BOMBS AWAY! ‘Battleship’ Sinks To $25M Torpedoed By Still Strong ‘Avengers’; Lame ‘What To Expect’ Behind Limp ‘The Dictator’

By NIKKI FINKE | Saturday May 19, 2012 @ 9:31pm PDT

SATURDAY 9:30 PM, 6TH UPDATE: These Friday, Saturday, and weekend numbers for North America from my sources are way worse than anyone expected. Every film tanked except Marvel’s The Avengers which keeps sucking all the air out of the box office for the 3rd straight weekend. Demonstrating just how disastrous the new movies opened, audiences gave Universal’s Battleship only a ‘B’ CinemaScore, Lionsgate’s What To Expect When You’re Expecting a ‘B-’, and Paramount’s The Dictator a ‘C’. And yet none of the affected studio moguls expect to lose their jobs. At Universal, Peter Berg’s military vs aliens actioner did only John Carter-low grosses (which is why the star of both pics, Taylor Kitsch, will be asking “You want fries with that?” very shortly). But Battleship already made $230M internationally, thus mitigating its $209+ budget and advance bad buzz in North America. At Paramount, Sacha Baron Cohen’s Middle East spoof also is showing modest strength overseas to mitigate its much smaller $65M-$70M cost. And at Lionsgate, a financial partner put its production exposure under $30M which was cut almost in half by international presales for the high-profile cast including J-Lo and Cameron Diaz. ”Our risk on the film is therefore very low,” the studio boasted to me. Which just goes to show that creating crap rejected by domestic audiences comes with few consequences for those in charge — unless you’re at Disney where John Carter made one head roll. Meanwhile, Marvel’s The Avengers will become the highest grossing domestic release in Disney’s history. Joss Whedon’s superhero assembly is already the studio’s highest grossing film of all time globally, and will pass the $450M mark this weekend. It is currently the #6 film of all time globally, the #10 film of all time domestically, and the #9 film of all time internationally (not adjusted for higher ticket prices, premium 3D sales, or inflation). The latest foreign gross is $682.6M and domestic $460M for a global cume of $1.142.6M. Overall moviegoing this weekend is looking like $140M, which is -12% from last year.

Here’s the Top Ten (ranked by Friday grosses):

1. Marvel’s The Avengers (Disney) Week 3 [4,349 Runs] PG13
Friday $15.3M, Saturday $24M, Weekend $56.5M, Cume $450.0M

2. Battleship (Universal) NEW [3,690 Runs] PG13
Friday $9.0M, Saturday $9.7M, Weekend $25.0M

3. The Dictator (Paramount) NEW-Wed [3,008 Runs] R
Friday $5.7M, Saturda $6.7M, Weekend $17.0M, Cume $24.0M

4. Dark Shadows (Warner Bros) Week 2 [3,755 Runs] PG13
Friday $3.7M, Saturday $5.1M, Weekend $12.5M (-58%), Cume $50.7M

5. What To Expect When You’re Expecting (Lionsg) NEW [3,021 Runs] PG13
Friday $3.8M, Saturday $4.1M, Weekend $10.3M

6. Best Exotic Marigold Hotel (Fox Searchlight) Week 3 [354 Runs] PG13
Friday $872K, Saturday $1.4M, Weekend $3.5M, Cume $8.5M

7. The Hunger Games (Lionsgate) Week 9 [2,064 Runs]
Friday $820K, Saturday $1.3M, Weekend $2.8M, Cume $391.4M

8. Think Like A Man (Screen Gems/Sony) Week 5 [1,722 Runs] PG13
Friday $800K, Saturday $1.2M, Weekend $2.7M, Cume $85.9M

9. The Lucky One (Warner Bros) Week 5 [2,055 Runs] PG13
Friday $585K, Saturday $750K, Weekend $1.7M, Cume $56.9M

10. Pirates! Band Of Misfits (Aardman/Sony) Week 4 [1,840 Runs] PG
Friday $340K, Saturday $700K, Weekend $1.6M, Cume $25.5M

