Berlin Briefs: K5 Selling Bruce Willis’ ‘Vice’; Tom Hiddleston To Topline ‘High Rise’

BerlinFilmFestival_badgeK5 International has boarded international sales on futuristic actioner Vice, starring Bruce Willis. K5 Media Captial has also come aboard to finance with Emmett/Furla/Oasis Films. Shooting starts in Alabama next month on the movie that’s set in a resort where the rich live out their most perverse fantasies via synthetic humanoids. When one becomes self-aware and breaks out, she seeks her bruce_willisrevenge. Willis plays the resort’s owner and Ambyr Childers is the renegade android. Thomas Jane has also joined the cast. Brian A. Miller is directing from a script by Andre Fabrizio and Jeremy Passmore. Randall Emmett, George Furla and Adam Goldworm are producers. K5’s Oliver Simon and Daniel Baur are exec producing with Grindstone Entertainment’s Barry Brooker and Stan Wertlieb. Lionsgate is releasing in the U.S.

tom hiddlestonTom Hiddleston will play the lead in High-Rise, the upcoming film from producer Jeremy Thomas. Ben Wheatley (A Field In England) directs the picture that’s based on J.G. Ballard’s 1975 thriller. Amy Jump adapted the book that centers on a luxurious London residential tower so advanced, it’s a world apart. But things begin to degenerate and the tenants turn against one another. Hiddleston plays a young doctor seduced by the building who finds himself in the middle of mounting violence. Wheatley, whose … Read More »

Comments (0)

Global Showbiz Briefs: Ecosse Films Inks 3-Year Deal With Shine International; Film4′s Katherine Butler Headed To UK’s Raw; More

Ecosse Films Inks First-Look Deal With Shine International
The UK’s Ecosse Films has pacted with Elisabeth Murdoch’s Shine International in a three-year, first-look deal that will see the latter handle thmistresses_show_thumb_01_webe producer’s TV sales and distribution. Ecosse’s TV credits include three seasons of Mistresses for BBC One (the U.S. remake was recently renewed for a second season by ABC); Life Of Crime for ITV and biopic Fleming for Sky Atlantic HD. Ecosse also has feature credits that include Diana, Becoming Jane and Nowhere Boy. Shine will rep finished tape and format rights for Ecosse Films’ new television output from January 1 onward.

Katherine Butler Leaving Film4 For UK Producer Raw
Film4 Deputy Head of Film Katherine Butler is leaving to join UK producer Raw. She will head up the film and TV drama division. Traditionally a factual producer, Raw launched a film and drama wing in 2012. Its series include Gold Rush for the Discovery Channel, Locked Up Abroad for National Geographic, and Paranormal Witness for Syfy. On the drama side, Raw has five projects in development with Film4, including Bart Layton’s American Animals. While at Film4, Butler executive produced numerous titles including Paddy Considine’s Tyrannosaur, Ben Wheatley’s Sightseers, Peter Strickland’s Berberian Sound Studio, and Clio Bernard’s BAFTA-nominated The Selfish Giant. Raw and Film4 maintain strong ties. Read More »

Comments (0)

OSCARS: Documentary Shortlist – A Profile Of Tragedy, Triumph And Stories That Might Have Gone Untold

By | Tuesday December 24, 2013 @ 8:57am PST

Anna Dimond is an AwardsLine contributor.

AwardsLine.LogoBWFrom sites of massacres in Indonesia to massive half-pipes in Vermont, from Holland’s halls of art to the world of backup singing, the year’s shortlisted documentary features are stories that would otherwise go untold, some shedding new light on headline-grabbing turf. Each reveals a facet of how we live now: The tragedies and the triumphs, and the power of the genre to share deeper narratives that define identity and culture.

