UPDATE: Intl Box Office: ‘Rio 2′ Soars With $63.4M; ‘Captain America: The Winter Soldier’ Blasts Past $300M Overseas; ‘Noah’ Adds $36.2M; ‘Divergent’ Nearing $50M

Highlights: Rio 2 (FOX) has $63.4M weekend, lands $12.6M in China debut; Captain America: The Winter Soldier (DIS) crosses $300M international; Noah (PAR) adds $36.2M; Divergent (LGF/SUM/var) nears $50M; Spanish Affairs (UNI) has 5th No. 1 weekend in Spain…

cinemaworld4th UPDATE, 7:15 PM, PST: The final Divergent  numbers are in, with the film nearing $50M but not yet crossing it; it stands at $48.1M. The film is based on the YA novel of the same name (part of a trilogy) and Lionsgate is hoping it will become another big franchise. This is the same company that launched the wildly successful Hunger Games series. Divergent is at $124.7M in the U.S. after the 3-day weekend for a worldwide gross of $172.8M+.

3rd UPDATE, Monday, 1:52 PM, PST:  New grosses are in for Rio 2, The Grand Budapest Hotel, 300: Rise Of An Empire, The Lego Movie, Spanish Affairs and The Secret Life of Walter Mitty. Rio 2 did better than previously expected internationally over the weekend, with a total tally of $63.4M to date; the worldwide cume on the animated family picture is over $100M.

2ND UPDATE, MONDAY 12:45 AM PT: Last weekend, Captain America: Read More »

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BOX OFFICE FINAL: ‘Captain America 2′ Tally $41.2M, ‘Rio 2′ Runs Afowl With $39.3M, ‘Oculus’ $12M Over Disappointing Opener ‘Draft Day’ With Only $9.7M

OPENING: Rio 2 (FOX) on Friday was expected to fly to No. 1 for $43.9M to $44.3M (Fox was the only one to predict $45M), then Saturday got its wings clipped by Captain America: The Winter Soldier and ended at $39.3M, Oculus (REL) was expected to scare up $12M to $12.8M for third spot and ended up at $12M; Draft Day (LGF) on Fri. was second round pick for $10.9M (although Summit estimated lower $10.5M) and ended the weekend with $9.7M. NOTEWORTHY: Captain America 2 (DIS) expected to fall 56% in second weekend but will take No. 1 with $40.5M to $41.4M to end the 3-day with $41.2M.

BoxOffice_logo__131122164403-275x206UPDATED, MONDAY, 3:37 PM:  Rio 2 opened to $39.3M right in line with the first film which opened in 2011 to $39.2M. That hurts, but overseas, the film has already grossed $63.4M, so it has already pulled in over $100M worldwide and it should get some decent multiples as there is really nothing standing in its way for some weeks to come … well, there is the long- in-release Mr. Peabody & Sherman and Muppets Most Wanted. But for the sequel not to surge past the first film, something went a little haywire. Captain America: The Winter Soldier was the champ again this weekend and the final tally ended up at $41.2M but next weekend, it has competition when Warner Bros. opens the Johnny Depp sci-fi thriller Transcendence. The big disappointment of the weekend was the Kevin Costner, Jennifer Garner football feature Draft Day (LGF). It took in only $9.7M. That’s three in a row for Costner that really didn’t thrill audiences — behind 3 Days To Kill and Jack Ryan: Shadow Recruit, although the criticism for that film really was directed at Chris Pine not being a strong enough lead. Regardless, it’s too bad for all involved. Oculus, despite its C CinemaScore, was able to pull in $12M for the weekend which served Relativity well. Noah also bypassed Divergent to step into the Top Five. Read More »

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CNN’s Anthony Bourdain & Morgan Spurlock Win Time Slots In News Demo

Morgan Spurlockletterman celebs 2 240308TV in general pretty much underperformed Sunday night, but the season premieres of Anthony Bourdain Parts Unknown and Morgan Spurlock Inside Man both surged over their previous season bows by double digits. The 9 PM Season 3 opener of Bourdain’s hybrid foodie travelogue — which visited Punjab, India — posted 325,000 persons 25-54, according to Nielsen’s Live+SD numbers, up 34% over last season’s September 15 bow. Parts Unknown was up against competition that included HBO’s Game Of Thrones, which snagged 6.3M viewers, Oscar nominee Spurlock’s episode at 10 PM, which saw him step into the role of paparazzo, drew 244,000 viewers in the demo — topping last year’s series premiere by 11%. The time slot wins are some welcome good news for CNN, which had which just suffered through one of the worst primetime quarters in its history. The network said last week that Parts Unknown and Inside Man are among the docu-type original series that are replacing Piers Morgan in the 9 PM weeknight slot.