FRIDAY 6:15 PM, 3RD UPDATE: Paramount claims that The Dictator will finish the domestic weekend with $15M and Lionsgate’s What To Expect When You’re Expecting with $12M. That’s still incredibly disappointing for both films. But at least Sacha Baron Cohen’s Middle East spoof is showing modest strength overseas: the international cume for Wednesday and Thursday is $10.1M from 17 territories. ”We are either a confirmed or projected #1 in all territories, with the exception of Denmark,” the studio emails me. Paramount is projecting a $30M hail from 29 territories this weekend for a global cume of $45M. And the pic cost between $65M and $70M depending on whom I believe.

FRIDAY 4:30 PM, 2ND UPDATE: My sources don’t see any dramatic upticks in early numbers – yet. What a disaster at the North American box office this early summer weekend with everything from today and a week ago tanking except for Marvel’s The Avengers which should make another $55M. Universal’s Battleship is stuck at $9M-$11M today and $30M (which is around the same meager amount where Warner Bros’ Dark Shadows debuted last weekend and is on life support now). Paramount’s The Dictator which opened weakly Wednesday is completely falling apart even for an ‘R’ rated movie with just $12M. And Lionsgate’s What To Expect When You’re Expecting is beating it with $15M. Hollywood is in a very dark mood today — and I’m finding that the movie moguls are not appreciating my humor when I ask, “Are your bags packed?”

FRIDAY 7:45 AM: Universal’s Battleship is “certain to be soft,” according to my studio sources. ‘There’s no indication it’s going to break out and do huge numbers.” It opened with only $420K midnights from 1,074 theaters: that’s weaker than Warner Bros’ underperforming Dark Shadows last weekend and even Disney’s notorious 2012 bomb John Carter. Universal cautions that “both of those films have a bigger ‘geek base’” whereas the strength of Peter Berg’s military vs aliens actioner is “that it’s the anti-geek, anti-midnight movie of all time”. What does this mean? That the studio is hoping the patriotic pic does well in flyover country. It already has made $220M internationally, thus mitigating its $209+ budget and advance bad buzz in North America where Marvel’s mega-juggernaut The Avengers from Disney is still sucking all the air out of the box office. Meanwhile, Paramount’s The Dictator from Sacha Baron Cohen continues not to rule box office: it made only $2.8M Thursday after opening weak on Wednesday for a 2-day total of $7M. Now Baron Cohen’s Middle East spoof may not even be the #1 comedy in the marketplace this weekend: the latest news is that Lionsgate says it’s What To Expect When You’re Expecting romantic comedy which wasn’t tracking suddenly ticked up Thursday. “We got a nice bump which could put us ahead of The Dictator for the three-day weekend and hopefully put our weekend into the high teens,” an exec tells me. ”Our P&A spend and production costs are even less than The Dictator – and our cast made it to the Oscars without offending AMPAS. Ha.”

Marvel’s The Avengers on Thursday set a new domestic speed record, reaching the $400M box office threshold in 14 days. Worldwide, it has passed Toy Story 3 and Pirates of the Caribbean: Dead Man’s Chest to become the #6 highest-grossing film of all time and the highest grossing Disney release ever. Internationally it is the #9 highest-grossing film of all time. So The Avengers’ cumulative performance to date consists of international box office $668.7M and domestic $402M for a global total of $1,070.7M. Additional highlights to date include: fastest film to reach $350M (10 days), $300M (9 days), $250M (6 days), $200M (3 days), $150M (3 days) and $100M (2 days) at domestic box office; Disney’s fifth release to cross the billion dollar global box office threshold; biggest domestic opening of all time ($207.4M); biggest domestic second weekend of all time ($103M); highest-grossing domestic film of 2012, passing The Hunger Games in just 12 days of release; the 12th highest grossing domestic release of all-time; highest domestic Saturday tally ($69.5M); highest domestic Sunday tally ($57M); second-highest domestic single-day tally ($80.8M).

