Hammond On Cannes: Wet Fest’s Official Competition Finally Heats Up With Coen Brothers’ ‘Inside Llewyn Davis’

Pete Hammond

The first purely American entry in the 2013 Cannes Film Festival competition (opening nighter The Great Gatsby was Out of Competition), Joel Coen and Ethan Coen‘s terrific Inside Llewyn Davis had its first press screening Saturday night to strong response and big buzz on the very rainy Croisette. This tale of a talented folk singer unable to balance art and commerce, and  who never quite hits the big time in the late 50′s/early 60′s emerging folk scene, is pure Coen Brothers with a winning mixture of brilliantly observed comedy and darker moments that give it an edge most reminiscent of Coen movies like Barton Fink, which won the Palme d’Or on their first try at Cannes in 1991. Joel Coen also took the Director award that year and again for The Man Who Wasn’t There (2001) among the seven previous times they have been in the Cannes competition. 1994′s The Hudsucker Proxy1996′s Fargo, 2000′s O Brother Where Art Thou, 2004′s The Ladykillers and 2007′s No Country For Old Men represent their other numerous chances to reap a second Palme d’Or since Barton Fink but none of them did the trick. 

Judging from initial reaction, at least among the press, Inside Llewyn Davis probably makes them an early front-runner for that second Palme. We say early since the film doesn’t have its official black tie premiere at the Palais until Sunday night, only the fourth day of the competition. But with its superb acting including leading man Oscar Isaac, as the morose but oddly engaging Llewyn and a great supporting cast including Carey Mulligan, John Goodman (just great), Justin Timberlake, Stark Sands and a scene stealing cat (or cats? – you’ll see) among others, plus the Coens’ knack for catching this era in all its glory, I suspect this will remain a contender for the entire week of debuts to come. READ MORE »

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‘Kinky Boots’, ‘Vanya And Sonia’, ‘Pippin’ Top Drama League Awards

By THE DEADLINE TEAM | Friday May 17, 2013 @ 1:45pm PDT

Kinky Boots and Vanya And Sonia And Masha And Spike are among the big winners of the 79th Annual Drama League Awards announced today in New York City. Kinky Boots took Distinguished Production of a Musical and Vania And Sonia And Masha And Spike was named Distinguished Production of a Play. Other winners include Pippin, Distinguished Revival of a Musical; and Who’s Afraid Of Virginia Woolf, Distinguished Revival of a Play. Nathan Lane received the Distinguished Performance Award, presented by Debra Messing. Others honored include Bernadette Peters who nabbed the Distinguished Achievement in Musical Theatre Award; Madison Square Garden Entertainment and the Rockettes received the Unique Contribution to the Theatre Award and Jerry Mitchell was honored with The Founders Award for Excellence in Directing. Click over for the complete list: Read More »

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Hammond On Cannes: Weinstein Brings Out Stars For 2013 Oscar Contenders

Pete Hammond

Following a relatively new tradition they started a few years ago, The Weinstein Company on Friday night brought together a group of buyers, partners and press to preview its 2013 slate and meet filmmakers and stars. Although Harvey Weinstein never once mentioned the word “Oscar”, you can tell that’s definitely what he is thinking with a diverse mix of prestige projects that should give the awards-happy company lots of campaign fodder for 2013. He said after a rocky start the company has had a very good last four years and for 2012 made more than they ever did at Miramax. He also made a plea to the international audience gathered for the presentation at the Majestic Hotel for the continued independence of European filmmaking, especially in light of problems with the European Cultural Initiative. “We can’t let Europe be the same like the United States. What’s great about European movies is they are different and as long as they reflect their culture there will always be special movies like Amour, which we didn’t release last year, and so many movies like that. So keep your eye on the newspaper when this stuff comes up for votes or things we can do to influence it,  I think it’s very important,” he said.

