EXCLUSIVE: In what might well be the last major deal for a buzz title that world premiered at last month’s Toronto Film Festival, Dimension and RADiUS-TWC have acquired U.S. rights to Horns, the Alexandre Aja-directed thriller that stars Daniel Radcliffe, Juno Temple, Max Minghella, Joe Anderson, Kelli Garner, Heather Graham, David Morse, Kathleen Quinlan and James Remar. The deal was for multiple millions, rivaling the largest deals made for the other Toronto films.
Keith Bunin wrote the script, based on the novel by comic book author Joe Hill. The logline: After being blamed for the death of his longtime girlfriend (Temple), a small-town guy (Radcliffe) awakens one morning to find a pair of horns growing from his head. The film was produced by Red Granite Pictures founders and producing partners Riza Aziz and Joey McFarland in addition to Mandalay’s Cathy Shulman. Aja is also a producer.
Dimension chief Bob Weinstein and RADiUS-TWC co-presidents Tom Quinn and Jason Janego have been working on this deal since the festival. It was certainly a talked-up title that several distributors pursued. They haven’t figured out the release configuration but are looking at 2014. READ MORE »
Listen to (and share) episode 44 of our audio podcast Deadline Awards Watch With Pete Hammond. Deadline’s awards columnist talks with host David Bloom about the challenges facing new Los Angeles film czar Tom Sherak; producer Scott Rudin’s big weekend at the New York Film Festival, where his Inside Llewyn Davis and Captain Phillips debuted strongly ahead of the latter film’s wide sneak previews this weekend; the field of candidates for Oscar’s foreign-language film category, led by Iranian nominee The Past; and some of the movies that won’t be contending this year for Oscar after all. Finally, we’ll get Pete’s take on this week’s new movie releases, including Alfonso Cuaron’s “fantastic” space epic, Gravity, featuring Sandra Bullock and George Clooney; JFK assassination docudrama Parkland, with a sprawling cast featuring Zac Efron, Paul Giamatti, Jacqui Weaver and Marcia Gay Harden; and divorce comedy A.C.O.D., featuring Richard Jenkins, Amy Poehler, Jane Lynch and another large cast.
Deadline Awards Watch, Episode 44 (MP3 format)
Deadline Awards Watch, Episode 44 (MP4a format) Read More »
This weekend the New York Film Festival got rolling and if you mistook it for the Scott Rudin Film Festival you wouldn’t be far from wrong. Rudin’s October 11th Sony Pictures release Captain Phillips world premiered to a standing ovation on Opening Night Friday. On Saturday the much-awaited New York premiere of his December 6th CBS Films pic Inside Llewyn Davis made its local debut with stars Oscar Isaac, John Goodman and writer/directors Joel and Ethan Coen among those on hand. But if that wasn’t enough of a Rudin takeover of the Fest (which runs a longish 18 days) there is an unprecedented sold out concert going on tonight at the Town Hall engineered by Rudin, the Coens and T-Bone Burnett called Another Day, Another Time: Celebrating The Music Of Inside Llewyn Davis. The concert featuring numerous folk singers of the early 1960s period in which the New York-based film is set also scheduled appearances from some of the movie’s stars including Isaac and Goodman. It’s clear Rudin, using the festival that also launched his The Social Network two years ago, doesn’t have to leave his hometown to make a mark in Hollywood’s nascent awards season. Game on.
