Pivot Picks Up Sky Series ‘Fortitude’, Sets Development Slate, Revamps ‘TakePart Live’

By | Wednesday April 16, 2014 @ 9:02am PDT
Nellie Andreeva

pivotParticipant Media‘s network Pivot today announced the pickup of Sky Atlantic’s 12-episode drama series Fortitude starring Stanley Tucci and Michael Gambon. The series became available in the U.S. in December when Starz, which originally had committed to the project, pulled out. Pivot is designed as a younger skewing network than Starz, with its target demo being 18-34. As part of its upfront presentation, Pivot also announced an overhaul of its nightly topical series, TakePart Live. Beginning Monday, May 12, the hour-long late-night program will move to primetime (10 PM) with a new producer, Michael Davies’ Embassy Row, which is behind Bravo’s Watch What Happens Live and AMC’s Talking Dead/Bad. Also undergoing makeover is the hosting team of Jacob Soboroff and Cara Santa Maria, with only Soboroff coming back, joined by Sen. John McCain’s daughter Meghan McCain and comedian Eddie Huang.

Pivot also unveiled a development slate that includes eleven projects from production companies including IAC’s Electus, Universal Cable Prods., FremantleMedia North America/Pukeko Pictures, Funny or Die, and Eyeworks, and revealed premiere 2014-15 dates, including an August 8 debut for the sophomore season of coming-of-age comedy, Please Like Me, and the comedy Human Resources. “Our second slate demonstrates our significant investment in, and commitment to, groundbreaking content for the thought-leading segment of Generation Y we call ‘Upstanders,’” said Pivot president Evan Shapiro. Here is Pivot’s full slate: Read More »

Comments (6)

Frank Spotnitz, Nicholas Meyer & Carnival To Investigate ‘Freud: The Secret Casebook’

frankspotnitzX Files veteran Frank Spotnitz moved to London for Cinemax/BBC series Hunted a few years back, and in 2013 launched London-based Big Light Productions. Now, he’s digging even further into the UK TV scene. Spotnitz and Nicholas Meyer (Houdini) have created crime series Freud: The Secret Casebook. NBC Universal-owned Downton Abbey producer Carnival Films will produce with Big Light. The period drama will see Sigmund Freud become the world’s first criminal profiler. Set in early 20th century Vienna, the series will focus on Freud as he uses his startling new theories about psychology to help solve crimes, and will blend Sigmund_Freudepisodic murder mysteries with the on-going tale of the psychoanalyst-cum-detective’s tangled and provocative personal life. The project is out to cast and directors. Downton‘s Gareth Neame is exec producing with Nigel Marchant for Carnival; Alan Gasmer (Vikings), Matt Baer (Unbroken) and Christian Popp and Alexander Keil of Germany’s Producers at Work are also exec producing. Spotnitz is keeping busy in Europe these days. He was at Mip-TV in Cannes last week to talk about his gig as showrunner on the second season of TNT pick-up Transporter The Series, and he also unveiled Big Light’s new first-look distribution deal with Tandem Communications. Transporter, which he boarded in season two, will air on TNT later this year.

Comments (9)

Hot Trailer: Ben Affleck in ‘Gone Girl’

By | Monday April 14, 2014 @ 4:54pm PDT

“I did not kill my wife!” Ben Affleck‘s hubby protagonist Nick Dunne emphatically declares in the first trailer from the high-profile big-screen adaptation of Gillian Flynn’s worldwide bestseller Gone Girl. And though that catchphrase might be an echo from 1993′s The Fugitive, Dunne is a guy — unlike Harrison Ford’s Dr. Richard Kimble — who has the deck stacked against him when it comes to his murdered better half (Rosamund Pike). Or so it seems. One of Flynn’s inspirations for the novel stemmed from the psychology and dynamics of couples’ long-term relationships. CinemaCon attendees got an early look at the trailer last month. Fox will release the David Fincher film on the first Friday in October — in the same spot the director’s 2010 awards-season darling, The Social Network, launched. Neil Patrick Harris, Tyler Perry, Missi Pyle and Patrick Fugit round out the cast. Take a look and see if you can get Richard Butler’s eerie cover of the Charles Aznavour’s song “She” out of your head:

Comments 33

PILOTS 2014: Early Buzz Edition

By | Saturday April 12, 2014 @ 1:52pm PDT
Nellie Andreeva

panic-buttonWith less than a month until the upfronts, we’re kicking off our annual Pilot Buzz series. As usual, the first edition only includes a limited number of projects that have been garnering early attention as many pilots are still filming. So, if a pilot is not mentioned, it probably means it is too early to weigh in or the feedback I’ve received is inconclusive at this time.