Related: Cannes: Weinstein Eyes ‘Philomena’ In First Big Bidding Battle Of Festival

After the 40-minute reel led by the August 16th release The Butler and ending with the long-gestating Mandela: Long Walk To Freedom, Weinstein told me, “It’s a very eclectic, hard-hitting lineup that I am really proud of. What am I going to say? I feel very confident about this year”. Though he may not have been directly making an Oscar-season pitch (thankfully that’s still many months off even for Harvey — well, maybe not), he did make an overt plea for his official competition entries Only God Forgives and The Immigrant when introducing Cannes jury member Nicole Kidman, star of the December 27th release Grace Of Monaco. “We have a member of the jury with us tonight and she has to go for a jury meeting to hopefully decide which movie of mine wins the Palme d’Or. I have certainly given Steven (jury president Spielberg) enough money over the years,” he said to big laughs. Read More »

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Deadline Awards Watch With Pete Hammond, Episode 26

Pete Hammond

Listen to (and share) episode 26 of our audio podcast Deadline Awards Watch With Pete Hammond featuring our awards columnist speaking from the Cannes Film Festival with host David Bloom. They discuss the festival’s opening days, including an exuberant Warner Bros. party worthy of Jay Gatsby; hanging out with Martin Scorsese as he seeks support for some Silence; a surprisingly candid Chinese competition entry and other films to watch for in this Fortnight.

Deadline Awards Watch, Episode 26 (MP3 format)
Deadline Awards Watch, Episode 26 (MP4a format) Read More »

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Hammond On Cannes: Martin Scorsese Hits Croisette To Drive Sales For His Moment Of ‘Silence’

Pete Hammond

Doing something he says he has never done in his entire career, director Martin Scorsese has come to Cannes to personally sell a film to foreign buyers. But it is not just any film but rather a passion Read More »

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Hammond On Cannes: Opening Night ‘Gatsby’ Party Wet But Elaborate

Pete Hammond

Baz Luhrmann followed up his biggest opening day in America with his biggest opening day in France as The Great Gatsby took in $78K in partial-day results that still were bigger than his Moulin Rouge and AustraliaRead More »

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Hammond On Cannes: Jury Takes Center Stage As Oscar Rivals Steven Spielberg And Ang Lee ”Worship” Each Other

Pete Hammond

Once rivals for Oscar in February and now fellow jurors in Cannes, Ang Lee called Steven Spielberg his “hero” as Spielberg praised Lee’s Life Of Pi, which won Best Director over Lincoln. This mutual lovefest took place as the jury for the 66th Cannes Film Festival was introduced to the world’s press this afternoon. Spielberg, who said he hasn’t served on any festival jury since 1974 (the beginning of his feature film career) is President and has been asked many times but said the timing was finally right. “I’ve been so consistently at work, especially in the spring months directing, that every time I’ve been approached to be on the jury I’ve been working so I suddenly found myself with an open year, and so that’s why this all came together this year. I am honored I was invited,” he said. Spielberg has been to Cannes many times before with films like E.T. and most recently, Indiana Jones And The Kingdom Of The Crystal Skull.

Asked about being on the Cannes panel with Spielberg after defeating him for the Oscar almost three months ago Lee said, “Steven and I are good friends. I worship him. I don’t know how he looks at me, but I worship him. I don’t think any result would change how I feel about him or even myself. He’s my hero.” Spielberg responding seemed at a loss for words. “I don’t know how to answer that, except to say Ang and I have been friends for a long time and we’ve never ever been competitors, we’ve always been colleagues and that will just contiinue. And certainly I worship Life Of Pi and therefore I worship Ang Lee as well.” Read More »

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Hammond On Cannes: Festival Kicks Off With Most Anticipated Slate In Years

Pete Hammond

After two years in a row of heavily influencing the Oscar race, the 66th Cannes Film Festival lineup may make it three this year. Certainly I see very long and winding Croisette lines to pick up press or market credentials at the Palais, which is adorned with posters of Paul Newman and Joanne Woodward in a provocative still shot from their fluffy France-set 1963 comedy A New Kind Of Love. One early clue came when the jury was announced, beginning with President Steven Spielberg and including such Oscar winners as Ang Lee, Nicole Kidman and Christoph Waltz. And if it’s not enough to have those icons prominent at this year’s fest, add The Great Gatsby‘s Baz Lurhmann whose film is the opening night event with a gala after-party, and Martin Scorsese who will also be in town for a yacht party announcement of his longtime gestating directorial effort Silence on May 16th. Certainly many of the Cannes contenders both in and out of competition are from Academy Award winners and Cannes veterans back with intriguing films that make up a high profile and potent selection with advance buzz.  Competing are the Coen Brothers, Steven Soderbergh, Roman Polanski and Alexander Payne plus a slew of famous names in front of the cameras both on screen and on the Red Carpet this year.