Related: ‘SNL’: The CNN Breaking News Pregnancy Test

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‘Game Of Thrones’ Draws 6.3 Million Viewers To Shocker; ‘Silicon Valley’ & ‘Veep’ Steady

By | Monday April 14, 2014 @ 12:05pm PDT

hbo45__130924185923-275x112HBO‘s Game Of Thrones on Sunday drew 6.3 million viewers at 9 PM, a 48% gain in comparison to last season’s second episode. Last night’s installment, which features yet another shock surprise (we won’t tell you about that in this post — but you can read about it here) that the series is becoming known for, Game-of-Thrones__140319040101-275x407added another 1.7 million across a pair replays later in the night, bringing the viewer tally to 8 million viewers. Those totals are steady with last week’s Season 4 premiere, which garnered a record-breaking 6.6 million viewers – not only was the most watched GoT episode ever but the second-best result HBO has seen since the 11.9 million who watched the series finale of The Sopranos in 2007.

Related:
 ‘Game Of Thrones’ Director Talks Shocking Episode, Teases Season 4 Finale
Spoiler Alert: Was ‘Game Of Thrones’ TV’s Best Offing Ever?

In its second week, the Mike Judge comedy Silicon Valley last night averaged 1.7  million viewers at 10 PM and 2.2. million viewers including replays. It bowed last week with an average of 2 million viewers, the best debut HBO for a half-hour at the network since 2.8 million watched the Hung premiere in 2009.  Veep starring Julia Louis-Drefus followed at 10:30 last night also with its second episode, drawing 860,000 … Read More »

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AMC’s ‘Mad Men’ Season 7 Premiere Lowest Since 2008

By | Monday April 14, 2014 @ 11:28am PDT

MAD MEN SEASON 7 DEBUT 3The end is nigh for Mad Men, and last night the series had its lowest season premiere since 2008′s Season 2. The return of AMC’s acclaimed series for the first part of its 7th and final season drew 2.3 million viewers at 10 PM last night, just ahead of the 2.06 million who watched the Season 2 debut on July 27, 2008. The widely promoted 1-hour debut was down 32% in total viewers from the 3.4 million viewers that watched the Matthew Weiner-created series’ Season 6 premiere on April 7, 2013. That two-hour debut was the second-most-watched episode ever of the period drama. It closely followed the Season 5 debut of March 25, 2012, which was seen by an audience of 3.5 million. In terms of the key demos, last night’s Season 7 debut pulled in 1.1 million viewers among Adults 25-54 and 1 million among the 18-49s. While one of the most DVR’d shows on TV and certain to see a rise when the digital numbers start coming in, last night’s premiere was a dip from the 1.4 million viewers among adults 18-49 and 1.7 million viewers among adults 25-54 that Season 6′s premiere had.

Related: On Eve Of ‘Mad Men’ Premiere, Matthew Weiner Near Millennium Deal For Pic ‘You Are Here’

Now seeing Don Draper thoroughly bicoastal, among other things, last night’s Season 7 start also was down from the … Read More »

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RATINGS RAT RACE: ‘Cosmos’, ‘Once Upon A Time’ & ‘Dateline’ Fall, ‘Crisis’ Up, ‘Resurrection’ Dips

By | Monday April 14, 2014 @ 9:23am PDT

There was a lot of competition from cable last night with the return of AMC‘s Mad Men, Showtime’s Californication and Nurse Jackie and Week 2 of the latest season of Game Of Thronesplus Silicon Valley and Veep on HBO. However the networks weren’t letting down their game with a slate of originals from everyone. Still, lmost everyone was down in adults 18-49 from last week.

