A full teaser trailer for The Twilight Saga: Breaking Dawn Part 2 will be released tomorrow — in honor of Edward Cullen’s 111th birthday. In the meantime, Summit offers up a 10-second peek at the teaser.
Here’s a new 90-second trailer for The Twilight Saga: Breaking Dawn Part 2 that debuted tonight on the MTV Video Music Awards.
EXCLUSIVE: Melissa Rosenberg, the screenwriter behind the multi-billion dollar Twilight franchise, has sealed a deal to redraft an untitled female actioner from a comedy to a fast-paced female-ensemble spy pic at Summit Entertainment for producer Lorenzo di Bonaventura and Mark Vahradian with Benderspink executive producing.
It’s always nice to see projects with a strong female leads written by a strong woman.
The project has gone through previous incarnations with a screenplay originally penned by Douglas S. Cook and David Weisberg (The Rock, Double Jeopardy) under the working title Blank Slate with a re-write by Erich and John Hoeber (Red) under the title The Kiss Off.
The story, now untitled, is now taking a turn away from what was going to be a comedy and gearing more the pic towards a female-centric actioner in the line with Salt, also produced by the team of di Bonaventura and Vahradian. It will focus on a group of female spies.
Given her track record, this is Rosenberg’s baliwick. And having worked myself with former CIA operatives through the Association of the Recovery of Children, I can tell you, the former females spies are just as tough … and definitely more wily … than the guys.
Lionsgate CEO Jon Feltheimer reaped the benefit from a year when his company cashed in on hits including The Hunger Games and the Twilight saga: His compensation rose 95.3% to $12.6M according to the company proxy out today. (The package: $1.3M salary, $6M bonus, $3.6M stock awards, $1.5M non-equity incentives, and $184,535 in other compensation.) But it seemed to pale next to the take for Vice Chairman Michael Burns, who had to report four years worth of option awards valued at $14M. With that included, he ended up with $28.2M, +406%. (The package: $970,962 salary, $4M bonus, $7.9M stock awards, $14M option awards, $1.3M non-equity incentives, and $33,484 other.) Lionsgate shares appreciated 70.8% in the fiscal year that ended in March. In making the awards, the board says it took into account the executives’ roles in integrating Lionsgate and Summit Entertainment; the increase in the stock price; sales of TV shows including Anger Management and Nashville; the early repayment of the Summit Entertainment term loan; and the performance of Hunger Games and The Twilight Saga: Breaking Dawn Part 2. Lionsgate will hold its annual shareholders meeting September 10 in Toronto.
Opening-day highlights abound, including a 10th anniversary tribute to The Walking Dead comic with writer Robert Kirkman, South Park creators Trey Parker and Matt Stone discussing their upcoming video game South Park: The Stick of Truth, and a panel titled Video Games to Movies: Is The Golden Age Upon Us?
There’s lots of TV in the Thursday spotlight, including sessions dedicated to such shows as Dexter, Sherlock — sans stars Benedict Cumberbatch and Martin Freeman — the 35th anniversary of Battlestar Galactica and Annoying Orange. Among the dozens of panels are several geared toward making it in the business, including Marvel: Breaking Into Comics the Marvel Way, The Secrets of Writing Science Fiction and Fantasy, The Writer’s Journey: Breaking Into Hollywood and Comic Scriptwriting, Breaking Into Comics and Staying In, and Indie Comics Marketing and PR 101. There also are programs on such potentially intriguing topics as Toys 101: An Evolution of the Modern Action Figure, The Legendary Animators of Classic ’60s Cartoons, Video Gaming: Where We’ve Been, Where We Are and Where We’re Going, and – especially — Not Guilty Due to Zombification? Law and Forensic Psychiatry in a Zombie Apocalypse.
See the complete opening-day rundown after the jump:
A British secret agent, an unlikely pair of friends and a kidnapped ex-CIA operative helped boost admissions for European Union films across Europe by 12% in 2012. Despite a drop in overall attendance, market share for Euro films jumped to 33.6%, the highest level of the 2000s so far. The European Audiovisual Observatory said today that Skyfall, a majority UK co-production, was the biggest draw with 44.38M admissions across the Union. It was followed by two French films: The Intouchables at 24.07M and Taken 2 at 10.43M. Receipts hit a record high of 6.47B euros ($8.47B) reflecting hikes in ticket prices and the increase in 3D movies. Admissions for U.S. films were up slightly to 62.8% but were still far off the 68.4% achieved in 2010. The top three Hollywood performers were Ice Age: Continental Drift, The Dark Knight Rises and The Twilight Saga: Breaking Dawn Part 2.