Related: Fleming: Can Sizzle Reels Make Sizzling Deals This Year?

As for the competition and key sidebars, one perennial Cannes question os whether it’s a good idea to ready or even rush a film designed for year-end release in order to play at the Festival in May. Particularly of that means risking negative reviews which can be a real buzz killer. Take, for instance, Payne’s last minute entry Nebraska from Paramount, which almost didn’t appear here. In the initial forecast Deadline posted on March 13, we thought Payne’s film fit in with the auteurist nature of the fest, it’s in black and white, and its filmmaker is quite a favorite in Cannes. (He has had only one film previously in competition – 2002′s About Schmidt – and won no prize, but he not only headed the jury for Un Certain Regard in 2005 but also was a member of the main competition jury last year.) Yet shortly after this prediction I was told Cannes wasn’t in the cards due to Payne’s fondness for long post-production time. He didn’t want to be rushed. Then the studio saw the film about a week before the Cannes deadline and execs urged Payne to put it into the festival. He took Nebraska to Paris to show to Cannes programming honcho Thierry Fremaux with just two days to go before the press conference announcing the 2013 lineup. Now it is one of the most anticipated screenings even though it ooccurs towards the end of the Festival on May 23. Paramount claims  it recently had a successful research screening in Pasadena and has dated the film for November 22nd, right in the heart of Oscar season (Payne is a two-time Screenwriting Oscar winner for Sideways and The Descendants).

Conversely there was absolutely no doubt Joel and Ethan Coen would be bringing their latest, the 1960′s-set Greenwich Village folk music tale Inside Llewyn Davis screening on May 19. It is their 8th time around this particular block so they are virtually Cannes regulars. CBS Films won’t release the movie stateside until December 6, another prime Oscar date.

Roman Polanski’s Venus In Fur screening on May 25 on the last day of competition is the adaptation of the Tony-winning Broadway play. It brings Polanski back to Cannes for the first time since winning his only Palme d’Or (for 2003′s The Pianist, which resulted in a Best Director Oscar). It stars  his wife Emmanuelle Seigner and Mathieu Almarac and though audiences and critics weren’t too impressed with the last Polanski Broadway play adaptation God Of Carnage, this dramatic work could be more up his alley. There’s also strong interest in French director  Arnaud Desplechin’s Jimmy P: Psychotherapy Of A Plains Indian screening May 18 largely due to lead actor Benecio Del Toro’s role as a Blackfoot Indian WWII vet. (But someone’s gotta change that lumbering title.) Cannes watchers also are buzzing about new works from three directors who are no strangers on the Croisette: Nicolas Winding Refn who won Best Director in Cannes for 2011′s Drive and has re-teamed with star Ryan Gosling as a drug smuggler in the May 22nd entry Only God Forgives. (I am told Kristin Scott Thomas steals this one as his mother). And though his films don’t make much noise in theatres, James Gray is a Cannes favorite  and back with his fourth competition entry, The Immigrant (formerly called Lowlife) screening May 24th with a starry cast of Marion Cotillard, Joaquin Phoenix and Jeremy Renner. Jim Jarmusch brings his new Vampire story Only Lovers Left Alive which stars the always intriguing Tilda Swinton, Tom Hiddleston and Mia Wasikowska . It has the distinction of being the last film to make the list and the last competition film to be screened: in the 10 PM slot on May 25th.

As always with Cannes there is just too damn much to see with many sidebar competitions like Un Certain Regard, Director’s Fortnight, Critics Week, Cannes Classics and so on. Certainly the opener for Un Certain Regard, Sofia Coppola’s The Bling Ring and Ryan Coogler’s Sundance sensation Fruitvale Station (summer releases stateside) are both screening on the sidebar’s first day of May 16th and are instant must-sees in addition to James Franco’s directorial outing, As I Lay Dying, on May 20th.

