Specialty Box Office: ‘Frances Ha’ Triumphs As Fellow Newcomers Take A Nose Dive

By THE DEADLINE TEAM | Sunday May 19, 2013 @ 10:12am PDT

Brian Brooks is a Deadline contributor.

Indie FilmsIFC FilmsFrances Ha had the last laugh this weekend, opening solid in a pair of theaters each in New York and Los Angeles. The critically well-received feature directed by Noah Baumbach and starring Greta Gerwig grossed $134K, averaging $33,500. It came fairly close to his last feature, Greenberg, which averaged $39,384 when it opened in March 2010 in three locations. But that film, which also starred Gerwig, also included Ben Stiller, Jennifer Jason Leigh and Juno Temple. Frances Ha inched out Baumbach’s acclaimed 2005 Best Screenplay Oscar-nominated The Squid And The Whale in terms of first weekend PSA. That film opened in four runs, averaging $32,461. Frances Ha‘s fellow newcomers, however did not fare nearly as well.
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Specialty Box Office: Sarah Polley’s ‘Stories We Tell’ Opens Strong; ‘Mud’ Sticks

By THE DEADLINE TEAM | Sunday May 12, 2013 @ 9:59am PDT

Brian Brooks is a Deadline contributor.

Indie FilmsCanadian filmmaker/actress Sarah Polley‘s documentary Stories We Tell is leading the pack of specialty releases among titles reporting early Sunday afternoon ET. The Venice/Telluride/Toronto ’12 debut, which headed into release with strong word of mouth and festival acclaim, grossed a solid $31K in two locations and saw its grosses shoot up Friday to Saturday by a spectacular 172%. The feature, which is a personal account of Polley’s family, received a 92 score on Metacritic and 94% fresh on Rotten Tomatoes.

“The opening is in the range of openings of last year’s doc hits Searching For Sugar Man from SPC ($9153 a screen opening on 3 screens in NY/LA, $3,657,684 final gross) and Queen Of Versailles from Magnolia ($17,109 a screen opening on 3 screens in NY/LA, $2,401,999 final gross), which is right where we want to be,” said Roadside Attractions Sunday.

The film will head into 20 runs in the top 7 markets next weekend.

Also opening with decent numbers is Zeitgeist’s doc One Track Heart: The Story Of Krishna Das, which took in $7,500 in one Manhattan theater. IFC Films’ comedy/thriller hybrid Sightseers languished with a $4,200 average in its debut in two runs, while Anchor Bay’s No One Lives opened in an ambitious 53 theaters but only scraped together an $866 average.
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Specialty B.O. Preview: ‘No One Lives’, ‘And Now A Word From Our Sponsor’, ‘Sightseers’, ‘Venus And Serena’, ‘He’s Way More Famous Than You’, ‘One Track Heart: The Story Of Krishna Das’

By THE DEADLINE TEAM | Thursday May 9, 2013 @ 6:41pm PDT

Brian Brooks is a Deadline contributor.

Thrillers and docs populate the Specialty newcomers this weekend with genre (and genre-esque) fare ranging from a gang of highway killers who kidnap a couple to a soft-spoken couple who go on a road trip and find themselves embarking on a killing spree among the limited release titles opening in theaters. Anchor Bay Films will follow up its Rob Zombie rollout in April with No One Lives, while IFC Films will bow its British twisted comedy Sightseers. Paladin is hoping to capitalize on its North American opening of And Now A Word From Our Sponsor to shore up its international rollout, while Gravitas Ventures is banking on the story of an aspiring actress who steals a script to make a movie, in He’s Way More Famous Than You, to charm audiences. Magnolia Pictures will open Toronto doc Venus And Serena as the French Open makes its way to sports fans and Zeitgeist’s doc One Track Heart: The Story Of Krishna Das makes its way to the spiritually inclined this weekend.

