EXCLUSIVE DETAILS: A spate of reports of movement on The Terminator franchise is a good sign that the franchise is finally starting to percolate again. I’ve learned that each Ellison — David and Megan, both scions of Oracle chief Larry Ellison — will finance 33% of the film’s budget, with Paramount finding the remaining third. Arnold Schwarzenegger himself said yesterday during an appearance in Sydney that he’s coming back and the movie will start shooting in January. None of this is really a surprise: Back in December, Megan Ellison, who’d spent $20 million to buy The Terminator sequel rights during 2011 Cannes, partnered on the franchise with her brother David. She makes prestige films and he makes popcorn fare like Star Trek and Mission: Impossible sequels, so the union made sense. The Wrap claimed an exclusive that Paramount would be the distributor. Well, through Skydance Productions, David makes all his movies with Paramount, so it was kind of obvious the films would likely land there. Skydance and Paramount are just coming through the gigantic ordeal of making World War Z, which, despite a massive budget, looks like it will do some serious global business.
As for Schwarzenegger, he’s been attached since back in May 2011, when Megan Ellison beat out Lionsgate and paid around $20 million for the franchise. She bought it from Pacificor, which had paid $29.5 million to pull the property out of bankruptcy. The latest rumor is that Megan Ellison would make a hail mary pass attempt to draft her Zero Dark Thirty director Kathryn Bigelow. That would be a coup, but it’s being denied, which means either that it’s not true, or Bigelow passed already. The project has been director-less since Fast 6‘s Justin Lin bowed out of the project when it was being developed solely by Megan Ellison. I met Lin at Sundance and he made it clear he wouldn’t return because he was not involved in the development of the script. Ellison in January hired Avatar and Shutter Island‘s Laeta Kalogridis and My Bloody Valentine‘s Patrick Lussier to write the script, so it stands to reason that the film should be ready to shoot by early next year.