In this week’s podcast, Deadline Executive Editor David Lieberman and host David Bloom preview what could be a very big day in the history of broadcasting and technology, as the Supreme Court hears legal arguments Monday about Aereo and its business model. The Davids talk about what’s at stake and how it might play out, where broadcasters might go if they lose and whether a win will turn the broadcasting business upside down. They also look over that very messy, and pricey Disney acquisition of online video powerhouse Maker Studios, and examine why ESPN, pay-TV’s most valuable brand, felt compelled to pitch investors that it’s just fine despite competition, cord-cutting and other existential challenges.
In this week’s podcast, Deadline Awards Columnist Pete Hammond and host David Bloom assess the just-announced lineup for this year’s Cannes Film Festival, which competing films have serious Oscar hopes and which pics Pete can’t wait to see when he hits the Croisette for Deadline next month. Today also was the last day for would-be Emmy voters to make themselves eligible with the TV Academy, and Pete and David take a look at the Emmy campaigns that are heating up, while also grumpily acknowledging the first Oscar campaign of the 2015 season. Finally, Pete gives his take on the weekend’s notable movie debuts, including Wally Pfister’s directorial debut Transcendence, the Woody Allen-John Tuturro collaboration Fading Gigolo and faith-based hit-in-the-making Heaven Is For Real.
ABC‘s D.C. fixer drama Scandal has built big ratings in three seasons with a potent mix of often ridiculous plot twists and creator Shonda Rhimes’ savvy use of social media, which has bound fans closely to the show and its stars. That combo has paid off: Ahead of tonight’s season finale, which is certain to feature another signature shocker, Scandal has added 3 million viewers (for 11.5 million total). It’s up even more in the key adults 18-49 demo, +43% compared with last season, according to Nielsen. That demographic also represents most of the heaviest social-media users and is fervently sought by marketers.
Scandal‘s OMG moments, and the chance to feverishly chat about them online as they happen, have glued fans to the show’s actual broadcasts, instead of waiting to watch an episode later on DVR, VOD or Hulu. To further stick fans to their TV-side seats, Rhimes and other show principals including star Kerry Washington also take part, tweeting and posting with fans before, during and after airings. That close connection has been a crucial part of the show’s growth. According to RelishMIX, the social-media analytics firm, followings for those show-connected accounts have exploded — led by Washington’s Facebook account, which jumped an eye-popping 466% in Season 3. That comes after an offseason filled with awards appearances that really fueled the show’s social-media growth. In fact, says RelishMIX CEO Marc Karzen, the biggest growth in Washington’s Facebook account happened in and around her (very pregnant) appearances at the Golden Globes and SAG Awards. Those red carpet photos set fans abuzz for days.
In this week’s podcast, Deadline International Editor Nancy Tartaglione and host David Bloom do the Cannes can, previewing this week’s announcements in Paris of the lineup for the Cannes Film Festival, including likely entries from usual suspects such as Atom Egoyan and DreamWorks Animation and less likely prospects for slow-to-arrive new projects from Terrence Malick and Paul Thomas Anderson. Nancy and David also wrap up news out of last week’s Mip-TV market in Cannes, led by Keshet’s fast-selling reality formats and two hot programs out of Turkey. They finish up with their weekly peek at news and trends in the international box office, dominated abroad and in the United States by the debut of Rio 2 and the continued strength of fellow sequel Captain America: The Winter Soldier. Meanwhile, Noah continues to sail along with another strong week.
In this week’s podcast, Deadline’s executive editor David Lieberman and host David Bloom untangle the latest twists in the giant Comcast-Time Warner Cable merger proposal, as a Senate committee grills Comcast’s “Jedi Master” of a chief lobbyist and Charter prepares a challenge at the TWC annual meeting. The Davids also talk about the very different tone of two just-signed retransmission deals, at least compared to last year’s Time Warner Cable-CBS brawl; how IMAX reduced its stake in China while increasing its influence; and this week’s National Association of Broadcasters conference, where FCC Chairman Tom Wheeler urged broadcasters to think like “tech disruptors” and NAB chief Gordon Smith called for a federal plan for broadcasting.
With a submission deadline looming in a few days, more than 400 people filled the cavernous main room of a Santa Monica co-working space this week, eager to hear how their startup can create the future of entertainment, with help from a media giant and a hugely influential tech investor group.
The night’s main attraction was David Cohen of TechStars, which connects high-level tech investors with startups. TechStars has partnered with Disney to launch the Disney Accelerator, one of seven such sponsored accelerators it runs along with seven more stand-alone operations in as many cities on two continents. Soft-spoken and dressed Silicon Valley casual, Cohen told the CrossCampus gathering that the accelerator’s goal is simple: to find and fund “the next generation of entertainment.”
In this week’s podcast, Deadline Awards Columnist Pete Hammond and host David Bloom talk about the highlights in this year’s TCM Classic Film Fest, which opens tonight with a beautifully restored version of the 1955 musical Oklahoma, among many other treasures. David and Pete also mark the passing of Mickey Rooney, whose film career spanned nearly nine decades before his death this week.