ABC_logo_2007Shonda Rhimes. Viola Davis. Need we say more? ABC’s sexy suspense legal thriller How To Get Away With Murder, executive produced by Rhimes and starring Davis, is packing some heat early on. Secret & Lies starring Ryan Phillippe also is getting encouraging early response. It also has a seven-figure penalty and is directed by Charles McDougall, whose strong pilot record includes Desperate Housewives, The Good Wife and most recently, Resurrection last season. Then there is Marvel’s stealth Agent Carter project. Last year, the company went into Fort Knox mode on its Agents of S.H.I.E.L.D. pilot, which was kept under lock and key. They took that a notch further this year with carterAgent Carter. Because there is a prototype — the project is inspired by a one shot, which was featured on the Blu-ray release of Iron Man 3word has been that it would forgo a pilot and go straight to series. The script was finished more than three months ago (“the script is great,” ABC’s Paul Lee said back in January), the option on one-shot’s star Hayley Atwell came up and was extended, but the green light never came. Now there is talk that a pickup for Agent Carter may come along with a renewal for Marvel’s freshman Agents of S.H.I.E.L.D., with the new series possibly serving as a bridge between the fall and spring portions of S.H.I.E.L.D.  Also getting various level of early traction at ABC is mystery Sea of Fire and several dark horses, alien drama The Whispers (aka The Visitors), medical drama The Warriors and mystery Clementine. Read More »

Comments 104

Duo Join Netflix’s New Thriller Drama Series; Trio Book Recurring Roles In Pilots

By | Tuesday April 8, 2014 @ 8:00pm PDT

Mia Kirshner (The L Word) and zuaiter1mikirshner1Waleed Zuaiter (Revolution, Homeland) have booked recurring roles on Netflix’s untitled psychological thriller drama from Sony Pictures TV. Written and executive produced by Damages creators Todd A. Kessler, Daniel Zelman and Glenn Kessler (KZK), the 13-episode series centers on a close-knit family of four adult siblings (Kyle Chandler, Ben Mendelsohn, Linda Cardellini, Norbert Leo Butz) whose secrets and scars are revealed when their black sheep brother (Mendelsohn) returns home. Kirshner, repped by APA, Wishlab and Characters, most recently shot a guest role on ABC pilot Clementine. Zuaiter, repped by Stone Manners Salners Agency and Ramos Management, will play Major Eckhardt, a mysterious authority figure in the Florida Keys who is having an affair with Meg Rayburn (Linda Cardellini). Zuaiter is coming off a starring role in the Oscar-nominated film Omar.
Read More »

Comments (0)

A&E’s ‘Bates Motel’ Renewed For Third Season

By | Monday April 7, 2014 @ 1:21pm PDT
Nellie Andreeva

batesMidway thought its second-season run, A&E Network’s drama Bates Motel has been renewed for a 10-episode third season to begin production in the fall. The contemporary Psycho prequel series debuted to 3 million Live+same day viewers last season, with its second season opener inching up. With DVR viewing factored in, the Season 2 premiere averaged 4.6 million viewers in Live+7 as Bates Motel continues to be A&E’s top-rated drama series in adults 18-49. “The incredible A&E logo1writing team and talented Bates Motel cast has made this series one of the most compelling original dramas on television,” said A&E EVP David McKillop. Episode 6 of Bates Motel‘s 10-episode second season airs tonight. The series shifted to 9 PM at the beginning of the season to launch new drama Those Who Kill but moved back to its old 10 PM slot after Those Who Kill was pulled following two low-rated airings. (It has since been relaunched on sibling LMN.) Bates Motel stars Vera Farmiga as Norma Bates and Freddie Highmore as Norman. Universal Television is producing, with Carlton Cuse and Kerry Ehrin executive producing.

Comments 30

Deadline’s Best Film Stories Of The Week

Catch up on the film stories you missed this week:

Kevin and Sam Sorbo‘God’s Not Dead’s Kevin Sorbo Takes Hollywood & Media To Task As He Backs Crowdfunding Campaign For Telefilm On Convicted Abortion Doctor Kermit Gosnell
By Anita Busch
EXCLUSIVE: Kevin Sorbo is co-star of the past two weekends’ box office pleaser God’s Not Dead, which has pulled in $24M to date on a $2M budget. Now he is putting his name behind an Indiegogo crowdfunding campaign to help launch the tele-production of Gosnell – the story of the Philadelphia doctor who ran the abortion clinic from hell and was convicted on three counts of first-degree murder — but not without taking a shot at the media and Hollywood.