WEDNESDAY PM/THURSDAY AM: From parading a camel down the Dictator Box OfficeCannes’ Croissette this week, to humiliating Ryan Seacrest on the Oscars’ Red Carpet last February, Sacha Baron Cohen hasn’t missed an opportunity to hype his latest character, Admiral General Aladeen. But it looks like his many publicity stunts for Paramount’s The Dictator worked better overseas than domestic. My sources say the R-rated spoof about a fictional Middle Eastern tyrant opened with just $4.5 million from 3,003 North American theaters on Wednesday, much weaker than the $5M to $6.5M that rival studios predicted the laugher would earn. Plus, audiences only gave it a ‘C’ CinemaScore which may adversely affect the pic’s word of mouth this weekend. Like all the major early summer movies, Baron Cohen’s film has an uphill battle because that mega 3D juggernaut Marvel’s The Avengers (4,000+ theaters) from Disney keeps sucking the air out of the worldwide box office now that it has grossed $1B+. It’s still expected to be the #1 North American film for the third straight weekend, also swamping Universal’s Battleship (3,750 theaters) which is finally opening Friday in the U.S. and Canada after making $215.3M internationally over the past month. (Glub…  Glub… Glub…) Avengers currently stands as the #9 film of all time globally, and the 13th highest grossing domestic release of all time (not adjusted for higher ticket prices or premium 3D or inflation). The film also just became the highest domestic grossing film of 2012, passing Lionsgate’s The Hunger Games in just 12 days of release. ”It’s an uphill battle here,” a Paramount exec admitted to me Wednesday. “But internatonally it’s ahead of the U.S. tracking, especially in Australia and the UK. The publicity does feel like it’s paying off overseas, especially that Oscar stunt which got huge pickup.”

Dictator Box OfficeInternationally, The Dictator opened #1 in Australia on Wednesday with $710K ahead of $350K for Avengers which is already entering its 3rd week of release down under.  ”We had a very good start  in Australia,” a Paramount exec gushed to me, noting that The Dictator’s debut was better than Bridesmaids‘ and Dark Shadows‘ there. Also opening on Wednesday were Germany and UK. In all, 29 overseas markets open this weekend. International tracking also has been stronger overseas than Baron Cohen’s two other starring vehicles: Borat did $128M domestic and $133M foreign, while Bruno did $60M and $80M foreign. “This film figures to be somewhere between those two on a global basis,” a Paramount exec emailed me.

Still, you have to wonder whether the disappointment in the abhorrent Bruno of Baron Cohen’s fans who loved the crassly hilarious Borat may hurt The Dictator‘s chances. So it may gross only low- to mid-$20sM for its five days in the U.S. and Canada. The good news for Paramount is that Baron Cohen’s film cost only $65M-$70M which is cheap for a summer tentpole. (Batttleship cost $209+M, and Dark Shadows $150+M…) The bad news is that the studio gave away between 25% to 30% to gross participants — primarily to Baron Cohen. ”Honestly, it’s just impossible to know right now,” admits a rival studio exec. “His movies never really track, so it’s hard to use that as a guide. But it doesn’t feel like it’s working to me, so we’ll see. Also, the way Bruno dropped from Friday to Saturday suggests we’ll see this very frontloaded regardless.” To be fair, the pic’s box office could conceivably pick up this weekend, especially because no other major comedy has momentum in the marketplace. Lionsgate’s What To Expect When You’re Expecting has been on life support tracking-wise even though it’s opening Friday in 3,021 theaters. Then again rom-coms are having a tough time of it lately… Fuller analysis in the morning.

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How Pixar Almost Lost ‘Toy Story 2′ Before Its Release: Video

By THE DEADLINE TEAM | Saturday May 19, 2012 @ 8:44pm PDT

A tipster alerted us to this entertaining video about a crisis at Pixar awhile back. It’s a simply drawn but eloquent (it is Pixar, after all) cautionary tale about the perils of digital movie-making and the importance of backups.