COSMOS APRIL 13Fox started the night with its usual animation block of Bob’s Burgers (0.8/3) and American Dad (1.1/4). The two ‘toons were down 11% and 8%, respectively, from their April 6 airings. They were followed by The Simpsons (1.6/5) and Family Guy (2.1/6), which fell 16% and 9% respectively. However, the latter was the highest-rated show on primetime last night. The biggest blow of the night for Fox was for Cosmos: A Spacetime Odyssey (1.2/3). Up against GoT and more, the sixth episode of the Neil deGrasse Tyson-hosted series took a 20% dive from last week in the key demo. That’s a low for the rebooted science show. Read More »

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Specialty Box Office: ‘Only Lovers Left Alive’ Leads Newcomers; Nic Cage’s ‘Joe’ Opens Weak; ‘Railway Man’ Too Disturbing?

By | Sunday April 13, 2014 @ 10:22am PDT

Specialty Box OfficeOnly Lovers Left Alive held sway among Specialty newcomers this weekend, scoring the weekend’s highest average in a fairly crowded box office. The film starring Tilda Swinton and Tom Hiddleston grossed nearly $97K in four theaters, averaging $24,244. Crowds packed the 268-seat Walter Reade Theater at Lincoln Center Friday night where director Jim Jarmusch took part in a Q&A for the 7pm screening of the film (he gave a rather interesting theory on William Shakespeare not being the author of his work).Only Lovers Left Alive The weekend results for Lovers outperformed Jarmusch’s previous 2009 feature The Limits Of Control, which averaged $18,607 in three theaters when it opened in May of that year. It went on to cume over $426K domestically. Broken Flowers which starred Bill Murray, Sharon Stone and Julie Delpy had a slightly higher PTA launch, averaging $28,904 in 27 theaters when it opened in August 2005. The Focus Features release went on to total over $13.744M in the U.S.

“It’s a great start, people really seemed to love the film,” said SPC co-president Michael Barker Sunday. SPC will open Only Lovers Left Alive in New York and L.A. this weekend, expanding to San Francisco, Chicago, Washington, D.C. the following week before heading to the top 50 markets through spring.

railwaymanTWC opened The Railway Man in several locations, grossing $64,506 for an so-so $16,127 average. “We’re off to a respectable start on Railway Man,” said TWC president of Theatrical Distribution Erik Lomis Sunday. “Our exit information confirmed [what we thought]. It was a mostly an older audience. There’s some images that are disturbing, but it’s very relevant today with current events in Fort Hood. What we learned from the U.K. and Australia was that the midweek grosses were about as good as the weekends. So we’re just going to let it roll. Read More »

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CBS’s Stephen Colbert Hire Shakes Up Late Night — And Far Right

LettermanColbert

LisaColumn__131015210634-275x198The day after CBS’s bombshell announcement that Stephen Colbert would replace David Letterman  on Late Show, when things calmed down a bit and reason returned to her throne, industry pundits began to contemplate the deeper meaning of the shift in the late-night landscape. Practically speaking, it means Comedy Central is now one late-night show short — and CBS may be as well, if Late Late Show host Craig Ferguson, or the network, decides to call it a day now that Craig’s for sure not getting the 11:35 PM timeslot.  We’ve all been brought up to speed on the clause in Craig’s contract that landed him a pot of cash if the network settled elsewhere on its Letterman replacement. But Ferguson was quick to tweet his congratulations to Colbert the morning the news broke. That night, Ferguson opened his show with another shout out to Colbert, after which he teased viewers with cracks about resigning — but only for the length of a commercial break. Read More »

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RATINGS RAT RACE: ‘Kitchen Nightmares’ Returns Strong, ‘Neighbors’ Finale & ‘Shark Tank’ Down, ‘Unforgettable’ & ‘Hart Of Dixie’ Up