The Weinstein Co.’s Silver Linings Playbook and leading duo Jennifer Lawrence and Bradley Cooper came up big at the 2013 MTV Movie Awards, nabbing Best Female Performance, Best Male Performance, and Best Kiss at the annual fan-driven ceremony. Marvel’s The Avengers took home three awards including Movie Of The Year, while host Rebel Wilson and her breakout summer pic Pitch Perfect also garnered kudos. Meanwhile, Taylor Lautner of Summit’s The Twilight Saga: Breaking Dawn — Part 2 snagged a win out of the film’s lone nomination: Best Shirtless Performance. Here’s the full list of winners, highlighted in bold:
Quentin Tarantino‘s Django Unchained and Seth MacFarlane’s Ted lead the 2013 MTV Movie Awards nominations with seven each. Silver Linings Playbook follows with six nods and the final installment in the Batman trilogy, The Dark Knight Rises, nabbed five. The Avengers, The Perks Of Being A Wallflower, Pitch Perfect and Skyfall all have four noms each. Rebel Wilson, nominated for Best Female Performance and Breakthrough Performance for her role as Fat Amy in Pitch Perfect, hosts the annual celebration of movies, actors and music. She’ll be joined by Will Ferrell, who’ll receive MTV’s inaugural Comedic Genius Award. The show airs live on MTV at 9 PM ET on Sunday, April 14. The complete list of nominees follows:
Year-end hits including Sony’s Skyfall, Lionsgate’s The Twilight Saga: Breaking Dawn Part 2, and Warner Bros’ The Hobbit: An Unexpected Journey helped propel the year’s average ticket price to $7.96, which is a new all-time high (not adjusted for inflation) but up just 3 cents from 2011 according to data out today from the National Association of Theatre Owners. The growth rate, at 0.4%, is close to 2011′s 0.5% — and contrasts with the steep growth in previous years including 5.2% in 2010, 4.5% in 2009, and 4.4% in 2008. But the growth pace accelerated at the end of 2012: Tickets sold for an average of $8.05 in Q4, which is up 2.8% vs the same three month period in 2011. That’s the biggest quarterly jump since fall 2011. The average price in Q3 was $7.78, a 2% drop from the previous year. Ticket prices hit the high point for the year in Q2 when they reached $8.12, up 0.7% from 2011.
UPDATE, 10:40 AM: DreamWorks has confirmed my story, and they’ve got a title for the WikiLeaks feature – The Fifth Estate. (At right is also a first photo from the production featuring Benedict Cumberbatch as Assange and Daniel Bruhl as Berg.) I’m putting the press release after the original scoop.
PREVIOUS EXCLUSIVE, 9:44 AM: Participant Media is closing a deal to become DreamWorks‘ partner on the untitled feature film that Bill Condon is directing about WikiLeaks founder Julian Assange. The studio has Benedict Cumberbatch playing Assange, with Daniel Bruhl playing Daniel Domscheit-Berg, whose book, Inside WikiLeaks: My Time With Julian Assange At The World’s Most Dangerous Website, was one of two books that were the primary source material for the script written by Josh Singer. Steve Golin and Michael Sugar are producing.
This becomes the fifth film partnership between DreamWorks and Participant, where Jeff Skoll and Jim Berk’s focus is to generate socially relevant subject matter. Those other collaborations are the Best Picture nominee Lincoln, The Help, The Kite Runner, and The Soloist.
This gives a clear shot at a production start on the film at a time when there has been big interest in the rogue web entrepreneur Assange. That includes one that Zero Dark Thirty scribe Mark Boal partnered on with Management 360 and financier/producer Megan Ellison that’s based on The Boy Who Kicked the Hornet’s Nest, an article about Assange in The New York Times Magazine written by the newspaper’s executive editor Bill Keller.