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‘Lawless’ Premieres As The Weinstein Company Hijacks The Cannes Red Carpet

Pete Hammond

It took just four days into the 65th Cannes Film Festival but The Weinstein Company officially took over Saturday scoring both of the key night’s premiere slots at the Grand Theatre Lumiere in the Official Selection and both from Australian directors. With their August 29th release, Lawless getting the 7PM spot, Harvey Weinstein had to immediately turn around and walk back up the red-carpeted stairs for the 10PM screening of his latest pickup, Wayne Blair’s out-of-competition aboriginal soul musical, The Sapphires. Has any other other distributor ever scored this kind of double feature on the same night in Cannes? Doubtful. But with two movies how do you juggle the obligatory after-party scene? In this case, split them up. Lawless celebrated its Cannes debut partying after its screening Saturday, while Sapphires is having official press screenings plus a special showing at the Olympia theatre followed by a party at J.W. Marriott on the Croisette Sunday night. I’ll catch that one then, but I started the day off with Lawless at the 8:30AM press screening this morning and what a bloody, violent, but undeniably entertaining way to start my day than with this testosterone-driven, blood-soaked gangster flick set in prohibition-era Virginia and focusing on the turf wars in bootleger country. One of five American films in competition, its key cast showed on the red carpet (and earlier met with the press) including Tom Hardy, Shia LaBeouf, Jason … Read More »

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Cannes Roundup: ‘Romeo And Juliet’, $150M Indie Equity Fund, ‘Crooked Arrows’

Romeo And Juliet
Swarovski Entertainment, the film production arm of the 117-year-old jewelry company that gave sparkle to Dorothy’s ruby red slippers, is in Cannes talking up its debut feature. Romeo And Juliet, from a script by Downton Abbey creator Julian Fellowes, stars Hailee Steinfeld, Douglas Booth, Ed Westwick, Paul Giamatti, Natascha McElhone, Stellan Skarsgard and Damian Lewis. Shooting recently wrapped on the Carlo Carlei-directed film for which Camela Galano’s Speranza 13 Media is selling foreign rights and UTA and ICM are co-repping domestic. Ileen Maisel and Lawrence Elman of Amber Entertainment are producers. The film is a classic adaptation and Fellowes assures Deadline he was not attempting to one-up the Bard by writing a transfer. “It wasn’t improving, it was clarifying and creating links for the audience,” he says. Swarovski Entertainment chairman and first-time exec producer Nadja Swarovski says the experience served as a “palette wetter” and that she’s eager to make more films, possibly with longtime friend Fellowes.

Partners Announce $150 Million Indie Fund
Financier and production company Angel World Entertainment and independent global merchant bank First Wall Street announced they have set up a $150M equity fund dedicated to financing quality independent productions. Fund was created to bridge the gap between producers and investors and support each with an uncomplicated structure allowing for a timely, single source of funding. AWE seeks to provide investors a lower risk and more transparent model for independent film, selecting projects with strong scripts, bankable cast and realistic budgets. AWE funds 100%, allowing the equity investor to sit in the first position, minimizing its risk by securing against all of the film’s assets including foreign sales, tax credits, minimum guarantees and intellectual property rights until the investor has fully recouped its money. Read More »

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Duncan Jones Plans Ian Fleming Biopic

By THE DEADLINE TEAM | Saturday May 19, 2012 @ 5:14pm PDT

British helmer Duncan Jones is tapped to direct a biopic based on Ian Fleming, author of the James Bond books that launched one of the longest-running and most profitable movie franchises. Fleming gained first-hand knowledge of his subject matter working for British Naval Intelligence during World War II. Masterminding real operations inspired him to create Agent 007. News about the project emerged in Cannes and on Jones’ fan-blog site and Twitter feed. His previous projects were Source Code and Moon. Casting is underway. Matthew Brown’s screenplay is based on the biography Ian Fleming, The Man Behind James Bond by Andrew Lycett. Jones’ movie, which is said to have the support of the Fleming estate, is expected to go into production later this year. K5 Film (Oliver Simon and Daniel Baur), PalmStar Media Capital’s Kevin Frakes and Liberty Films’ Stuart Fenegan will produce the film in association with Jim Young and Robert Laycock of the Fleming estate. K5 International will handle worldwide rights. Status of an Ian Fleming project set up at Leonardo DiCaprio’s Appian Way is unclear.

