Fox and Nat GEO‘s reboot of Carl Sagan’s classic Cosmos series is getting some White House lift-off. President Obama will be introducing the series premiere episode this Sunday, March 9 at 9pm ET/PT. A preview of the series screened at the White House as part of their inaugural White House Film Festival on Friday, February 28. Release is below:
Global Showbiz Briefs: ‘The End’ Gets German Remake; Turkish Censors Ban ‘Nymphomaniac’; Berlin Fest Dates; BBC3 Moving To Web?; Oz’s Animal Logic; More
Eccho Rights has sold popular Turkish drama The End into further markets. It’s already being remade in the U.S. by Sander/Moses Prods at Fox, and now Germany’s UFA will develop a local version for broadcaster SAT1 while Shine France has also taken an option on the series. Further, Netflix has signed a non-exclusive agreement for the original in Sweden and the UK. The story is about a woman navigating a web of lies and intrigue as she searches for her husband whom she presumed dead following a plane crash. But it turns out he never boarded the plane. Produced by Ay Yapim in Turkey, the show is also getting a Russian version.
Weekly Column: Three weeks into the post-Jay Leno Tonight Show era, his replacement Jimmy Fallon is still the frontrunner, though his margins have shrunk, his ABC competitor Jimmy Kimmel has regained ground he lost temporarily during Fallon’s highly hyped first week with a Sochi Olympics lead-in. Now the two Jimmys are settling in for the long haul, as they wrestle over America’s late-night viewing habit.
All eyes were on Fallon when he kicked off his Tonight tenure during the second Monday of NBC’s Olympics coverage, with a star-studded week that included guests Will Smith, U2, Jerry Seinfeld, Lady Gaga, the First Lady, and Justin Timberlake. More than 11 million viewers listened as Fallon asked that they give him time to get it right. And, over the course of that first week, with DVR-watchers factored in, Fallon drew the biggest weekly audience Tonight had enjoyed since Johnny Carson signed off after 30 years in 1992 — an average of 10.42 million viewers. Those viewers, NBC noted, had the youngest median age of any weekly crowd for any of the broadcast TV 11:35 PM talk shows this season: 52.6 years.
Then the honeymoon was over.
In Fallon’s Week 2, headline writers turned their attention to ABC’s Kimmel and the ninth iteration of his much-ballyhooed, even more celeb-studded post-Oscar show, which jumped 22% in total viewers year-to-year to nab nearly 7 million viewers. It was the ABC late-night program’s largest-ever overall audience for any single-day telecast in either late-night or primetime and up 20% in the demo, to reach 2.423 million. In each of the country’s Top 3 markets – New York, Los Angeles, and Chicago – Kimmel’s show coming out of the most-watched Oscarcast in a decade outperformed both the final Tonight broadcast with Leno and the first Tonight with Fallon, in households and in the demo.
Kimmel followed this up the very next night with what members of the media regarded as the Holy Grail of late-night bookings — Toronto’s wildly unpredictable, much-memed Mayor Rob Ford. This past Monday, Kimmel mopped sweat from Ford’s brow, and suggested the mayor might want to get some help if he does in fact have a drinking problem, which Ford laughed off, saying he “wasn’t elected to be perfect” and that he is “just a normal average, hardworking politician.” To which Kimmel respectfully insisted Ford is not only not average, “you are the most wonderful mayor I’ve ever witnessed.” And, while final stats for Monday’s sit-down aren’t available yet, Jimmy Kimmel Live that night achieved a 2.5/6 in metered market homes, jumping 19% (and 50% in the demo) from the prior Monday, to land in his nearest competitive position on a Monday yet against Fallon. That said, Fallon still topped Kimmel by 68% in metered market households and by 89% in demo ratings in the 25 LPM markets, with his former Saturday Night Live Weekend Update co-anchor Tina Fey as guest. (Kimmel’s Oscar surge appeared to have fizzled by Tuesday night where, in Nielsen’s 56 metered markets, JKL fell to a 1.7/5 — well behind Fallon’s 3.5/9 — though ABC’s new 10 PM series Mind Games, with its 0.6 demo rating and its 2, 2.120 million viewers, may have contributed.)