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Annie Awards Set 2014 Dates

By THE DEADLINE TEAM | Tuesday May 14, 2013 @ 8:14am PDT

ASIFA-Hollywood, the International Animated Film Society, announced key dates for the 41st annual Annie Awards, which are set for Saturday, February 1, 2014. Call for entries will begin September 2 for TV and film productions released in the U.S. … Read More »

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CBS Sets Next Grammys For Jan. 26, 2014

By THE DEADLINE TEAM | Monday May 13, 2013 @ 6:18am PDT

CBS and The Recording Academy announced dates for the next two Grammy Awards. The 56th annual Grammys are set for Sunday, January 26, 2014 at Staples Center, and the 57th Grammys will be February 8, 2015. This year’s … Read More »

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BAFTA TV Awards: ‘Girls’ Top International Show; Olivia Colman Scores Two Prizes

By NANCY TARTAGLIONE, International Editor | Sunday May 12, 2013 @ 1:42pm PDT

BAFTA handed out its TV prizes tonight in London with Olivia Colman taking two awards, one for supporting actress for BBC miniseries Accused and the other as actress in a comedy program for Olympics sitcom Twenty Twelve, which was also named best sitcom. Colman will soon be seen by U.S. audiences in ITV’s recent hit drama Broadchurch. Ben Whishaw was best actor for Neal Street Productions co-production with NBC Universal and WNET Thirteen/BBC Two, Richard II (Hollow Crown), and top comedy actor was Steve Coogan for Sky Atlantic‘s Welcome To The Places Of My Life. The best drama series was the BBC’s Last Tango In Halifax while HBO‘s Girls was named best international show. Coming into the evening, the BBC and HBO’s Hitchcock film The Girl was among the most nominated programs, but went home empty-handed. Downton Abbey had no nominations. A full list of winners follows: Read More »

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Did Oscars Punish ’2016 Obama’s America’? Producer Says Yes, Academy Says No

The Academy of Motion Picture Arts & Sciences recently opened up first-round Oscar voting to the entire documentary branch and abandoned the previous system of allowing a small committee to determine the short list of eligible films. This radically curtails the influence of the documentary branch governors. Interesting, because last month an accusation of political bias in the documentary branch was lodged against the Academy – specifically, in an April 16th letter from Gerald Molen who produced the controversial right-wing documentary 2016: Obama’s America (as well as the Oscar-winning Schindler’s List). Molen’s missive was sent to Academy President Hawk Koch and documentary branch governors Rob Epstein, Michael Apted, and Michael Moore who is also a member of the AMPAS Board Of Governors. Molen questions why 2016: Obama’s America was ignored for an Academy Award nomination even though it was last year’s second highest grossing political documentary (behind only Moore’s Fahrenheit 9/11.) Molen wrote:

“I find myself wondering if it was excluded for ‘other’ reasons…”

“I have tremendous respect for Michael Apted as a creative and talented filmmaker but putting him with Rob Epstein and Michael Moore as the gatekeepers in charge of which films get nominated in the documentary category seems patently absurd…

“While Mr. Moore is a distinguished filmmaker, he holds a strong partisan view representing what Gallup tells us is only 21 percent of the population. Even if he were able to keep his personal philosophy out of the equation, you can certainly understand why the larger American constituency (pegged at 40%) would question the exclusion of a well-made and popular film that fails to reflect his views. Even if only in perception, this assumed bias will serve (in my opinion) only to injure the Academy…

“All up and coming filmmakers deserve to be recognized for their creative sensibilities and should not be punished because the messages of their films fail to fit the dogma of what some believe is politically correct.”

Hawk replied on behalf of the Academy: Read More »

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CW To Air Young Hollywood Awards Aug. 1

By THE DEADLINE TEAM | Wednesday May 8, 2013 @ 2:21pm PDT

May 8, 2013 (Los Angeles, CA) -– The 15th Annual Young Hollywood Awards” celebrating emerging young talent will partner with The CW Network to broadcast this year’s Red Carpet event on Thursday, August 1 (8-10 PM). The announcement was made today by Jay Penske, Founder, Chairman and CEO of Penske Media Corporation (PMC), owner and Executive Producer of the award show [and Deadline Hollywood], and Mark Pedowitz, President, The CW. The 15th Annual Young Hollywood Awards will be held in Los Angeles, and the host and nominees will be unveiled in June. Read More »

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Motion Picture Academy Email To Members: ‘We Want You To Be Advocates And Evangelists’