Related: OSCARS: Documentary Feature List Narrowed To 15

When the Academy ofTFFS_2 Motion Picture Arts and Sciences announced the shortlisted films December 3, 15 feature-length documentaries advanced further in the race for a 2014 Oscar nomination. The fact that 147 docs qualified to compete at the beginning of the season demonstrates the power and scope of the genre. Among the films that made the shortlist, Twenty Feet From Stardom is Morgan Neville’s introduction to the world of backup singing through the lives of several women who have had long careers singing behind big names. The brainchild of music executive Gil Friesen, who co-produced the movie, Neville quickly learned that backup singers’ spots on the stage aren’t about lack of talent. “It becomes a film about how we measure success in our country and our society,” he says. “When I first started hearing these hard-luck stories of missed opportunities, these people weren’t broken or bitter about it,” Neville explains. “They had come to see it in a peaceful way. (It) was a way to live the life that you actually have (versus the one that you want). Most of us live in between.”

Related: ‘Twenty Feet From Stardom’ Singers To Sing National Anthem At Rose Bowl

Read More »

Comments (7)

National Board Of Review Names Spike Jonze’s ‘Her’ Best Film

By | Wednesday December 4, 2013 @ 10:19am PST
Pete Hammond

The ever-quirky National Board Of Review has crowned Her as the year’s Best Film and its helmer Spike Jonzeher-movie-poster as Best Director. It only adds to what is becoming a year without consensus — at least so far, after the New York Film Critics Circle named American Hustle their best film yesterday and the Gotham Awards chose Inside Llewyn Davis. The latter won Best Screenplay from NBR, but there was no mention of Hustle anywhere on its list this morning (see the full list of winners below). Also largely ignored were three films most pundits put at the top of their Oscar frontrunners: 12 Years A Slave, Gravity and Captain Phillips. The latter was completely dissed and 12 Years and Gravity mentioned only in NBR’s Top Ten list, but NO individual awards other than a technical citation for Gravity’s “creative innovation”.

NationalBoardOfReview_logonewUnlike last year when NBR and NYFCC agreed on Zero Dark Thirty as Best Pic and Director , this morning’s list was far apart. The groups’ only matches came for The Wind Rises in animation, Stories We Tell in Documentary and Fruitvale Station as best first film. NBR’s acting choices of Bruce Dern and Will Forte in Nebraska, Emma Thompson in Saving Mr. Banks and Octavia Spencer for Fruitvale represented a completely different quartet than the NYFCC picks of Robert Redford, Cate Blanchett, Jared Leto and Jennifer Lawrence. But for those who harbor Oscar hopes, don’t despair. The National Board of Review, which describes itself as “a select group of knowledgeable film enthusiasts and professionals, academics, young filmmakers and students”, has had a lousy track record in recent years of picking eventual Oscar winners.  In the past five years only one of their Best Film picks — Slumdog Millionaire — and just two acting choices — Christopher Plummer and Penelope Cruz — went on to win Academy Awards.  They haven’t had a Best Director in common with Oscar since Martin Scorsese for The Departed in 2005 — the same year they chose Letters From Iwo Jima as Best Film. Here is NBR’s full list of winners:

Best Film
HER
Best Director
Spike Jonze, HER

Best Actor
Bruce Dern, NEBRASKA

Best Actress
Emma Thompson, SAVING MR. BANKS

Best Supporting Actor
Will Forte, NEBRASKA

Best Supporting Actress
Octavia Spencer, FRUITVALE STATION

Best Original Screenplay
Joel and Ethan Coen, INSIDE LLEWYN DAVIS

Best Adapted Screenplay
Terence Winter, THE WOLF OF WALL STREET

Best Animated Feature
THE WIND RISES

Read More »

Comments (11)

Showtime Schedules ‘Venus And Serena’ As Legal Volleys Continue

By | Wednesday July 3, 2013 @ 11:10am EDT

Showtime plans to show the documentary about Venus and Serena Williams beginning August 23, even though the United States Tennis Association wants the U.S. District Court in New York to ban it. The USTA sued VSW Productions on June 14, alleging that the filmmakers infringed on the group’s copyrights by including scenes — presumably Serena’s tirade at the 2009 U.S. Open — that are “not in the best interests of the sport.” But the defendants are mounting a vigorous defense, asking the court in a letter yesterday for a conference to discuss why the case should be dismissed. They say that they shot virtually all of the footage. The big exceptions are “snippets of U.S. Open matches” that had been broadcast and are “easily justifiable” under the law’s “fair use” doctrine, which which gives filmmakers and others a First Amendment right to use copyrighted material without permission when it serves the public interest. The defendants also questioned whether the USTA has a legitimate copyright claim over the recordings, saying that the group didn’t register them with the U.S. Copyright Office “until May 2013, shortly before this lawsuit was commenced.” By that point Venus And Serena had already debuted at the Toronto Film Festival and was available on VOD and iTunes. The USTA made an additional claim that the filmmakers broke their promise to follow its policies and to pay a license fee. Read More »

