

By NELLIE ANDREEVA | Friday May 10, 2013 @ 12:12pm PDT
Nellie Andreeva

EXCLUSIVE: AMC Networks‘ female-focused WEtv is looking to follow in the footsteps of siblings AMC, IFC and Sundance Channel by moving into original scripted series. I hear WE is getting help in its plans from AMC, whose untitled Richard LaGravenese/Tony Goldwyn drama project is eyed to become WE’s first scripted series. (The cable network also is exploring other scripted ideas.) I hear WE is considering a nine-episode order to the LaGravenese/Goldwyn project, originally ordered as a pilot by AMC last year. It is a legal thriller centered on a district attorney (Damon Gupton) who uncovers new evidence that prompts the reinvestigation of a sensational murder case. It explores race, capital punishment, personal morality and how people struggle with the shades of gray found in the absence of a simple, ordered moral universe. I hear the potential series order is contingent on finding a showrunner as David Manson, who ran the pilot at AMC, has since moved to Netflix’s House Of Cards as executive producer. LaGravenese wrote and Goldwyn directed the pilot, which the two executive produced, with Andrew Sugarman serving as a co-executive producer. Marin Ireland, Clarke Peters and Aunjanue Ellis co-star in the pilot, which didn’t get a series pickup in December alongside Low Winter Sun but was left in contention. WE, which like AMC started off airing commercial-free movies, currently has its scheduled dominated by unscripted series, led by flagship … Read More »

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LoveFilm To Stream ‘Vikings’ In UK & Germany

By NANCY TARTAGLIONE, International Editor | Friday, 10 May 2013 15:10 UK

In the company’s first such deal, Amazon-owned LoveFilm has acquired exclusive streaming rights to History‘s Vikings for the UK and Germany. The Netflix rival will make all nine episodes of the hit show available via LoveFilm Instant in the UK on May 24 and in Germany on June 15. Vikings, handled internationally by MGM Television, is the No. 1 new cable series of the year in the U.S. and was renewed for a second season in April. This marks the first time LoveFilm has pacted for a series to stream on the service ahead of traditional broadcast television. Amazon Studios recently used the platform for its pilot screening process, making a slate of 14 pilots available on Amazon Instant Video, LoveFilm UK and LoveFilm Germany.

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CW’s ‘The Carrie Diaries’ & ‘Nikita’ Renewed

By NELLIE ANDREEVA | Thursday May 9, 2013 @ 3:33pm PDT
Nellie Andreeva

And just like we predicted a month ago, the CW has renewed all of its existing series. The last to get the nod today are The Carrie Diaries and Nikita. The network is not confirming the sizes of the pickups, but Carrie’s is automatically a 13-episode order as it is a midseason show, and I hear Nikita will return for a six-episode cycle. I had heard that could be the final chapter for Nikita, though if the limited event series format works, the CW may leave the door open to additional installments. The network had been looking to break into the limited series format for the last couple of seasons. Carrie Diaries and Nikita join previously renewed Arrow, The Vampire Diaries, Supernatural, Hart Of Dixie and Beauty And The Beast.

Related:
CW Picks Up ‘The Tomorrow People’, ‘The 100′, ‘Reign’ & ‘Oxygen’
‘The Selection’ Dead At The CW Read More »

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Will Indie Distributors Hit It Big With Paid YouTube Channels?

By JEN YAMATO | Thursday May 9, 2013 @ 1:13pm PDT

Among the more interesting new paid YouTube channels of the 30 unveiled today are the ones belonging to indie film distributors leading the charge into untested digital and outside-the-box models. Cinedigm relaunched their Docurama brand in April with a library of 1,250 documentary features, also plotting a streaming app for launch this spring which would make more than 150 Docurama titles available for free on multiple devices. Their new curated Docurama YouTube channel could similarly boost digital niche moviewatching and carve a path for other distributors and filmmakers exploring alternative distribution online. For $2.99 a month, users will get access to Docurama’s playlist of docu features and bonus materials refreshed each week, with 25% of those feature offerings being new or recent releases. (All of YouTube’s new premium channels will first launch with a 14-day free trial.) The ambitious growth plan set in motion last year under Cinedigm CEO Chris McGurk so far has also included a plan to help outfit drive-in theaters with digital projectors and last month’s Arthur Newman BitTorrent experiment.

Related: YouTube Unveils First 30 Paid Channels Read More »

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Netflix Lands Exclusive Licensing Deal For Two Disney Kids’ Shows

By THE DEADLINE TEAM | Thursday May 9, 2013 @ 8:10am PDT

BEVERLY HILLS, Calif. and BURBANK, Calif., May 9, 2013 — Netflix, Inc. (Nasdaq:NFLX) and The Disney/ABC Television Group (NYSE:DIS) today announced a new multi-year licensing agreement that will make Netflix the exclusive U.S. subscription television service for one of the most popular shows on Disney Junior, Jake and the Never Land Pirates, as well as fan favorite Disney XD show Tron: Uprising. In addition, Handy Manny, Special Agent Oso and JoJo’s Circus will also be available for members in the U.S. to watch instantly later this month.