Pete Hammond

The Academy Of Motion Picture Arts & Sciences is still basking in the glow of its successful Academy general membership meeting on Saturday in LA and NY. So Academy President Hawk Koch and CEO Dawn Hudson sent out a letter summarizing the event to the Acad’s nearly 6,000-person membership Tuesday night. … Read More »

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NBC Dominates Sports Emmys With London Olympics; HBO Gets Silver Medal

By THE DEADLINE TEAM | Tuesday May 7, 2013 @ 8:12pm PDT

NBC led the league at the Sports Emmy Awards, handed out tonight in New York. The Peacock scored 10 wins, including five for its coverage of last year’s London Olympics, and its NFL ratings beast Sunday Night Football won the outstanding live sports series trophy for the fifth consecutive year. HBO was next with six nods, including two for Real Sports with Bryant Gumbel, bringing the veteran show’s career haul to 25. The nascent NBC Sports Network — which launched early last year with the rebranding of Versus — was third with four wins, followed by ESPN, MLB Network, TBS and TNT with three apiece. NATAS doled out its 34th Annual Sports Emmy Awards at Lincoln Center’s Frederick P. Rose Hall in Manhattan.

A list of winners appears after the jump:

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‘Avengers’ Cast And Stingy Marvel Ready To Rumble Over Sequel Cash & Strong-Arming

EXCLUSIVE: Robert Downey Jr is set for another huge payday from a mega-hit Marvel movie, this time Iron Man 3. I’ve learned he’s already made $35 million from the actioner, which grossed $680 million worldwide in its first 12 days. He should exceed his biggest payday to date — that $50M from The Avengers which I’ve learned was more like $70M-$80M now that the film is all in. But it’s really Avengers 2 where he’ll clean up big-time — if he wants to reprise the role. He’s hinting to some media it may be time to retire Tony Stark. And saying to other outlets that Marvel better show him more money for Avengers 2. ”I don’t know,” he said on The Daily Show. ”I had a long contract with them and now we’re gonna renegotiate.” (“You are Iron Man! You are!” cheered Jon Stewart.) I’ve learned that Marvel and therefore owner Disney are going to run into big trouble on that sequel because the upfront pay, backend compensation, break-even points and box office bonuses aren’t pinned down yet for several big stars and castmates. This is major hurdle that Walt Disney Co Chaiman/CEO Bob Iger hasn’t even mentioned to Wall Street or shareholders though he’s already been hyping Avengers 2 for more than a year now.

First and foremost Marvel does not have Downey in place yet. ”They need him, and they don’t have him. He’s got a lot of leverage,” one insider tells me. Much less so Scarlett Johannsen (paid to pop up in Marvel movie after movie), Chris Evans (whom some sources say made his deal for Avengers 2 when he signed for Captain America 2), Chris Hemsworth (a much bigger star now than before and unsigned for Avengers 2), Mark Ruffalo (whose Hulk role already was cast 3 times and could be the most vulnerable), Jeremy Renner (probably grateful for more exposure), Samuel L. Jackson (Scarlett’s doppelganger) among others who were paid pittances for their first movies, not much better for the sequels, and are counting on at least $5 million upfront and better back ends for Avengers 2. That means much better than what Marvel claimed was Avengers’ break-even point: a whopping $1.1 billion in global grosses. (“If Avengers wasn’t profitable until then, why would you make it?” one rep pointedly asked Marvel top execs Kevin Feige and Louis Esposito.) In a business where studio accounting is known as fatal subtraction and even worldwide blockbusters are still supposedly in the red, Marvel and its famously frugal CEO Ike Perlmutter still give new meaning to the term stingy. I’ve learned that one reason why The Avengers was nominated for only one Oscar – Best Visual Effects – in the 85th Academy Awards contest was because Marvel refused to pay for an awards season campaign for the picture. And even when Disney offered to foot the bill, Marvel still wouldn’t budge. (Yet the Academy Of Motion Picture Arts & Sciences assembled the cast onstage to create buzz.) Here’s how one exec describes any negotiation with Marvel: “I wouldn’t say it’s brutal. It’s uncompromising, not mean or draconian. The fact is this is the reality of the world we’re living in right now.”