Keanu Reeves, Eli Roth To Team On Thriller ‘Knock Knock’
By Mike Fleming, Jr.
EXCLUSIVE: There are going to be plenty of film packages that spark buyers at Cannes, and here’s a fresh one that isn’t even waiting for the Croisette. Keanu Reeves has just committed to star for Eli Roth in Knock Knock, a psychological thriller that Roth wrote and will direct.

‘Game Of Thrones’ Actress Gwendoline Christie Replacing Lily Rabe In ‘Hunger Games’
By Mike Fleming, Jr.
While Lionsgate hasn’t divulged how it will deal with the tragic death of Philip Seymour Hoffman as it goes forward with The Hunger Games: Mockingjay Part 2, the studio has just confirmed that it is replacing Lily Rabe in the role of Commander Lyme with Gwendoline Christie, who plays Brienne on HBO’s Game Of Thrones. Read More »

Comments (0)

‘Ghost Hunters’ Legal Win Means No More Fright For NBCUniversal

By | Friday April 4, 2014 @ 4:33pm PDT

DJP LEGAL BADGEGhost HuntersSeven years bad luck is what you usually get for breaking a mirror so looks like NBCUniversal has finally put the pieces together and outrun the curse – literally and figuratively. After more than 7 years of legal haunting and a near-trip to the Supreme Court, the media company seemingly has been freed of the Ghost Hunters lawsuit that claimed it lifted the idea for the flagship Syfy reality show. California’s 2nd Court of Appeals this week granted NBCU a summary judgment NBCUniversal__120928224730-200x133and said that parapsychologist Larry Montz and publicist Daena Smoller’s initial 2006 case hadn’t brought their claims within the applicable two-year statute of limitations. “In sum, the undisputed facts and the law established the right of petitioners to an order granting their motion for summary judgment,” said the April 1 order (read it here) by Judge Nora Margaret Manella. Now of course this isn’t totally over as Montz and Smoller could appeal again — though their chances of success at this point look dim. Read More »

Comments (4)

Keanu Reeves, Eli Roth To Team On Thriller ‘Knock Knock’

By | Friday April 4, 2014 @ 12:58pm PDT
Mike Fleming

Keanu Reeves 1EXCLUSIVE: There are going to be plenty of film packages that spark buyers at Cannes, and here’s a fresh one that isn’t even waiting for the Croisette. Keanu Reeves has just committed to star for Eli Roth in Knock Knock, a psychological thriller that Roth wrote and will rothedirect.  Reeves will play a happily married family man who’s left alone for the weekend. Two beautiful girls show up at his house, and turn his life upside down. Those femme fatales will be played by Lorenza Izzo, who just starred for Roth in the September 5 release The Green Inferno, and Ana de Armas, who just played Robert Duran’s wife in Hands Of Stone opposite Edgar Ramirez and Robert De Niro. Ignacia Allamand, who also starred in Green Inferno, plays the man’s wife. Colleen Camp, a catalyst in assembling this film as producer, will also play a role, as will Aaron Burns, who also just worked with Roth in The Green Inferno. Read More »

Comments 29

Enrique Murciano & Katie Finneran Join Netflix Series From ‘Damages’ Creators

By | Thursday April 3, 2014 @ 1:07pm PDT
Nellie Andreeva

finneranmarcianoWithout A Trace alum Enrique Murciano and Katie Finneran (The Michael J. Fox Show) have been cast in recurring roles on Netflix‘s untitled psychological thriller drama from Sony Pictures TV. Written and executive produced by Damages creators Todd A. Kessler, Daniel Zelman and Glenn Kessler, the 13-episode series centers on a close-knit family of four adult siblings (Kyle Chandler, Ben Mendelsohn, Linda Cardellini, Norbert Leo Butz) whose secrets and scars are revealed when their black sheep brother (Mendelsohn) returns home. Murciano, repped by Untitled and Gersh, plays, Meg’s (Cardellini) boyfriend Marco, a member of the county sheriff’s department. He will next be seen in Dawn Of The Planet Of The Apes, Water & Power and recurring on Starz drama Power. Finneran, repped by Innovative, plays Kevin’s (Butz) red-haired, witty wife Belle.

