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FINAL: Intl Box Office: ‘Apes’ Dawns Again; ‘Godzilla’ Stomps Japan; ‘Hercules’ Muscles In; ‘Transformers’ $300M+ In China; Asia Action Ramps Up; More

FINAL: Intl Box Office: ‘Apes’ Dawns Again; ‘Godzilla’ Stomps Japan; ‘Hercules’ Muscles In; ‘Transformers’ $300M+ In China; Asia Action Ramps Up; More3RD UPDATE, MONDAY 3:10 PM PT: All studios have reported actuals for the international weekend with no major discrepancies between the cumulative estimates reported Sunday and what’s come across today. Across the top titles, Dawn Of The Planet Of The Apes was up a tick to $54.84M from an estimated $54.4M; Transformers: Age Of Extinction was slightly lower at $36.9M versus $37.5M; Hercules was smack on with $28.7M; and How To Train Your Dragon 2 was up a whisker at $24.4M versus the $24M estimate.

cinemaworldOne notable factoid is that for the 2nd weekend in a row, numbers on Adam Sandler/Drew Barrymore comedy Blended are higher than expected. Yesterday, they were estimated at $3.8M in 47 markets. Today, Warner says the actuals are $4.25M. That takes the overseas cume to $66.6M – the domestic cume was $45.4M. In Brazil, the film has been especially strong, adding $1.7M this weekend for a local cume of $6.8M and a slight 18% drop from last frame. When I asked what the deal is with Sandler, Blended and Brazil, I was told that his films are roundly popular there where family fare is also big – and this one is now bigger than Grown Ups, 50 First Dates, Bedtime Stories, Don’t Mess With The Zohan and Chuck And Larry.

Along with the above films, all figures throughout the below have been updated on: Planes: Fire & Rescue, Godzilla, Step Up All In, Sex Tape, The Purge: Anarchy, Maleficent, The Fault In Our Stars, Mrs Brown’s Boys D’ Movie, 22 Jump Street, Deliver Us From Evil, Neighbors, Kick, Edge Of Tomorrow, and Boyhood. Read More »

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WGN America’s ‘Manhattan’ Debut Ratings Can’t Match ‘Salem’ As Network Uses New Rollout Strategy

By | Monday July 28, 2014 @ 2:28pm PDT
Nellie Andreeva

WGN America’s ‘Manhattan’ Debut Ratings Can’t Match ‘Salem’ As Network Uses New Rollout StrategyWGN America’s second original scripted drama, the generally well received Manhattan, opened with 904,000 total viewers and 233,000 adults 18-49 at 9 PM last night. That more than tripled network’s season-to date average among total viewers in the hour. But it was off the hot debut of WGNA’s first original drama, Salem, which premiered with 1.5 million total viewers and 647,000 adults 18-49 at 10 PM on Sunday in April. Tribune-owned WGN America, which is single-feed and covers only 62% of the U.S. (71.4 million homes), employed a different strategy with Manhattan. To generate larger sampling, in addition to its airing on WGNA, the premiere ran in primetime in 33 markets where Tribune has broadcast stations, including WPIX in New York and KTLA in Los Angeles.  With 14 of the larger of these 33 markets reporting, the series debut of Manhattan, which is skewing older than Salem, delivered 1.8 million viewers last night, 1.4 Million (326,000 Adults 18-49) in three combined airings on WGNA and another 400,000 on broadcast local stations. Salem‘s premiere amassed 2.3 million total viewers and 886,000 adults 18-49 over four airings on WGNA. Like with the Salem debut, which jumped 56% in Live+3 among adults 18-49 and 41% in total viewers, WGNA brass expect Manhattan‘s numbers to grow significantly in time-shifting viewing.