No One Lives
Director: Ryûhei Kitamura
Writer: David Cohen
Cast: Luke Evans, Adelaide Clemens, Derek Magyar, Lee Tergesen, America Olivo
Distributor: Anchor Bay Films

Anchor Bay Films picked up No One Lives out of the Toronto International Film Festival last year. The thriller centers on a gang of highway killers who kidnap a wealthy couple traveling across the country, but then things aren’t exactly what they seem. “It has one of the best scenes with one of the top 10 scenes in a horror film ever,” boasted Bill Lewis, SVP Theatrical Marketing and Distribution at Anchor Bay. “We [released] the clip of the scene Wednesday. It’s such a great shot.” The company partnered with WWE Studios, the production subsidiary of World Wrestling Entertainment, which produced the film. “Their biggest fan base is also where we decided to target theatrical locations,” said Lewis. “They’re a tremendous partner with great assets and they’re behind their film 100% and lucky they have the assets to push it.” Read More »

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Cannes Briefs: Epic’s ‘Thale’ Sequel; Osiris’ ‘The Kill Hole’; Darclight’s ‘Contracted’; Simon Cowell’s ‘Pudsey’; Ridley Scott’s ‘Get Santa’; More

Refresh for latest…

Epic Sets English-Language ‘Thale’ Sequel
Epic Pictures is partnering with Norway’s Yesbox Productions to finance and produce an English-language sequel to Norwegian thriller Thale. The sequel will be written and directed by Thale‘s Aleksander Nordaas. Patrick Ewald and Shaked Berenson are producing alongside Bendik Heggen Strønstad of Yesbox. Thale appeared in Toronto and SXSW last year and told the story of two crime-scene cleaners who discover a tailed female creature in a concealed cellar who has been held captive for decades. Thale was based on a mythical character in Nordic folklore called the “huldra,” a beautiful creature with female attributes that is said to seduce men by humming a beautiful song, but the men never return to their villages. Epic’s Patrick Ewald says the budget will be upped for the sequel “so that Aleksander and Bendik’s vision can be accomplished on a grand scale.” Read More »

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Drafthouse Films Picks Up Ben Wheatley Horror Pic ‘A Field In England’

By THE DEADLINE TEAM | Thursday May 9, 2013 @ 11:00am PDT

Drafthouse Films, the distribution arm of the Alamo Drafthouse, has acquired North American rights to original horror film A Field In England. It’s the fourth feature from writer/director Ben Wheatley whose credits include the tour-de-force thriller Kill List, the 2012 Cannes selection Sightseers and a segment in The ABCs Of Death. Billed as “a psychedelic trip into magic and madness,” A Field In England follows a group of English Civil War soldiers in the 17th century who are captured by an alchemist and led into a vast mushroom field, where they fall victim to violent and nightmarish forces. Reece Shearsmith (The League Of Gentlemen), and Michael Smiley (Kill List) star. Julian Barrett (The Mighty Boosh) is also featured in the film. A theatrical and VOD release is planned for 2013. Read More »

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Global Showbiz Briefs: BFI; ‘Doctor Who’; Yahoo & Dailymotion; Ukraine Piracy; Cineworld-Picturehouse; Televix; Universal & Canada’s D Films

BFI Lays Out Development Funding Recipients
The British Film Institute has identified 20 UK production companies that will receive BFI Vision Awards 2013-15. The grants will provide up to £200K over two years to the companies for investment in slate development. The BFI said the successful companies each demonstrated “a clear strategic vision for their future growth as well as a commitment to nurturing a diverse range of new voices and fresh ideas from across the UK.” There were 170 applicants overall. The project is part of the BFI’s Film Forever plan to foster growth in the UK film biz and keep momentum going after a strong series of local films. Among the companies receiving £100K are 42 M&P (Welcome To The Punch), Cowboy Films (The Last King Of Scotland), Independent (We Need To Talk About Kevin); Warp Films (Submarine) and Wildgaze Films (Quartet). Among those receiving £50K are Inflammable Films (Tyrannosaur), JW Films (Attack The Block), Rook Films (Sightseers) and animation companies Blue-Zoo, Flickerpix. The full list is here.

‘Doctor Who’ Gets New Exec Producer; Opens Pop-Up Shop
Brian Minchin is joining Doctor Who as its new executive producer alongside showrunner Steven Moffat. Minchin is an exec producer in BBC Wales drama, currently working on The Game, a new Cold War spy thriller for BBC One. He had previously been a script editor on both Doctor Who and Torchwood. Separately, the BBC says the first ever Doctor Who pop-up store will open its doors in Sydney, Australia this fall. It will feature exclusive merchandise including the Doctor Who home range, apparel, toys, DVDs, books and replica props. Read More »

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Ben Chaplin, Michael Palin In The Trenches For ‘The Wipers Times’