Comments (0)

Esquire’s ‘Friday Night Tykes’ Renewed For Season 2

By | Tuesday April 1, 2014 @ 9:08am PDT

FridayNightTykesEsquire Network has ordered a second season of its controversial Friday Night Tykes. The announcement coincides with tonight’s special 90-minute 9 PM ET/PT episode of the docu-series, Tackling Tykes, featuring first-season coaches and parents, former NFL coaches and players, youth football leaders, psychologists, trainers and neurologists who discuss safety, coaching and the role of youth football,  hosted by The Insider’s Kevin Frazier. The show was criticized by some, and and two coaches featured in the show were suspended over scenes in the first season — one for telling his players to hit an opponent in the head, and another for leading his 8- and 9-year-old players in a profane cheer. Read More »

Comments (9)

Writers Rail As Talks Resume – Second Question In A Deadline Survey

By | Friday March 28, 2014 @ 4:36pm PDT
Mike Fleming

coronaAs talks are about to resume Monday on the final elements that many hope will lead to a new deal for the Writers Guild Of America, we wanted to lend some perspective and give voice to the TV and feature writers whose fortunes will be tied directly to the deal their union makes. This is the second in a quick succession of five questions we asked a panel of 10 writers. Here are their responses, and hopefully other writers will be moved to comment about the issues that worry them most as their work is monetized in this fast-changing digital age.

Related: WGA: Why Gains, Lessons From 2008′s Strike Will Keep Hollywood From Another War

DEADLINE: As a working writer, what is the biggest hardship right now facing you (i.e., one-step deals for feature writers, exclusivity clauses for TV writers), the one that gives you the greatest amount of worry for you and your WGA brethren?

WRITER #1: I think the biggest setback from the strike was one-step deals. One-step deals were a direct result of the strike — a punishment that said “you think you’re in control, we’ll show you how control works.” It’s also a real mistake for studios that has resulted in crash rewrites deep in production and some god-awful movies. The great irony is that the scripts studios routinely praise like Gravity or Inception or Chinatown or Butch Cassidy And The Sundance Kid all took YEARS and MANY revisions to become the classic films they are today. Some of the biggest blockbusters of all time including Star Wars and Avatar (to name just two) had five- and even 10-year writing periods. The process allowed those films to go through a critical process of treatments and rough drafts to evolve to the great films they are today. The heavy lifting work was done at the writing stage.

Related:
Deadline Writers Survey – Question #1
Deadline Writers Survey – Question #3
Deadline Writers Survey – Question #4
Deadline Writers Survey – Question #5

bfinkBut studios think bottom line numbers — they see one-step deals as providing them with the ability to cut bait when first-draft scripts don’t come in as home runs – but first drafts aren’t going to come in great except in a few rare cases. The scripts that become great films come in good or maybe even very good but not great. Almost all scripts need several drafts to reach the level where they become actually ready to film. The evil secret of one-step deals is that you sell your idea to a studio, you write it, and if a competing project at another studio comes along or a director or star falls out, the studios have a free out. As a result, good movies are dying before they are even really born. The other problem is now studios hire inexpensive writers, get a first draft, confirm that “there is a movie there” and then pay seven figures to someone like me to come in and actually write it and then often someone else during production. The result is that the voice of the original writer — the creator — is severely diluted.

The vast majority of studio screenplay contracts set strict delivery at 90 days. It doesn’t take a NASA scientist to realize that you can’t have that kind of deadline for every script — world creations like Star Wars takes longer than a 90-day romantic comedy? A complex piece like Inception cannot be done in 90 days — no matter who you are — that’s why in the published version of Inception, Chris Nolan talks about the 10 years he spent writing it. The writing process is a complete mystery to studios and executives — they all think they can do it but none of them ever do. This lack of understanding has haunted the film business and the writer-executive relationship since the first days of the film business. I read an interview with a very old screenwriter and he was talking about how things were in the 1940s and what he was saying then is exactly what writers are saying today. Nothing has really changed.