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RATINGS RAT RACE: NBC’s ‘Grimm’ Receives A Happy Season Ending

By DOMINIC PATTEN | Saturday May 19, 2012 @ 12:13pm PDT

Friday was a good night to be Grimm on NBC. The 9 PM season finale of Grimm (1.6/5) was up 33% from last week. The end of season one of the fantasy drama drew 5.3 million viewers, winning the night among Adults 18-49. Grimm both tied its highest 18-49 demo rating and its highest overall audience since January 20. Over on ABC, at 8 PM the season finale of Shark Tank (1.5/6) was down from last week’s 1.7. The entrepreneur reality show, recently picked up for a full 22 episodes next season, had 5.53 million overall viewers. Grimm’s 8 PM Who Do You Think You Are? (1.0/4) lead-in was up over last week. The genealogical series tied with its highest 18-49 rating since March 2 and its biggest overall audience since March 23 with 5.54 million viewers. 10 PM’s Dateline NBC (1.1/4) was down from last week’s 1.2. ABC’s 9 PM Primetime: What Would You Do? (1.2/4) and 20/20 (1.2/4) were both down from last week. With back to back finales of Nikita (0.4/2) and Supernatural (0.6/2), the CW held reasonably steady. Nikita was even with last week’s show with 1.47 million overall viewers in its 8 PM slot. Supernatural, which is moving to Wednesdays next season, was down from last week’s 0.7. CBS aired repeats of Undercover Boss (0.8/), CSI:NY (0.8/3) and Blue Bloods (0.8/3). Fox went all out on Kitchen Nightmare (0.8/3) from … Read More »

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Sandra Bullock & Melissa McCarthy Play Cop With Paul Feig

By DOMINIC PATTEN | Saturday May 19, 2012 @ 11:52am PDT

Sandra Bullock and Melissa McCarthy are going to be packing heat. The duo have signed up to do a cop buddy movie. Bridesmaids Paul Feig will direct the as yet untitled project. Katie Dippold of Parks and Recreation acclaim is writing the screenplay. The movie details the strained working relationship between an uptight FBI agent, played by Oscar winner Bullock, and an unconventional Boston cop, played by Oscar nominee McCarthy. The movie is bit of a reunion for Feig and McCarthy, who worked together on 2011 comedy hit Bridesmaids. Feig will executive produce. Peter Chernin, Jenno Topping and Dylan Clark will produce the Fox distributed film. Dippold is repped by WME. Feig, McCarthy and Bullock are all repped by CAA.

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Cassian Elwes Preps Herzog’s ‘Queen Of The Desert’; Weinstein Selling ‘Bodies’

EXCLUSIVE: Wind and rain have been sweeping the Croisette but Cassian Elwes says, “I feel like I’m on fire.” The former WMA head of independent film who’s now producing and packaging indies has skin in the game in Cannes with Lawless, which he exec produced and which screens tonight in competition And, he produced Lee Daniels’ much-buzzed The Cassian ElwesPaperboy which premieres next week. Elwes will screen it for select buyers on Tuesday. Elwes also tells me foreign sales are starting on Ain’t Them Bodies Saints via The Weinstein Co. David Lowery is writing and directing the contemporary Bonnie And Clyde-esque picture with Rooney Mara, Ben Foster and Casey Affleck attached. James Johnston, Toby Halbrooks, Amy Kaufman, Lars Knudsen, Jay Van Hoy and Elwes are producing.