By NANCY TARTAGLIONE, International Editor | Friday, 1 March 2013 16:47 UK

BBC Two has commissioned the feature-length The Wipers Times with My Week With Marilyn‘s David Parfitt producing. Based on the true story of the creation of a satirical magazine that was published in the trenches during World War I, the film stars Ben Chaplin as Captain Fred Roberts who discovered a printing press in the ruins of Ypres, Belgium in 1916 and began publishing the blackly comic Wipers Times for troops on the Western Front. Principal photography has begun in Northern Ireland with Monty Python’s Michael Palin, Julian Rhind-Tutt (The Hour), Steve Oram (Sightseers) and Emilia Fox (Silent Witness) also starring. The Trademark Films production is directed by Andy de Emmony and written by Ian Hislop and Nick Newman. Exec producers are Ivan Mactaggart and Martin Davidson. The movie, to be delivered this summer, does not yet have a UK air date and Trademark tells me producers are hoping for some theatrical play outside the territory. Content Media will start sales in Toronto, once the film is complete. BBC, Northern Ireland Screen Fund, Goldcrest Films and Content are financing.

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‘Amour’ Takes Best Film, Actress, Screenplay At London Critics Awards

By THE DEADLINE TEAM | Sunday January 20, 2013 @ 12:12pm PST

Joe Utichi contributes to Deadline’s UK coverage.

Michael Haneke’s Amour proved to be the favorite tonight at the London Film Critics Circle Awards, bagging wins for Best Film and Best Screenwriter for Haneke and earning Emmanuelle Riva a Best Actress prize. The org’s annual chance to fraternize with film stars may have been mildly hampered by snowy conditions in the capital, as none of team Amour made it to collect and there were no-shows also from The Master pair Joaquin Phoenix and Philip Seymour Hoffman, who won Best Actor and Best Supporting Actor respectively. The staunch critics favorites had seven nominations apiece. Rafe Spall collected Ang Lee’s Best Director prize for Life of Pi, and Les Misérables producer Debra Hayward accepted Best Supporting Actress on behalf of Anne Hathaway. Toby Jones took home Best British Actor for Berberian Sound Studio, which also won Best British Film, and Olivia Colman was on hand to accept Andrea Riseborough’s Best British Actress prize for Shadow Dancer. Rectifying a key oversight in the BAFTA’s Rising Star nominations, tonight’s awards did honor The Impossible‘s Tom Holland for Young British Performer of the Year, and Alice Lowe and Steve Oram were named Breakthrough British Filmmakers for their script work on Sightseers, in which they also starred. A complete list of winners follows:  Read More »

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‘Amour,’ ‘The Master’ Lead London Film Critics’ Circle Nominations

Michael Haneke’s Amour and Paul Thomas Anderson’s The Master each received seven nominations for the London Film Critics’ Circle Awards this morning. Amour was nominated in the best film, director, screenwriter, actor, actress and supporting actress categories along with a nod as best foreign language film. The Master also was mentioned in the best film, director, screenwriter, actor and supporting actress races as well as supporting actor. Skyfall is the most heavily nominated British film with five nods inlcuding two for Judi Dench as best supporting actress and British actress of the year; the latter shared with her role in The Best Exotic Marigold Hotel. Life Of Pi, Argo, Lincoln, Les Misérables and UK indie Sightseers are all nominated four times each. The London Film Critics’ Circle will hold its 33rd awards ceremony on January 20. Below is a full list of the nominees: Read More »

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Rufus Norris’ ‘Broken’ Takes Best Film Prize At British Independent Film Awards

Rufus Norris’ Broken led the pack of nominees going into the British Independent Film Awards ceremony tonight, but it was Peter Strickland’s Berberian Sound Studio which won the most prizes. Norris’ coming of age tale that debuted in Cannes’ Critics’ Week last year was named Best British Film and also scooped the Best Supporting Actor prize for Rory Kinnear. Best Director went to Strickland for horror pic Berberian Sound Studio for which Toby Jones was also named Best Actor. The movie won four prizes in total, also nabbing kudos for Best Achievement in Production and Best Technical Achievement. Best Actress went to Andrea Riseborough for Shadow Dancer and Olivia Colman scored her second BIFA in a row for her supporting turn in Hyde Park On Hudson. (Colman was named Best Actress last year for Tyrannosaur.) Bart Layton’s The Imposter was named Best Documentary. A full list of winners follows: Read More »

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Sundance 2013 Names Spotlight, Midnight & New Frontier Films

By THE DEADLINE TEAM | Thursday November 29, 2012 @ 1:26pm PST

Sundance 2013 has announced the films that have been selected to screen in the out-of-competition sections Spotlight, Park City at Midnight and New Frontier, along with the installations and performances to be featured in the festival’s New Frontier venue. Films for the Premieres and Documentary Premieres sections have not yet been announced. The festival runs January 17-27.