Personally, I simply refuse to make one-step deals. I won’t do it. You teach people how to treat you in life AND particularly in the film business and when you roll back your quotes or steps those slimy, filthy scumbags that work in studio business affairs make a little note of your compromise in their screwing talent ledger.  That note is there when they go to make the next deal with you and they share it with their fellow slimy, filthy, scumbag colleagues at other studios. I simply don’t do it and my representatives say right up front, we will not accept a one-step deal. Read More »

Comments (11)

Global Showbiz Briefs: ‘Game Of Thrones’ UK Simulcast; ‘Mr Whicher’ Re-Upped; Andrew Davies Honored; More

Game of ThronesBritain’s Sky Atlantic HD is making sure Game Of Thrones fans don’t have to wait to see the first episode of the upcoming fourth season. The pay channel will premiere the season debut simultaneously with HBO’s U.S. East Coast transmission. Catering to the faithful, it will air on Monday April 7 at 2 AM and then be repeated in primetime at 9 PM UK time. Following the first 2 AM transmission, the premiere episode will also be available on demand. After that, Game Of Thrones will settle into its regular time slot. The move is not unprecedented for Sky which has done similar simulcasts with the series finales of Lost and Fringe. Read More »

Comments (0)

PaleyFest: Dan Harmon & ‘Community’ Cast Talk Season 6, Chevy Chase And A Potential Streaming Future

By | Wednesday March 26, 2014 @ 9:57pm PDT

Dan Harmon Community PalyeFestCommunity creator and exec producer Dan Harmon told Deadline tonight at the PaleyFest that there’s still no word about a sixth-season order from NBC, but it’s conceivable the cult comedy could have a future via new VOD models such as Netflix and Hulu should the Peacock not include it as part of its 2014-2015 season. “I think that we’re old reliable, like a Tupperware in the fridge,” Harmon said about NBC’s silence about a renewal. “We’ll find out when the network is the hungriest.” Harmon said he’s heard “whispers from dark corners” about the possibility of Community being resurrected through a streaming format, should NBC completely deep-six the comedy series. The creator gives props to Sony, the studio thatPaleyfest 2014 logo fired him after Season 3 then brought him back for Season 5, for recognizing the cult appeal of Community should this occur: “No one is better than Sony when it comes to recognizing a property. If they have something that’s worth anything, that has an opportunity to recoup and profit, it’s Sony.”

Related:
TCA: Harmon Sure NBC And Sony “Meant No Harm” When They Sacked Him
Harmon Apologizes for Slamming ‘Community’ Season 4 and Sony Bosses

He added: “There seems like there’s a space where we could do something; one can go to Hulu or Netflix. It’s a new business model. Should Community continue on a streaming platform, well, that’s an adjustment Harmon will need to make. “Whether [streaming] is the best for Community, I don’t know. It’s a network sitcom. It’s like, ‘Let’s take this sonnet that didn’t work for everyone and turn it into a limerick,” he said.

Related: Harmon Rallies for Season 6  And A Movie At Comic-Con Read More »

Comments 23

Film4′s Tessa Ross To Step Down; Veteran Exec Named Chief Of National Theatre

tessa dannyIn a major shake-up at the top of the UK industry, respected veteran Film4 head Tessa Ross is leaving her post to become Chief Executive of the National Theatre. Ross, whose most recent official title is Controller of Channel 4 Film and Drama, has headed up Film4, the feature division of the network, for more than a decade. She is considered one of the most powerful executives in the UK business and so integral to it that she is sometimes referred to as the “Mother of British filmmaking.” Film4 is one of the biggest supporters of the UK industry and under Ross has developed and financed such Oscar winners as 12 Years A Slave, Slumdog Millionaire and The Last King Of Scotland.

12-Years-a-Slave-posterCommenting on her departure, Channel 4 CEO David Abraham said, “Tessa’s job is one of the most coveted in film, both in the UK and internationally, and while she leaves big shoes to fill, we will shortly begin the task of identifying a new leader for the next chapter of Film4’s story. Meanwhile our commitment to investing in independent British film remains undimmed and we have every intention of building on the extraordinary reputation Tessa has created.” A peek at Film4′s credits is a who’s who of independent filmmaking talent. The upcoming slate includes Richard Ayoade’s The Double, Yann Demange’s ‘71, Daniel Wolfe’s Catch Me Daddy, Mike Leigh’s Mr Turner, Lenny Abrahamson’s Frank, Sarah Gavron’s Suffragette, and Todd Haynes’ Carol starring Cate Blanchett and Rooney Mara. The company’s previous credits have included Clio Barnard’s The Selfish Giant, Bart Layton’s The Imposter, Martin McDonagh’s In Bruges and Seven Psychopaths, Chris Morris’ Four Lions, Leigh’s Another Year, Ayoade’s Submarine, Paddy Considine’s Tyrannosaur, McQueen’s Hunger and Shame, and Meryl Streep-starrer The Iron Lady; all under Ross.