The Summit franchise has already grossed $3.3 billion in global box office culminating with the finale of the series, The Twilight Saga: Breaking Dawn Part 2, which has taken in $821.8 million of that. The weekend release date will surely allow for strong midnight events surrounding the home entertainment release. From Lionsgate:
LOS ANGELES (January 14, 2013) — The Twilight Saga: Breaking Dawn – Part 2, the final chapter of The Twilight Saga, will be released on Blu-ray Disc (plus Digital Copy and Ultraviolet), 2-disc DVD (plus Digital Copy and Ultraviolet), Video On Demand and Digital Download on Saturday, March 2, 2013 from Summit Entertainment, a LIONSGATE company. Both the Blu-ray Disc and 2-disc DVD will feature hours of extensive bonus materials. The weekend street date allows for midnight events at retailers nationwide where eager fans will be lining up in anticipation of the finale’s home entertainment release. The Twilight Saga: Breaking Dawn – Part 2 arrives on Blu-ray Disc and 2-disc DVD for the suggested retail price of $39.99 and $30.98, respectively. The Twilight Saga: Breaking Dawn – Part 1 Extended Edition will also be available on March 2nd. Both releases will be available for pre-order on January 14th, 2013.
Nominees for the 33rd Annual RAZZIE® Awards, satirizing the Worst Achievements in Film for 2012, include several Repeat Offenders, returning for more pie-in-the-face/light-hearted joshing in the one Tinsel Town trophy derby no one wants to win. Adam Sandler is back, following up his record-setting 2011 RAZZIE® “winner” JACK & JILL with an even more off-putting “family comedy,” THAT’S MY BOY. Focused on a scofflaw dad who fathered (then abandoned) a son with his 7th grade teacher, BOY amassed a total of 8 nominations, including Worst Picture and Worst Actor for Sandler himself – while also grossing about half what JACK & JILL did. But Sandler’s misfire was topped by the final chapter in a franchise which has reliably racked up RAZZIE® nominations year-after-year: TWILIGHT SAGA: BREAKING DAWN PART 2 (or as RAZZIE® Wags call it, TWILIGHT: S.B.D. #2).
How long will the joyride continue? Lionsgate’s stock closed today +1.6% to $16.86, exceeding the previous record of $16.68 that it reached on November 9. While that’s the company’s best closing price, it’s still shy of the intra-day high of $17.02 that it hit on November 1. But execs at the independent studio have no reason to complain. Investors remain dazzled by Lionsgate’s string of successes this year including The Twilight Saga: Breaking Dawn Part 2, which has generated $227M at domestic box offices in its first two weeks. Lionsgate and Summit, acquired early this year, account for about 12.2% of the domestic box office so far this year, up from 5.8% for the two in the same period in 2011. And the company’s shares have appreciated nearly 111% in 2012.
SUNDAY 9 AM, 13TH UPDATE: If you went to your local multiplex this weekend, you know how crowded it was: overall moviegoing was an impressive $245M, or +14% from last year. The main reason is that it’s the Twilight Saga’s swan song (until the inevitable reboot). But the franchise’s $2.5 billion box office may even climb to $3B all in judging by this weekend’s big bite of global theatrical grosses. The frontloaded worldwide total for Summit Entertainment’s Breaking Dawn Part 2 is already $340.9M through through Sunday - or $141.3M domestic + $199.6M international. That’s a new Twilight Saga record for an overseas opening. Lionsgate as a studio also has achieved a first-ever milestone at the North American box office with help from Summit – crossing the $1 billion mark ($1.09B). This is the 1st time ever that a studio has opened two films – Breaking Dawn Part 2 and The Hunger Games – to over $125M in the same year. And it certainly explains why Lionsgate was so eager to acquire Summit.
Summit’s official numbers are $71.9M Friday (including $30.4M from Thursday 10 PM/Friday midnight shows), $41.8M Saturday, and an estimated $27.6M Sunday from 4,070 theaters in the U.S. and Canada. Friday’s take was the 6th highest opening day in history right behind the Twilight Saga’s Breaking Dawn Part One‘s $71.6M, and New Moon‘s $72.7M. Breaking Dawn Part 2 had the 8th largest weekend opening overall and the 2nd best opening weekend for the franchise, beating the $138.1M set by Part 1 in 2011. But not New Moon‘s franchise first-weekend record of $142.8M set in 2009. Summit reported that Breaking Dawn Part 2 opened in North America to long lines and sold-out screenings with $30.4M from Thursday 10 PM and Friday midnight late shows in over 3,000 theaters. This was a Twilight Saga best, earning slightly more than Breaking Dawn Part 1‘s $30.25M. (Eclipse made $30M, and New Moon $26.27M.) Needless to say, the Twi-Hards gave this final franchise installment an ‘A’ CinemaScore which may mean more fans go see it multiple times. This was the highst rated and recommended of all the Twilight Saga films with both genders and all ages. Exit polling showed that 50% of the audience was under age 25 and 50% over 25, while 79% were female and 21% male. That’s the highest percentage of males of any Twilight Saga franchise.