Read More »

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Starz Q1 Revenues Fall As Distributors Play Hardball On Renewal Terms

By DAVID LIEBERMAN, Executive Editor | Thursday May 9, 2013 @ 8:11am EDT

The folks at Starz couldn’t have been happy writing this morning’s earnings release. Start with the numbers: The premium cable network company generated Q1 net income of $58.2M, -26.5% vs the period last year, on revenues of $399.3M, -1.4%. Analysts expected revenues to hit $404.5M. And earnings at 47 cents a share missed forecasts for 49 cents. But the explanations had to have been equally painful. The company says revenues are off in part due to the expiration of its distribution deal with Netflix last year. It adds that it also had to renew two distribution deals in Q4 “on less favorable financial terms than the prior affiliation agreements.” On top of that Starz Animation’s Film Roman studio had fewer projects in the pipeline. Although programming costs fell 9.3% to about $146M, other expenses were up including a 21.2% increase in sales and administrative to $69.2M while stock-based compensation was up 181% to $7.3M. On a cheerier note, Starz subscriptions at the end of March were up 1.9% from the end of 2012 to 21.6M while Encore subs were +8.6% to 35.1M. CEO Chris Albrecht says that the subscription growth is a sign of “solid operational performance.” He adds that the company has renewed Da Vinci’s Demons for a second season and is “confident that over time our approach to original programming will deliver strong shareholder value.”

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Amy Poehler & Her Brother Launch Production Company, Land Series On Swedish TV With Entertainment One

By NELLIE ANDREEVA | Wednesday May 8, 2013 @ 7:43pm PDT
Nellie Andreeva

Amy Poehler and her brother Greg Poehler have launched Syskon, a production banner dedicated to developing half-hour comedies. The first series to come out of the company, Welcome To Sweden, created by and starring Greg Poehler and co-starring Lena Olin and Illeana Douglas and Patrick Duffy, has just been ordered by Sweden’s TV4. A fish-out-of-water comedy, Welcome To Sweden is based on Greg Poehler’s true-life story about a New York accountant, Bruce (Poehler), who falls in love with a Swedish girl, Emma, and follows his heart to Sweden. Making his acting debut, Greg will star along with Josephine Bornebusch (Solsidan) as Emma, Olin as Emma’s mother Viveka, and Douglas and Duffy as Bruce’s parents. Welcome To Sweden, which marks TV4′s first English-language co-production, will be produced by local Swedish producer FLX (TV4’s comedy Solsidan), with Entertainment One handling worldwide rights. Amy Poehler and Greg Poehler executive produce. Read More »

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BitTorrent Bundle Offers First Ever ‘Gated Torrent’ For Content Creators

By JEN YAMATO | Tuesday May 7, 2013 @ 11:00am PDT

BitTorrent seems an unlikely ally for content creators given its past association with online piracy. But the file sharing site today unveiled yet another tool designed to help media makers to connect with fans – and profit from it. Its latest initiative, the BitTorrent Bundle, introduces a “gated” multimedia torrent designed to boost engagement within its 170 million-strong user base. The format allows creators to put content on offer on BitTorrent, add supplemental multimedia content of any file format or size, and set parameters for how fans can access the bonus materials, potentially via email gate, donation, or pay gate. BitTorrent’s Bundle launches in alpha with EDM music label Ultra Music but the company hopes film and TV creators take advantage of the program as an option for digital distribution. Bundle’s gated torrent could be unlocked, for example, by driving fans to Netflix, iTunes, a movie theater, or a Facebook page for a like. The file sharing site got a huge response last month when it partnered with Cinedigm to release the first seven minutes of Arthur Newman free to BitTorrent users, even if the experiment was more of a success for BitTorrent than for the film. The promo had 1.4 million downloads with 150,000 of those downloaders subsequently visiting the movie’s website for more information.

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Big Media Pay: Who Were 2012′s Highest Paid CEOs?

Highest Paid CEOs 2012No surprise about who topped the list of 2012′s highest paid CEOs at the media companies whose compensation practices I track most closely. (See here for an explanation). CBS’ Les Moonves returns to the head of the pack with $62.2M, even though his package was 11.1% smaller than it was in 2011. That was an anomaly: The top 20 collectively made $542.7M, up from $416.6M in 2011, according to company proxy statements filed at the SEC. It took $25.9M to crack the Top 10 — last year Time Warner Cable’s Glenn Britt made it with $16.4M. The most notable change in this year’s list vs 2011 is the jump by Liberty Media’s Greg Maffei to No. 2 from No. 28 as his company adjusted stock options just in case the feds change the corporate deduction this year for performance-based compensation.

Related: Big Media Moguls With Out-Of-Whack Compensation

Yahoo’s Marissa Mayer also joins the top 10 following her move there from Google. Her appearance also highlights a quirk in this year’s list which has more CEOs than companies: Yahoo had three CEOs last year (Mayer is still there) and there were two apiece at Sirius XM (James Meyer replaced Mel Karmazin) and Cinemark (Tim Warner is now in charge). Also, remember that this list just includes corporate CEOs, not division chiefs or board chairs. I’ll be back soon with a list of the highest-paid media execs. The numbers on the right are the amount in millions of dollars for the total compensation as reported by each company.

