EXCLUSIVE: Dexter alum Aimee Garcia and Episodes‘ Mircea Monroe are set as leads opposite Michael Rosenbaum in TV Land’s single-camera dark comedy Impastor. Written by Christopher Vane and directed by Robert Greenberg, the story centers on Buddy (Rosenbaum), a lowlife on the run from his debts who hides away in a small town by conning its residents into thinking he’s their new gay pastor. Garcia plays Buddy’s put-upon girlfriend, LeeAnne, is a bartender in San Francisco who is used to Buddy leading a chaotic, trouble-jammed lifestyle. A little bored with all the constant upheaval in his life, she dismisses his latest tale of danger and drama. But after Buddy disappears, an apparent suicide, LeeAnne has a new set of problems: dealing with her snarky mother, dealing with the cops, dealing with a funeral director, and (most complicated of all) dealing with Buddy’s criminal creditors on top of the guilt of “abandoning” him. Monroe plays Alexa Cummings, the sexy Head Trustee of Loomis Lutheran Church, who’s instantly attracted to the new pastor in town, Buddy. Alexa’s sophistication hides a mysterious past. Garcia, repped by Dave Fleming at Mosaic, Paradigm and Ginsburg Daniels, recently appeared in MGM’s Robocop. Monroe is with Gersh and LINK.
The “Detached” trailer for Alfonso Cuaron’s awards-season favorite Gravity floated away with the top honor at tonight’s Golden Trailer Awards. The pic scored Best of Show and scooped up three other nods including Best Drama Poster and thriller TV spot. Godzilla and The Hunger Games: Catching Fire also scored four wins. Gravity distributor Warner Bros went into the 15th annual trophy show with a league-leading 51 nominations and came away with 15, the most for any studio. Universal (along with Focus) was second with nine wins, followed by Lionsgate with eight. Top trailer and creative vendors in the 2014 race included Ignition, whose work was honored in 14 different categories. Buddha Jones earned 7 awards, and Trailer Park was next with six. The judge panel included Frozen co-director Chris Buck, actor Adam Driver, Entourage creator Doug Ellin and castmember Debi Mazar, Raising Hope’s Garret Dillahunt, Divergent helmer Neil Burger, andSnow White And The Huntsman writer Evan Daugherty. Jay Mohr hosted the show from the Saban Theatre in Beverly Hills, at which 17 of the 75 awards were handed out. Here’s the Best of Show-winning Gravity trailer. A complete list of 2014 Golden Trailer Award winners follows:
In the first five months of 2014, Chinese box office hit 10.2B yuan, or about $1.63B, with local movies dominating the market at 56% through May 21. Watchdog SAPPRFT released the figures today via state news agency Xinhua. Those numbers have led analysts to predict total 2014 box office could top out at a staggering 28B yuan, or around $4.49B. That would rep a 24.7% change from 2013 which ended with $3.6B. I say staggering because the numbers really do look wild, but a 24.7% increase would be slightly lower than the 27.5% jump from 2012 to 2013.
It’s difficult to make an apples-to-apples comparison with 2013 based on the figures released today given that last year the authority provided half-year numbers in July. However, it’s worth noting that it took six months in 2013 for box office to cross the 10B yuan mark. This year, it was less than five. In the first six months of 2013, Chinese films also ruled the box office at about 61%, grossing $1.1B in the semester which had total takings of $1.79B. This was a reversal from the whole of 2012 when, much to the chagrin of SAPPRFT (then SARFT), market share had fallen to under 50% for the first time in four years.
Metro-Goldwyn-Mayer Inc.’s Chief Strategic Officer Ken Schapiro is exiting the studio at the end of this month after joining the company in 2011 as COO. He was a key figure at MGM in recent years, helping to guide the studio’s strategy, and was promoted in January to his current post. Analysts saw his promotion as a sign that MGM possibly was going public (which it indicated in 2012 was a distinct possibility). It’s not clear where that stands now. However MGM Chair Gary Barber did tell analysts recently in a conference call that he would continue to evaluate that and promises to do what’s best for the company. Schapiro has been involved in all of the company’s financials. He helped to structure debt and its $75M stock repurchase, helped coordinate MGM’s investments in new media and the 2012 divestiture of the company’s overseas channels, and oversaw MGM’s home video campaign for its 50th anniversary of the James Bond franchise. Before joining the studio, Schapiro co-founded investment management company Qualia Capital and was COO of Artisan Entertainment — helping to turn around the video distributor and merge it with Lionsgate. Schapiro said he was thankful to be part of the restructuring at MGM and was looking forward to another challenge.
