As far as Jay Carson knows, none of the 435 representatives and 100 senators who make up the United States Congress has resorted to murdering reporters. “But then, there are so many of them,” he jokes. Still, with 15 years in politics under his belt, including his current stint as senior adviser to Bloomberg Philanthropies, the consultant on Netflix’s House of Cards understands why lawmakers have fallen in love with Kevin Spacey’s murderous Machiavellian despot Frank Underwood. “Frank’s ability to get things done, even if some of his actions aren’t so legal, might actually be a nice antidote to the gridlocked Washington we have right now,” Carson insists. “He’s a man of action, as (showrunner) Beau (Willimon) says. He runs up against a wall and he’s not thinking, ‘Oh well.’ He’s thinking, ‘OK, I can go under it, over it or knock it right down.’ ”
Carson and Willimon met while in college at Columbia University. The seeds that became House of Cards were planted when Carson started interning for Chuck Schumer’s successful Senate campaign. “No one thought he would win,” says Carson, who brought Willimon onboard. “We became this inseparable duo. You can see from House of Cards how important it is to have someone around you can trust.” Read More »
UPDATE, 10:25 AM: BAFTA has made the audio of Paul Greengrass‘ David Lean Lecture available. Check it out:
PREVIOUS, MONDAY PM: Paul Greengrass tonight delivered BAFTA’s David Lean Lecture — the London-based org’s annual talk for the world’s leading filmmakers — and issued stark warnings for the health of the UK’s directing industry. The British filmmaking scene was in good shape, he said, thanks to the area’s “simple and transparent tax breaks” which encourage Hollywood studios to invest. But he warned the industry must leverage the studios’ buying power to encourage some of that Hollywood money back into UK content.
To a full house that included British talent like Richard Curtis, Miranda Richardson and Mat Whitecross, Greengrass offered a wide-ranging talk that covered his first steps into filmmaking and his vision of the future of the business. He heaped praise on Hollywood, and said “a lot of baloney” was talked about the U.S. industry’s priorities. Hollywood is not a place run entirely by cynical hacks, he said. “It’s full of smart and committed people, who understand filmmakers… And it also has guilds and trade unions with power and voice. That’s why the studios are looking for places that don’t, and that’s why they come [to the UK].”
But he warned that UK directors have a hard time making follow-up features at home after their debuts, and that the situation in British TV is especially dire. He claimed directors earn less in residuals for helming the likes of Doctor Who and Downton Abbey than stunt performers.
Related: Fleming Q&As Paul Greengrass On Oscar Contender ‘Captain Phillips’, MLK, And Why He’ll Never Make Another Bourne Film
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