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Box Office Final: ‘Lucy’ In The Sky At $43.9M; ‘Hercules’ At $29.8M; Top 20 Listed

By | Monday July 28, 2014 @ 2:00pm PDT

Box Office Final: ‘Lucy’ In The Sky At $43.9M; ‘Hercules’ At $29.8M; Top 20 Listed15th UPDATE, Monday, 2:00 PM: Lucy ended up the weekend just shy of $44M while Hercules did better on Sunday to get $29.8M and several other films did a notch better than expected from Sunday moviegoers. And So It Goes ended up right at $4.6M. Ugh. The Fluffy Movie was on only 432 screens and will remain on those going into the weekend  (results below).

Next weekend, all eyes are on the new openers — Marvel/Disney’s Guardians of the Galaxy and Universal’s James Brown biopic Get On Up — to lift the box office out of its summer slump. And Guardians is likely to do just that. It’s tracking right now between $65M and $75M and veteran distribution executives think it could go higher. It’s 100% fresh on Rotten Tomatoes right now and seems to be getting positive reaction on all sides. And why not? It’s a really entertaining film, filled with unexpected humor and a raccoon character that kind of steals the show. Right now, Get On Up is tracking around $15M to $20M so between that and the second weekend of Lucy, Universal should end up with the No. 2 and No. 3 spots. Here’s the Top 20 chart … until next weekend when the Star Lord arrives:

1). Lucy (UNI), 3,173 theaters / 3-day cume: $43.9M / Per screen average: $13,835 / Wk 1

2). Hercules (MGM/PAR), 3,595 theaters / 3-day cume: $29.8M / Per screen: $8,289 / Wk 1

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Racing And Fighting Own Midsummer Twitter TV Ratings

By | Monday July 28, 2014 @ 1:57pm PDT

Racing And Fighting Own Midsummer Twitter TV RatingsIt might be a bit reductionist to say the week’s Twitter TV ratings from Nielsen are all about racing and fighting, in some sort of sweat-soaked summer homage to The Dukes of Hazzard, but it’s not that far off. WWE, a near-fixture in the Series & Specials top 10 the past few months, this week owned the top spot with its Monday night wrestling show on USA and the last spot on that list with its Friday night bouts on Syfy.

In between, there were those squabbling Kardashians and three(!) Big Brother episodes, along with the romantic ups and downs of The Bachelorette and the scheming scripts of Pretty Little Liars. Big Brother is a recent addition to the Series & Specials top 10s, but the others are regulars here in the relatively quiet summer TV season.  

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CBS Drama ‘Extant’ Moves To 10 PM

By | Monday July 28, 2014 @ 11:59am PDT
Nellie Andreeva

CBS Drama ‘Extant’ Moves To 10 PMThree weeks into its freshman run, CBS‘ new sci-fi drama series Extant is sliding an hour from the post-Big Brother 9 PM berth to 10 PM starting this Wednesday. The Halle Berry-starrer, which has been sliding in Live+Same Day viewing since the premiere, most recently logging a 1.1 in 18-49, will switch places with the Criminal Minds repeats that had been airing at 10 PM.

CBS is making the change after a similar switcheroo worked well on Sunday. There, new drama Reckless too was falling hard in the ratings at 9 PM, behind Big Brother, leading to returning Unforgettable at 10 PM. After CBS switched Unforgettable and Reckless, Unforgettable‘s numbers naturally went up (+43% in 18-49) with a stronger lead-in from Big Brother. But Reckless didn’t suffer any further drop among adults 18-49 in its transition to 10 PM, staying consistent in the demo and even picking up 5% in viewers. CBS is hoping for a similar outcome on Wednesday, with an established drama lead-in from a stronger, Big Brother-buoyed Criminal Minds stabilizing Extant.

The scheduling change is made with enough lead time for this Wednesday’s DVR listings to be updated, which is important for Extant. The series debut of the mystery drama has seen a 50% bump in 18-49 from Live+SD to Live+7.