Warner Bros set the pace for the biggest number of nominations in the 15th annual Golden Trailer Awards, which will be presented May 30 at the Saban Theater. The awards cover the gamut of trailers, and Warner Bros, with 51 noms for films including Gravity, The Lego Movie, Godzilla and The Hobbit: The Desolation Of Smaug, set the pace. Universal is second with 32 nominations including Focus Features, for movies that include A Million Ways To Die In The West, Lone Survivor, The Purge and Despicable Me 2. Right behind them is Fox, which includes Searchlight, and which got 31 noms for films that included The Secret Life Of Walter Mitty, Rio 2 and How To Train Your Dragon 2. Lionsgate got 30 noms and Disney came in with 23. The judge panel includes Frozen co-director Chris Buck, actor Adam Driver, Entourage creator Doug Ellin and castmember Debi Mazar, Raising Hope’s Garret Dillahunt, Divergent helmer Neil Burger, and Evan Daugherty, writer of Snow White And The Huntsman. Here are the nominees in main categories:
Brick Mansions “Clash”, Relativity Media, Ignition
Captain America: The Winter Soldier “Fear”, Disney, Trailer Park
Edge of Tomorrow “Believe Again”, Warner Bros., Wild Card
The Hunger Games: Catching Fire “World Event”, Lionsgate, Trailer Park
Star Trek Into Darkness “Illusion”, Paramount Pictures, TRANSIT
Frozen “Forces First Ped”, Disney, Trailer Park
How To Train Your Dragon 2 “Master”, 20th Century Fox, Aspect Ratio
The Lego Movie “The Special”, Warner Bros., TRANSIT
Muppets: Most …
FINAL BOX OFFICE: ‘Amazing Spider-Man 2′ – $91.6M; ‘The Other Woman’ Holding Strong; ‘Rio 2′ Passes $100M
OPENING: The Amazing Spider-Man 2 (SONY), $91.6M; Belle (FSL) limited release in 4 runs with a nice per screen average of $26,664.
Key to what the long-term performance will be of ASM2 will be how well it holds in its second weekend. Since Sony has been using the Disney/Marvel Captain America: The Winter Soldier comp, let’s look at that. In its second weekend, the Cap dropped 51% in its second weekend out. However, it had a full four weeks before Spidey swung into theaters. There was some question whether Transcendence would make a dent in its box office, but that bombed so had little effect. So Captain America really had some room to play. ASM2 has only one more weekend before the Warner Bros./Legendary Pictures’ Godzilla tsunami. The second thing we need to look at is historically at what the percentages drops have been for the last Spider-Man pics in their second weekends’ out. ASM, which made most of its gross before it hit Friday because it opened on a Tuesday prior to the July 4th holiday, had a 3-day weekend to weekend drop of 44%. Spider-Man 3 had a 61% decline; Spider-Man 2 dropped 49% and Spider-Man dropped only 41%. So, if tradition holds to a mid-40% drop in its sophomore frame, ASM2 could make anywhere around $260M to $270M domestically … so maybe $800M all in … we’ll see how international rolls in … and it’s rolling in from China daily since Sunday. Read Nancy Tartaglione’s international box office report here.
Avi Arad, who was there from the very beginnings of the original Spider-Man film, said: “It was a spectacular opening for what I call Spider-Man 5. I am incredibly happy with the franchise. It will continue. Marvel is a huge universe, and the most interesting villians are in the Spider-Man universe. If James Bond can go on and on … I think sequels can go on forever. Marvel started with licensing out the name. It was Mike DeLuca who took the first one, Blade. He and I came from the same neighborhood and he understood the value of the comics.”
Arad credits certain people at Sony for embracing Spider-Man. “Spider-Man was not an easy sell initially,” he said. “The major personality who pushed this back in the day was (Sony co-chair) Amy Pascal. She fell in love with the boy. It was (the late) John Calley, Amy and (producer) Matt Tolmach and (former Sony vice chair) Yair Landau.”