NationalTheatre_white on blackShe will remain at Film4 until September, and will stay on as Chair of the Growth Fund Advisory Council once in her new role. She will join the National in November, working alongside current artistic director Nicholas Hytner. She will formally become CEO, sharing the leadership of the National with Rufus Norris, when he becomes artistic director in April 2015. Read More »

Comments (0)

Global Showbiz Briefs: Julie Sultan To Run AMBI’s International Sales Unit; ITV Buys Stake In Nordic On-Demand Channel Cirkus; More; More

By | Friday March 21, 2014 @ 10:00pm PDT

AMBI Pictures Taps Julie Sultan To Run New International Sales Unit
Julie SultanJulie Sultan has been named as President of Worldwide Sales & Acquisitions at AMBI Distribution Corp, the newly launched international sales division of AMBI Pictures. She will oversee the new company, which represents Beverly Hills-based AMBI’s original productions as well as third-party product from around the world. Sultan has served in senior positions at Lakeshore Entertainment, where she oversaw sales of “Million Dollar Baby,” and the “Underworld” franchise, as well as NBC and Peace Arch Entertainment. Read More »

Comments (0)

Shaun Evans Nabs Male Lead In Amazon Pilot ‘Cosmopolitan’; Victor Rasuk Joins Kevin Williamson Drama Pilot

By | Thursday March 20, 2014 @ 3:00pm PDT

Shaun Evans (Endeavour) shaunevans1is set as a male lead in Amazon comedy pilot Cosmopolitan, from The Last Days Of Disco filmmaker Whit Stillman. Cosmopolitan, which Stillman wrote and will direct and executive produce, chronicles the loves and adventures of a group of young expatriates in Paris. Evans will play Hal, a divorced, good-looking but somber young man who’s struggling with his most recent heartache in the company of his two best friends, fellow American Jimmy and European Woddy, who’s less than sympathetic. The friend roles have yet to be cast. Evans, repped by Don Buchwald & Associates and Hamilton Hodell in the UK, next will be seen in upcoming feature War Book.

Related: 2014 Amazon Studios Pilots

victorrasuk3Victor Rasuk (Raising Victor Vargas) has been cast as a series regular in CBS‘ untitled Kevin Williamson drama pilot, from Warner Bros TV. Written by Williamson and directed by Liz Friedlander, the psychological thriller revolves around two detectives, Beth (Maggie Q) and Jack (Dylan McDermott), who handle stalking incidents for the Threat Assessment Unit of the LAPD. Rasuk will play Ben, an ambitious detective with the Threat Assessment Unit who’s loyal but not entirely trustworthy. He next will be seen in upcoming features Godzilla and Fifty Shades Of Grey. He is repped by Gersh.

Related: 2014 CBS Pilots

Comments (2)

‘Bates Motel’s Michael Vartan Checks Into New Line’s ‘Crawlspace

By | Thursday March 20, 2014 @ 2:16pm PDT
Mike Fleming

MVartanEXCLUSIVE: Bates Motel star Michael Vartan has landed the male lead in Crawlspace, the New Line genre film that’s directed by Phil Claydon (Vampire Killers) and produced by Peter Safran and Rick Alvarez. Vartan will play a widower with a daughter who gets remarried and, after going through a rough patch of unemployment, gets the opportunity for a new start in a new house in the suburbs. Trouble is the house has a very disturbing secret from the past that rears up. Principal photography is set to begin March 24, 2014 in Los Angeles.

Vartan is currently playing the new romantic love interest to Vera Farmiga’s Norma in the A&E’s Psycho prequel series Bates Motel, which is currently airing in its second season. This guy is apparently not good at picking houses or women. He’s repped by UTA, Thruline Entertainment and attorney Frank Stewart.

Comments (7)

Sam Shepard To Co-Star In Netflix Drama Series From ‘Damages’ Creators

By | Wednesday March 19, 2014 @ 6:00pm PDT
Nellie Andreeva

Sam Shepard (August: Osage County) samshepardhas joined the cast of Netflix‘s untitled psychological thriller drama from Sony Pictures TV. Written and executive produced by Damages creators Todd A. Kessler, Daniel Zelman and Glenn Kessler (KZK), the 13-episode series centers on a close-knit family of four adult siblings (Kyle Chandler, Ben Mendelsohn, Linda Cardellini, Norbert Leo Butz) whose secrets and scars are revealed when their black sheep brother (Mendelsohn) returns home. Shepard will play the patriarch of the family, with Sissy Spacek previously cast as his wife.

Related: Jane Fonda & Lily Tomlin To Topline Netflix Comedy Series

Comments (5)
More Deadline | Hollywood »