Hot Trailer: ‘Man Of Steel’ 
Former Digital Domain CEO & Auditors Sued For Fraud By … 
Fox Acquires ‘Narc’; Zac Efron Attached To Play … 
ABC’s ‘Nashville’ Undergoes Production … 
CBS Wins Season & Ties Sweep In Demo; ABC Tops Adults … 
Mike Lobell Adds Cast To ‘Eisner,’ Plots … 
Sony Shares Rise On Report That It Will Consider … 
Alki David Agrees To End Name Games With Aereo And Barry … 
Next-Gen Xbox One Unveiled With Content Including … 
UPDATE: Apple CEO Challenged For Moving “Crown … 
ESPN Layoffs Could Reach 400 As Part Of Latest Disney Cuts 
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RATINGS RAT RACE: ‘Dancing With The Stars’ Up … 
Hot Trailer: ‘The Wolverine’ 
Ang Lee Departs FX Pilot ‘Tyrant’ 
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‘Star Trek Into Darkness’ $164.5M Global: Lower … 
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The freewheeling head of FilmOn has to stop using names including Aereokiller and BarryDriller.com for his broadcast streaming service according a settlement overseen by U.S. District Court Judge Audrey Collins. The decision appears to end three lawsuits: Last year IAC chief Barry Diller — a major investor in Aereo — sued David for creating a site called BarryDriller.com. In February, David returned fire, suing Aereo for trademark infringement after he bought the naming rights to a product called Aero. And in March, Aereo sued David for creating a site called Aero.tv. Like Aereo, FilmOn streams programming taken from over-the-air signals — and has also incurred the wrath of broadcasters who say that it violates their copyrights. A New York court has allowed Aereo to expand while it weighs the broadcasters’ challenge. But in December a California court granted a temporary injunction that applies locally against David’s service. Even so, he says that with the trademark settlements FilmOn now “can continue rolling out our service nationwide. We are currently in 45 markets compared to Aereo’s two.” He adds in a statement: “So eat s*it Barry.”
A&E’s ‘Bates Motel’ Rises In Finale
The Season 1 finale of Bates Motel last night on A&E got 2.7 million viewers with 1.5 million among adults 18-49 and 1.4 million among adults 25-54. That’s up 15% in the 18-49 demo from last week’s show and up 8% in total viewers and among Adults 25-54. The finale was down from the show’s March 18 premiere that was the most-watched original drama in the demos in A&E’s history. The debut of the Psycho prequel garnered 3 million total viewers and 1.599 million viewers among adults 18-49 and 1.633 million viewers among adults 25-54. Those numbers made it a no-brainer that A&E announced on April 8 that it had renewed Bates Motel for a 10-episode second season to air in 2014. Overall, Bates Motel averaged 2.7 million viewers in its first season with 1.5 million in both the 18-49 and 25-54 demos. Those results are the best any A&E drama has performed in the demos. The numbers place Bates Motel as the No. 2 top new cable drama of the season behind History’s Vikings.
Related: Carlton Cuse On ‘Bates Motel’s’ ‘Twin Peaks’ & ‘Psycho’ Heritage
The series, whose first season ran for 10-espisodes, details the dark backstory of Norman Bates (Freddie Highmore) and how deeply intricate his relationship is with his mother Norma (Vera Farmiga). Carlton Cuse (Lost) and Kerry Ehrin (Friday Night Lights) executive produce.
JS Communications Settles Rhythm & Hues Fee Dispute
JS Communications has finally settled for a reduced break-up fee in the drawn-out Rhythm & Hues bankruptcy saga. It’s been two months since troubled VFX house R&H sold out of bankruptcy to Prana Studios-led Holdings, LLC following a roller-coaster closed-door auction. At issue was the court-approved $425K fee promised to JS Communications as stalking horse bidder if a qualified rival beat them out for the Life Of Pi company, which JS was eyeing to buy. But in a hotly contested development, JS failed to meet a deadline to submit its bid (exec David Shim told me then that his dealings with Fox and Universal left him less than optimistic about buying R&H without future work assurances). Per a court document filed this week (read it here), JS will receive a $300K break-up fee. If approved in court June 4, that should put the R&H saga to bed for the time being; multiple class action lawsuits against R&H filed by former employees have yet to be settled.
