Wednesday, July 23
Warner Bros. TV screens Fringe, the new Fox series from J.J. AbramsThursday, July 24 (more details here)
10:00-11:00 Click & Clack’s As the Wrench Turns
10:00-11:00 75 Years of Doc Savage
10:00-11:00 Kings: Exclusive Sneak Peek Screening and Q&A
10:00-11:00 Fans’ Guide to Comic-Con
10:00-11:00 The Gene Roddenberry Legacy
10:00-11:00 How new media have affected moviemaking
10:30-11:30 Tripwire Annual 2008 and the future of genre fiction.
10:30-11:30 DC Comics Talent Search Orientation
10:30-11:30 Warner Home Video's Tiny Toon Adventures and Freakazoid
10:30-11:30 Noel Neill celebrating her 60th anniversary
10:30-11:30 The Politics of Representing War in Film and Comics
10:30-12:00 Comic Book Law School 101
10:45-11:45 Stan Lee and Grant Morrison Talk Virgin Comics
11:00-12:00 Indies in comics
11:00-12:00 Professional Writing: Threat or Menace?
11:00-12:00 The Comic Art of J. G. Jones
11:00-12:00 LGBT Portrayals in Comics
11:00-12:00 The Disney Animation Story Process
11:15-12:15 30th Anniversary Battlestar Galactica Panel
11:30-12:30 Spotlight on Neil Googe
11:30-12:30 From the K Chronicles to The Knight Life: Keith Knight
11:30-12:30 SPORE: One-on-One with Will Wright
11:30-12:30 Hasbro: GI Joe, the summer 2009 blockbuster movie release
11:30-1:00 Comics Arts Conference Session #2: Comics Pedagogy
11:30-1:00 20th Century Fox: The Day The Earth Stood Still and Max Payne
11:45-12:45 Knight Rider: First Look at the New Series and Q&A
12:00-1:00 Sideshow Collectibles
12:00-1:00 The New Yu-Gi-Oh! 5D’s: English-Language World Premiere
12:00-1:00 Spotlight on Paul Gulacy
12:00-1:00 How Not to Break into Comics
12:00-1:00 Doctor Who
12:00-1:00 Comics Experience: How to Build a Comic Book Art Portfolio
12:00-1:00 Classics Illustrated
12:30-1:30 Spotlight on Eddie Campbell
12:30-1:15 Humor in Science Fiction
12:30-1:30 DC: Superman: Man of Tomorrow
12:30-1:30 William Katt: Greatest American Hero Comic
1:00-2:00 Spotlight on Steve Purcell
1:00-2:00 Modern Masters: Live
1:00-2:00 Activision with Stan Lee
1:00-2:00 Mark and Sergio
1:00-2:00 Bongo Comics
1:00-2:00 Torchwood
1:00-2:00 Comics and the Law
1:00-2:00 Hi-Fi Coloring Workshop
1:00-2:00 The Future of the Comics Pamphlet
1:15-2:00 How to Tell a Story
1:15-2:45 Summit Entertainment: Push/Knowing/Twilight
1:30-2:30 Conan Comics and Beyond
1:30-3:00 Artemis Fowl
1:45-2:45 Marvel: X-Men
2:00-3:00 Science Fiction That Will Change Your Life
2:00-3:00 Spotlight on Signe Wilkinson
2:00-3:00 The Middleman
2:00-3:00 Red Sonja: One-on-One
2:00-3:00 Spotlight on Todd Klein
2:00-3:00 Spotlight on Jim Woodring: Please Stand By
2:00-3:30 Comics Arts Conference Session #4: Superman’s 70th Anniversary
2:00-3:30 Animation on a $hoestring
2:00-3:00 Clickwheel: On-Demand Digital Comics for iPod and iPhone
2:15-3:15 Halo Wars and the Halo Universe
2:15-3:15 Anchor Bay: Jack Brooks Monster Slayer Artists Panel
2:30-3:30 Dumbrella
3:00-4:00 Spotlight on Bill Willingham
3:00-4:00 Comic-Con Talkback 1
3:00-4:00 DVD/Blu-ray Producers 2008
3:00-4:00 Wizard’s First Rule
3:00-4:00 Spotlight on Ed Brubaker
3:00-4:00 TwoMorrows Publishing Today
3:00-4:00 How to Break into Comics: Freddie E. Williams II
3:00-4:00 Disney: Race to Witch Mountain
3:15-4:15 Capcom: The Making of Street Fighter IV
3:30-4:30 Manga: Lost in Translation
3:30-4:30 Entertainment Weekly’s The Visionaries: Comic Creators
3:30-5:00 Golden and Silver Age of Comics
3:30-4:30 Quantum Quest
3:30-4:30 Bat-Manga! Chip Kidd and the Secret History of Batman in Japan
3:30-5:00 Resin Casting and Silicone Mold-Making
4:00-5:00 Dark Horse Horror