In the case of Inside Llewyn Davis, the strategy seems particularly smart. Unlike Phillips or other upcoming Oscar-hopefuls like NYFF World Premieres for 20th Century Fox‘s The Secret Life Of Walter Mitty starring and directed by Ben Stiller and playing next weekend, and the October 13th closer, Spike Jonze‘s Her from Warner Bros, Davis has already been making the fest rounds since beginning in May at Cannes where it won the Grand Prize (second place), and then in a North American launch at Telluride on Labor Day weekend that included a tribute to the musical movie collaboration between the Coens and T- Bone Burnett. Read More »
Among the last to do so ahead of the October 1st submission deadline, Israel and Palestine have designated their respective entries for the Foreign Language Oscar race. Israel has selected Bethlehem, Yuval Adler‘s debut … Read More »
Deadline Awards Columnist Pete Hammond and International Editor Nancy Tartaglione sit down with host David Bloom to wrap up the Telluride, Venice and Toronto film festivals and the many awards-worthy movies coming out of them, including Gravity, Philomena, 12 Years A Slave and … Read More »
The latest drama from the director of My Summer Of Love and Last Resort is coming to North America via Music Box Films. Pawel Pawlikowski‘s Ida follows a young nun in 1960s Poland who’s on … Read More »
Adopt Films has acquired all U.S. rights to Yuval Adler‘s debut feature Bethlehem. The movie premiered in Venice before heading to Telluride and Toronto. It’s also received 12 nominations at … Read More »
Controversy put Randy Moore’s Escape From Tomorrow on the radar at Sundance, where critics predicted that the fictional drama filmed without permission at Disney World would have to get past a courtroom before it reached theaters. As Escape nears its October multi-platform release, it has been deafening silence from Disney; not even Jiminy Cricket is chirping. That is the worst thing that could happen to a film where the venue is the only recognizable thing in a feature made on the cheap with no stars. Escape earned early notoriety for its subversive shoot after the filmmakers got The New York Times to flog a brewing David Vs. Goliath battle at Sundance. Turns out that newspaper was simply slinging hype and reflecting wishful thinking from the film’s backers. Disney doesn’t seem to care and the film is left to fly or die by its merits. At this weekend’s genre-heavy Fantastic Fest, where movie geeks gobble up subversive films, the pic screened with a whimper.
Related: ‘Escape From Tomorrow’ Gets Fall Release
Cinetic sales rep John Sloss, whose Producers Distribution Agency is releasing the picture after it went unbought at Sundance, tells me some interested buyers were wary of crossing Disney when the film first screened. Sloss said he had offers, but Deadline has heard they were smallish and that Disney’s ire wasn’t the big factor. Getting a rise out of a corporation can be the best thing that can happen to a small film; earlier this year, the documentary Blackfish got on the map after its subject, Sea World, publicly griped about the characterization of multiple deaths involving its killer whales. Disney hasn’t made a peep, robbing Escape From Tomorrow of a lot of free publicity. Read More »
EXCLUSIVE: UTA has signed Scottish writer/director David Mackenzie, whose latest film Starred Up premiered at Telluride and Toronto. He had been with WME. Starred Up stars Jack O’Connell and Ben Mendelsohn and is about a juvenile offender … Read More »
EXCLUSIVE: Craig Borten has signed to rewrite/polish The 33, the survival struggle of 33 miners trapped far below the earth after a cave-in in Copiapo, Chile, in 2010. It is Borten’s first job since writing with Melissa Wallack on Dallas Buyers Club, the fact-based drama that generated strong Oscar buzz at the Toronto Film Festival.
In another development on the film, Jennifer Lopez has just dropped out of The 33, because of a scheduling problem that cropped up when she committed to a return to American Idol. The 33 will be directed by La Misma Luna’s Patricia Riggen, with Antonio Banderas and Martin Sheen committed to star in the rescue tale that is being produced by Mike Medavoy, Robert Katz and Edward McGurn. Carlos Eugenio Lavin and Leopoldo Enriquez will be exec producers. Read More »
Cinedigm has acquired North American rights to the Kelly Reichardt-directed Night Moves, which just played Toronto, Venice and Deauville. The film, about environmentalists trying to blow up a hydroelectric dam, stars Jesse Eisenberg, Dakota Fanning and … Read More »
EXCLUSIVE: RADiUS-TWC, the boutique label of The Weinstein Company, has acquired North American distribution rights to Supermensch: The Legend Of Shep Gordon. The documentary, which premiered in Toronto on September 7 at Roy Thompson Hall, marks the feature directorial debut of Mike Myers. RADiUS co-presidents Tom Quinn and Jason Janego plan to release the film theatrically in the first quarter of 2014. They tell me they see the breakout potential of 20 Feet From Stardom, the acclaimed docu they turned into a prestige film hit this spring after acquiring it at Sundance.