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Time Warner Shares Could Match Fox’s Offer Without A Deal: Analyst

Time Warner Shares Could Match Fox’s Offer Without A Deal: AnalystTime Warner CEO Jeff Bewkes just won an indirect endorsement for his argument that his shareholders would be better off letting him lead the company instead of accepting a cash and stock offer from Rupert Murdoch. Without a deal, Time Warner shares should hit $95 within a year, and there’s “a credible stand-alone bull case valuation of $105,” Morgan Stanley Research’s Benjamin Swinburne says today. The numbers are important: Time Warner rejected Murdoch’s $85 a share bid, and many analysts say that he could go as high as $105 before choking on the cost. That probably wouldn’t impress shareholders if they believe that they’ll see that price without the risk that would come with such a big deal.

Swinburne’s analysis begins by accepting Bewkes’ forecast that cable and satellite company payments to Time Warner’s Turner networks will grow at double digit rates each year over the next five years. “Given 7 out of the top 10 distributors have already renewed (as of early ’14), we see limited downside risk to [the] guidance,” the analyst says. Those payments now account for 20% of Time Warner revenues.

HBO also could grow subscriptions and revenues by tinkering with its pricing and deals with pay TV distributors. It has about 30M domestic subscribers, but the below-average penetration rates at Time Warner Cable and Dish Network suggest that there are “key opportunities for HBO to drive further revenue-generating subscriber growth.” Along that line, Bloomberg reported today that HBO is considering expanding a test with Comcast, introduced last year, that offers broadband service, basic TV, and HBO … Read More »

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Specialty B.O.: ‘Magic In The Moonlight,’ ‘A Most Wanted Man’ Find A Little Magic In Debuts

Specialty B.O.: ‘Magic In The Moonlight,’ ‘A Most Wanted Man’ Find A Little Magic In DebutsBold debuts from two of the weekend’s openers in a crowded specialty box office included yet another Woody Allen film as well as a last starring turn from the late Philip Seymour Hoffman. Allen’s Magic in the Moonlight was another solid opener in a string of recent successes for the veteran writer-director, with a good per-screen average. That said, the numbers were less stratospheric than some of his recent summer films when comparing on a straight theater average, though this go-around did bow in substantially more locations.
Magic is Allen’s third consecutive summer release (and seventh if you count the ”shoulder” seasons).  The formula continues to be a lucrative one for Allen and his backers. In its opening weekend, Magic brought in nearly $426K in 17 theaters, for a solid $25K PTA. The film, starring Colin Firth and Emma Stone, bowed with 11 more runs than last year’s box-office and award-winning behemoth Blue Jasmine (the best performer of Allen’s very long career), which debuted to a $102K PTA in 6 theaters. That film also had a $612K opening weekend and went on to cume over $33.4M.
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Specialty B.O. Preview: ‘Magic In The Moonlight’, ‘The Fluffy Movie’, ‘A Most Wanted Man’, ‘The Kill Team’, ‘Happy Christmas’

By | Thursday July 24, 2014 @ 4:27pm PDT

Specialty B.O. Preview: ‘Magic In The Moonlight’, ‘The Fluffy Movie’, ‘A Most Wanted Man’, ‘The Kill Team’, ‘Happy Christmas’Looming in the wake of Boyhood‘s hot box office roll out earlier this month, some heavy-hitters will enter the Specialty fray this weekend which should shape up to be rather interesting come Sunday box office time. Woody Allen blitzed theaters last July with a smashing roll out of Blue Jasmine and he’s back, courtesy once again of Sony Classics with his latest Magic In The Moonlight. The distributor, however, is taking a somewhat different release track this time around. Lionsgate/Roadside is opening Philip Seymour Hoffman starrer A Most Wanted Man after delaying the title’s bow in the wake of its star’s death. The film will have a sizable theater count as it heads out to the box office Friday. But the weekend’s biggest Specialty opener in terms of location tally is Open Road’s The Fluffy Movie, which will hit several hundred locations nationwide though the bulk of its marketing has been targeted to a particular audience. On the other end of the scale is Oscilloscope’s Tribeca-winner The Kill Team which will bow at a single exclusive showing in NYC, while Magnolia’s Happy Christmas will have its theatrical launch in several locations after launching via ultra-VOD in late June.