The New York Times on Tuesday issued a correction to a 161-year-old story that covered the plight of Solomon Northup, the subject of Best Picture Oscar winner 12 Years A Slave. The original newspaper report, dated January 20, 1853, ran with the headline “The Kidnapping Case” and the sub-headline “Narrative of the Seizure and Recovery of Solomon Northrup.” The article had two misspellings of Northup’s name, one in the sub-headline and one in the body that spelled it as Northrop. The correction was made after people tweeted the error on Monday. One of the Twitter posts was by author Rebecca Skloot, rights to whose 2010 non-fiction bestseller The Immortal Life Of Henrietta Lacks were acquired by HBO Films for a movie to be exec produced by Oprah Winfrey and Alan Ball. 12 Years A Slave is the story of a New York State black man who was born free but later kidnapped in Washington, DC in 1841 and sold into slavery. The NYT correction notes in part: “The errors notwithstanding, The Times described the article as ‘a more complete and authentic record than has yet appeared’.”
2nd UPDATE, 5:42 PM: Trust The Simpsons to go for the big picture when they weighed in on Ellen DeGeneres‘ mega-retweeted Oscars selfie – literally. Today, Homer’s official Twitter feed threw up this perspective on the now famous pic (retweeted more than a record-breaking 3.209 million times so far) from the front row of the 86th Academy Awards. “The ugly true story of that Oscar® selfie can finally be told! Let’s break Twitter again. Look for Bart,” said the tweet. All we can say is Bradley Cooper, be kind. BTW – Ellen and fellow selfie star (and Oscar winner) Jared Leto are helping Homer in his goal: Both retweeted the pic.
UPDATE, SUNDAY PM: In less than an hour, Oscar host Ellen DeGeneres beat President Obama‘s Twitter record for Twitter retweets. Ellen’s on-the-fly pic with Bradley Cooper, Jennifer Lawrence, Brad Pitt, Julia Roberts, Meryl Streep, Kevin Spacey, and more is racking up the Twitter love with over 1M RTs and over 720K favorites and counting.
EXCLUSIVE: Genre pics are a hot commodity on the fest circuit and here’s an exclusive first look at one SXSW Midnighters title to watch this week. Alexandra Essoe stars in Starry Eyes as Sarah, a wannabe starlet in L.A. who lands a lead role in a film only to find herself undergoing a series of terrifying mental and physical transformations. Pic is written and directed by longtime collaborators Kevin Kölsch and Dennis Widmyer, whose credits include 2003′s Postcards from the Future: The Chuck Palahniuk Documentary. For Starry Eyes the duo teamed up with Snowfort Pictures producer Travis Stevens (Cheap Thrills, Jodorowsky’s Dune) and turned to Kickstarter to raise funds. Amanda Fuller (Last Man Standing), Fabianne Therese (John Dies At The End), Noah Segan (Looper), Shane Coffey (Pretty Little Liars), and Pat Healy (Cheap Thrills) also star in the psychological body horror pic which will be looking to make an impression on buyers next week in Austin.
“In today’s world, people gauge their own celebrity by the amount of followers they have on Twitter, by how many ‘Likes’ they get on Facebook,” said co-director Widmyer. “We’re living in an age where everyone wants to feel famous. So we wanted to focus on a young woman caught up in that hunger, that is given an opportunity to do something horrible to attain her dreams, and she dives in head first.”
Awards ceremony broadcasts may have been changed forever at last night’s Oscars when Ellen DeGeneres took a selfie of herself and a dozen A-listers in the theater. She broke the record for most retweets – 3 million-plus and counting — causing a brief service issue with Twitter. “We just broke Twitter,” DeGeneres announced during ABC’s broadcast of the Oscars after word got out.
Related: Ellen Gets Mixed Reviews For Oscars
“The envelope please … to @TheEllenShow — this is now the most retweeted tweet with over 1 million RTs. Congrats!” chimed in Twitter when DeGeneres’ selfie hit that retweeting threshold. (According to Poptip, a platform that analyzes and synthesizes social conversation in real time, among last night’s Oscar highlights, four of the top 15 phrases about the Oscars were about the Samsung selfie.)