Working with Werner Herzog for the first time, Elwes is also prepping Queen Of The Desert. The picture, he says, is like Lawrence Of Arabia but with a woman. It’s based on Gertrude Bell, the English writer, archaeologist and cartographer who mapped Iraq and Jordan in the early 1900s. Naomi Watts is attached. Shooting on Queen Of The Desert is expected to begin in the fall. Elwes is producing with Nick Raslan. Elwes, who recently teamed with Evolution Entertainment principal Mark Burg to launch Evolution Independent, made 7 movies last year. He expects to do 8 this year. “I’m totally driven,” he says, “I’m … Read More »

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Millennium Films, West Coast Film Partners Enter $100M Co-Finance Pact

CANNES (May 19, 2012) — Millennium Films has signed a $100 million co-financing/co-production agreement with West Coast Film Partners. The agreement runs for three years and calls for the parties to co-finance two to three wide-release feature films per year.

The first movie West Coast will co-finance and co-produce is “White House Taken,” directed by Antoine Fuqua and starring Gerard Butler. It’s an action movie about a U.S. Secret Service agent who has fallen from grace – until the White House is attacked and taken over by a team of North Koreans armed with extraordinary technology. Everything the Pentagon throws at the problem fails. But our hero knows the building like nobody else, and is the last chance we have to save, not only the President, but the entire country.

The deal was put together by Millennium President Mark Gill and West Coast CEO Klay Shroedel.

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Abu Dhabi Unveils 30% Production Rebate

By THE DEADLINE TEAM | Saturday May 19, 2012 @ 9:22am PDT

Abu Dhabi media and production creative industries hub twofour54 and the Abu Dhabi Film Commission have initiated a production incentive in the form of a rebate of up to 30% for qualified spending in the Emirate of Abu Dhabi. Available starting September 1, the incentive will cover feature films, TV, documentary, advertising and music video production. Qualifying production spending includes goods and services sourced from Abu Dhabi and for relevant expenditures on location or studio filming and post-production, according to today’s announcement in Cannes by twofour54 and the ADFC. The incentive also covers costs for the contracting of any UAE registered crew and services for activities in Abu Dhabi. Temporary accommodation costs in Abu Dhabi, as well as airline tickets and freight booked on Etihad Airways, will also qualify for the rebate. The announcement cited Universal’s upcoming The Bourne Legacy as one of the productions that used Abu Dhabi.

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Garrett Hedlund, Jessica Brown Findlay, Amy Adams Among ‘Lullaby’ Ensemble

Fine artist Andrew Levitas will make his feature directing debut with Lullaby, the ensemble drama that’s now cast Garrett Hedlund, Richard Jenkins, Jessica Brown Findlay, Jennifer Hudson, Terrence Howard and Amy Adams. Andrea Stone-Brokaw of Ananta Productions and Cary Brokaw of Avenue Pictures are producing.

The story begins when Hedlund’s character receives word that his estranged father (Jenkins) has decided to take himself off life support in less than 48 hours. Levitas wrote the script and will start shooting in June in New York.

Radiant Films is selling foreign rights. The producers are in discussions with several domestic distribs to license North America. Media House Capital and Three Point Capital are co-financing the film. Aaron L. Gilbert is an Executive Producer and Patrick Murray is a co-Executive Producer.

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Simon Pegg On A ‘Search For Happiness’

Simon Pegg will star in Peter Chelsom’s Hector And The Search For Happiness. Chelsom and Tinker Lindsay adapted the novel by Francis Lelord about an eccentric London psychiatrist who sets out on a global quest when his patients stop getting happier.

Chelsom, whose last two films were Hannah Montana: The Movie and Shall We Dance, said, “I’ve been searching long and hard for a film that would bring me back to my European sensibilities. Not unlike Being There and Forrest Gump, Hector is a contemporary love story, a fable wrapped around a very human hero’s journey. Nobody does the innocent abroad better than Simon Pegg: he is not only a brilliant comedian but a very touching actor. He is the Hector that you want to follow to the ends of the earth.”

The Solution is handling worldwide rights to the German/Canadian co-production from Egoli Tossell Film and Screen Siren Pictures.