Kino Lorber Acquires U.S. Rights To Jia Zhangke’s ‘A Touch Of Sin’
New York, NY – May 21, 2013 – Kino Lorber is proud to announce that it has acquired all US rights to Jia Zhangke’s (24 City, Still Life) latest film A Touch Of Sin, a four-part story inspired by real-life events and focused on the violent impact (and hefty human sacrifice) of the Chinese economic boom on its own citizens.
While prepping the film for a late fall or early winter national theatrical release, Kino Lorber will book this acclaimed Chinese film in select film festivals across the United States. This deal was negotiated between Kino Lorber CEO Richard Lorber and MK2′s International Sales Executive Victoire Thevenin.
The New York Times film critic Manohla Dargis recently referred to A Touch Of Sin as Jia Zhangke’s “finest film since his 2006 feature Still Life,” also describing it as “a portrait of contemporary China told through four savagely violent episodes that take place in distinct areas of the country.”
Next-Gen Xbox One Unveiled With Content Including Spielberg-Produced ‘Halo’ Series
David Bloom is a Deadline contributor
Microsoft finally unveiled the Xbox One, its next-generation successor to the Xbox 360 game console, with an impressive demonstration of a voice- and gesture-controlled device focused more on integrating and controlling all kinds of entertainment and social capabilities far beyond just playing videogames. The #XboxReveal event at Microsoft’s Seattle-area campus included the announcement by Xbox Entertainment Studios President Nancy Tellem that Steven Spielberg will create a new live-action TV show based on the “Halo” game franchise. In a video, Spielberg, a longtime game fan who also oversaw the launch of the DreamWorks Interactive game studio in the 1990s, briefly said “the Halo universe is an amazing opportunity to be at an intersection where technology and myth-making converge.”
Related: Nancy Tellem Talks Microsoft’s Xbox Entertainment Studios Read More »
Hot Trailer: ‘Byzantium’
IFC Films just unveiled an official trailer for Byzantium, Neil Jordan’s mother-daughter vampire pic starring Saoirse Ronan and Gemma Arterton. IFC acquired US rights out of Toronto and has it set for a June 28 theatrical release. Check it out:
WME Signs Actress Alison Brie
Alison Brie has signed with WME. She was at UTA. Brie currently juggles two series — she is a female lead on NBC’s cult comedy Community, which recently was renewed for a fifth season, and recurs on AMC’s Emmy-winning drama Mad Men. Additionally, Brie stars in the indie Kings Of Summer. She continues to be managed by Scott Fish at Velocity Entertainment Partners and repped by David Weber.
CMT Gives 11-Episode Back Order To New Dog The Bounty Hunter Reality Series
CMT has picked up an additional 11 episodes of Dog And Beth: On The Hunt, bringing the reality show’s freshman season to 22 episodes. Production on the new episodes will begin immediately for an August airdate. Through its first five weeks on air, Dog And Beth, starring bounty hunters ‘Dog’ and Beth Chapman, ranks as CMT’s top current series, averaging more than 1 million total viewers. The Electus-produced show also has developed a big social media following. Original episodes air Sundays at 8 PM.
UPDATE: Apple CEO Challenged For Moving “Crown Jewels” To Avoid Paying U.S. Taxes
UPDATE, 11:08 AM: Apple‘s part of today’s proceedings is over after Sen. Carl Levin finally drew blood. He hammered CEO Tim Cook and other Apple execs for creating business arrangements that ensured that the company’s “crown jewels” — economic rights to more than two-thirds of its worldwide profits — “are in three 
Irish companies that you control and don’t pay taxes.” Cook acknowledged that he has “no current plan” to bring that cash “home at the current tax rate.” Levin noted that this was entirely Apple’s choice: The arrangement in Ireland was signed by “three people working for Apple.” He also observed that the company repatriates profits from Latin America and Canada but not elsewhere. “We cannot continue a system where a multinational company as phenomenally successful as you can make a decision as to where the profits are going to flow. An American company where the R&D is 95% in the United States. You had R&D tax credits, all the benefits of living in this country, [including] protection of patents….You made a unilateral decision where these profits are going to be taxed or not taxed. Folks, that is not right.”
Related: Lawmakers Say Apple Exploits Loopholes To Avoid U.S. Taxes
PREVIOUS, 10:13 AM: Tim Cook seems to be in command so far in his appearance before the Senate’s Permanent Subcommittee on Investigations to defend Apple against charges that it parks cash overseas to avoid paying U.S. taxes. He began his testimony throwing down a gauntlet calling for “dramatic simplification” of U.S. corporate taxes. “Apple has always believed in the simple, not the complex,” he said adding that it should also apply to the tax code. He called for a revenue-neutral change that would lower corporate income tax rates and provide for “a reasonable tax”– which he said should be a single digit percentage — “that allows the free flow of capital back to the United States.” It would probably increase Apple’s U.S. taxes, he says, but “it would promote U.S. economic growth.” Read More »
CAA Signs ‘Robocop’ Joel Kinnaman
EXCLUSIVE: CAA has signed Joel Kinnaman, the Swedish actor who plays the title role in the Jose Padilha-directed Robocop for MGM. Kinnaman had been repped by UTA. He’s a rising star whose breakout came in the Daniel Espinosa-directed Snabba Cash, and the AMC series The Killing. Kinnaman is in production on Child 44, which Espinosa is directing with Tom Hardy and Noomi Rapace for Summit Entertainment, with Scott Free producing. Once he wraps that, he stars with Liam Neeson in Run All Night, the Jaume Collet-Serra-directed thriller for Warner Bros. The Killing returns for Season 3 on June 2. Kinnaman continues to be managed by Shelley Browning of Magnolia Entertainment.
Related: Magnolia Manager Vs UTA, Round Two
Cannes: Fleming Q&A With Steven Soderbergh: Retirement, Liberace, Legacy
Steven Soderbergh tonight unveils what he says is his final feature film Behind The Candelabra. The film explores the secret father/son/lover relationship between Liberace (Michael Douglas) and his valet Scott Thorson. It’s playing in competition here at Cannes, even though HBO will premiere it in the U.S. on Sunday before it gets a traditional overseas theatrical release. If that seems complex, it fits Soderbergh, a true maverick who has always been up for putting himself on the line for disruptive, groundbreaking fare. That began with sex, lies, and videotape. The movie won the Audience Award at Sundance and the Palme d’Or at Cannes before grossing nearly $25 million in 1989 and earning him an original screenplay Oscar nom. It is viewed as the picture that turned indie film into a viable business. “He is the father of this movement,” said Harvey Weinstein, who distributed the film. “Before him, there was no independent movie that did more than $5 million. This was the one that went out, almost wide, in the summer — where they said these films could not play — and broke the art house ghetto.” An Oscar (for directing Traffic) later, and a career that spanned every genre and enterprising release strategy (he aroused the ire of theater owners by road testing the day-and-date release platform that is now a Sundance deal staple), the 50-year-old Soderbergh talks with Deadline about Behind The Candelabra, indie economics and more.
Related: Steven Soderbergh’s State Of Cinema Talk
DEADLINE: All week, I’ve heard people here debate whether Michael Douglas and Matt Damon will lose possible Oscar nominations because the film plays first on HBO, before a more traditional international theatrical rollout. You intended it originally to be an indie feature. Explain the gyrations that ended up with this unusual release strategy.
SODERBERGH: We were trying to get the last $5 million to finish it off. The movie cost $22 million and change. We’d raised $18 million foreign and we just needed this piece. Superficially it would seem like a no-brainer, but when you look at the realities of the economics of putting a movie into wide release, you have to gross $65 million-$75 million just to get out. People just didn’t have that appetite for this kind of material.
DEADLINE: How different were things back when you conceived it as an indie and took several years to get to it and get a script by Richard LaGravanese?
SODERBERGH: There’s no question in my mind that if it had been five years earlier that we’d probably would have gotten it. But the pressure has gotten so extreme. I talk to people at the studios about it all the time. Somebody told me last week that they are doing a better job controlling movie costs but that marketing costs keep moving at a trajectory faster than everything else. Another terrifying thing is, you used to be able to bank on stars. If you had certain elements in a certain kind of movie, you could bank on doing X. Now you are guaranteed nothing. Read More »
Hot Trailer: ‘The Lone Ranger’
Looks like Disney wasn’t quite done dropping trailers for the Disney tentpole starring Johnny Depp and Armie Hammer. The Lone Ranger bows July 3.
ESPN Layoffs Could Reach 400 As Part Of Latest Disney Cuts
ESPN just released a statement confirming the cuts, which were first reported by Deadspin. Said the company: “We are implementing changes across the company to enhance our continued growth while smartly managing costs. While difficult, we are confident that it will make us more competitive, innovative and productive.” If the language sounds familiar, it’s because it is: ESPN is 80% owned by Disney (Hearst owns the other 20%), which has gone division by division to cut costs over the past month or so. Layoffs have already hit the Walt Disney Studios unit (150 layoffs in film, theatrical and music departments) and shuttered LucasArts, the video game division of Disney’s newly acquired Lucasfilm. Previously, Disney Interactive laid off about 50 employees. Now not even super-profitable ESPN, which has about 7,000 employees overall, is immune to the cost-cutting review, and with recent major purchases of spendy live sports rights (the college football playoffs and U.S. Open tennis among the recent deals) it looks like they’ve been told to tighten the ship.
Lee Eisenberg & Gene Stupnitsky Sign New Overall Deal With ABC Studios
EXCLUSIVE: Writer-producers Lee Eisenberg and Gene Stupnitsky have signed a new two-year overall deal with ABC Studios. The Office alums serve as executive producers/showrunners on two new comedy series sold under their previous deal with the studio, Trophy Wife at ABC and Hello Ladies at HBO. Additionally, Eisenberg and Stupnitsky, who wrote the 2011 feature Bad Teacher, executive produced Sony TV’s comedy pilot adaptation, which nears a midseason series order at CBS. “Lee and Gene are hugely prolific and quite possibly the hardest working comedy writers out there today,” said ABC Studios SVP Development Patrick Moran. “We are thrilled to have them attached to our new comedy Trophy Wife.”
Over the last two years, Eisenberg and Stupnitsky developed projects at ABC, FX, HBO and Comedy Central through their Quantity Entertainment. Emily Brecht, who has been with the company since 2011, is being promoted to Director of Development and will oversee day-to-day operations. She previously worked at the Department of Defense. “As a policy, we always look to hire employees who are smarter than us,” Eisenberg and Stupnitsky said. “That said, we look forward to Quantity’s next chapter as Emily becomes a principal partner and eventually ousts us.” Read More »
UPDATE: Broadcast Nets Expand Nightly News For Tornado Coverage; NBC To Air Live Special In ‘Voice’ Recap Slot
UPDATED, 9:40 AM: ABC News and NBC News said they will expand their evening newscasts to an hour tonight to cover the aftermath of the Oklahoma tornado that so far has killed 24 including many children stuck in their schools. On CBS, the CBS Evening News With Scott Pelley is expanding to 90 minutes from 6:30-8 PM. ABC also is airing a special edition of Nightline dedicated to tornado coverage, and ABC News’ David Muir, Ginger Zee, and Mike Boettcher will report in from Oklahoma this afternoon on Katie.
PREVIOUS, MONDAY PM: The network and its sister outlets MSNBC and the Weather Channel will focus Tuesday on coverage of today’s massive twister that cut a huge swath of destruction near Oklahoma City. Along with live coverage from devastated Moore, OK, on NBC’s Today and MSNBC’s morning programs, the broadcast network will air a one-hour special hosted by Brian Williams live from the scene at 8 PM ET (delayed in other time zones). That will pre-empt a recap show of The Voice featuring the top 10 performances; a new live episode of the singing competition will air as scheduled in the 9 PM hour. Read More »
Ricky Gervais Series ‘Derek’ Gets September Netflix Premiere
Ricky Gervais writes, directs, exec produces, and stars in the original series about a naive man who works in a nursing home, which Netflix will debut at 12:01 AM PT on September 12. Derek already premiered in the UK via Channel 4. The show will launch stateside and in international Netflix territories including Canada, Ireland, Latin America, Brazil and the Nordics in seven 30-minute episodes launching simultaneously. A second season has already been renewed. David Earl, Karl Pilkington and Kerry Godliman star in the comedy-drama series as fellow care workers. Derek is produced by Derek Productions Ltd. for Netflix.
Cannes: Weinstein Co Acquires Keanu-Reese Sci-Fi Pic ‘Passengers’ In Splashy Deal
EXCLUSIVE: The Weinstein Company has won the bidding for the Keanu Reeves-Reese Witherspoon sci-fi romance movie Passengers. I’m hearing the distributor has committed to a multi-million dollar minimum guarantee and a P&A commitment in the $25 million range for a wide release in 2014. I understand FilmDistrict and Open Road were in the mix here in Cannes for the project, which was written by Prometheus scribe Jon Spaihts and will be directed by Game Of Thrones and 
Boardwalk Empire helmer Brian Kirk in his major feature film debut. Wayfare Entertainment is 
financing and producing the pic. The plot: A spacecraft transporting thousands of people to a distant colony planet has a malfunction in one of its sleep chambers. As a result, a single passenger (Reeves) is awakened 90 years before anyone else. Faced with the prospect of growing old and dying alone, he eventually decides to wake up a second passenger (Witherspoon), marking the beginning of what becomes a unique love story. The script was developed by Stephen Hamel and Reeves at their production shingle Company Films. Hamel is producing with Wayfare CEO Ben Browning. Start Media’s Michael Maher and Lynwood Spinks are executive producing. CAA repped domestic sales rights; Exclusive Media has international rights.
Related: Hammond: Weinstein Shows Off 2013 Oscar Contenders
The Weinsteins have been major players at Cannes, having already won the first big bidding battle of the festival by acquiring the Judi Dench movie Philomena — directed by Stephen Frears and co-starring Steve Coogan — based on seven minutes of footage shown to buyers. In addition, TWC landed U.S. and other territories for Suite Française, based on Irene Nemirovsky’s novel about a young woman who lives with her controlling mother-in-law in Nazi-occupied France and ends up falling for a German officer. Michelle Williams, Matthias Schoenaerts and Kristin Scott Thomas star. The company’s alt-distribution label Radius-TWC meanwhile picked up North American rights to Blue Ruin, one of the few U.S. titles screening in the Directors’ Fortnight section. Read More »
RATINGS RAT RACE: ‘Dancing With The Stars’ Up Strong, ‘Voice’ Hits Low, ‘Hawaii Five-O’ Finale Down, ‘Motive’ Debuts Soft
Monday saw a primetime mix of live shows, encores, finales, premieres and prayers for those in the path of the tornado in Oklahoma. On ABC, the last performance show of Dancing With The Stars (2.5/7) before tonight’s Season 16 results finale saw the final four couples strut their stuff once last time. DWTS certainly flexed some muscle as the show was up 25% from its series performance low tie of May 13. The most watched program of the night with 14.73 million viewers, the two-hour show was down 14% from its one-hour May 21, 2012 performance finale and dipped 7% from its last performance show of last season on November 26, 2012. Although the show was up from last week, it appeared last night like the total votes might be down. Online “technical difficulties” saw voting on ABC’s website temporarily suspended, forcing viewers to cast their ballots via text, Facebook and phone. The online voting was restored before the show was over and viewers were encouraged to hit the website to decided who gets the Mirrorball trophy. Afterward, new crime procedural Motive (1.4/4) did not benefit from its lead-in. The Canadian import was down sharply from the 2.2/6 of Castle’s season finale last week and down 30% from Scandal’s April 5, 2012 debut. ABC won the night in total viewers and in adults 18-49.
Related: NBC To Air Tornado Special In Tuesday’s ‘Voice’ Recap Slot Read More »
VH1 Morning Show ‘The Gossip Table’ Premieres June 3
The daily pop culture series will feature gossip columnists dishing on hot topics in a panel format. The Gossip Table will premiere on VH1 on Monday, June 3 at 9 AM as a summer replacement for Big Morning Buzz Live With Carrie Keagan, which is on summer break. Big Morning Buzz executive producer Shane Farley is exec producing Gossip via his Cypress E Prods.
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