OSCARS: A Selfie-Important Academy Awards Honors Our Past And Our Future And Hits Just The Right Notes
In the end the Academy Awards fell right into place with every other awards show this season. Gravity got LOTS of love but it ended with 12 Years A Slave‘s Steve McQueen making the big acceptance speech of the night for Best Picture — just like it went at the Golden Globes, Critics Choice Movie Awards, BAFTA, PGA and others. It’s a weird year when a blockbuster picture like Gravity can win seven Oscars including Best Director yet lose the big one. But science fiction is not a category the Oscars have ever embraced in that way, and this year was no exception. In 1977 Star Wars also won seven Oscars yet lost in the end to Best Pic winner Annie Hall, which only picked up four awards overall much like Slave’s haul of three nods this year. The record still stands though with 1972′s Cabaret winning eight Oscars but losing ultimately to The Godfather which won only three including Best Picture.
How do you explain it? It’s called spreading the wealth but wanting to save your most important award for a movie that has real gravitas, one that breaks barriers over what the Academy has ever done before. A movie directed by a black person has never before won nor has a film that so harrowingly details one aspect of the black experience. 12 Years A Slave may have depicted the dark side of this country in a way Oscar had never before recognized, but the Academy wanted to spotlight that and reward it with its highest prize in a year of great films about the black experience. In fact the whole show was full of diversity including numerous black presenters and the Best Director award to Mexican filmmaker Alfonso Cuaron.
For the third time in her career, Ellen DeGeneres was asked to host a Hollywood awards ceremony after a tragedy — this time the tragedy being Seth MacFarlane’s Hollywood-savaging Oscars hosting of a year ago. Ellen hosted the twice-delayed Emmy Awards after the September 2001 terrorist attacks and, four years later, after Hurricane Katrina. Tonight she hosted the first Academy Awards since MacFarlane opened the Oscars with “We Saw Your Boobs” and followed it up with a crack about John Wilkes Booth (rather than nominee Daniel Day-Lewis) being the actor who best got into President Lincoln’s head.
“For those of you watching us around the world, it’s been a tough couple of days for us. It has been raining. We’re fine – thank you for your prayers,” DeGeneres joked as she opened tonight’s ABC broadcast — a nod to her deft hosting of the aforementioned Emmy broadcasts, including that twice-postponed ’01 Emmys, which she’d opened with the observation: “What would bother the Taliban more than seeing a gay woman in a suit surrounded by Jews” to gales of laughter.
Related: OSCARS: Deadline’s Live Blog
When tonight’s disjointed show finally ended, a minute or two into Monday morning for about a third of the country’s TV viewers who live on the East Coast, DeGeneres had reminded us she’s likeable as all get out, but her improvised bits did not work so well – Amy Poehler and Tina Fey did it much better at the Golden Globes. She’d called Liza Minnelli “sir”, complimented “him” on his great Liza Minnelli impersonation; shamed Harvey Weinstein into putting $200 bucks into Pharrell’s hat, which she was passing around to collect money to pay for the product-placement pizza she ordered for the A-listers in the front rows; pocketed and used best supporting actress winner Lupita Nyong’o’s pizza-collection contribution (a lip gloss); and maybe crashed Twitter shortly after piling about a dozen celebrities into one selfie during the broadcast in an attempt to break the record for most re-tweets (it was pushing 2 million by the time the trophy show was over, causing the Motion Picture Academy to apologize for contributing to the Twitter traffic jam).
Monica Corcoran Harel is contributing to Deadline’s Oscars coverage.
Clearly, God loves a red carpet. How else to explain how the torrential rain miraculously ceased by noon today so we wouldn’t have to see actresses with frizzy hair and streaked mascara in belted trench coats? Instead, this year’s Oscar red carpet brought us a bevy of gold beaded dresses, dozens of bare shoulders, an al fresco Jennifer Lawrence pratfall and many leading men in blue.
That red carpet also brought about $2.3M to our local economy, according to a recent study from a Los Angeles consulting firm that tallied wardrobe expenses for women attending the Academy Awards. (Of course, nominees and presenters don’t have to buy anything — all is custom designed or borrowed.) Celebrity stylists, however, can earn up to $10,000 per day for prepping, pulling looks and fitting clients. (Having co-written a book with Rachel Zoe last year, I can attest to stress of the task. However, any monthlong job that earns enough money to buy a Tesla is no crap gig, eh? )
Related: Oscars Winners List
This year, beaded metallics reigned. Cate Blanchett in pale gold Armani Prive, Angelina Jolie in sparkly Elie Saab Couture, Sally Hawkins in Valentino and Lady Gaga wearing Atelier Versace were reflective. With barely any sunlight, the flashes of paparazzi made these women sparkle. Bare shoulders also were a major trend, and the ones who did it right opted for dramatic bodices and necklines, including Charlize Theron in Christian Dior, Sandra Bullock in navy Alexander McQueen and Amy Adams in Gucci Couture. The lack of straps also makes a great canvas for diamond necklaces, as we saw on Lawrence in $2 million worth of Neal Lane sparklers.