Magic In The MoonlightMagic in the moonlight 3
Director-writer: Woody Allen
Cast: Colin Firth, Emma Stone, Antonia Clarke, Natasha Andrews, Valérie Beaulieu, Jackie Weaver, Peter Wollasch
Distributor: Sony Pictures Classics

SPC has had a winning streak with Woody Allen summer releases and it’s sticking to that formula for the filmmaker’s latest. Last year’s Oscar winner Blue Jasmine launched as a Specialty behemoth July 26 in 6 theaters, with a dazzling $102K average, eventually grossing over $33.4 million domestically. To Rome With Love was a comparatively more “modest” release, with a $72,272 PTA in five theaters in June 2012 ($16.69M cume), while 2011′s Midnight In Paris rocketed a $99,834 launch weekend PTA with six runs — eventually grossing over $56.8 million. “His films really seem to work in summer time,” said SPC co-president Michael Barker whose company has released Allen’s most recent five movies (and others in the past). The only recent exception was 2010′s You Will Meet A Tall Dark Stranger which opened in September of that year ($3.24M gross).” Read More »

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Hollywood “Obsessed” With Human Torture, And Other TCA Highlights

By | Thursday July 24, 2014 @ 8:23am PDT

Hollywood “Obsessed” With Human Torture, And Other TCA HighlightsThe TCA Summer TV Press Tour 2014 has wrapped its 16-day run. Here is what we learned:

Most Searing Description Of Hollywood
David LaChapelle, who famously became a photographer for Andy Warhol’s Interview magazine in his teens, has been called The Fellini of Photography, and has photographed the likes of Hillary Clinton, Lady Gaga, Tupac Shakur, Madonna, Eminem, Warhol, Lil’ Kim, Elizabeth Taylor,  Leonardo DiCaprio, and Muhammad Ali, was asked yesterday to discuss the “ebb and flow” of depictions of sex and nudity; he’s featured in PBS’ American Masters broadcast The Boomer List.

lisademoraescolumn__140603223319“Growing up in New York City, when I was very young, pre-AIDS, it was very hedonistic, and sexuality was, you know, the revolution. I remember working at [Studio 54] and straight guys would say they were bi, to pick up girls because it was cool. And then, AIDS happened, and everything changed. Things got very, very conservative and segregated. Now…we are sort of in this Dark Ages where the body is considered shameful…yet violence, and torture, and these films — the Saw series, The Hunger Games2014 Summer TCA Tour - Day 16you look at Netflix, what’s going on, and every other new show is extreme violence, and this is our entertainment. We applaud that. And our kids are playing these video games, but yet the human body is somehow shameful. And God forbid a kid sees a nipple, you know.”

TV programs such as HBO’s Sex And The City (Kim Cattrall also was a panelist), he said, have “been replaced by so much ultra-violence in this torture form. I find that really interesting because all our popular culture reflects the society in which it was created. So what does that say about us? Why are we so obsessed with watching other human beings suffering? We don’t get enough of it on the news that we — that’s our entertainment, too? I think that’s the real pornography. That’s the real evil, and that’s the real darkness.”

Most Changed Executive
NBC Entertainment chairman Robert Greenblatt — last Press Tour’s Mr. Flat Is The New Up — spoke happily this tour about Up Being The New Up: “We had a pretty great season so far this year. We’re No. 1 in the demo. We’re the only network up, year to year, almost 10% to date. Even if you take the Olympics out of our numbers, we would still be No. 1 for the year…We’re also leading in the 25-54 demo, and all key adult female demos as well. We also had a huge growth in total viewers where we’re running No. 2 season to date. In fact, we’re up 27% year over year, which is our strongest performance this far into the season in eight years.”