Pete also gives his take on the weekend’s notable movie debuts, led by two films featuring the strongest performances in years from Oscar winners Kevin Costner (in Draft Day) and Nicolas Cage (in Joe). Pete and David also talk about the weekend’s likely box-office champ, the animated sequel Rio 2, and a thoughtful revenge drama, The Railway Man featuring Colin Firth and Nicole Kidman.
In this week’s podcast, Deadline International Editor Nancy Tartaglione speaks from the Mip-TV conference in Cannes with host David Bloom. With lots of news coming out the show’s first couple of days, highlights include the panel Nancy moderated Monday featuring Amy Poehler and the team behind Comedy Central’s Broad City. Nancy and David also discuss some of the increasingly out-there reality formats built on surreal social experiments, a big content deal for Sony in Scandinavia and yet another hot format for sale from Israel’s Keshet. Nancy and David also look at filmmaking in Rwanda 20 years after the genocide that killed 800,000 people, and nominees for this year’s BAFTA TV Awards. Finally, they wrap up the week’s international box office.
In this week’s podcast, Deadline’s executive editor David Lieberman and host David Bloom wrap up the latest in the big Aereo case before the U.S. Supreme Court later this month, including briefs from an unexpected collection of supporters and financial backer Barry Diller’s comments on the TV service’s future if it loses. The two Davids also weigh Amazon’s rather tardy arrival as a purveyor of video-streaming devices with this week’s launch of the Amazon Fire TV; the Tribune Co.’s evolution as its digital wing buys one TV-oriented data company and relaunches another; and Discovery’s latest in a flurry of deals, as it launches a digital studio in partnership with two big-name Hollywood veterans, Ron Howard and Brian Grazer.
In this week’s podcast, Deadline International Editor Nancy Tartaglione and host David Bloom look at whether Russia is likely to go ahead with a threatened cap on Western films in the wake of the Crimea crisis, two more deals affecting indie TV producers, update from Johnny Depp’s China tour into Transcendence, and mark the naming of another female filmmaker as a jury president at the Cannes Film Festival.
We’ll also take our weekly look at the international box office, led by the all-time box office record set by Frozen, whether The Lego Movie can ever catch up and big international debuts for the sequels to Captain America and Rio.
In this week’s podcast, Deadline’s Executive Editor David Lieberman and host David Bloom wrap up all the business news out of CinemaCon, the big theater-owner convention that David Lieberman covered last week. Now that he’s back in Deadline’s Manhattan offices, David L. talks with David B. about the hot topics affecting the movie theater business, including a look at the state of the industry, whether movies and alcohol can mix, why it might be time for a discount ticket night, and why you can’t buy a movie ticket on Amazon.
The two Davids also discuss Charter Communications’ “astonishing” filing objecting to the Comcast-Time Warner Cable deal and why Reed Hastings might have some buyer’s remorse over his company’s interconnection pact with Comcast. They also look at whether now is finally the time for a DirecTV/Dish Network merger.
In this week’s podcast, Deadline Awards Columnist Pete Hammond returns to the mike after a post-Oscar break to talk with host David Bloom about the just-ended CinemaCon gathering in Las Vegas. While all the studios used the confab to tout their hottest upcoming projects to theater operators, the longtime head of the National Association of Theater Owners touched off controversy with head-scratching comments about not watching Best Picture Oscar winner 12 Years A Slave on the big screen. Pete and David also discuss whether, in the wake of Josh Charles’ abrupt departure from The Good Wife, having your character killed off a hit TV show can be a shortcut to the Emmy red carpet. Finally, Pete gives his take on the weekend’s notable movie debuts, led by Darren Aronofsky’s audacious take on the Genesis story Noah.
In this week’s podcast, Deadline International Editor Nancy Tartaglione and host David Bloom look at a big Chinese tour by star Johnny Depp ahead of Wally Pfister’s directorial debut on April 18 with Transcendence. They stay in China to discuss Discovery’s consulting and content deal with a new pay-TV channel from Wasu Digital, then jump to the UK, which has again beefed up its tax incentives for film and TV production, even with existing facilities there already straining to accommodate demand. Nancy and David also take their weekly peek at trends in the international box office, led by Need For Speed and Noah. The U.S. champ for the weekend, Divergent, opened in 18 territories, but remains a mystery as Lionsgate holds off reporting its numbers.
In this week’s podcast, Deadline Executive Editor David Lieberman and host David Bloom preview CinemaCon, the big annual gathering of theater operators in Las Vegas that puts the popcorn in popcorn movies. They also examine the NAB’s claims to the FCC of a faltering local TV business; update the Comcast-Time Warner Cable merger with news from the states; whistle through the highlights of the relatively quiescent Disney annual meeting; examine the implications of the recent settlement of the long-running Viacom-YouTube copyright lawsuit; and ponder what’s next for Yahoo, given the imminent stock IPO by Alibaba, which it partly owns.