Related: Backstage At The Oscars
First Ronan Farrow slammed the Golden Globes on January 12 for their tribute to Woody Allen, and now the MSNBC host has given a slap to the Oscars. “Tomorrow on Ronan Farrow Daily: exclusive interview with Ellen DeGeneres’s cravat,” said Farrow on Twitter tonight. “Jared Leto continues his steady ascent into being Jesus,” he added about the Best Actor in a Supporting Role winner. “Next year’s Oscars will be three solid hours of pizza delivery,” Farrow said about Ellen’s network time-filler gag.
Jared Leto continues his steady ascent into being Jesus.
— Ronan Farrow (@RonanFarrow) March 3, 2014
Truth be told, the snide lame comments might actually help Farrow’s ratings, which haven’t exactly been stellar since his weak February 24 debut. Seems like Farrow’s watching a delayed broadcast of tonight’s Oscars because he also tweeted that “You know what the Oscars needed more of? Montages” and “Pharrell is married to that hat” nearly 45 long minutes after the latter’s performance of his Oscar nominated “Happy” tune happened. Wonder what Farrow or his mother Mia will be saying if Cate Blanchett wins Best Actress for her role in Allen’s Blue Jasmine or if the man himself wins Best Original Screenplay?
Here we are again after the Golden Globes, Mike Fleming and Anita Busch taking on the task of play by play during the most wide-open Oscar race we can remember. Even on the party circuit, industry insiders who usually have a grasp of who’ll walk away with Oscars were evenly torn between Alfonso Cuaron’s 3D masterpiece Gravity and Steve McQueen’s 12 Years A Slave. Then again, there were so many terrific films that got Best Picture nominations, and all of them have at least a puncher’s chance at an upset.
That includes American Hustle, where David O Russell co-wrote the Best Original Script nominee with Eric Warren Singer and got tour de force performances and nominations for Christian Bale, Amy Adams, Bradley Cooper and Jennifer Lawrence. Perfs so strong there was no room on the nomination roster for perennial Oscar nominee Jeremy Renner. The film is up for 10 awards, and has grossed over $240 million on a $40 million budget.
Then there is The Wolf Of Wall Street, with Leonardo DiCaprio giving the most emphatic and complete performance of a great career, and Jonah Hill right there with him as his crazy con man sidekick. The film is up for five nominations, including Martin Scorsese for directing a terrific adaptation from The Sopranos and Boardwalk Empire vet Terence Winter.
Anna Lisa Raya, Diane Haithman, and Anthony D’Alessandro are contributing to Deadline’s Oscar coverage.
Related: OSCARS: Deadline’s Live Blog
So did the 12 Years A Slave team contemplate a potential best pic loss tonight? According to producer and co-star Brad Pitt — it didn’t matter if they won or lost. 12 Years A Slave in and of itself is a benchmark in cinematic history, unlike many films being made today. Asserted Pitt, “I love this story. It’s a historical story of man in an inhumane situation finding freedom. It’s an important film because it deals with our history that hasn’t been shown on screen. It’s important that we understand this era as it explains who we were, so we can better understand who we are now. The film is a gentle reminder that we’re all equal and want dignity for ourselves and for our families.” Fielding a question about how 12 Years A Slave has evolved cinema about African-Americans in the south since Gone With The Wind 75 years ago, McQueen exclaimed, “It’s obviously a progression. The background characters are now in the foreground and now they’re being recognized. It’s indicative of what’s going on; how people are ready for this narrative and how they want to look at this history. It’s like Brad said, ‘If you don’t know your past, we don’t know our future.’” Speaking about 12 Years‘ momentum around the world, producer Dede Gardner pointed out how Solomon Northup’s book is now available in high school libraries throughout the country after being out of print, while producer Jeremy Kleiner said, “the universality of the film’s story has broken down ideological concepts of what is a domestic and what is an international story.”
