Los Angeles – Emmy-winning writer Stan Berkowitz is set to receive the Writers Guild of America, West Animation Writers Caucus’ twelfth annual Animation Writing Award, recognizing his prolific career and creative contributions to the craft of film and television animation writing, as well as his efforts to organize animation on behalf of the Writers Guild.
The AWC’s prestigious lifetime achievement award will be presented to Berkowitz tonight at the AWC’s annual awards ceremony held at WGAW headquarters in Los Angeles.
“While Stan has built an acclaimed writing career bringing superheroes to the screen, he's a real-life superhero to the animation writing community – not only helping to raise the profile of animation writers through his many creative gifts, but also by playing a lead role in the Guild’s ongoing efforts to organize animation writing,” said WGAW President John Wells.
A two-time Daytime Emmy winner (shared for Batman Beyond in 2001 and The New Batman/Superman Adventures in 1998, Outstanding Special Class Animated Program), seven-time Daytime Emmy nominee, and one-time Primetime Emmy nominee, Berkowitz has most recently served as Story Editor for the upcoming animated superhero series, The 99, which was written under a Writers Guild contract.
Berkowitz’s many animated TV writing and/or co-writing credits include Legion of Super Heroes, The Batman, Transformers: Animated, Superman, Spider-Man, Justice League, The New Batman/Superman Adventures, Batman Beyond, Static Shock, Ben 10, The Brave and the Bold, and Friends and Heroes, a WGA-covered animated series for the BBC on which he served as Story Editor for 39 episodes.
Earlier this year, Berkowitz adapted Jeph Loeb and Ed McGuinness’ Superman/Batman: Public Enemies graphic novel into an animated direct-to-DVD feature for Warners Animation, which debuted in September. Berkowitz’s previous adaptation of Darwyn Cooke’s graphic novel, Justice League: The New Frontier, became a best-selling direct-to-DVD animated feature last year.
Berkowitz’s live-action writing and/or co-writing television credits include Dragnet: The 90’s, Power Rangers: Space Patrol Delta, The New Adam 12, Players, Grand Slam, Houston Knights, Mike Hammer, T.J. Hooker, The Adventures of Superboy and Cover Up. His screenwriting credits include Street Corner Justice (Screenplay by Stan Berkowitz & Gary Kent & Chuck Bail, Story by Chuck Bail) and Acapulco Gold (Screenplay by Don Enright & O’Brian Tomalin, Story by David Lees & Stan Berkowitz).
Berkowitz began writing for animated TV programs in 1994, when he worked with the legendary Stan Lee on Spider-Man. Prior to that stint, Berkowitz freelanced as an entertainment journalist for Esquire, People,
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He was 69. He'd been ill for a long time, and was hospitalized several days ago, I'm told. A very controversial figure in Hollywood, Nick Counter served as President of the Alliance of Motion Picture & Television Producers (AMPTP) for 27 years, from its formation in 1982 until his retirement in March of this year. Prior to being named AMPTP President, he served as outside legal counsel for the antecedent Association of Motion Picture & Television Producers for 10 years. As AMPTP President, Counter's primary responsibility was to lead the 80 industry-wide labor negotiations with entertainment industry guilds and unions on behalf of the studios, the broadcast networks, and certain cable networks. In his 27 years as AMPTP President, Counter negotiated more than 300 major guild and union agreements. Warner Bros chief Barry Meyer, considered the lead mogul behind the AMPTP, tonight called Counter "a brilliant negotiator who guided this industry through historic change and never lost his desire to be fair to all involved. We will miss him very much."

Tonight is the 3rd annual “Evening Before Emmys" fundraiser for the Motion Picture & Television Fund. But outside the event in Century City, the grassroots organization "Saving The Lives Of Our Own" held a candlelight vigil to protest the "Evening Before Eviction" -- its moniker for the MPTF closures of the acute- and long-term care facilities. Tonight's protest was expected to include members of SAG, Teamsters Local 399 (one of the leaders, Steve Dayan, is being interviewed photo), AFTRA, the WGA, DGA, IATSE and others. "Saving The Lives Of Our Own" is a grass-roots coalition of entertainment industry workers, long-term care residents, their families, and community members. In weeks leading up to the event, the protest group wrote to the partygoers and said:
Only 2,348 valid ballots were cast, which sounds puny. But this was one of the largest election voter turnouts in WGAW history. Interestingly, outgoing president Patric Verrone, who termed out, received more votes than any of the candidates running. John Wells is the new president (again) after winning with 52.8% of the vote vs Elias Davis' 47.2%; It was Davis ally Tom Schulman 55.5% vs Wells slate member Howard Michael Gould 44.5% for vice president. And current VP and Elias slate member David N. Weiss 53.3% vs Wells ally Christopher Keyser 46.7% for secretary-treasurer. Wells supported all nine board winners while Davis had supported all but two (Ian Deitchman and Steven Schwartz.) (I'll have an analysis on Saturday.)
He died of cancer at his home today. He was 81. He was the screenwriter's screenwriter -- an intelligent role model with ascerbic wit who was also kind but candid. That's a rare combination in Hollywood these days. He was very active in Writers Guild issues, and in fact just recently gave me a support statement for WGAw presidential candidate Elias Davis and his slate of candidates. Gelbart had success on stage, film, and TV. He is best known for works as varied as the big screen hit Tootsie as well as turning Robert Altman's M.A.S.H. into the long running TV series as producer and writer. He also penned the teleplay for HBO's very adept adaptation of the financial book Barbarians At The Gate. He also co-wrote the book for the 1962 Broadway musical “A Funny Thing Happened on the Way to the Forum” which was recently revived on The Great White Way. His writing won a slew of Tony and Emmy awards and Oscar nominations (For Tootsie and Oh, God!). “Laughing Matters,” a collection of Mr. Gelbart’s essays and reminiscences, was published by Random House in 1998. Every now and then, Larry would phone me to complain about this mogul or that. (Harvey Weinstein came in for frequent withering criticism by Gelbart because of problems with their projects.) He never feared what Hollywood's Powers That Be would do to him when he went public with a dispute. Success and self-confidence gave him courage. I adored him for that.
I will not read your fucking script.