Next weekend openers: The frat-boy prank comedy Neighbors (UNI) which is playing predominantly with young males but delivers; Moms’ Night Out (Sony/TriStar) which should do well with the faith-based crowd, Chef (OPRD) with Jon Favreau and Sofia Vergara, and the animated Legends of Oz: Dorothy Returns (Clarius). Final Top 20 chart follows:
Los Angeles, CA and Philadelphia, PA – April 30, 2014 – Comcast and MGM Television (MGM) today announced that Comcast will begin to make MGM content available through the Xfinity On Demand digital store. Xfinity TV customers can own and access movies anytime, anywhere, on any device, often before the DVD release.
The list of stellar MGM fan favorites to be added to the Xfinity On Demand store will include: Bull Durham, Capote, Carrie (2013), Fargo, The Graduate, Hoosiers, Hot Tub Time Machine, Legally Blonde, The Princess Bride, the Rocky franchise, Skyfall, The Silence Of The Lambs, The Usual Suspects, Thelma & Louise, West Side Story and When Harry Met Sally as well as the hit television series Vikings. MGM’s content will debut on Comcast with the 2014 film RoboCop on Digital HD on May 20, 2014.
INTL BO: ‘Spider-Man 2′ Spins $47M Web For Biggest Opening Of 2014; ‘Captain America’ Passes $500M; ‘Frozen’ Highest Animated Grosser Ever; ‘Rio 2′ passes $200M Overseas
Highlights: The Amazing Spider-Man 2 (SONY) opens in 14 markets with $47M; Captain America: The Winter Soldier (DIS) passes $500M; Transcendence (WB) opens to $17.1M, mostly from China; Rio 2 (FOX) flies past $200M and is burning it up in Latin America. Noah (PAR) at $197.4M; Divergent (LGF/SUM/var) at $18M for $74.7M cume; The Other Woman (FOX) bows with $5.3M in four markets; Spanish Affairs (UNI) phenom as Spain’s top local-lingo pic ever, still No. 1 … twice the marketshare of Spider-Man 2′s bow.
3rd UPDATE, Monday, 10:50 PM PDT: Final numbers in for Transcendence, Divergent, Rio 2, The Other Woman, The Grand Budapest Hotel, The Lego Movie, and Mr. Peabody & Sherman. All grosses for the movies have changed.
2nd UPDATE, Sunday, 6:50 PM. PDT: More estimates have been added for Rio 2, Divergent, and further analysis on The Amazing Spider-Man 2. There will be another update tomorrow, but no territory by territory breakdown this week. It’s always interesting to see a snapshot of the top international pictures so far in 2014. Disney’s has the two lead spots right now with Frozen $462M) and Captain America: The Winter Soldier ($385.1M), followed by The Wolf of Wall Street ($262.5M), which is being handled by Universal and many other distribs. The difference between the No. 2 and No. 3 pictures is a substantial $122.6M so far. Surprising, no? Rounding out the top five is Warner Bros.’ duo The Hobbit: The Desolation of Smaug ($244.5M) and 300: The Rise of an Empire ($223M).
PREVIOUSLY, 10:27 AM, Sunday, PDT: Marking the biggest opening internationally of 2014, The Amazing Spider-Man 2 has taken the markets by storm, grossing an estimated $47M as it bows in such major territories as the U.K., Spain, Germany and Belgium, Mexico and Australia. All told, 14 markets. It was a big box office weekend internationally with several major pics playing well throughout the world. But all eyes are on Spider-Man, which opened strong in territories earlier in the week. The top market for the Sony franchise is
EXCLUSIVE: GrandElectric Entertainment, a new shingle formed by ex-Strike Entertainment partner Eric Newman, has teamed with director Jose Padilha‘s Cold Mountain to preemptively purchase Nekome, a period action pitch by John Hlavin. Studiocanal will finance development and production of the film.
The title is the Yiddish word for revenge and the film is set in the days following the end of World War II. Two young Holocaust survivors are sent by the Jewish underground to Brazil to hunt down and kill the escaped Nazis who ran their concentration camp. The film will shoot in Brazil. Studiocanal is committed to finance the film, but Newman and Padilha retained distribution rights in Brazil, where Padilha is a movie god after his Elite Squad films.