Related: Sundance 2013 Unveils U.S., World Cinema And Docu Slate

SPOTLIGHT

Fill The Void / Israel (Director and screenwriter: Rama Burshtein) — A devout 18-year-old Israeli is pressured to marry the husband of her late sister. Declaring her independence is not an option in Tel Aviv’s ultra-Orthodox Hasidic community, where religious law, tradition and the rabbi’s word are absolute. Cast: Hadas Yaron, Yiftach Klein, Irit Sheleg, Chaim Sharir, Razia Israeli, Hila Feldman.

Gangs Of Wasseypur / India (Director: Anurag Kashyap, Screenwriters: Anurag Kashyap, Zeishan Quadri) — Exiled and outcast for robbing British trains, Shahid Khan spurs a battle for revenge that passes down generations. Shahid’s son vows to get his father’s honor back, becoming the most feared man in the Indian town of Wasseypur. Cast: Manoj Bajpai, Nawazuddin Siddique, Richa Chadda, Huma Qureshi, Tigmanshu Dhulia. U.S. Premiere

The Gatekeepers (documentary) / Israel, Germany, Belgium, France (Director: Dror Moreh) — Since its stunning military victory in 1967, Israel has hoped to achieve a long-lasting peace. Forty-five years later, this has yet to happen. Six former heads of Israel’s Secret Service reflect on the successes and failures of the “peace process.”

Mud / U.S.A. (Director and screenwriter: Jeff Nichols) — Two teenage boys encounter a fugitive and form a pact to help him evade the bounty hunters on his trail and reunite him with his true love. Cast: Matthew McConaughey, Tye Sheridan, Jacob Lofland, Reese Witherspoon. North American Premiere

No / Chile, U.S.A. (Director: Pablo Larraín, Screenwriter: Pedro Peirano) — When Chilean military dictator Augusto Pinochet calls for a referendum to decide his permanence in power, the opposition persuades a young advertising executive to head its campaign. With limited resources and under scrutiny, he conceives a plan to win the election. Cast: Gael García Bernal, Alfredo Castro, Antonia Zegers, Luis Gnecco, Marcial Tagle, Néstor Cantillana.

Sightseers / United Kingdom (Director: Ben Wheatley, Screenwriters: Alice Lowe, Steve Oram) — Chris wants to show girlfriend Tina his world, but when events conspire against the couple, their dream caravan holiday takes a very wrong turn. Cast: Alice Lowe, Steve Oram. U.S. Premiere

Stories We Tell (documentary) / Canada (Director: Sarah Polley) — Sarah Polley is both filmmaker and detective as she investigates the secrets kept by a family of storytellers. She unravels the paradoxes to reveal the essence of family: always complicated, warmly messy and fiercely loving.

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Rufus Norris’ ‘Broken’ Leads British Independent Film Awards Nominations

With nine nods, Rufus Norris’ Cannes Critics’ Week opener Broken leads the nominees for this year’s Moët British Independent Film Awards. Studiocanal is releasing Broken in the UK – although it has not yet been dated – and Film Movement has it domestically. The coming-of-age drama stars Tim Roth, Cillian Murphy and Rory Kinnear, who all received acting nods. Also scoring multiple shout-outs are Ben Wheatley’s comedy Sightseers and Peter Strickland’s horror film Berberian Sound Studio with seven each and Bart Layton’s The Imposter with six. The Best Exotic Marigold Hotel also has a strong showing with nods for best film and director along with acting nominations for Judi Dench, Maggie Smith and Tom Wilkinson. The 15th BIFAs will be handed out on December 9 in London. The full list of nominees follows:

BEST BRITISH INDEPENDENT FILM
Berberian Sound Studio
Broken
Sightseers
The Best Exotic Marigold Hotel
The Imposter

BEST DIRECTOR
Bart Layton – The Imposter
Ben Wheatley – Sightseers
John Madden – The Best Exotic Marigold Hotel
Peter Strickland – Berberian Sound Studio
Rufus Norris – Broken