Here’s our list of 2012′s highest-paid media CEOs: Read More »

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Big Media Moguls With Out-Of-Whack Compensation: EXCLUSIVE DEADLINE LIST

Media CEO Compensation 2012EXCLUSIVE: Big Media companies don’t tell you when something’s rotten with the corporate culture. But this list should help you begin your search. This is Deadline’s third annual tally of out-of-whack CEO compensation. It’s an account of chiefs who not only make vastly more than you and me, but also collect far more than their closest colleagues at their own companies. Corporate governance experts become concerned when a CEO consistently makes at least three times more than the median for the four other highest-paid execs that the SEC requires companies to list in the annual proxy statement. That’s the standard I use, and it indicates that 14 out of 31 media companies that I tracked and that have already filed 2012 data failed the test — in many cases miserably.

Related: Big Media Pay: Who Were 2012′s Highest Paid CEOs?

Out of whack CEO pay can send a poisonous message to employees, including others in the C-suite. Internal pay parity “is critical to ensuring fairness and encouraging a collaborative team effort,” News Corp says in its proxy. Huge disparities also can tip you off to troublesome boardroom beliefs. It might indicate that directors lack faith in the business or leadership team — and fear that things will unravel if the top dog leaves. It may be a symptom of corporate groupthink where people give the chief credit for everything that goes well, and seek scapegoats for everything that doesn’t. Or it might mean that directors are beholden to the CEO — or share a cynical and grandiose sense of entitlement — and see nothing wrong with helping him (it’s almost always “him”) stuff his pockets with shareholders’ money, even where there’s little danger that he might leave if paid less. Whatever the case, researchers find that all too often the damage from such obeisance to the CEO eventually hurts a company’s performance and stock price. (For example, herehere, here, and here.)

Related:
Out Of Whack — 2011
Out Of Whack — 2010

This list looks at the biggest and best known infotainment providers. I include Web-based companies such as AOL and Yahoo that produce and sell their own content, and added Facebook which depends on ad sales. But I left out ones including Apple and Verizon that generate most of their revenues from hardware or personal communications services. (I’ve also left out Google, where the top execs benefit from stock performance and only collect a symbolic $1 in compensation.) For context, I’ve also noted how many people the company employs, and how that’s changed since the last fiscal year, to see whether these fabulously rich CEOs were job creators. The data isn’t nearly as revealing as it ought to be. For example, the SEC doesn’t require companies to specify how many jobs are based in the U.S., or even how many are full time. I’ve also included the CEO’s 2012 compensation rank among other media chiefs in our list, as well as among all media executives listed in their company proxies, and the average compensation over the last three years. (To avoid having them counted twice, I combined the compensation that Sumner Redstone collects as chairman of  CBS and Viacom, and that Charles Dolan collects at Cablevision and AMC Networks.)

A few things to keep in mind: The SEC reporting rules only cover the top-paid executives of publicly traded U.S. companies. That means we’ll miss a lot of highly paid people who work at subsidiaries of a big company; Universal Studios’ Ron Meyer may be a big deal in Hollywood, but he didn’t make the top echelon at his corporate parent Comcast. Also, the pay data given to the SEC can spike in a year when an executive cashes in stock or collects deferred compensation. Averages also can be skewed when people on the list come and go in the middle of the year. So consider this to be a starting point to judge whether a CEO was paid fairly — not a final verdict.

I’ll be back soon with additional information including a similar list showing CEOs whose pay was more in line with his or her colleagues. Here’s how the out-of-whack CEOs stack up for 2012:

1. Live Nation: Michael Rapino. The concert and ticketing giant had a so-so year generating higher revenues but even higher costs — and a net loss. Last year’s big tours included Madonna, Lady Gaga, Coldplay, Roger Waters, and Bruce Springsteen & the E Street Band. Company shares appreciated 8.1% in 2012, lagging the benchmark Standard & Poor’s 500 which was +12.7%. But the big excitement took place at year-end with the surprising departure of Chairman Irving Azoff, taking performers he represents including Eagles, Van Halen, and Christina Aguilera. That left Rapino clearly in charge — but under the watchful eye of Liberty Media, which owns nearly 27% of the stock. With a flood of option awards, the CEO’s compensation rose 138.4% to $28.5M (The package: $2.2M salary, $243,281 bonus, $2.6M stock awards, $19M option awards, $4.4M non-equity compensation, $46,408 other compensation.) That was a whopping 17.0 times more than the median for the four other highest paid execs — up from last year’s 5.5 times — and 46% of the pie. Even these numbers underplay the disparity in executive pay: The group of other execs includes Azoff who made $27.4M. The company had 7,100 full time employees at year end, up 500. (Pay rank among media CEOs: 9. Among all media execs: 11. Average annual pay over last three years: $18.7M.) Read More »

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