Overseas, Summit announced that, from the 37 international territories that opened as of Thursday, the overseas cumulative gross for Breaking Dawn Part 2 was a very impressive $38.8 million (not including the U.S. and Canada). I don’t expect an international update until Sunday AM. On Friday, 24 additional territories opened, bringing the total to 61 territories along with the U.S. and Canada. Nearly every market has opened at or above the Part 1.
In all, Summit made 5 films beginning in 2008 based on Stephenie Meyer’s series of 4 bestselling vampire romance novels with Melissa Rosenberg penning all the screenplays and Wyck Godfrey & Karen Rosenfelt producing all the films. Catherine Hardwicke directed the first Twilight, followed by Chris Weitz (2009′s New Moon), David Slade (2010′s Eclipse), and Bill Condon (both 2011′s Breaking Dawn Part 1 and 2012′s Part 2). Going into this weekend, the previous 4 films in the Twilight Saga have accounted for $2.5 billion in worldwide box office grosses – which is why Lionsgate purchased Summit. Of course, the lead roles in all the films were played by Kristen Stewart (Bella), Rob Pattinson (Edward), and Taylor Lautner (Jacob). Like the movies or not, there’s no arguing with the fact that this franchise’s phenomenal box office and fan base have been fantastic for the film business.
In 2nd place domestically, Eon Productions/MGM/Sony Pictures’ James Bond #23 actioner Skyfall looks down 53% from its big opening a week ago for a $41.5M second weekend. It took a bigger hit (-60%) on Friday than the studios
anticipated but bounced back Saturday to bring its North American cume to about $161.3M in just its first 10 days of release. Sony Pictures today announced its biggest movie year ever at the global box office, passing $4 billion for the first time in the studio’s history thanks in large part to Skyfall‘s worldwide cume of $669.2M. That’s bigger than the $599.2M worldwide total taken in by Casino Royale in 2006. This weekendm, Skyfall made $49.6M abroad for an overseas cume of $507.9M. All in worldwide, MGM/Sony expect the Sam Mendes-directed, John Logan-scripted, Daniel Craig-starring pic to make $800M as the biggest 007 movie ever (not adjusted for inflation or higher ticket prices or IMAX premiums). Skyfall enjoyed an amazing hold on IMAX: $6M for the weekend, which is a -45% drop, and IMAX global cume to day of $39M. Studio execs felt that the reason for Skyfall‘s success (preventing the Bond franchise from jumping the shark after the dreadfall Quantum Of Solace) was because the characters were richer, deeper, and more flawed. Plus, the addition of Javier Bardem - who received a star on the Hollywood Walk Of Fame timed to the film – made Skyfall less white bread so it was a better reflection of today’s world. After 4 years on hiatus, the studios had to win back hardcore 007 fans while expanding the franchise’s appeal to younger moviegoers through MTV, Comedy Central, and ABC Family and ethnic audiences through BET, Telemundo and Univision. The marketing campaign started early with big events, like the high profile Bond integration during the opening ceremonies of the London Olympics featuring Daniel Craig and the Queen. Most of all, the studios promoted Skyfall through the fact that 2012 marks the 50th anniversary of 007 on film – including a TV blitz of ads that aired in early October on the anniversary of the premiere of Dr. No. Global James Bond Day was marked with the launch of Adele’s Skyfall theme song, which execs felt was a major draw – “massive and moody and sexy and perfect”. There also was a Bond-themed charity auction at Christie’s in London, a retrospective of all 22 previous Bond movies at The Museum of Modern Art in New York, a Music Of Bond night at the Academy Of Motion Picture Arts & Sciences in Los Angeles, a 50 Years Of Bond Style exhibit at the Toronto International Film Festival, and the premiere of the documentary Everything or Nothing: The Untold Story Of 007. On TV, Daniel Craig hosted SNL while the film was promoted on 60 Minutes. Overseas, the cast toured Moscow, London, Paris, Zurich, Madrid, Berlin, Rome, Stockholm, Amsterdam, Istanbul, Sydney, and Johannesburg, which produced big grosses overseas.