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Dan Harmon Reacts To His Dismissal As ‘Community’ Showrunner

By NELLIE ANDREEVA | Saturday May 19, 2012 @ 7:47am PDT
Nellie Andreeva

Shortly after news broke that he will be replaced as showrunner on his NBC comedy Community by David Guarascio and Moses Port while he was becoming executive consultant, Dan Harmon took to his blog to clarify the circumstances around the switch. In brief: he says he was fired and doesn’t mince words about his employers. Here is his post:

HEY, DID I MISS ANYTHING?

Kids:

A few hours ago, I landed in Los Angeles, turned on my phone, and confirmed what you already know.  Sony Pictures Television is replacing me as showrunner on Community, with two seasoned fellows that I’m sure are quite nice – actually, I have it on good authority they’re quite nice, because they once created a show and cast my good friend Jeff Davis on it, so how bad can they be.

Related: David Guarascio And Moses Port To Run ‘Community’, Replacing Creator Dan Harmon

Why’d Sony want me gone?  I can’t answer that because I’ve been in as much contact with them as you have.  They literally haven’t called me since the season four pickup, so their reasons for replacing me are clearly none of my business.  Community is their property, I only own ten percent of it, and I kind of don’t want to hear what their complaints are because I’m sure it would hurt my feelings even more now that I’d be listening for free.

I do want to correct a couple points of spin, now that I’m free to do so:

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Liev Schreiber, Olivia Williams To Spend ‘Last Days On Mars’: Cannes

LONDON (May 18, 2012) – Principal photography has begun on LAST DAYS ON MARS starring Liev Schreiber (Salt, X-Men Origins: Wolverine) alongside Olivia Williams (The Ghost Writer, An Education), Romola Garai (One Day, Atonement), Elias Koteas (Shutter Island, Crash), Tom Cullen (Weekend), Goran Kostic (In the Land of Blood and Honey, Taken) and Johnny Harris (Snow White and the Huntsman, This is England 86).

Filming will take place in Jordan and at Elstree Studios in the UK. Universal Pictures will release the film in the UK while Focus Features International is handling sales and distribution for all other territories and is currently selling the film at the Cannes market.

Directed by Academy Award Nominee Ruairi Robinson (Fifty Percent Grey), LAST DAYS ON MARS is based on a short story by Sydney J. Bounds and adapted by Clive Dawson. The film is produced by Michael Kuhn (The Duchess) and Andrea Cornwell (The Scouting Book for Boys).

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Colin Firth Taking His Act To Vegas As Noel Coward In ‘Mad Dogs And Englishmen’

Colin Firth will play Noel Coward in BiteSize Entertainment‘s upcoming feature Mad Dogs And Englishmen. Gene Kirkwood and Ross Elliot, who are folding their Kirkwood-Elliot banner into new venture Bitesize, are producing. The film is based on the true story of the legendary playwright, actor and composer’s run at the Desert Inn in 1955. Kirkwood tells Deadline the screenplay, by Willy Holtzman, sees the quintessential Englishman invited to perform a cabaret act in the Inn after Liberace takes a spill and has to cancel. Owing the UK government a fair bit in taxes, Coward accepts the $30,000 offer. The story chronicles the two-week engagement and Coward’s relationship with his agent and the piano teacher who becomes his accompaniest. Firth is repped by CAA.

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Hot Trailer: ‘Hyde Park On The Hudson’

Bill Murray as FDR! Need we say more? Focus Features put up the theatrical trailer for Hyde Park On The Hudson, which depicts England’s King George VI spending a weekend at President Roosevelt’s estate in upstate New York. Directed by Roger Michell from Richard Nelson’s script, it also stars Olivia Williams as Eleanor Roosevelt, Laura Linney as Margaret Stuckey plus Samuel West and Oliva Colman as the king and queen.