Biggest News
CBS Corp CEO Leslie Moonves, telling reporters after his Q&A for the network’s new Thursday night football that he’s interested in buying CNN should Rupert Murdoch prevail in his bid to by the cable news network’s parent Time Warner and spin off CNN. “We’ve always talked about doing things with CNN in the past… It’s something I’m sure we’ll look at if it becomes available,” Moonves said. Last month, when CBS took the final step in the spinoff of its billboard company, “that was our intent, to get rid of billboards and potentially buy more content,” Moonves said, adding, “We’re in a very advantageous position.”

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Hot Hot Trailer: ‘Fifty Shades Of Grey’

Hot Hot Trailer: ‘Fifty Shades Of Grey’Mr. Grey will see you now. But when has there been a major studio film with two less recognizable actors playing the leads? Universal and Focus Features are squarely banking on the numbers here — the E.L. James erotic novel Fifty Shades Of Grey has sold over 100 million steamy copies around the world — and less concerned that, as they deliver those signature bawdy lines in the erotic love story, newcomers Jamie Dornan as Christian Grey (“I don’t do romance”) and Dakota Johnson as Anastasia Steele (“Enlighten me then”) are less recognizable than some of the actors you see regularly in TV commercials. Did Universal make the right choice in discovering stars who’ll bare all over a three or four movie arc, after Sons Of Anarchy star Charlie Hunnam got cold feet? Set to a remix of Beyoncé’s “Crazy In Love”, the promo seems like tasty foreplay that only hints at the serious relationship dynamic (a girl’s seemingly perfect first love, who turns out to be damaged perhaps beyond repair and must dominate his partners). Sam Taylor-Johnson directs the adaptation of the mega-bestselling book. The global rollout starts February 11, 2015.

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Five Reasons Why Microsoft’s Xbox Entertainment Studios Is An Ex-Empire

By | Wednesday July 23, 2014 @ 8:44pm PDT

Five Reasons Why Microsoft’s Xbox Entertainment Studios Is An Ex-EmpireSome in Hollywood may have been surprised by Microsoft’s announcement that Xbox Entertainment Studios, its much-touted experiment in new kinds of interactive TV programming and headed by former CBS President Nancy Tellem, would be shut down. But really, didn’t we see this coming? Here are five reasons why the announcement was, ultimately, long in coming but not long in shock value, at least to veteran watchers of the uneasy, evolving boundary between Hollywood and Silicon Valley:

Deadline tech column David Bloom Shuffle the Deck. Of course, the greatest “sin” committed by Tellem and her crew is being an organizational outlier when the new guy took over. XES was launched two years ago under longtime Microsoft CEO Steve Ballmer, who ran the company for 14 years before retiring in February.

The new CEO, cloud-computing specialist Satya Nadella, had no particular organizational connection with Xbox before taking over. And indeed, in announcing 18,000 layoffs last week (which particularly hit Microsoft’s recently acquired Nokia mobile divisions), Nadella signaled his company focus would be in the cloud, and on mobile. And without buy-in from the company’s new chief, XES was vulnerable — a common situation in Hollywood, where entertainment properties are routinely marooned when their institutional champions depart. Read More »

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Facebook Beats Q2 Earnings Expectations With 62% Rise In Mobile Ad Sales

By | Wednesday July 23, 2014 @ 1:16pm PDT

Facebook Beats Q2 Earnings Expectations With 62% Rise In Mobile Ad SalesMark Zuckerberg opens Facebook‘s Q2 earnings release with the most generic comment I’ve ever seen from a CEO in a document that companies typically use to hype themselves. “We had a good second quarter,” he says. “Our community has continued to grow, and we see a lot of opportunity ahead as we connect the rest of the world.” The numbers speak louder, I guess: Facebook’s net income of $788M is up 138% vs the period last year on revenues of $2.91B, +60.5%. That beat the $2.81B that analysts expected. Adjusted earnings at 42 cents a share also topped expectations for 32 cents.