4:00-5:00 TV Costume Designers
4:00-5:00 Superhero Superfiction
4:00-5:00 The World of Dabel Brothers Publishing
4:00-5:00 Minx: Your Life in Pictures
4:00-5:00 Star Trek Without a Blueprint
4:15-5:15 Afro Samurai: Resurrection Exclusive Worldwide Premiere
4:15-5:15 Lionsgate/Marvel: Hulk vs. Wolverine
4:30-5:30 Episodic Games: Rewriting the Adventure Genre
4:30-5:30 HBO’s True Blood
4:30-5:30 UClick: Mobile Comics
4:45-5:45 Marvel: Mondo Marvel
4:45-5:45 "SCREAM" Like a Girl
5:00-6:00 The Making of the Vertigo Encyclopedia
5:00-6:00 Bandai Entertainment’s Anime Invasion
5:00-6:00 The Pitching Hour
5:00-6:00 Spotlight on Floyd Norman
5:00-6:00 Looking at Our World: Eye on the Past
5:00-6:00 Spotlight on Mike W. Barr
5:00-6:00 Comics Experience: How to Write a Pitch
5:00-6:00 The Third Annual Comics Podcasting Panel
5:30-6:30 Action Figure Times Toymaker Q&A
5:30-6:30 The Science Behind Science Fiction
5:30-6:30 Language Arts and Cross Curriculum Comics Seminar
5:30-6:30 Dark Castle: RocknRolla
5:45-6:45 Showtime: Dexter
6:00-7:00 Life, Death, Life of Star Trek
6:00-7:00 The Secret History of Manga in the U.S.
6:00-7:00 Spotlight on Frank Beddor
6:00-7:00 DC Nation— DC Senior VP/executive editor Dan DiDio hosts
6:00-7:00 Bill Plympton’s Idiots and Angels
6:00-7:00 Devil’s Due Presents: Hack/Slash and Beyond
6:00-7:00 Random House Publishing
6:00-7:30 From Fan to Creator: Goal Setting for Creative Types
6:00-7:00 The Comics Blogosphere
6:30-7:30 So You Want to Do a Graphic Novel
6:30-7:30 Adventures in Game Development
6:45-7:45 Robotech Industry PanelNighttime Programs
7:00-9:00 Summit Entertainment's Sex Drive Screening
7:00-9:00 Comedy Central TV Funhouse with Robert Smigel
7:00-9:00 Will Eisner: Portrait of a Sequential Artist
7:15-8:15 Adventures in Anime
7:30-8:30 Geek Roundtable Live
8:00-8:30 Lionsgate and Marvel: Punisher: War Zone
8:30-9:00 Lionsgate and Twisted Pictures: Saw 5
8:30-10:00 7th Annual Star Wars Fan Movie Challenge Awards
9:00-10:00 Repo! The Genetic Opera First Look
9:00-12:00 10th Annual Superhero Kung-Fu Extravaganza
10:00-12:00 Warner Home Video: Lost Boys The Tribe
Comic-Con Programming: July 23 & 24


Can’t wait for con to arrive here. Should be fun time.
I find it fascinating that Nikki (a women who once ferociously declared “I don’t do Geek”) is posting this here. Obviously, the massive financial success of “comic book” MOVIES has turned Comic Con into a major media event that she MUST cover, whether she wants to or not.(And, indeed, Comic Con is much more about Hollywood than actual printed comicbooks these days). Back in the 1980’s when I was an eager wannabe cartoonist, we all thought the best way to break into the Mainstream was to force comics to “grow up”: to eliminate or transform that silly superhero stuff that was “holding back” Comics from reaching a more adult audience. The result of this attitude was a lot of material which, while often excellent, was at the time considered “transitional”- comics which were really just more sophisticated versions of the superhero/sci-fi/fantasy material that had dominated the medium since the beggining (or at least since the censors had killed off “Crime Comics” in the 1950’s).We all thought WE were the ones that had to grow up and earn a seat at The Big Table with the Adults.Instead, the dreaded GENRE of Superheroes got invited to the party, and the actual ARTFORM of comics was left by the wayside- no longer mocked and reviled, but still basically ignored- except when there’s a possibility of making money, of course.Oh well…
Nikki! You are hastening your own nightmare!