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Cannes Roundup: ‘Bone In The Throat’, Francis Coppola’s ‘Twixt’, ‘Canterville Ghost’

Bone In The Throat, Closer To Fine, Spy Vs. Stu
LA-based Dignity Film Finance president Maggie Monteith has three films the company is financing and producing this year. Titles in active development areBone In The Throat, an adaptation of Anthony Bourdain’s bestselling novel produced by Lenny Beckerman and Peter Heslop (The King’s Speech) and directed by commericials helmer Graham Henman, marking his feature debut. Henman is co-writing the adaptation with Mark Townend. Also in the works is the romantic comedy Closer To Fine to be directed by Joshua Michael Stern (Swing Vote) who also scripted. Scott LaStaiti is producing. Stern is currently in preproduction on the recently announced biopic about Steve Jobs with Ashton Kutcher. Third project is Spy Vs. Stu, an action comedy to be directed by Hervé Renoh (Coursier). Screenplay was written by Allie Dvorin & Keith Mitchell and Gren Wells. Dignity also recently completed Theatre Of Dreams, directed by David Scheinmann and starring Brian Cox as Sir Matt Busby the legendary Manchester United Football manager. International sales are being handled by Intandem.

Twixt, The Echo
German distributor Pandastorm Pictures has picked up Francis Ford Coppola´s mystery-thriller Twixt from Pathé International and The Echo, from the exec producers of The Ring and QED International. Twixt tells the story of writer Hall Baltimore, the “bargain basement Stephen King”, who arrives in a small town for a book tour and gets caught up in a real murder. Cast includes Val Kilmer, Elle Fanning, Bruce Dern, and Ben Chaplin. In The Echo, an ex-convict (Jesse Bradford) has to live in his dead mother´s apartment as a condition of his parole. Spookiness and danger ensue.
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David Guarascio And Moses Port To Run ‘Community’, Replacing Creator Dan Harmon

By NELLIE ANDREEVA | Friday May 18, 2012 @ 8:00pm PDT
Nellie Andreeva

UPDATE: Dan Harmon Reacts To His Dismissal As ‘Community’ Showrunner

PREVIOUS: Comedy veterans David Guarascio and Moses Port have joined cult comedy series Community as executive producers-showrunners. Creator-executive producer Dan Harmon, who has run the underrated single-camera NBC series for its first three seasons, will be a consulting producer. Community, a modestly-rated series with a big online following and rabid fan base, landed a 13-episode renewal for next season when it will relocate from Thursday to Friday night.

Related: NBC’s Community Renewed With 13-Episode Order

Asked earlier this week whether Harmon will return as showrunner next season, NBC chairman Bob Greenblatt said, “I expect his voice to be part of it.” Greenblatt dismissed the notion that the discussion about Harmon possibly stepping down from day-to-day oversight of the show stems from his ongoing feud with co-star Chevy Chase, saying that there are larger factors beyond that. “Dan’s the creator of the show, so to lose his voice would be pretty crazy,” Community star Joel McHale told TVLine on Monday. “I pray that it works out well.”

Related: ‘Community’ Exec Producers Neil Goldman And Garrett Donovan Sign Deal With 20th TV

The switch at the top is the final piece of a larger behind-the-scenes overhaul on Community, with executive producers Neil Goldman and Garrett Donovan leaving for an overall deal at 20th Century Fox TV and … Read More »

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‘Beasts Of The Southern Wild’ Co-Writer Lucy Alibar Sets Next Gig At Escape Artists

Mike Fleming

RELATED: Fox Searchlight Fetes Sundance Sensation ‘Beasts Of The Southern Wild At Cannes’

EXCLUSIVE: Lucy Alibar, co-writer of Beasts Of The Southern Wild, has closed a deal to write her next screenplay for Escape Artists. It is an original idea that is inspired by Alibar’s play, Christmas and Jubilee Behold the Meteor Shower. Alibar co-wrote Beasts Of The Southern Wild with Behn Zeitlin, which is based on her original play Juicy and Delicious. The film won this year’s Sundance’s Narrative Grand Jury prize. Fox Searchlight acquired the film at that festival and screened it tonight and received a rousing response at the Cannes Film Festival’s Un Certain Regard.

“This is the first time in many years that I have met such a young, unique and fresh voice and we are very excited to be working with Lucy” said Todd Black from Escape Artists.

Alibar is repped by Gersh and Dan Halsted at Manage-ment.

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