The results sent Facebook shares on a ride in post-market trading, up 4%+ after an initial drop. The stock would hit a new high if the increase holds up tomorrow during the trading day. Read More »

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Hey Tom Cruise, Johnny Carson, George Clooney, Frank Sinatra, Channing Tatum And Others: SAG Owes You Money But Can’t Find You

Hey Tom Cruise, Johnny Carson, George Clooney, Frank Sinatra, Channing Tatum And Others: SAG Owes You Money But Can’t Find YouEXCLUSIVE: The Screen Actors Guild exists to collect wages and benefits and disperse them to dues-paying members, but a Deadline investigation begs a multimillion-dollar question: Why are so many living and deceased thesps owed unclaimed residual checks worth $40 million, money that is drawing interest for the union’s general fund? The roll call of Who’s Owed is a Hollywood Who’s Who, including more than 75 Oscar-winning actors or their estates and dozens of Emmy winners who likely are unaware they are owed residuals. A union spokesperson tells Deadline the union is working to locate those members, but it is difficult because people change agents and don’t notify the union, or they move and mailed checks are returned by the post office and never cashed.

Still, could it really be that hard to find some of these performers? Deadline found that if you threw a rock on the red carpet of any major industry event, chances are you’d hit somebody SAG owes money to.

Jodie Foster Warren BeattyLike: reigning Best Actress Oscar winner Cate Blanchett, and Tom Cruise, George Clooney, Bradley Cooper, David O. Russell, and former Oscar host Steve Martin. Or Michael Douglas, Dustin Hoffman, Elizabeth Taylor, Jodie Foster, Warren Beatty, Jay Leno, Sally Field, Sean Connery, Christopher Plummer, Channing Tatum, James Franco, Jim Carrey, Sharon Stone, Owen Wilson, Justin Timberlake, Melissa McCarthy, Julianne Moore, Pierce Brosnan, Zac Efron and Andrew Garfield.

The music side of the ledger of Who’s Owed reads like a wing … Read More »

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RATINGS RAT RACE: ‘America’s Got Talent’ Steady, ‘Food Fighters’ Debuts Soft, ‘Celebrity Wife Swap’ Falls

By | Wednesday July 23, 2014 @ 8:46am PDT

RATINGS RAT RACE: ‘America’s Got Talent’ Steady, ‘Food Fighters’ Debuts Soft, ‘Celebrity Wife Swap’ FallsLittle person, big voice. The vocal gymnastics of 11-year old Mara Justine on a Whitney Houston tune proved to be a big success with the judges on America’s Got Talent (2.4/8) last night. While the Garden State native isn’t America’s next sweetheart yet, making it as one of the contestants to get through Judgment Week on the 2-hour NBC competition show on Tuesday certainly moved her a step towards that goal. Her next stop is of course the live shows at Radio City Music Hall where things will really heat up on AGT. Not that things weren’t hot last night with candidates in six categories like kid singers, magic and comedy competed to progress to those live shows. And that was OK for AGT. Back after weeks of repeats and recap specials, the show dipped 8% from it last original on July 1. On a night of scant original competition, the 2-hour AGT was the top rated and most watched show of the night with 10.3 million viewers.

Leading into AGT last night, NBC had the debut of Food Fighters (1.0/4) at 8 PM. Unlike his now postponed new Travel Channel series, this Adam Richman-hosted show went ahead despite the controversy over some of his comments on social media. Maybe that wasn’t the best idea as the cook-off game show was down 23% from the premiere of the comparable Hollywood Game Night on July 11 last year on NBC.