UPDATE: Intl Box Office: ‘Rio 2′ Soars With $63.4M; ‘Captain America: The Winter Soldier’ Blasts Past $300M Overseas; ‘Noah’ Adds $36.2M; ‘Divergent’ Nearing $50M
Highlights: Rio 2 (FOX) has $63.4M weekend, lands $12.6M in China debut; Captain America: The Winter Soldier (DIS) crosses $300M international; Noah (PAR) adds $36.2M; Divergent (LGF/SUM/var) nears $50M; Spanish Affairs (UNI) has 5th No. 1 weekend in Spain…
4th UPDATE, 7:15 PM, PST: The final Divergent numbers are in, with the film nearing $50M but not yet crossing it; it stands at $48.1M. The film is based on the YA novel of the same name (part of a trilogy) and Lionsgate is hoping it will become another big franchise. This is the same company that launched the wildly successful Hunger Games series. Divergent is at $124.7M in the U.S. after the 3-day weekend for a worldwide gross of $172.8M+.
3rd UPDATE, Monday, 1:52 PM, PST: New grosses are in for Rio 2, The Grand Budapest Hotel, 300: Rise Of An Empire, The Lego Movie, Spanish Affairs and The Secret Life of Walter Mitty. Rio 2 did better than previously expected internationally over the weekend, with a total tally of $63.4M to date; the worldwide cume on the animated family picture is over $100M.
2ND UPDATE, MONDAY 12:45 AM PT: Last weekend, Captain America: …
EARLIER EXCLUSIVE, March 31, 5:40 PT: Gaumont International Television and Netflix have found an intriguing actor to play Pablo Escobar, the villain in their new series Narcos. In what amounts to an Elite Squad re-team, director Jose Padilha has set Wagner Moura to play the Medellin Cartel leader. Moura played the police captain who battled corruption in his effort to take down drug dealers in the two Padilha-directed films that were huge hits in Brazil. Now, he’s playing the biggest drug trafficker of his era. As Netflix pushes beyond the U.S. and into Latin America, landing one of Brazil’s biggest stars is a coup.
GIT is producing one of Netflix’s first original series, Eli Roth’s monster thriller Hemlock Grove, which premieres April 19. The series will chronicle the life and death of Escobar, the ruthless cartel boss and known terrorist who also was a congressman, a family man and revered by the poor as a new Robin Hood. Padilha, is slated to oversee and direct the 13-episode first season, which is eying a 2014 debut on Netflix. It came from an idea by exec producer Eric Newman, who developed it for years with …
UPDATE: Intl Box Office: ‘Need For Speed’ Adds $29.2M For No. 1; ‘Noah’ Reigns In Mexico & Korea With $14M; ‘Peabody & Sherman’ Crosses $100M; ‘Spanish Affairs’ Muy Caliente; Asian Pics Advance; More
Highlights: Noah (PAR) floods Mexico and Korea with opening cume of $14M; Muppets Most Wanted (DIS) scores $1.5M in eight debut markets; Need For Speed (DIS/var) drives another $29.2M; 300: Rise Of An Empire (WB) seizes further $21.2M; Mr Peabody & Sherman (FOX) at $103M; Rio 2 (FOX) flies to $10.5M in Russia/Ukraine; The Grand Budapest Hotel (FOX) has extra room for $9.7M; Frozen (DIS) nearing Toy Story 3‘s record; Uni’s 8 Apellidos Vascos (aka Spanish Affairs) still seducing Spain; trio of Asian pics enters Top 20…
6TH UPDATE, MON, 12:43 PM PT: Final numbers are in now for The Grand Budapest Hotel, Mr. Peabody and Sherman, Monuments Men as well as Ride Along, 300: Rise of an Empire and The Lego Movie (which grossed more than previously thought). Final numbers also came in Monday night for Oscar Best Picture winner 12 Years a Slave which added another $3.9M to raise its international cume to $121.7M, most of its gross has come from the U.K. with $32.7M; the film has made $178M worldwide. Lionsgate opened Divergent in 18 international markets, but are not releasing numbers as yet. We are using Rentrak which has five small territories (see below for more info on that). Lionsgate, as they always do, pre-licensed international so there are many distributors handling the film in their prospective territories. The big territory rollout for Divergent will be April 4 in the U.K., Italy, Belgium, Netherlands, Mexico, and Finland, followed April 11 by France, Germany, Russia, Australia, Denmark and Norway.