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London Film Festival Unveils Lineup

By NANCY TARTAGLIONE, International Editor | Wednesday, 5 September 2012 11:30 UK

The BFI London Film Festival will screen 225 features including 14 world premieres and a further 111 live-action and animated shorts. Tim Burton’s Frankenweenie is the previously announced opener and Mike Newell’s Great Expectations closes the fest. There are 12 films in the main competition, and gala presentations include Ben Affleck’s Argo, Dustin Hoffman’s Quartet, Roger Michell’s Hyde Park On Hudson and the world premiere of Rolling Stones documentary Crossfire Hurricane. The festival runs Oct. 10-21 in the British capital. Full details follow: Read More »

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Sundance Selects Acquires ‘Like Someone In Love’: Cannes

By MIKE FLEMING JR | Sunday May 27, 2012 @ 6:48am PDT
Mike Fleming

CANNES, FRANCE (May 27, 2012) – Sundance Selects announced today from the 2012 Cannes Film Festival that the company is acquiring all US rights to LIKE SOMEONE IN LOVE directed and written by former Palme d’Or winner Abbas Kiarostami (CERTIFIED COPY, THE TASTE OF CHERRY). The film is an MK2 and Eurospace Production. It stars Rin Takanashi, Tadashi Okuno and Ryo Kase. It was produced by Marin Karmitz (MK2) and Kenzo Horikoshi (Eurospace), and associate produced by Nathanael Karmitz and Charles Gillibert. LIKE SOMEONE IN LOVE made its world premiere in competition earlier in the week at the Cannes Film Festival.

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IFC Midnight Buys ‘Taste Of Money’: Cannes

By THE DEADLINE TEAM | Saturday May 26, 2012 @ 11:26am PDT

CANNES (May 25, 2012) – IFC Midnight announced today from the 2012 Cannes Film Festival that the company is acquiring North American rights to THE TASTE OF MONEY directed by Im Sang-Soo (THE HOUSEMAID). The film, also with a screenplay by Sang-Soo, stars Kim Kang-Woo, Baek Yoon-Sik, Youn Yuh-Jung and Kim Hyo-Jin. Son Kwang-Ik and Kim Won-Kuk served as executive producers while Lee Nam-Hee and Seo Jung-Hun produced. The film had its world premiere earlier in the week in competition at the Cannes Film Festival.

In THE TASTE OF MONEY, Korea’s greatest provocateur Im Sang-Soo takes us inside Korea’s most privileged family. Joo Young-Jak is the private male secretary of Baek Geum-Ok, middle-aged heiress and wife of a rich chaebol. Baek covets Joo’s young body, and he has already sold his pride for money a long time ago. What tangles up their relationship is the appearance of Baek’s daughter Na-Mi, a girl so different than her wealth obsessed parents. When romantic feelings begin to develop between the two, Baek is challenged with his conflicting desires for money and love.

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Sundance Selects Nabs Ken Loach’s ‘The Angels’ Share’: Cannes

By THE DEADLINE TEAM | Thursday May 24, 2012 @ 3:58pm PDT

The Angels' Share Cannes Sundance SelectsCannes Film Festival favorite Ken Loach’s latest competition film The Angels’ Share has been acquired by Sundance Selects. The sister label of IFC Films scooped up all U.S. rights to the bittersweet comedy, about a Glasgow boy who is given one final chance to stay out of prison. It marks the company’s fourth tie-up with the UK director, including the 2006 Cannes Palme d’Or-winning The Wind That Shakes The Barley, which became Loach’s most successful U.S. release. IFC/Sundance also released Loach’s It’s A Free World and Looking For Eric. The deal was made by Sundance/IFC’s Arianna Bocco with Wild Bunch’s Carole Baraton on behalf of the filmmakers.

Yesterday, IFC Films acquired Ben Wheatley’s Directors Fortnight title Sightseers. The company also has dibs on four other films at Cannes: Walter Salles’ competition film On The Road, Cristian Mungiu’s Beyond The Hills, Adam Leon’s Un Certain Regard pic Gimme The Loot and the Directors Fortnight title Room 237.