Comments (3)

‘Venus And Serena’ Producer Calls Tennis Association Suit An Assault On Free Speech

By | Tuesday June 18, 2013 @ 11:15am EDT

EXCLUSIVE: Oscar-winning documentary maker Alex Gibney just returned the serve the United States Tennis Association made on Friday when it sued the makers of a documentary about Venus and Serena Williams. The USTA told the U.S. District Court in New York that Venus And Serena uses film footage that infringed the organization’s copyrights including scenes — presumably Serena’s tirade at the 2009 U.S. Open — that are “not in the best interests of the sport.” Gibney, the film’s executive producer, says the USTA is trying to “censor this film about America’s most inspiring female athletes.” His colleagues “were entirely within their legal rights to use a small amount of widely seen footage” citing the ”fair use” doctrine, which enables filmmakers and others to use copyrighted material without permission when it serves the public interest. The concept “is vital to filmmakers trying to tell truthful stories and embodies the essence of the First Amendment of the U.S. constitution,” he says. “Indeed, without the fair use doctrine, copyright itself would be unconstitutional. By its actions, the USTA is assaulting the very principle of free speech.” Read More »

Comments (5)

Global Showbiz Briefs: Tom Hardy Hosts ‘Poaching Wars’; Big Bucks For Aussie Cricket; ITV Preps Singing Show; More

Tom Hardy To Host ITV’s ‘Poaching Wars’

Tom Hardy will host ITV documentary series Poaching Wars With Tom Hardy, a look at the wholesale wildlife poaching crisis in Africa. ITV says the actor conceived the proposition for the two one-hour films which are co-produced by Burning Bright Productions and Hardy’s Hardy, Son & Baker. Large-scale elephant and rhino slaughter are bringing both species to the brink of extinction across Africa and Hardy trekked across the continent to meet the farmers who have lost livestock to poachers and key figures from organizations which are fighting back. Hardy, Dean Baker and Clive Tulloh are exec producing. Ewen Thompson produces and directs.

Aussie Nets Pay $568M For Cricket Matches

Cricket may be something of a mystery to U.S. sports fans, but a new deal Down Under confirms its position as a top draw for Aussies. Cricket Australia has entered a $568M broadcast arrangement with Channels Nine and Ten to air all international games live and in full. Channel Nine will take rights for a further five years and has also agreed to a $60M joint venture to develop new digital products, including live streaming. Cricket will be the only major sport in Australia to stream matches live on PCs. Network Ten will air the domestic KFC Big Bash League matches as part of the deal. “The average annual value of … Read More »

Comments (0)

Specialty Box Office: ‘Frances Ha’ Triumphs As Fellow Newcomers Take A Nose Dive

By | Sunday May 19, 2013 @ 10:12am PDT

Brian Brooks is a Deadline contributor.

Indie FilmsIFC FilmsFrances Ha had the last laugh this weekend, opening solid in a pair of theaters each in New York and Los Angeles. The critically well-received feature directed by Noah Baumbach and starring Greta Gerwig grossed $134K, averaging $33,500. It came fairly close to his last feature, Greenberg, which averaged $39,384 when it opened in March 2010 in three locations. But that film, which also starred Gerwig, also included Ben Stiller, Jennifer Jason Leigh and Juno Temple. Frances Ha inched out Baumbach’s acclaimed 2005 Best Screenplay Oscar-nominated The Squid And The Whale in terms of first weekend PSA. That film opened in four runs, averaging $32,461. Frances Ha‘s fellow newcomers, however did not fare nearly as well.
Read More »

Comments (5)

Specialty Box Office: Sarah Polley’s ‘Stories We Tell’ Opens Strong; ‘Mud’ Sticks

By | Sunday May 12, 2013 @ 9:59am PDT

Brian Brooks is a Deadline contributor.