Wally Pfister‘s directorial debut Transcendence will open on April 18 in China, a coveted day-and-date release with the U.S. Warner Bros is distributing in the States. The Johnny Depp sci-fi action drama will be exclusively released in China in 3D and IMAX 3D, a growing trend that recently saw Robocop converted to the format solely for the massive market. Trenscendence will also have a 2D release locally. Day-and-Date is a big deal in China where piracy is rampant; Disney’s Need For Speed opened simultaneously with the U.S. two weeks ago and outperformed the domestic haul in its first weekend. China is now the movie’s biggest market worldwide. Transcendence is the first product of a partnership between Alcon Entertainment and Beijing-based DMG Entertainment to finance, produce, and distribute films (LA-based Straight Up Films is also a producer). DMG has some experience here, having secured a pre-day-and-date release last year for Iron Man 3 — it went out May 1 in China and May 3 in the U.S. and went on to be the No. 2 movie in China for the year with about $125M in box office. The China Transcendence release will follow Depp’s big promotional swing through China beginning March 31 and replete with a series of primetime TV specials to be shown nationwide in the lead up …
EXCLUSIVE: WME has signed Michael Kenneth Williams, better known as Chalky White if you have HBO and are as addicted to Terence Winter’s Boardwalk Empire as I am. Williams, who first made his mark on HBO’s The Wire playing Omar, the elusive man who robbed crack dealers, is currently starring opposite Mark Wahlberg in the Rupert Wyatt-directed remake of The Gambler at Paramount Pictures. He appeared in the Robocop remake as well as Steve McQueen’s 12 Years A Slave and most recently wrapped Inherent Vice for Paul Thomas Anderson. Williams returns for the fifth and final season of Boardwalk Empire this fall. He had been repped at ICM Partners.
Williams continues to be managed by Matt Goldman and Sam Maydew at Silver Lining Entertainment. The other thing to know about Williams is that while Quentin Tarantino chose Jamie Foxx to play the title role in Django Unchained because Jamie’s skill on horseback made him the cowboy Tarantino was looking for, Quentin told me he loved Williams, who presented him with a hard decision.
Box Office: ‘Mr. Peabody & Sherman’ No. 1 With $21.8M; ‘Need For Speed’ Crashes; Tyler Perry’s ‘Mom’s Club’ Only $8M, ‘Budapest Hotel’ Exceptional … Again
OPENING: Need For Speed (DIS) no gas for the DreamWorks pic at $18M to $19M+, then $18M and now at $17.8M; Tyler Perry’s The Single Moms Club (LGF) is one of the worst openings for him to date with about $9.1M to $9.4M, now at $8M; Veronica Mars (WB) strong per-screen to take more than $2M+ for the weekend and did $1.9M; The Grand Budapest Hotel (FSL) expanded to 66 screens with another stellar $55,122 per screen; Frozen (DIS) still in Top 10 after 17 weeks with $396.3M cume.
5th UPDATE, MONDAY 1:18 PM: Final numbers are in, and the No. 1 picture this weekend was the holdover Fox’s Mr. Peabody and Sherman. which, on a $145M negative (not counting marketing/distrib. costs) is now at $63.7M domestically and $149.3M worldwide. See overseas grosses from Deadline’s Nancy Tartaglione’s international box office report. The mystery is solved now, too, as to which film rounded out the Top Ten. It appears that Warner Bros’ Veronica Mars made $1.98M for the 3-day weekend, a step behind Sony’s The Monuments Men with $2M, so it didn’t crack it in its opening weekend. Nevertheless, Rob Thomas‘ film had a tidy per-screen average of $6,833, the highest of any Top 10 player with the exception of The Grand Budapest Hotel, which has done phenomenally well from Fox Searchlight in its limited release. The Wes Anderson film has taken in almost $25M worldwide so far. It’s per-screen last weekend was a record-breaking $202,000 and now a remarkable $55,122. For more about this picture, expansion plans below and read Deadline’s Brian Brooks’ specialty box office story. 300: Rise Of An Empire (WB/Legendary) showed a lesser percentage drop on Sunday and ended up with $19.2M this weekend to add to its international cume of $159.6M or $238M worldwide in its second week of release. The budget (not counting marketing and distribution costs) is about $110M. Need for Speed, the disappointing DreamWorks offering distributed by Disney, ended up with $17.8M; it didn’t open. Again, worldwide to date, it looks like it has so far made about $63.4M on a $66M negative. Tyler Perry’s Single Mom Club which had a slightly larger Sunday percentage decrease to take in only $8M, giving Wall Street the jitters. NOTEWORTHY: Disney’s Frozen, still in the top 10, will cross $400M domestically this week.