By | Saturday April 12, 2014 @ 9:45am PDT

Kitchen Nightmares April 11For one of the traditionally quietest nights on TV, there was a lot going on Friday in primetime. For one, the Ramsayfication of Fox continued anew with the return of Kitchen Nightmares last night and that seems to have been a good place to be. Back for its sixth season, Gordon’s weekly attempt to save a failing establishment kicked off with a 2-hour debut that saw Ramsay return to Scottsdale, Arizona and Amy’s Baking Company, which he stalked out of last year, and then head to Denver to help a struggling pizza joint. In its first spring premiere, the 8 PM (1.2/5) KN was up 33% from the 0.9/3 rating among adults 18-49 that its 1-hour October 26, 2012 Season 5 debut drew in the same slot. The 9 PM (1.1/4) airing last night saw a 22% rise over the last season opener. Time slot to slot, the restaurant makeover series was even last night with its last season finale on May 10, 2013. Read More »

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Jimmy Kimmel To Interview Shonda Rhimes After ‘Scandal’ Finale In Special Edition of ‘JKL’

By | Friday April 11, 2014 @ 11:52am PDT

JimmyKimmelABC‘s Jimmy Kimmel Live will be in repeats all next week — except Thursday, when he will interview Scandal creator Shonda Rhimes from the set of her show in what’s being billed as a Jimmy Kimmel Live: Behind The Scandalabra  special. The ABC late-night star has tended to do his best numbers, in total viewers and the demo, on Thursdays because his program has been branded Scandal Thursdays on that night, featuring guests from Rhimes’ Thursday hit. Scandal is airing its season finale that night. The episode will also feature a Scandal blooper reel and the full anthology of Kimmel’s Spanish-language spinoff, Escandalo.

Related: RATINGS RAT RACE: ‘Scandal’ Steady Ahead Of Season Finale

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Could It Be Curtains For The ‘Law & Order’ Franchise This Season With End For ‘SVU’?

By | Friday April 11, 2014 @ 8:37am PDT
Nellie Andreeva

svuThat is one of the most intriguing questions heading into the upfronts this year. Of Dick Wolf‘s five Law & Order series, only one — first spinoff Law & Order: SVU – is still on the air. But its renewal is being complicated by financial issues. Now in its 15th season, Law & Order: SVU is the longest-running drama series currently on TV. As a high-end drama at that age, it is inherently expensive, leading to periodic budget reviews. Last year, SVU, nbclogoalong with Wolf’s then-freshman Chicago Fire, received early pickups. This year, Chicago Fire and freshman spinoff Chicago P.D. were among the shows to get early renewals by NBC last month, but SVU wasn’t. (All three are produced by NBC sibling Universal TV, where Wolf is based.) I hear the holdup has to do with a pay cut Wolf had been asked to take in order for SVU to come back, something he has been unwilling to do.

Related: On The Bubble: Where Endangered Broadcast Series Stand

Both sides have a point. Wolf’s camp could argue that SVU is having one of its strongest seasons in years, with star Mariska Hargitay getting notices for her nuanced performance. Averaging a 2.5 adults 18-49 rating (most current), SVU ranks as the No. 4 NBC scripted drama this season behind The Blacklist (4.3), Chicago Fire (2.9) and Grimm (2.6). Last night, the show matched its best 18-49 Live+Same Day rating (2.1) since the season premiere, up 21% from last week. SVU also is up double digits vs. last season, by 21% in 18-49 and by 17% in total viewers, and has an off-network deal with USA. Plus, I hear Wolf had taken a pay cut on the show once and is reluctant to do it again.

chicagopdfireOn the other hand, as solid as they are, SVU‘s numbers still are nowhere near the show’s heyday, prompting the network’s request for cost reduction. Ironically, NBC is in position to hold firm in part because of Wolf’s success with the Chicago Fire franchise. With young series like The Blacklist, Grimm, Chicago Fire and Chicago P.D. (2.4 in 18-49) doing as well or better than SVU, the network is far less dependent on the veteran than it was just a couple of years ago. Read More »

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MIPTV: ‘Rising Star’ Rollout Begins; Will It Cement Position As The Next Big Thing?