Indie FilmsCanadian filmmaker/actress Sarah Polley‘s documentary Stories We Tell is leading the pack of specialty releases among titles reporting early Sunday afternoon ET. The Venice/Telluride/Toronto ’12 debut, which headed into release with strong word of mouth and festival acclaim, grossed a solid $31K in two locations and saw its grosses shoot up Friday to Saturday by a spectacular 172%. The feature, which is a personal account of Polley’s family, received a 92 score on Metacritic and 94% fresh on Rotten Tomatoes.

“The opening is in the range of openings of last year’s doc hits Searching For Sugar Man from SPC ($9153 a screen opening on 3 screens in NY/LA, $3,657,684 final gross) and Queen Of Versailles from Magnolia ($17,109 a screen opening on 3 screens in NY/LA, $2,401,999 final gross), which is right where we want to be,” said Roadside Attractions Sunday.

The film will head into 20 runs in the top 7 markets next weekend.

Also opening with decent numbers is Zeitgeist’s doc One Track Heart: The Story Of Krishna Das, which took in $7,500 in one Manhattan theater. IFC Films’ comedy/thriller hybrid Sightseers languished with a $4,200 average in its debut in two runs, while Anchor Bay’s No One Lives opened in an ambitious 53 theaters but only scraped together an $866 average.
Read More »

Comments (0)

Specialty B.O. Preview: ‘No One Lives’, ‘And Now A Word From Our Sponsor’, ‘Sightseers’, ‘Venus And Serena’, ‘He’s Way More Famous Than You’, ‘One Track Heart: The Story Of Krishna Das’

By | Thursday May 9, 2013 @ 6:41pm PDT

Brian Brooks is a Deadline contributor.

Thrillers and docs populate the Specialty newcomers this weekend with genre (and genre-esque) fare ranging from a gang of highway killers who kidnap a couple to a soft-spoken couple who go on a road trip and find themselves embarking on a killing spree among the limited release titles opening in theaters. Anchor Bay Films will follow up its Rob Zombie rollout in April with No One Lives, while IFC Films will bow its British twisted comedy Sightseers. Paladin is hoping to capitalize on its North American opening of And Now A Word From Our Sponsor to shore up its international rollout, while Gravitas Ventures is banking on the story of an aspiring actress who steals a script to make a movie, in He’s Way More Famous Than You, to charm audiences. Magnolia Pictures will open Toronto doc Venus And Serena as the French Open makes its way to sports fans and Zeitgeist’s doc One Track Heart: The Story Of Krishna Das makes its way to the spiritually inclined this weekend.

No One Lives
Director: Ryûhei Kitamura
Writer: David Cohen
Cast: Luke Evans, Adelaide Clemens, Derek Magyar, Lee Tergesen, America Olivo
Distributor: Anchor Bay Films

Anchor Bay Films picked up No One Lives out of the Toronto International Film Festival last year. The thriller centers on a gang of highway killers who kidnap a wealthy couple traveling across the country, but then things aren’t exactly what they seem. “It has one of the best scenes with one of the top 10 scenes in a horror film ever,” boasted Bill Lewis, SVP Theatrical Marketing and Distribution at Anchor Bay. “We [released] the clip of the scene Wednesday. It’s such a great shot.” The company partnered with WWE Studios, the production subsidiary of World Wrestling Entertainment, which produced the film. “Their biggest fan base is also where we decided to target theatrical locations,” said Lewis. “They’re a tremendous partner with great assets and they’re behind their film 100% and lucky they have the assets to push it.” Read More »

Comments (3)

Cannes Briefs: Epic’s ‘Thale’ Sequel; Osiris’ ‘The Kill Hole’; Darclight’s ‘Contracted’; Simon Cowell’s ‘Pudsey’; Ridley Scott’s ‘Get Santa’; More