Related: Toronto: Fleming Q&A’s Mike Myers On ‘Supermensch
With backing from A&E IndieFilms, Myers devoted the documentary to the life journey of Shep Gordon, who became a music manager after a chance encounter in the 1960s with Jimi Hendrix and Janis Joplin. Specifically, the latter felt bad after punching Gordon in the face the night before after Gordon, concerned she was being attacked, broke up what turned out to be a consensual sexual encounter taking place in the grass outside his hotel room window. From there, he colorfully steered the careers of such musical artists as Alice Cooper, Anne Murray, Teddy Pendergrass and Blondie, and he created the “celebrity chef” culture and became a confidante of the Dalai Lama. Myers, who met Gordon when he was trying to get Alice Cooper to appear in a Wayne’s World scene, interviewed himself and the likes of Michael Douglas, Sylvester Stallone, Willie Nelson, Emeril Lagasse and more. Myers creates a picture of a charming Hollywood mensch whose Midas touch for dealmaking realized the dreams of others, as he put his own happiness on the back burner. I found the Zelig-like subject and the film irresistible. Read More »
The sales market at the Toronto Film Festival was the healthiest and most vigorous that I can remember, certainly since that barren year when the prestige film bubble burst and the sole festival sale was the Tom Ford-directed A Single Man. During the first five days at least of this Toronto, there was deal action going into the wee hours of the morning. One quality, crowd-pleasing acquisition title after another un-spooled each night and then distributors were left trying to restrain themselves from going past their sober revenue projections as they tried to fill holes in 2014 slates.
At last count, around 28 Toronto films have sold in deals large and small, agents tell me. I thought the biggest challenge for sellers would be to get distributors to focus because of the inordinate amount of titles they launched into the Oscar race with lavish Toronto premieres. Instead, the biggest challenge for sellers, and buyers for that matter, was stamina. We are all getting older, and pretty much everyone was walking around like zombies after taking part Friday and Saturday in the fest’s biggest deals—Focus paying $7 million for world rights to the Jason Bateman-directed comedy Bad Words, and The Weinstein Company paying $7 million and $20 million in P&A for U.S. rights to the John Carney-directed Can A Song Save Your Life?
Dare I say that Toronto was the first seller’s market in as long as I can remember? I asked the top agents at the three most prolific deal making agencies if that was true. None of them were cocky enough to use the “S” word, but all three of them said they expect to clear their considerable inventories by the end of next week. Even if nothing got done until the time everyone but insomniacs are asleep.
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Mike Fleming Jr broke this news from Toronto last week that Magnolia was finalizing a seven-figure deal for Ti West’s contemporary found-footage thriller that played in the Vanguard sidebar. Now Magnolia says the pic will go out through its genre distribution label Magnet Releasing sometime in 2014. The release: Read More »
WestEnd Films Seals Multiple Deals For Nicolas Cage Drama ‘Joe’
International sales company WestEnd Films has closed a raft of deals on David Gordon Green’s drama Joe, starring Nicolas Cage and Tye Sheridan. The film debuted in Venice, where Sheridan won the best newcomer prize. The Worldview Entertainment-produced and -financed film then appeared in Toronto, where deals were sealed with Japan (CCC), Australia (Madman), Benelux (Cinéart) and Scandinavia (Non Stop). Artificial Eye picked it up in the UK, and the film had previously sold to 15 territories include France (Wild Side), Germany (Koch Media), Latin America (Swen), China (Media Asia), Israel (United King), and Greece (Spentzos Films). CAA is repping the North America rights, with Lionsgate/Roadside Attractions and Magnolia Pictures being the front-runners as of Friday.
Vodafone Set To Acquire Germany’s Kabel Deutschland For $10.2B
Shareholders of Kabel Deutschland — Germany’s largest cable company — voted Friday to accept Vodafone’s buyout offer of €87 ($115.70) a share, which includes a €2.50 dividend payment. Vodafone, Germany’s top mobile network with 32 million subscribers, said the required 75% minimum of Kabel investors had been met. The deal, which gives Vodafone 7.6 million cable subs, continues its strategy of offsetting declining revenue by selling mobile phone subscriptions alongside TV, landline and broadband services. Reuters reported Friday that three hedge funds that tendered shares enabling Vodafone’s successful Kabel bid plan to sue for a better price for their outstanding holdings.
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EXCLUSIVE: Ti West wrote and directed The Sacrament, the contemporary found-footage thriller that world premiered at Venice before showing at Toronto over the weekend in the fest’s Vanguard section. Magnolia Pictures, which lost on an … Read More »
The David Gordon Green-directed Joe is drawing a crowd. Lionsgate/Roadside Attractions has been the frontrunner all day in an auction held by CAA, with Magnolia and Sony Pictures Classics among those in the hunt. Right now, it’s between Lionsgate/Roadside … Read More »