Related: Disney And Marvel Do Damage Control After Media Scrutiny Of Ike Perlmutter

But The Avengers cast are ready to rumble with Marvel for the Avengers sequel slated for a May 2015 release. “Some received only $200,000 for Avengers and Downey got paid $50M. On what planet is that OK?” an insider tells me. CAA represents an overwhelming majority of the Marvel stars and is trying hard to keep the negotiations out of the public limelight and media headlines. But that may not be possible with some reps blaming the studio for ’scorched earth’ tactics past and present. ”Marvel has created so much animosity by strong-arming and bullying on sequels already. It’s counterproductive,” one source tells me. Says another, “I’m sick of Kevin Feige telling me again and again how Marvel is ‘reinventing the movie business’. It doesn’t work like this. They’re reinventing business, period.” I’ve learned Marvel already has threatened to sue or recast when contracts and/or options are challenged. That prompted a few cast members to respond, “Go ahead.” I hear Hemsworth especially wasn’t anxious to go back into that arduous diet and training regimen and subsist primarily on egg whites for Thor: Dark World which hits theaters November 8th. I also understand that Scarlett Johanssen told castmates she’s “not going to cut her quote” for Marvel’s Avengers 2. The actress as butt-kicking operative Black Widow in The Avengers and Iron Man 2 is wrapping Captain America: The Winter Soldier and has a whopping 8 options total.

Already a lot of brinkmanship played out for Captain America 2 and Thor 2. Calling it the “weirdest experience”, one rep still can’;t believe Marvel offered “only a $500,000 raise and then would pay another $500,000 when the movie hits $500M. Are they out of their minds?” When it was pointed out to Marvel that Hemsworth already had received $5M for his starring role in Snow White And The Huntsman, the studio shot back, ”I don’t know why you’re complaining when Marvel only has hit movies.” To which the response was, “He’s happier working at a place like Universal.” After hard-fought bargaining, Chris Evans for Captain America 2 and Chris Hemsworth for Thor 2 wound up with deals still weighted on the back end but at least with attainable break-even numbers and small upfront guarantees and box office bonuses.

The issue going forward is how many of the Avengers stars and starlets are still bound by early agreements and longterm options which Marvel can continue to exploit individually. To counter, I’ve learned the Avengers cast are becoming united behind Robert Downey Jr who is seen as the “leader” – like “a big brother” in the words of one rep - for all the younger actors in the ensemble. “He’s the only guy with real power in this situation. and balls of steel, too. He’s already sent a message that he’s not going to work for a place where they treat his colleagues like shit,” one source explains. Another rep tells me, “I have four words for Marvel – ‘Fuck you, call Robert.’”  Read More »

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Academy Meeting A Hit Say Hudson, Hawk – But What Did Members Think?

Pete Hammond

Today’s first-ever Academy membership meeting was deemed a success by both Acad President Hawk Koch and CEO Dawn Hudson, as well as a random sampling of several members with whom I spoke immediately following. Certainly the turnout was stellar with the Academy’s Samuel Goldwyn Theatre (which has about 1000 seats) nearly full with members only (no guests) which Koch told me was the first time since it was built that the audience was near-SRO with only Academy members. Koch says New York and Bay Area venues were also well-attended which bodes well for continuing this as an annual event. “On a scale from one to ten, I give it a twelve”, said Koch who according to several attendees I talked to got lots of plaudits from those who asked questions in the audience. ”We’ll hear from our members. But in that room there was a lot of love for this event. I don’t think there has ever been an occasion where we just invited members. It was historic in that way. This kind of came out of the branch mixers we have done, and people asked about doing something cross-branches which was sort of the impetus for this meeting”, Hudson told me in a joint call with Koch shortly after the 12:35PM (PT) conclusion of the event. Read More »

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Academy Announces New Rule Changes At Membership Meeting; All Members Can Now Vote On Foreign Language Films

Pete Hammond

The Academy announced rule changes that will allow  all  members for the first time to vote in all 24 categories including Foreign Language and Documentary Shorts, either via theatrical screenings or DVD.  Previously members had to attend special screenings for … Read More »

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William Friedkin To Receive Special Venice Golden Lion; Restored ‘Sorcerer’ To World Premiere At Festival

Veteran French Connection and Exorcist helmer William Friedkin will receive the Golden Lion for Lifetime Achievement at the Venice Film Festival later this year. Friedkin has a history with the festival where his 1995 thriller … Read More »

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