mip tv logo 2Much as it did with October’s Mipcom, Israel’s Keshet International dominated the just-wrapped Mip-TV market. The savvy folks behind Rising Star energized the Croisette this week with ticking time bomb format Boom!, which closed at least a deal a day including in the U.S., France, Spain, Belgium and Hungary. And, interactive singing competition Rising Star, which had already locked down more than 25 territories since last October, is still selling. But save for Brazil, which on Sunday became the first territory outside Israel to debut a local version of Rising Star, the shows have yet to be tested abroad and Mip was abuzz with anticipation, mixed with some skepticism, about the ultimate results. Underscoring that, Brazil, which scored strong numbers, had a technical glitch that meant some home keshetviewers had trouble entering their votes. I understand this was not the same sort of situation suffered by NBC’s Million Second Quiz last year when its app crashed during the premiere. In the case of Rising Star, I’m told there was no loss of connectivity and the live show was not affected. But, it’s a fair bet that other networks who have acquired the format are keeping a keen eye on the international rollout. Portugal is next to bow in May, and ABC debuts the format in June; it’s playing close to the vest with details.

boom!In Cannes this week, execs up and down the Croisette praised the folks at Keshet International for their marketing acumen, enthusiasm and ability to generate creative formats. The company is often credited with putting Israel on the TV map thanks, most notably, to scripted drama Prisoners Of War, aka Homeland. The deal success of Rising Star, and now Boom!, had more than one observer marveling this week that Keshet has taught “a masterclass in marketing.” A key element of that masterclass includes bringing both formats to the Riviera sales shows hot on the heels of their respectively record-breaking debuts in Israel on Keshet Channel 2. Each format’s gimmick has also been highly touted. Rising Star‘s interactive app, incubated in Tel Aviv’s cutting-edge start-up community, lets viewers control the show’s outcome. Boom! is more of a straightforward quiz show. But the concept of contestants defusing (fake) bombs onstage, while shocking some, has made buyers sit up and take notice. Read More »

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CBS’ Late-Night Drama Not Over Yet Despite Practically Perfect Stephen Colbert Hire

CBS Late Show marqueeCBS’ announcement today that Comedy Central rock star Stephen Colbert would replace David Letterman as host of its late-night show in 2015 caps a whirlwind week in which the network jumped from being just a little footnote in the coverage of The Battle Of The Two Jimmys to the undisputed star of the late-night drama. But don’t get out of your seats yet – the drama’s not over. CBS execs are thought to be frustrated with Craig Ferguson’s show that follows Dave’s (it is co-produced by CBS and Letterman’s Worldwide Pants, which will depart as Late Show producer when its boss retires.) Ferguson’s numbers have not broadened out as CBS had hoped, and there are rumblings that CBS isn’t done yet and we should expect another move to come. On the bright side, Ferguson will now benefit from the lucrative (reportedly in the neighborhood of $5M) succession clause in his contract, CBS having made its other choice.

Related: David Letterman On Stephen Colbert’s Hire

Asked about Ferguson’s future at the network, CBS chief Leslie Moonves today acknowledged Ferguson’s contract is up soon, adding, “we’re having conversations” and “there is nothing to report now.”

Craig Ferguson LettermanMoonves being a confirmed showman, his network went into information lock-down the instant Letterman announced his retirement last Thursday. Since then, until this morning’s Colbert news, network execs approached by reporters with succession questions took on the cautious reserve usually seen in cbs-logo__120711164808__121116195436__130108233101__130716162250__130926192712__131121001522better breeds of canines when offered a piece of green leafy vegetable by a stranger of whose bona fides they are not convinced. The reporters, who had flung themselves at their computers and pounded out their Dave Is Leaving copy in an ecstasy of Era-Ending Grief, tore through the list of supposed candidates, most of whom were dismissable:

* Leno, who went out on top in the late-night ratings — a storyline worth sticking with.

* Chelsea Handler, who had a jump-start over the others, having already begun her E! Is a Sad, Sad Place To Live Tour in search of a new late-night job, but who is one of those tough modern female comics, with their sardonic eyes and their freedom of speech and breadth of vocabulary, which made her a lousy fit for Moonves, who is passionate about legacy and prestige.

* Neil Patrick Harris, consummate song-and-dance man and a longtime player at The Les Moonves Repertoire Theatre, who, though a much better fit than, say Handler, took himself out of the running when he said late-night would be an insane amount of work, and he hadn’t actually been approached.