Refresh for latest…

Epic Sets English-Language ‘Thale’ Sequel
Epic Pictures is partnering with Norway’s Yesbox Productions to finance and produce an English-language sequel to Norwegian thriller Thale. The sequel will be written and directed by Thale‘s Aleksander Nordaas. Patrick Ewald and Shaked Berenson are producing alongside Bendik Heggen Strønstad of Yesbox. Thale appeared in Toronto and SXSW last year and told the story of two crime-scene cleaners who discover a tailed female creature in a concealed cellar who has been held captive for decades. Thale was based on a mythical character in Nordic folklore called the “huldra,” a beautiful creature with female attributes that is said to seduce men by humming a beautiful song, but the men never return to their villages. Epic’s Patrick Ewald says the budget will be upped for the sequel “so that Aleksander and Bendik’s vision can be accomplished on a grand scale.” Read More »

Comments (0)

Drafthouse Films Picks Up Ben Wheatley Horror Pic ‘A Field In England’

By | Thursday May 9, 2013 @ 11:00am PDT

Drafthouse Films, the distribution arm of the Alamo Drafthouse, has acquired North American rights to original horror film A Field In England. It’s the fourth feature from writer/director Ben Wheatley whose credits include the tour-de-force thriller Kill List, the 2012 Cannes selection Sightseers and a segment in The ABCs Of Death. Billed as “a psychedelic trip into magic and madness,” A Field In England follows a group of English Civil War soldiers in the 17th century who are captured by an alchemist and led into a vast mushroom field, where they fall victim to violent and nightmarish forces. Reece Shearsmith (The League Of Gentlemen), and Michael Smiley (Kill List) star. Julian Barrett (The Mighty Boosh) is also featured in the film. A theatrical and VOD release is planned for 2013. Read More »

Comments (0)

Global Showbiz Briefs: BFI; ‘Doctor Who’; Yahoo & Dailymotion; Ukraine Piracy; Cineworld-Picturehouse; Televix; Universal & Canada’s D Films

BFI Lays Out Development Funding Recipients
The British Film Institute has identified 20 UK production companies that will receive BFI Vision Awards 2013-15. The grants will provide up to £200K over two years to the companies for investment in slate development. The BFI said the successful companies each demonstrated “a clear strategic vision for their future growth as well as a commitment to nurturing a diverse range of new voices and fresh ideas from across the UK.” There were 170 applicants overall. The project is part of the BFI’s Film Forever plan to foster growth in the UK film biz and keep momentum going after a strong series of local films. Among the companies receiving £100K are 42 M&P (Welcome To The Punch), Cowboy Films (The Last King Of Scotland), Independent (We Need To Talk About Kevin); Warp Films (Submarine) and Wildgaze Films (Quartet). Among those receiving £50K are Inflammable Films (Tyrannosaur), JW Films (Attack The Block), Rook Films (Sightseers) and animation companies Blue-Zoo, Flickerpix. The full list is here.

‘Doctor Who’ Gets New Exec Producer; Opens Pop-Up Shop
Brian Minchin is joining Doctor Who as its new executive producer alongside showrunner Steven Moffat. Minchin is an exec producer in BBC Wales drama, currently working on The Game, a new Cold War spy thriller for BBC One. He had previously been a script editor on both Doctor Who and Torchwood. Separately, the BBC says the first ever Doctor Who pop-up store will open its doors in Sydney, Australia this fall. It will feature exclusive merchandise including the Doctor Who home range, apparel, toys, DVDs, books and replica props. Read More »

Comments (0)

Ben Chaplin, Michael Palin In The Trenches For ‘The Wipers Times’

By | Friday, 1 March 2013 16:47 UK

BBC Two has commissioned the feature-length The Wipers Times with My Week With Marilyn‘s David Parfitt producing. Based on the true story of the creation of a satirical magazine that was published in the trenches during World War I, the film stars Ben Chaplin as Captain Fred Roberts who discovered a printing press in the ruins of Ypres, Belgium in 1916 and began publishing the blackly comic Wipers Times for troops on the Western Front. Principal photography has begun in Northern Ireland with Monty Python’s Michael Palin, Julian Rhind-Tutt (The Hour), Steve Oram (Sightseers) and Emilia Fox (Silent Witness) also starring. The Trademark Films production is directed by Andy de Emmony and written by Ian Hislop and Nick Newman. Exec producers are Ivan Mactaggart and Martin Davidson. The movie, to be delivered this summer, does not yet have a UK air date and Trademark tells me producers are hoping for some theatrical play outside the territory. Content Media will start sales in Toronto, once the film is complete. BBC, Northern Ireland Screen Fund, Goldcrest Films and Content are financing.