Quote: Nikki Finke (Again!)
It’s surreal for me to see this here. I have been going to the Comic Con since 1975. No that it has become so mainstream, it is not the same. And not as enjoyable as it once was. The Hollywood people buy up all the hotel rooms before anyone else can get one. And the place is so packed it’s like being at Disneyland on Memorial Day.
I’ll be going anyway, but I miss the old days.
Agree with James 100%. The con has all but been lost to Hollywood and it’s almost a chore to go anymore. Hall H — the cavernous room that houses all the “big movie sneaks” — is a joke, as not only does it take a good 15 -20 mins just to get over there, but once there, it’s nothing more than a never ending line of thrill seekers who want to be the next TMZ and have info on the big budget releases. Not only are all the hotels overrun by Hollywood types and forget about finding any restaurant in town any more that isn’t pulling a line of 20 all day long. We used to head donw there Sat morning and still be able to find parking, find a place to eat (anything half a mile away was sort of off the charts back then) and buy a day pas, all by 11 AM. Now, if you don’t reserve a hotel a year in advance, forget it. Gone are the days when actual, true fans of genres (sci-fi, mystery, fantasy, horror, etc) could go to see there fave authors, writers, illustrators and yes, if it was relevant, actors and directors. Getting close to anyone anymore is impossible and it’s a circus with no ringleader. This is one event where Hollywood’s big wallet has truly corrupted the event. Thanks for rubbing salt in the wound, Nikki.
Thousands of “true fans” are going to Comic Con this year, kokitty. Tens of thousands. They just planned ahead is all. Sorry that geek stuff got to be so popular that it ruined your own personal little party. I will be having a blast for all four days and enjoying every single second of it although it will be impossible to see everything I want to.
Those who feel Comic-Con is more about Hollywood than the printed matter may be unaware of our guest list which includes:
Forrest J. Ackerman, Sergio Aragones, Kyle Baker, Ralph Bakshi, Mike W. Barr, Lynda Barry, Frank Beddor, Ray Bradbury, Steve Breen, Max Brooks, Ed Brubaker, Matt Busch, Jim Butcher, Eddie Campbell, Howard Chaykin, Kim Deitch, Mark Evanier, Al Feldstein, Keith Diffen, Neil Googe, Victor Gorelick, Mike Grell, Paul Gulacy, Joe Hill, Bryan Hitch, John Howe, Al Jaffee, Geoff Johns, J.G. Jones, Todd Klein, Dean Koontz, Verne Langdon, Jim Lee, Rutu Modan, Noel Neill, Floyd Norman, Jim Ottaviani, Mike Peters, Wendy Pini, Steve Purcell, Robert J. Sawyer, James Shoop, Jim Starlin, Joe Staton, J. Michael Straczynski, Adrian Tomine, Ethan Van Sciver, James Warren, Jeff Watts, Len Wein, Signe Wilkinson, Bill Willingham, Connie Willis, Jim Woodring, Bernie Wrightson and Dean Yeagle.
And apologies for any misspellings. It’s been a very long week.
There’s something seriously wrong to me about a California lawyer being able to get four credits of continuing legal education by attending the four ‘Comic Book Law School’ sessions of Comic Con apparently run by someone who put together a *comic book* (that is now out of print and potentially out of date) on copyright & trademark law of whom I’ve never heard.
Compare this to South By Southwest… the University of Texas puts on a separate lawyers and professionals conference in a venue SEPARATE FROM where the bands and artists are performing or the convention hall but in Austin, the speakers are all bona fide professionals (they keep their publications current and get the nuances of the law even if they write some of their work with the general public in mind) and you can genuinely professionally network with the conference attendees.
Then later if you want to go see bands all night long like the general public, or go to the films in the festival or ogle the latest stuff at the media/ interactive conference in the Convention Center you can do so to your heart’s content.
I’m with the fans on this…Comic-Con sadly doesn’t belong to them anymore and really it should.