* Tina Fey, a member of The Lorne Michaels Repertory Theatre, who would have had to competing against Michaels’ exec produced The Tonight Show, now hosted by her former SNL Weekend Update partner Jimmy Fallon.

* Louis C.K., who only made the list because, on his FX comedy, he once played a version of himself who was in line to replace Letterman, and the media loves art-imitates-life gags.

* Jimmy Kimmel, who only made the list because he told TV Guide last month, “I’d definitely consider it,” when asked if he’d go to CBS to replace Dave, adding, “I am loyal to ABC and grateful to them for giving me a shot… I’m not looking to flee. But just getting a call from Dave would be big for me. So it’s definitely something I would listen to.”

Read More »

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RATINGS RAT RACE UPDATE: ‘Agents Of S.H.I.E.L.D.’ & ‘Voice’ Adjusted Up, ‘Chicago Fire’ & ‘About A Boy’ Down

By | Wednesday April 9, 2014 @ 2:22pm PDT

BRETT DALTON, CHLOE BENNET, CLARK GREGGUPDATE, 2:22 PM: The final numbers are in and Marvel’s Agents Of S.H.I.E.L.D. has seen a rise of two tenths for a second week in a row. While still down from last week’s 2.0/6, last night’s 1.9/6 is not the series low for ABC’s superspy agency drama as preliminary numbers indicated this morning. S.H.I.E.L.D.’s all-time low was a 1.8 on March 4. NBC’ also saw adjustments in its lineup with The Voice up a tenth to 2.9/9 to tie a low for a regularly scheduled show, and About A Boy and Chicago Fire down a tenth each for the latter to hit a season low.

Related: ‘Captain America: The Winter Soldier’ Smashes April Opening Record

PREVIOUS, 9:05 AM: After tease after tease this season, Marvel’s Agents Of S.H.I.E.L.D. (1.7/6) last night finally plunged full force into the greater Marvel Universe with a crossover to Captain America: The Winter Soldier. Even with the heavily promoted crossover, plus betrayals and revelations galore, the superspy agency series didn’t see the blockbuster results of the just-released superhero pic.
Read More »

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‘Justified’ Penultimate Season Finale Posts 2.37 Million Viewers For FX

By | Wednesday April 9, 2014 @ 2:16pm PDT

justified-fx-premiere_20110325043645__130202011907-275x143The fifth, and penultimate, season finale of FX‘s drama Justified copped a crowd 2.37 million strong, according to Nielsen. That’s a 5% uptick compared with the show’s Season 4 finale, back when viewers did not know it was coming to an end at Season 6. Ditto the demo numbers — a 0.8 rating compared vs 0.7 a year ago. But the season wrapper was no match for the season starter in January; that clocked 2.84 million viewers and a 1.1 demo rating.

Related: TCA: ‘Justified’ EP On Final Seasons, Life Without Elmore Leonard

Justified, like other FX original drama series, jumps noticeably when delayed viewing is added to the mix. Last April, when the dust settled, more than 3.82 million viewers had watched that Season 4 finale, according to Nielsen’s Live+7 numbers ( a 70% jump over the 2.25 million initially reported).  That Season 4 finale nonetheless wound up short of the 3.95 million who watched the Season 3 ender. Read More »

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FX & FXX To Double Their Original Output, ‘Simpsons’ To Debut On FXX With A Bang, ‘The Americans’ Nears Season 3 Renewal

By | Wednesday April 9, 2014 @ 8:34am PDT
Nellie Andreeva

FX_Americans_s640x427FX Networks had been ramping up development, with some dozen pilots ordered in the past year. It is part of a major original expansion. At an upfront press event in New York, CEO John LandgThe Simpsonsraf said the company will go up from 11 originals to 20 across FX and FXX during the next year. FX Networks’ $750 million acquisition, The Simpsons, will make its debut on FXX in August with 12-day marathon. “It will be the longest continuous marathon in the history of television,” Landgraf said.