Comments (0)

‘Amour’ Takes Best Film, Actress, Screenplay At London Critics Awards

By | Sunday January 20, 2013 @ 12:12pm PST

Joe Utichi contributes to Deadline’s UK coverage.

Michael Haneke’s Amour proved to be the favorite tonight at the London Film Critics Circle Awards, bagging wins for Best Film and Best Screenwriter for Haneke and earning Emmanuelle Riva a Best Actress prize. The org’s annual chance to fraternize with film stars may have been mildly hampered by snowy conditions in the capital, as none of team Amour made it to collect and there were no-shows also from The Master pair Joaquin Phoenix and Philip Seymour Hoffman, who won Best Actor and Best Supporting Actor respectively. The staunch critics favorites had seven nominations apiece. Rafe Spall collected Ang Lee’s Best Director prize for Life of Pi, and Les Misérables producer Debra Hayward accepted Best Supporting Actress on behalf of Anne Hathaway. Toby Jones took home Best British Actor for Berberian Sound Studio, which also won Best British Film, and Olivia Colman was on hand to accept Andrea Riseborough’s Best British Actress prize for Shadow Dancer. Rectifying a key oversight in the BAFTA’s Rising Star nominations, tonight’s awards did honor The Impossible‘s Tom Holland for Young British Performer of the Year, and Alice Lowe and Steve Oram were named Breakthrough British Filmmakers for their script work on Sightseers, in which they also starred. A complete list of winners follows:  Read More »

Comments (0)

‘Amour,’ ‘The Master’ Lead London Film Critics’ Circle Nominations

Michael Haneke’s Amour and Paul Thomas Anderson’s The Master each received seven nominations for the London Film Critics’ Circle Awards this morning. Amour was nominated in the best film, director, screenwriter, actor, actress and supporting actress categories along with a nod as best foreign language film. The Master also was mentioned in the best film, director, screenwriter, actor and supporting actress races as well as supporting actor. Skyfall is the most heavily nominated British film with five nods inlcuding two for Judi Dench as best supporting actress and British actress of the year; the latter shared with her role in The Best Exotic Marigold Hotel. Life Of Pi, Argo, Lincoln, Les Misérables and UK indie Sightseers are all nominated four times each. The London Film Critics’ Circle will hold its 33rd awards ceremony on January 20. Below is a full list of the nominees: Read More »

Comments (0)

Rufus Norris’ ‘Broken’ Takes Best Film Prize At British Independent Film Awards

Rufus Norris’ Broken led the pack of nominees going into the British Independent Film Awards ceremony tonight, but it was Peter Strickland’s Berberian Sound Studio which won the most prizes. Norris’ coming of age tale that debuted in Cannes’ Critics’ Week last year was named Best British Film and also scooped the Best Supporting Actor prize for Rory Kinnear. Best Director went to Strickland for horror pic Berberian Sound Studio for which Toby Jones was also named Best Actor. The movie won four prizes in total, also nabbing kudos for Best Achievement in Production and Best Technical Achievement. Best Actress went to Andrea Riseborough for Shadow Dancer and Olivia Colman scored her second BIFA in a row for her supporting turn in Hyde Park On Hudson. (Colman was named Best Actress last year for Tyrannosaur.) Bart Layton’s The Imposter was named Best Documentary. A full list of winners follows: Read More »

Comments (1)

Sundance 2013 Names Spotlight, Midnight & New Frontier Films

By | Thursday November 29, 2012 @ 1:26pm PST

Sundance 2013 has announced the films that have been selected to screen in the out-of-competition sections Spotlight, Park City at Midnight and New Frontier, along with the installations and performances to be featured in the festival’s New Frontier venue. Films for the Premieres and Documentary Premieres sections have not yet been announced. The festival runs January 17-27.