The only other originals on last … Read More »

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ESPYs, Baseball All-Stars Big Hitters In Week’s Twitter TV Ratings

By | Wednesday July 23, 2014 @ 7:52am PDT

ESPYs, Baseball All-Stars Big Hitters In Week’s Twitter TV RatingsThree baseball events and two sports awards shows filled the top 10 lists in an otherwise slow week for the Twitter TV ratings from Nielsen. The ESPY Awards - otherwise known as How ESPN Fills The Sports-Free Dead Air The Day After Baseball’s All-Star Game – grabbed the week’s biggest Twitter audience, barely beating out the Major League Baseball showcase of its talent in total audience reach.

The Twitter TV ratings are designed to track the number of unique Twitter users who saw a post about a given show during its initial broadcast or during the three hours before and after, an aid to advertisers trying to see which shows are social-media heavy hitters (and which have audiences least likely to be skipping through the ads). The ESPYs, on ESPN and its Spanish-language sibling, reached 8.3 million people through nearly 1.6 million tweets. Even the Kids Choice Sports awards, hardly a big name beyond home channel Nickelodeon, grabbed the eighth spot on Nielsen Social’s Series & Specials list. Plenty of regulars still studded this week’s list, including The Bachelorette, Teen Wolf and dethroned three-time No. 1, Pretty Little LiarsOnce again, the WWE put two in the top 10, including a pay-per-view event, while reality programs Love & Hip Hop: Atlanta and Keeping Up With the Kardashians kept up their regular spots. Also of note: Univision music awards show Premios Juventud 2014which featured plenty of Tweet-worthy fashion and performances by notables such as Enrique Iglesias and Pitbull, grabbed No. 6.

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Disney’s ‘Maleficent’ Crosses $700 Million In Global Box Office

Disney’s ‘Maleficent’ Crosses $700 Million In Global Box OfficeThe Not-Very-Nice Little Witch That Could keeps enchanting audiences around the globe, as Disney’sMaleficent‘ crossed the $700 million mark in global box office, Disney distribution execs said. It’s the studio’s second 2014 release to cross that high mark (Captain America: The Winter Soldier, box office champ for the first half of 2014, is the other).

Since its U.S. release on May 30, the film has tallied $228.8M domestically. Overseas, it has been extremely strong, no doubt helped by star Angelina Jolie‘s global visibility and appeal. The overall international gross has hit $471.8M so far, with big numbers out of China, Mexico, Russia and Brazil. Japan, which has a habit of keeping late-arriving Disney films in theaters for many lucrative weeks (see what happened with Frozen earlier in the year before Maleficent dethroned it), just debuted the film on July 5. Since then, it’s been No. 1 for three straight weekends, pulling in $32.7M already.

The studio said Maleficent is the year’s highest-grossing film based on an original story, (though some may quibble, given the film’s roots in Disney animated classic Sleeping Beauty). It’s also Jolie’s highest-grossing live-action film ever, whether measured by domestic, international and global box office.

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FINAL: Intl Box Office: ‘Transformers’ Adds $84.6M; ‘Apes’ Swings Up With $61.9M; ‘Boyhood’ Growing In UK; More

FINAL: Intl Box Office: ‘Transformers’ Adds $84.6M; ‘Apes’ Swings Up With $61.9M; ‘Boyhood’ Growing In UK; Morecinemaworld2ND UPDATE, MONDAY 3:20 PM PT: Updated figures for the international weekend have come in with all studios reporting. Among the top movies in the marketplace, Transformers: Age Of Extinction‘s 4th frame was up from original estimates to $84.6M in 58 territories ($662.6M cume), and Dawn Of The Planet Of The Apes was slightly higher than predicted in its 2nd frame with $61.93M on 10,347 screens in 51 markets ($103.6M cume).