Related: EMMYS: John Landgraf Calls For Tougher Category Rules, Says ‘True Detective’s Entry As Drama Series “Unfair”

On the renewal front, a formal third-season renewal of The Americans is expected soon, he said. “We look forward to it being on our schedule for quite some time,” he said, later adding that he was “confident in the [show's] long-term prospect.” While the series’ live numbers may have dipped, it has been a DVR growth story. The Americans‘ DVR numbers are “unlike anything I have ever seen,” Landgraf said. “Live viewing is essentially just 20% of whole.”

Landgraf and his team will wait for the seasons of Legit and Chozen to end before making a decision on their future but that would be coming soon. Landgraf also touted the new season of Louie as being “amazing” and upcoming limited series Fargo as being “so good I can’t close the door” on another installment. “If it comes back, it will once again be located in North Dakota or Minnesota but telling a different story with different characters.” However, “the bar is high, it has to be an extraordinarily good story.”

Related: Rob McElhenney, Glenn Howerton & Charlie Day Ink Big New 3-Year Deal With FX Prods

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MIPTV: Publicis Chief Maurice Levy And The Billion-Dollar Selfie

By | Tuesday April 8, 2014 @ 5:25pm PDT

Oscar selfieWant to know who really was behind that Oscar selfie that tellingly was snapped on a Samsung phone? And the one last week that featured President Obama and baseball star David Ortiz? Maurice Levy, Chairman and CEO of France’s ad/PR giant Publicis Groupe, spilled the beans during his keynote interview today at Mip-TV in Cannes (watch a clip below). And he backed it up with some mip tv logo 2serious numbers. “The earned media — all the buzz which has been done around the Oscar [selfie] — represents roughly a value between $800 million to $1 billion because it has been all over the world,” Levy said. The theme of his sit-down with journalist and media commentator Kate Bulkley was “The Future of Content Is Digital.” Here’s the clip:

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UPDATE: NYC Mayor Called Les Moonves Directly To Keep Post-Letterman ‘Late Show’ In Big Apple

CBS Late Show marquee UPDATE, 11:25 AM: Forget the letter-writing campaign of Los Angeles’ mayor. The mayor of New York picked up the phone and directly asked CBS boss Les Moonves to keep the Late Show in the Big Apple after David Letterman retires next year. “I had a very good conversation yesterday with the man who will actually make that decision, Les Moonves, and I emphasized that New York has been an extraordinary home for the Late Show and that we think it’ll be a great home for the Late Show going forward,” said Mayor Bill de Blasio today during a press Washington Nationals v New York Metsconference. “Obviously, David Letterman made rich use of his surrounding environment of New York City, and I hope that his successor will do the same.”

Related: David Letterman Through The Years: Video

The same day Letterman announced he would be leaving Late Show sometime in 2015, L.A. Mayor Eric Garcetti wrote to the CBS boss urging him to move Letterman’s successor out to the West Coast. Burbank lost The Tonight Show back to NYC after 40 years when Jimmy Fallon took over hosting earlier this year, and L.A. is currently home to late-night’s Jimmy Kimmel Live!, Conan O’Brien’s talk show on TBS, Arsenio Hall, and Letterman’s lead-out Craig Ferguson. On Friday, New York City Council Speaker Melissa Mark-Viverito also wrote to Moonves about making sure Late Show post-Letterman stayed in New York. With de Blasio now weighing in, is it only a matter of time until this becomes a Governor-to-Governor thing? NY Gov. Andrew Cuomo has already made his stand doing the Top 10 list on April 4.  Read More »

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NBC Press Day: ‘Sharknado 2′ Blows Up Sharks With Bombs While Keeping Characters ‘Grounded’

By | Tuesday April 8, 2014 @ 9:59am PDT

Syfy‘s Sharknado 2: The Second One is similar to the original Sharknado — but in New York, director Anthony C. Ferrante told reporters at sharknado-attackNBCU’s Summer Press Day. “We never stopped making the first movie,” he told a reporter who asked how the second would differ from the first. “This thing never stopped…If it stayed in Los Angeles it would have been boring,” he said, but the sequel will feature the Statue of Liberty and Broadway, which, of course, the original could not. In the sequel, killer sharks get caught up in a massive tornado that invades Manhattan, making life a living hell for the locals. “This to me is the most important film ever made about climate change,” snarked cast member Judah Friedlander today at the NBCU Summer Press Day in Pasadena. Read More »

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