In 3rd place and also very strong is Steven Spielberg’s Oscar-buzzed Lincoln from DreamWorks Studios in association with Participant Media. Biopic expanded its run from 11 to 1,775 venues this second weekend in release. With an ‘A’ CinemaScore from audiences and 92% postive reviews on Rotten Tomatoes which will help word of mouth, it earned $21M this weekend for a $22.4M cume. The pic is distributed by Fox internationally and by Disney domestically but had to pay off Paramount first so the film’s budget is said to be $65M. Like most movies from Spielberg, who produced with Kathleen Kennedy, this one is receiving a ton of media attention. The bulk was weighted to this weekend’s expansion including Daniel Day-Lewis as Lincoln on the cover of Time including a 9-page spread featuring interviews with Day-Lewis, Spielberg, Sally Field, screenwriter Tony Kushner (after John Logan and Paul Webb turned in scripts), and Doris Kearns Goodwin whose non-fiction book Team of Rivals provided the basis for the film. The trailer launched September 13th during Google+ Hangout featuring Spielberg and Joseph Gordon-Levitt and broadcast on the ABC SuperSign in Times Square. Special conversations with Spielberg and Day-Lewis streamed live on Yahoo! Movies and were simulcast via satellite to theaters in 9 other cities. There also was a huge marketing presence throughout 2012′s election coverage starting with 2-minute exclusive trailer airing immediately after the first presidential debate on ABC, CNN, and CBS. Also let’s not forget the surprise screening at the New York Film Festival last month or the official premiere November 8th on closing night of AFI Fest. Spielberg and the cast are Oscar-touted, as are longtime Spielberg collaborators Janusz Kaminski and John Williams.
In other Oscar-touted openings this weekend, The Weinstein Company platformed producer/director David O. Russell’s Silver Linings Playbook. The romantic comedy earned $120K Friday and $181K Saturday from just 16 theaters in 10 cities for a $458K weekend and per screen average of $26,652. Hollywood expressed surprise to me that the Bradley Cooper-Jennifer Lawrence starrer’s PSA wasn’t higher given its awards buzz. My understanding is that this Matthew Quick adaptation of his novel (which was 6 years in the making from the time the book was acquired to the film’s release) will expand into 55 markets for 400 runs this pre-Thanksgiving Wednesday. The hope is that it’ll hang on and get up to 600 plays by Xmas. The plan is to bump it up to 2,000 theaters in January once the various movie awards nominations begin and TWC starts spending on its Academy Award campaign. That wasn’t the release plan first drawn up. TWC intended to go wider with the pic right away, but I’ve learned that Harvey Weinstein felt the need to change course and go slower “because he thinks it’ll be taken more seriously by the Academy if it does more of a traditional roll out,” a source tells me. We’ll see how much gravitas this much lauded laugher can muster.
Related: Anna Karenina‘s Risky New Version
Focus Features also started its Oscar-buzzed Anna Karenina in 16 theaters earning just $88K Friday and $130K Saturday for a $314K weekend and $19,577 per screen average. This lush reteaming of Pride And Prejudice director Joe Wright with star Keira Knightley for Tolstoy’s iconic adultress did not adhere strictly to Academy Award winning screenwriter Tom Stoppard’s rather literal script. That’s causing some blowback among film critics even though the intent was to distinguish this adaptation from the dozen or so previous films. (The pic is so female-centric that Jude Law is barely shown or even recognizable in the TV ads…) Before Thanksgiving Day, Focus expands it into 27 markets and then windens still further November 30th.
You’ll notice that in 9th place is the Indian romance Jab Tak Hai Jaan directed by Yash Chopra who died on October 21st after 50 years of working in Bollywood. It’s written and produced by Aditya Chopra under their production banner Yash Raj Films. The film features Shahrukh Khan, Katrina Kaif and Anushka Sharma in lead roles. The background score and soundtrack is by AR Rahman (Slumdog Millionaire). The film released in India during the 6-day Diwali weekend November 13th. It’s extremely rare for Bollywood to make it into North America’s top films – so rare I can’t recall when it last happened.