Also of note, Fox’s The Grand Budapest Hotel has officially passed $110M internationally, adding $491K in 15 territories this weekend. Meanwhile, Boyhood, which Universal is releasing most everywhere overseas, added 60 locations in its 2nd UK frame. The result was a 0% drop from last week with $537K at 89 dates. The UK/Ireland total is now $1.5M (£892K). With the buzz growing, Universal is looking to continue the pattern by increasing the number of screens in more regional areas this Friday. In the next few days, the studio says the Richard Linklater drama will best the director’s Before Sunset (£932K) and A Scanner Darkly (£995K) to become his 2nd biggest film in the market behind School Of Rock.

Updated throughout the below are figures on the above films as well as Planes: Fire & Rescue, Sex Tape, The Purge: Anarchy, How To Train Your Dragon 2, Step Up All In, Maleficent, Blended, The Fault In Our Stars, 22 Jump Street, Edge Of Tomorrow, X-Men: Days Of Future Read More »

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Box Office Final: ‘Apes’ No. 1′ With $36.2M, ‘The Purge’ With $29.8M+, ‘Planes’ Flies Low $17.5M, ‘Sex Tape’ Unravels To $14.6M In Soft Weekend

Box Office Final: ‘Apes’ No. 1′ With $36.2M, ‘The Purge’ With $29.8M+, ‘Planes’ Flies Low $17.5M, ‘Sex Tape’ Unravels To $14.6M In Soft Weekend8th UPDATE, Monday, 1:32 PM: It was a down weekend. After the dust cleared today, we can see the final dips: The calendar year-to-date is down 6% with the weekend of the Top Ten from last year to this year down 25%. All films added in, the business is down 23.9%. Given that all pictures underperformed a bit, here are the final box office numbers as they look this morning. Dawn-of-the-Planet-of-the-Apes-Caesar-eyesOf all the newbies, The Purge: Anarchy actually was able to gross the high end of yesterday’s estimate and ended with $29.8M. Both Disney’s Planes: Fire & Rescue and Sony’s Sex Tape took more of a hit, both off just a tad from their yesterday expectations; neither performed well. Meanwhile, Earth To Echo and Maleficent came in only $29K apart and the more exciting part of this box office weekend was that the smaller films did exceptionally well. Dinesh D’Souza’s controversial documentary America from Lionsgate, at No. 12, held quite well, down only 30% as did Jon Favreau’s Chef (Open Road), which even after dropping about 150 locations saw a significant jump on Saturday and ended the weekend at $25.9M. Another bit of sweet news was the solid per-screen number of Richard Linkaleter’s little masterpiece Boyhood (IFC) which held a nice $34,418 per screen; its cume is now $1.785M after two weeks in a platform release. The Top 20 chart follows: Read More »

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Netflix Touts ‘Orange Is The New Black’ As Q2 Earnings Meet Expectations; Streaming Service Tops 50M Subs

By | Monday July 21, 2014 @ 1:13pm PDT

Netflix Touts ‘Orange Is The New Black’ As Q2 Earnings Meet Expectations; Streaming Service Tops 50M SubsShares are up about 2% in early post-market trading, though probably mostly due to subscriber gains — topping 50M streaming customers worldwide for the first time — rather than the financial results for Q2. Netflix generated $71M in net income, up from $29.5M in the period last year, on revenues of $1.34B, +25.4%. While the growth is impressive, it was also expected: Revenues came in just a little ahead of the $1.33B that analysts anticipated. Earnings at $1.15 a share were a penny shy of the consensus forecast.

Related: CBS Drama ‘The Zoo’ To Be Available On Netflix In 2015

Jodie Foster earns first Emmy directing nomination with Orange Is The New BlackBut the company says it had 36.24M domestic streaming customers at the end of the quarter, up 570,000 from March, which it attributes to “our ever-improving content offering, including Orange Is The New Black Season 2.” Netflix expects an additional 1.33M in Q3. On the international side, streaming customers increased by 1.12M over the three-month period to 13.8M. But the company lost 342,000 DVD-by-mail customers, ending the quarter with 6.17M.

Related: Oscar-Nominated Film Now Aiming To WIN An Emmy For Netflix – How Is It Eligible For Both?

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