NEXT WEEKEND OPENERS: Divergent (LGF/Summit; wide) Could be a monster; Muppets Most Wanted (Dis; wide) Should do decent business for this family film (yes, very surprisingly, it crosses over to adults — well, at least this one); The Grand Budapest Hotel (FSL) and Bad Words (Focus) both expand.
Top 20 Chart follows:
UPDATE: Intl Box Office: ‘Rise Of An Empire’ Cumes $159.6M; Universal’s Spanish Comedy Breaks Records; ‘Need For Speed’ China Haul Outpaces Domestic; ‘Frozen’ Hot In Japan; More
2ND UPDATE: 12:35 PM PT MONDAY: Actuals are starting to roll in for the weekend’s movies. Holdover 300: Rise Of An Empire was slightly up from estimates, taking $41.6M versus $41.3M from 62 markets for an international cume of $159.6M. Russia remains its top territory with $14.6M. Its worldwide chest is now at about $237.7M. Universal released local romantic comedy 8 Apellidos Vascos in Spain to a better-than-estimated $3.93M at 321 dates. The Emilio Martínez Lázaro-directed movie opened No. 1 on Friday and had a mega 105% bump on Saturday. Its previous estimate was $3.8M for the weekend. Putting that in perspective, its opening was 150% bigger than The Hangover and 43% over the studio’s own Ted in 2012. Local movies were strong this weekend with five titles in Rentrak’s Top 18. The biggest was Dany Boon’s Supercondriaque which continued its run in France adding $4.5M for a $35M cume. Also in France, comedy Fiston scored $4.25M for SND. Movie attendance will get a boost this week as the annual Printemps du Cinéma promotion kicked off yesterday and runs through Tuesday; ticket prices are slashed to 3.50 euros ($4.87) for all showings of all films throughout the country. Along with the above, the other local pics to break into the top group were Korea’s Elegant Lies with $3.5M, and Fox International Productions’ El Crimen del Cacaro Gumaro which took $2.2M in Mexico. Liam Neeson actioner Non-Stop, in its …
EXCLUSIVE: There is anxiety in Culver City today as word gets around on the Sony lot that significant layoffs are coming as soon as Monday. “You wouldn’t be wrong to describe it as a high state of panic over here,” said one. I will disclose the layoff specifics when I learn them, but it’s not a surprise that this is happening; it was considered an eventuality when Sony hired Bain & Company to figure out a way to cut $100 million in operating costs across movies, TV and the music operations. Staffers from that consulting company have made their presence felt on the lot. This attempt to run more efficiently came out of the discussions that Sony Entertainment CEO Michael Lynton had with Kazuo Hirai after minority shareholder Daniel Loeb ragged on the studio after a string of flop films that included After Earth and White House Down. My sources expect the pain to be spread around, but there will be more corporate cuts than in the creative ranks. It is considered more a course correction than anything.
Of those executives leaving this month at Sony Pictures Home Entertainment, Matt Brown, executive VP of worldwide commercial is retiring effective March 31. In December it was announced that David Bishop, president of the Home Entertainment division, was also departing this month after his contract wasn’t renewed.
UPDATE: Intl Box Office: ‘300: Rise Of An Empire’ Lifts To $88.8M; ‘Non-Stop’ Passes $100M Worldwide; More
6th UPDATE, MONDAY 9:09 PM PT: Updated numbers for Best Picture Oscar winner 12 Years a Slave and Pompeii have been added below. 12 Years a Slave‘s cume internationally is now $104.5M and its worldwide total stands at $157.6M.