Related: OSCARS: The Complete Winners List
Indie Spirit Awards: ‘12 Years A Slave’ Takes Best Feature And Dominates With Five Wins; McConaughey & Blanchett Top Actors
UPDATED WITH ALL WINNERS AND REACTIONS: The 29th annual Independent Spirit Awards ended up more like a cast party for Fox Searchlight’s 12 Years A Slave, which won five of the seven categories for which it was nominated today — including Best Feature and Best Director for Steve McQueen. The strong showing for the slave drama gives the pic plenty of momentum headed into tomorrow night’s Oscars, the marquee event in a long awards season in which 12 Years has been one of many films ebbing and flowing buzz-wise along with Warner Bros’ Gravity ahead of what’s being called one of the more wide-open Academy Awards in a long while.
Dede Gardner, a producer on the pic with her Plan B partner Brad Pitt, thanked the many people involved in making the movie (including Pitt for “getting the movie made when he said he would”). She also thanked the descendants of the film’s subject Solomon Northup. “It’s a reminder to care-take our freedom,” she said.
With most of the big studio pics in the Oscar Best Picture race sitting it out today with the focus on indie fare under a tent on the beach in mostly rain-free Santa Monica, it allowed others to shine. Dallas Buyers’ Club‘s acting duo of Matthew McConaughey and Jared Leto won Best Male Lead and Supporting Male, respectively. Cate Blanchett continued her hot streak winning Best Lead Female for Woody Allen’s Blue Jasmine, making her a solid favorite to win tomorrow night. Lupita Nyong’o won Best Supporting Female for 12 Years. That pic rounded out its wins with a Best Screenplay nod for John Ridley and Best Cinematography for Sean Bobbitt.
The Weinstein Company also had a good day during the ceremony, hosted by Patton Oswalt. Best Documentary went to the distrib’s 20 Feet From Stardom, whose subjects performed today, and Best First Feature went to writer-director Ryan Coogler for Fruitvale Station, which started its fruitful awards-season at Sundance 2012 when TWC acquired it for $2 million.
Oswalt presided over one of the most memorable parts of the show, when a black drone flew in and delivered the scroll announcing Nyong’o's win. Later, after Blue Is The Warmest Color won Best International Film, Oswalt came back out onstage covered in blood. ”Don’t touch the drone,” he quipped.
The weather, such an issue during the blustery and wet 2011 Spirit Awards, held for most of the day, with rain beginning to fall just as Blanchett reached backstage after her acceptance speech. ”There’s a storm coming,” she said to the press. “It was nice knowing you all in case we’re swept away.”
The Spirit Awards will be shown tonight at 10 PM ET/PT on IFC. But here’s how the day went down, with on-scene coverage by Deadline’s Pete Hammond, Dominic Patten and Anthony D’Alessandro and contributor Diane Haithman.
Netflix was the clear winner and Twitter an equally clear loser in what was generally a pretty good earnings season for media companies based on the market reactions to execs’ quarterly reports and commentaries. Among 25 of the biggest or most interesting companies that I track, 17 beat the overall market in the trading day after they announced their results while eight lagged. I calculated the results by looking at how much each stock rose or fell in the trading day after the company reported. Then, to reduce the effects of changes in the market, I subtracted any gains or added back any declines in the day’s movement of the benchmark Standard & Poors’ 500. The results show that Netflix was +17.4% after it exceeded analyst expectations for its revenues, profits, and domestic streaming subs in the last three months of 2013. But Twitter’s -25.4% indicates that its first earnings report was a bust as CEO Richard Costolo, faced with disappointing sub growth numbers, vowed to make the service easier for newbies to use.
Here’s how the group stacks up:
The man who’s widely regarded as the greatest mixed martial arts fighter of all time is looking for a second career outside the ring. Anderson Silva has signed with ICM Partners for worldwide representation as he looks into acting and producing films and TV, publishing and endorsement branding. The Brazilian is a superstar in his growing sport, reigning as the UFC middleweight championship from 2006-13 and holding the record for most consecutive wins (16) and title defenses (10). He was the subject of the documentary Like Water, which won the best director prize for Pablo Corce at the 2012 Tribeca Film Festival and was picked up by Cinedigm. Silva, who boasts more than 5 million Twitter followers and 4 million Facebook fans, is managed by Hebert Mota and theatrically managed by Talize Sayegh.