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On The Road To Awards Season? Kerouac Book Finally Makes It To The Screen After 55 Years – Cannes

Pete Hammond

Critics may have been mixed after this morning’s press screening,  but the World Premiere audience at Wednesday night’s Cannes gala of director Walter Salles’ long-gestating film  On The Road was highly enthusiastic giving the film about the Beat Generation a 10 minute standing ovation. Co-producer Rebecca Yeldham said it was sweet justification for the 8 years she has been shepherding the picture with Salles. I caught up with her and the cast at the ultra-crowded after-party next door to the Palais at the oddly-named club, Magic Garden Meets LeBaron.  The film based on the famous 1957 classic book by Jack Kerouac (actually written in 1951) has had several people attempt a film version with no luck and it has taken 55 years to get to the screen. Kerouac himself even sent it to Marlon Brando right after publication  but never got a response. Francis Ford Coppola eventually secured the rights over 30 years ago but couldn’t come up with a way to make the complex film work. Finally Salles and his The Motorcycle Diaries screenwriter Jose Rivera cracked the code and after some false starts finally got the job done (Roman Coppola is also a producer on the film for American Zoetrope). IFC and Sundance Selects will distribute the film but it won’t be part of their VOD platform, but rather a major theatrical release. IFC’s and Sundance Selects President Jonathan Sehring, also at the party , said he couldn’t be higher on the film and they plan to open it in December and … Read More »

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IFC Films Acquires Directors’ Fortnight Pic ‘Sightseers’: Cannes

By THE DEADLINE TEAM | Tuesday May 22, 2012 @ 11:54pm PDT

Sightseers CannesBen Wheatley’s Sightseers has been picked up just before its premiere Wednesday in the Cannes Film Festival‘s Directors’ Fortnight section. IFC Films has acquired North American rights to the dark comedy, a StudioCanal, Film4 and BFI Presentation of a Big Talk Pictures production in association with Rook Films. Screenwriters Alice Lowe and Steve Oram (with additional writing by Amy Jump) also star in the pic, about a man who takes a girl on a journey through his beloved British Isles that soon turns bad, sending him and anyone who rubs him the wrong way over a very jagged edge. Nira Park, Claire Jones and Andy Starke produced and Matthew Justice, Jenny Borgars, Danny Perkins, Katherine Butler and Edgar Wright executive produced. The deal for the film was negotiated by Sundance Selects/IFC’s Arianna Bocco, with Ben Roberts at Protagonist on behalf of the filmmakers.

Related: IFC/Sundance Picks Up ‘On The Road’ At Cannes 

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2012 Cannes Directors’ Fortnight: Michel Gondry And A Lot Of Subtitles

By MIKE FLEMING JR | Tuesday April 24, 2012 @ 4:39am PDT
Mike Fleming

Cannes Film Festival Directors FortnightThe 2012 Cannes Film Festival has announced its Directors’ Fortnight sidebar, naming the Michel Gondry-directed The We And The I as the opening film. There will be 21 films, 18 of which are premieres from around the world. Here’s the list:

3 de / by Pablo Stoll Ward (Uruguay, Allemagne, Argentine / Uruguay, Germany, Argentina)

Adieu Berthe de / by Bruno Podalydès (France)

Alyah de / by Elie Wajeman (France) – Caméra d’or

Camille redouble de / by Noémie Lvovsky (France)

Dae gi eui wang / The King of Pigs de / by Yeun Sang-Ho (Corée du Sud / South Korea) – Caméra d’or

Dangerous Liaisons de / by Hur Jin-Ho (Chine / China)

El Taaib / Le Repenti de / by Merzak Allouache (Algérie / Algeria)

Ernest et Célestine de / by Stéphane Aubier, Vincent Patar, Benjamin Renner (France, Belgique, Luxembourg / France, Belgium, Luxembourg)

Fogo de / by Yulene Olaizola (Mexique, Canada)

Gangs of Wasseypur de / by Anurag Kashyap (Inde / India)

Infancia clandestina/ Enfance clandestine de / by Benjamin Ávila (Argentine, Espagne, Brésil / Argantina, Spain, Brazil)

La noche de enfrente / La Nuit d’en face de / by Raoul Ruiz (France, Chili / France, Chile)

La Sirga de / by William Vega (Colombie, France, Mexique / Colombia, France, Mexico) – Caméra d’or

No de / by Pablo Larraín (Chili, Etats-Unis / Chile, USA)

Opération Libertad de / by Nicolas Wadimoff (Suisse, France / Switzerland, France)

Rengaine / Hold Back de / by Rachid Djaidani (France) – … Read More »

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