That long-in-the-works article about MGM looks like David Halbfinger's major swan song on the Hollywood beat. I'm told that The New York Times' movie culture editor Lorne Manly was out here last week to finalize Halbfinger's exit from the Los Angeles bureau. NYC sources say Halbfinger will be going to the Metro Desk to report politics. Generally, the feeling is that Halbfinger "never got his footing" covering the movie beat and devoted too much of his time to the Pellicano scandal (with freelancer Allison Hope Weiner). But that dead-ended when all the Hollywood bigwigs escaped prosecution. Also, like Sharon Waxman before him who is also gone, Halbfinger clashed repeatedly with the NYT's veteran showbiz reporter Michael Cieply (who used to have Manly's editing job). And since Cieply and Manly are joined at the hip... Well, bye-bye David, who I hear is thrilled to return to covering politicians instead of moguls.
Besides, with the regular input of David Carr and year-old addition of Brooks Barnes, there were probably too many people at the paper covering Hollywood films, which in the old days used to be adequately reported by a lone correspondent. NYT editors may agree: the word to me is that the newspaper hasn't made up its mine to replace Halbfinger, so don't deluge the editors with those resumes yet. Meanwhile, I bet Brad Grey, who was ignominiously splashed all over the NYT pages during Halbfinger's Pellicano fixation, is a happy man today.
NYT's David Halbfinger Leaves Hollywood


“Never got his footing?”
Per TMZ’s specifications, that Tom Cruise was never carried around on a stick was never the point of the Pellicano trial.
Hollywood is a symbol of America throughout the world. What happens on its streets is just as important and relevant as what happens on the streets of Seattle or Shreveport. The days of Hollywood holding itself as the exception to the rule – LEGALLY – are over.
If Robert Downey, Jr. can adapt to this with his issues you’d think the self-styled and arrogant past-his-due-date Town Elder Bert Fields can.
Fields, Grey, Pellicano, Meyer, Ovitz –
maybe Steven Spielberg doesn’t let facts tell the story but I have the highest regard for any reporter – this includes Nikki Finke – who doggedly pursues a story regardless of the geographical location’s “company town” systems of so-called “players” dictating terms of entrapment and payback.
Not just the NYT or the LAT, this should have been front page news everywhere. Before the dictates of vertical integration amongst conglomerates, as a means of dissecting American culture, as a symbol ALONE, this story would been on the cover of TIME.
Now, more than ever, the importance of fearless newspaper reporting is vital to the national health. Blogs refine the inquiry, make judgment calls as back-up reporting, and sift through the fallout.
Excellent writer, fierce intellect, obviously not for sale.
I wish him well in all he sets his mind at doing. I have no doubt he will succeed.
Pellicano fixation? You have a well-earned rep for being a fearless straight shooter who’s not cowed by the Hollywood powers, but if you don’t think that story of outrageous systemic corruption deserved frequent and probing coverage, perhaps some of us have pegged you wrong. Say it ain’t so, Nikki…
There should not be a dedicated Hollywood reporter at the NYT. This beat, which isn’t really relevant nationally or in New York, has harmed our business by making the business of our business more known than necessary to our customers, in effect deglamorizing it. When the NYT created this beat, and started reporting BO numbers, it started a national trend that we would have all been better off without. It also made execs the stars, starting with Ovitz. Leave this stuff to the locals.