Here’s the Top 10 based on weekend estimates:
1. Breaking Dawn Part 2 (Summit/Lionsgate) NEW [Runs 4,070] PG13
Friday $71.9M, Saturday $41.8M, Est Sunday $27.6M, Weekend $141.3M
International $199.6M, Worldwide $340.9M
2. Skyfall (Eon/MGM/Sony) Week 2 [Runs 3,505] PG13
Friday $12.3M, Saturday $17.7M, Weekend $41.5M (-53%), Cume $161.3M
3. Lincoln (DreamWorks/Fox/Disney) Week 2 [Runs 1,775] PG13
Friday $6.3M, Saturday $8.5M, Weekend $21.0M, Cume $22.4M
4. Wreck-It Ralph (Disney) Week 3 [Runs 3,622] PG
Friday $4.4M, Saturday $8.5M, Weekend $18.3M, Cume $121.4M
5. Flight (Paramount) Week 3 [Runs 2,612] R
Friday $2.5M, Saturday $3.9M, Weekend $8.6M, Cume $61.3M
6. Argo (Warner Bros) Week 6 [Runs 2,210] R
Friday $1.1M, Saturday $1.9M, Weekend $4.0M, Cume $92.0M
7. Taken 2 (Fox) Week 7 [Runs 2,063] PG13
Friday $650K, Saturday $955K, Weekend $2.1M, Cume $134.6M
8. Pitch Perfect (Universal) Week 8 [Runs 1,122] PG13
Friday $398K, Saturday $567K, Weekend $1.3M, Cume $61.6M
9. Jab Tak Hai Jaan (Yash Raj Films) NEW [Runs 161] NR
Friday $373K, Saturday $536K, Weekend $1.2M
10. Here Comes The Boom (Sony) Week 6 [Runs 1,350] PG
Friday $338K, Saturday $535K, Weekend $1.1M, Cume $41.0M
Blaec Lammers was charged with first-degree assault, making a terroristic threat and armed criminal action after he was arrested Thursday. Police in Bolivar, Mo, said Lammers’ mother contacted them Thursday worried that her 20-year-old son had bought weapons similar to ones used in the Aurora, Colo shooting that killed 12 moviegoers in July at a midnight screening of The Dark Knight Rises.
According to the Springfield News-Leader, officers detained Lammers, who according to a police statement said he had purchased two assault rifles and 400 rounds of ammo earlier in the week for hunting, then said he had “a lot in common with the people that have been involved in those shootings”, and that he had homicidal thoughts. He eventually said he bought tickets to a Sunday screening of The Twilight Saga: Breaking Dawn Part 2 with the intent of shooting people in the theater.
Entertainment One has reported a drop in adjusted pre-tax profits for the six months ended September 30 with earnings down to $14M from $29.9M in the same period last year. The producer-distributor said underlying EBITDA of $21.3M was down from last year’s $37.5M, primarily due to the timing of increased investment, which drove P&A costs up 30% in the first half. Revenues were up to $350.39M compared to $325.11M in 2011 and operating cash flow in the first half was up 59% to $96.59M. The Canada-based company confirmed in September that it would acquire rival Alliance Films for $230M in a long-brewing deal. Today, eOne says funding for the acquisition has been secured and that the transaction, which is subject to regulatory approval, is expected to close in early 2013. Also in September, the company announced a multi-year offshore output deal with DreamWorks.
EXCLUSIVE: The final installment of the 5-film Twilight Saga just came on tracking today. And my sources say Breaking Dawn Part 2 which opens November 16th is comping at Part 1‘s record-breaking levels. Plus advance ticket sales are running 16% ahead as well. Summit Entertainment like most studios uses several tracking services, and I’ve learned that Part 2‘s unaided is equal or ahead of Part 1 — so that make it higher than any of the other Twilight pics. Awareness also is the highest and, in fact, already in the 90s for females. Not only is Breaking Dawn Part 2 tracking better than any other film already or about to open in the domestic box office before mid-November, but it’s even better than James Bond — 72 awareness for Skyfall vs 88 for Breaking Dawn Part 2. (Skyfall opens November 9th.) Naturally, Summit, now part of Lionsgate, is hoping the finale grosses more than Part 1‘s $138.1M opening weekend and breaks even more records. It should — especially because of the on-again, off-again, now on-again real-life relationship between Kristen Stewart and Rob Pattinson. (Were those Summit execs born under a lucky star or what? The pair reunited just in time for all the worldwide promotion like personal appearances and press tours. And the studio denies their reunion is a publicity stunt. ”They’re kids. They break up. They get back together. They’re good,” one exec assures me.)