5TH UPDATE, MONDAY 12:20 PM PT: Warner Bros and Legendary Pictures’ 300: Rise Of An Empire is now tracking up 11% over the original 300 internationally. Revised numbers have just come in from Warner which says the movie took $88.8M in 58 markets. Some of the major territories were slightly down, but the overall cume was up. The Lego Movie was slightly lower than predicted at $9.6M on 5,585 screens, however the overall overseas cume is $135.4M, a small bolt off the originally estimated $135.6M. The Hobbit: The Desolation Of Smaug added a confirmed $7.5M internationally — down from the estimated $8M — and with $679.7M total; again, a breath away from the previously reported cume of $680M. As ever, numbers are updated in the territory sections below, with more to come as they roll in.
BOX OFFICE FINAL: ‘300: Rise Of An Empire’ Commands $45M; ‘Mr. Peabody’ Chases In $32.2M; ‘Son Of God’ Falls 59% In Second Weekend, ‘Budapest Hotel’ Per Screen Stuns With Over $202K
OPENING: 300: Rise of An Empire (WB) commands $43M to $45M and ended on the high end; Mr. Peabody And Sherman (FOX) $29M to $31M and made $32.5M; Son of God (FOX) dropped 61% in its second weekend. NOTEWORTHY: Best Picture winner 12 Years A Slave (FOX) re-upped to 1,065 screens and breaks back into the top ten. The Grand Budapest Hotel on four screens in L.A. and N.Y. a phenomenal, record-breaking per screen for a live-action film of $192,250 and might climb to $200,000.
5TH UPDATE, MONDAY, 1: 30 PM: The final numbers are in with The Grand Budapest Hotel pulling in $811,000 for Fox Searchlight to take in a per-screen average of $202K+ on four screens. High end of yesterday’s estimate. Warner Bros.’ and Legendary Pictures’ 300: Rise Of An Empire was on the money with yesterday’s cume and Mr. Peabody And Sherman‘s numbers were almost in line with yesterday’s while the ten spot was finally figured out … it went to Ride Along, not RoboCop – but only by a hair. We are keeping in yesterday’s chart below for comparisons for those of you who want to see the differences (i.e. Son Of God down 59% instead of 61%, so Sunday’s numbers were slightly better than expected).
Next weekend’s openers are Disney’s Need For Speed, Lionsgate’s Tyler Perry’s Single Mom’s Club going wide and in limited release will be Focus Features’ Bad Words, Warner Bros’ Vernonica Mars (also on VOD), and The Weinstein Company’s One Chance. Here is the Top 20:
1). 300: Rise Of An Empire (WB), 3,470 theaters / 3-day cume: $45M / Per screen: $13,006 / Wk 1
2). Mr. Peabody And Sherman (FOX) 3,934 theaters / 3-day cume: $32.2M / Per screen: $8,187 / Wk 1
3). Non-Stop (UNI), 3,113 theaters (+23) / 3-day cume: $15.8M (-45%) / Per screen: $5,085 / Total cume: $52.5M / Wk 2
4). The Lego Movie (WB), 3,290 theaters (-480) / 3-day cume: $10.9M (-48%) / Per screen: $3,317 / Total cume: 224.8M / Wk 5
5). Son Of God (FOX), 3,271 theaters (+11) / 3-day cume: $10.3M (-59%) / Per screen: $3,173 / Total cume: $41.8M / Wk 2
6). Monuments Men (SONY), 2,001 theaters (-1,001) / 3-day cume: $3M (-38%) / Per screen: $1,537/ Total cume: $70.5M / Wk 5
7). 3 Days To Kill (REL), 2,348 theaters (-543) / 3-day cume: $3M (-39%) / Per screen: $1,282 / Total cume: $25.5M / Wk 3
8). Frozen (DIS), 1,660 theaters (-86) / 3-day cume: $2.9M (-19%) / Per screen: $1,780 / Total cume: $392.9M / Wk 16
9). 12 Years A Slave (FSL) 1,065 theaters (+654) / 3-day cume: $2.1M (+116%) / Per screen: $1,982 / Total cume: $53M / Wk 21
10). Ride Along (UNI), 1,323theaters (-546) /3-day cume: $2,024M (-33%) / Per screen: $1,530 / Total cume: $129.9M / Wk 8