Related: Sundance 2013 Unveils U.S., World Cinema And Docu Slate

SPOTLIGHT

Fill The Void / Israel (Director and screenwriter: Rama Burshtein) — A devout 18-year-old Israeli is pressured to marry the husband of her late sister. Declaring her independence is not an option in Tel Aviv’s ultra-Orthodox Hasidic community, where religious law, tradition and the rabbi’s word are absolute. Cast: Hadas Yaron, Yiftach Klein, Irit Sheleg, Chaim Sharir, Razia Israeli, Hila Feldman.

Gangs Of Wasseypur / India (Director: Anurag Kashyap, Screenwriters: Anurag Kashyap, Zeishan Quadri) — Exiled and outcast for robbing British trains, Shahid Khan spurs a battle for revenge that passes down generations. Shahid’s son vows to get his father’s honor back, becoming the most feared man in the Indian town of Wasseypur. Cast: Manoj Bajpai, Nawazuddin Siddique, Richa Chadda, Huma Qureshi, Tigmanshu Dhulia. U.S. Premiere

The Gatekeepers (documentary) / Israel, Germany, Belgium, France (Director: Dror Moreh) — Since its stunning military victory in 1967, Israel has hoped to achieve a long-lasting peace. Forty-five years later, this has yet to happen. Six former heads of Israel’s Secret Service reflect on the successes and failures of the “peace process.”

Mud / U.S.A. (Director and screenwriter: Jeff Nichols) — Two teenage boys encounter a fugitive and form a pact to help him evade the bounty hunters on his trail and reunite him with his true love. Cast: Matthew McConaughey, Tye Sheridan, Jacob Lofland, Reese Witherspoon. North American Premiere

No / Chile, U.S.A. (Director: Pablo Larraín, Screenwriter: Pedro Peirano) — When Chilean military dictator Augusto Pinochet calls for a referendum to decide his permanence in power, the opposition persuades a young advertising executive to head its campaign. With limited resources and under scrutiny, he conceives a plan to win the election. Cast: Gael García Bernal, Alfredo Castro, Antonia Zegers, Luis Gnecco, Marcial Tagle, Néstor Cantillana.

Sightseers / United Kingdom (Director: Ben Wheatley, Screenwriters: Alice Lowe, Steve Oram) — Chris wants to show girlfriend Tina his world, but when events conspire against the couple, their dream caravan holiday takes a very wrong turn. Cast: Alice Lowe, Steve Oram. U.S. Premiere

Stories We Tell (documentary) / Canada (Director: Sarah Polley) — Sarah Polley is both filmmaker and detective as she investigates the secrets kept by a family of storytellers. She unravels the paradoxes to reveal the essence of family: always complicated, warmly messy and fiercely loving.

Read More »

Comments (0)

Rufus Norris’ ‘Broken’ Leads British Independent Film Awards Nominations

With nine nods, Rufus Norris’ Cannes Critics’ Week opener Broken leads the nominees for this year’s Moët British Independent Film Awards. Studiocanal is releasing Broken in the UK – although it has not yet been dated – and Film Movement has it domestically. The coming-of-age drama stars Tim Roth, Cillian Murphy and Rory Kinnear, who all received acting nods. Also scoring multiple shout-outs are Ben Wheatley’s comedy Sightseers and Peter Strickland’s horror film Berberian Sound Studio with seven each and Bart Layton’s The Imposter with six. The Best Exotic Marigold Hotel also has a strong showing with nods for best film and director along with acting nominations for Judi Dench, Maggie Smith and Tom Wilkinson. The 15th BIFAs will be handed out on December 9 in London. The full list of nominees follows:

BEST BRITISH INDEPENDENT FILM
Berberian Sound Studio
Broken
Sightseers
The Best Exotic Marigold Hotel
The Imposter

BEST DIRECTOR
Bart Layton – The Imposter
Ben Wheatley – Sightseers
John Madden – The Best Exotic Marigold Hotel
Peter Strickland – Berberian Sound Studio
Rufus Norris – Broken

Read More »

Comments (0)
More Deadline | Hollywood »