EXCLUSIVE: I’ve learned that the final film in the Twilight Saga series Breaking Dawn – Part 2 is sending its cast on another major international promotional tour before the movie opens on November 16th. My sources say the countries are: Australia, Japan, Brazil, South Africa, Scotland, Ireland, England, Spain, Germany, Denmark, and Norway. The wildly successful vampire series’ studio Summit Entertainment has an added incentive setting such a big-ticket global tour: the reunion of their star-crossed lovers Rob Pattinson and Kristen Stewart. After their separation was sensationalized around the world, the pair are back together and I hear they’re about to make some of the promotional appearances together. The fans will go nuts. I’m told the global tour mirrors the substance of the finale starring Kristen Stewart, Robert Pattinson and Taylor Lautner because Bella, Edward, and Jacob must assemble vampire covens from across the globe to counter the new threat of the ruling Volturi. Film is based on the last half of the 4th novel by author Stephenie Meyer and was scripted by Melissa Rosenberg and directed by Bill Condon with Wyck Godfrey, Karen Rosenfelt and Stephenie Meyer producing.
Here’s the promotional tour schedule for Stewart, Pattinson, Taylor Lautner, and the rest of the cast which also will be doing a myriad of media appearances both on national U.S. talk shows and programs and similar appearances around the globe. Dates and cast appearances subject to change. Additional U.S. cities will be announced:
October 6 – Spain: Chaske Spencer to appear at Sitges Film Festival for fan event and press.
October 14 - United States: U.S. press tour in select regional markets to be announced.
October 21 – United States: U.S. press tour in select regional markets to be announced.
October 21 – October 28 - Australia, Japan, Brazil, South Africa, Scotland, Ireland: Robert Pattinson visits Australia, Kristen Stewart visits Japan, Taylor Lautner visits Brazil, Ashley Grene visits South Africa, Kellan Lutz and Nikki Reed visit Scotland and Ireland.
October 28 – November 3 – Los Angeles, California: Worldwide press junket in Los Angeles with Kristen Stewart, Robert Pattinson, Taylor Lautner, Peter Facinelli, Elizabeth Reaser, Nikki Reed, Ashley Greene, Kellan Lutz, Jackson Rathbone, Michael Sheen, director Bill Condon, author Stephenie Meyer, and screenwriter Melissa Rosenberg.
November 3 – November 4 – Burbank, California: The Twilight Saga Official Convention in Burbank featuring Peter Facinelli, Gil Birmingham, Charlie Bewley, Alex Meraz, Booboo Stewart, Tinsel Korey, Casey LaBow, Julia Jones, and Bronson Pelletier. (Details here.)
November 4 – November 11 – Various Cities, U.S.: The cast will do national press and talk shows.
November 12 – Los Angeles, California: World Premiere of The Twilight Saga: Breaking Dawn – Part 2 at Nokia Theater at LA LIVE featuring Kristen Stewart, Robert Pattinson, Taylor Lautner and the cast along with Bill Condon and Stephenie Meyer.
November 14 – November 16 – England, Spain, Germany: Premiere Tour in London, Madrid, and Berlin featuring Kristen Stewart, Robert Pattinson, Taylor Lautner, Bill Condon, and Wyck Godfrey
November 14 – November 16 – Denmark, Norway: Premiere Tour in Copenhagen and Oslo featuring Nikki Reed and Jackson Rathbone
The final movie poster will be revealed on Tuesday at 9 AM PT after a worldwide countdown at dawn across all of the Facebook pages of the Twilight Saga network. There will be 6 total portions revealed across 6 regional time zones, all on Tuesday morning local time, starting with New Zealand and ending with Los Angeles: