Open Road Films is set to release the Eli Roth-directed The Green Inferno on September 5 after acquiring it at last year’s Toronto Film Festival. It’s Roth’s first directing gig since 2007′s Hostel 2, and he co-wrote the horror thriller with Guillermo Amoedo and produced the pic, which follows a group of students who travel from New York City to the Amazon to save a tribe from extinction. Unfortunately, the tribe has other plans for them. Lorenza Izzo, Ariel Levy and Daryl Sabara star. Here’s the first trailer, which promises some Roth-esque craziness but reveals none of it:
It would have been obscene if Yahoo had matched the $35M in stock awards it gave Marissa Mayer in 2012 to woo her over from Google. So her total compensation was down for 2013 the company’s latest proxy shows, even though all of the components aside from stock awards were up in a year when Yahoo shares appreciated 103%. Her package: $1M salary, $2,250 bonus (only because she’s a co-inventor on some pending patents), $8.3M in stock awards, $13.8M in option awards, $1.7M in non equity incentives, and $73,863 in other compensation. The “other” category includes $50,000 for security (not including the protection she receives at work and on business travel), and $18,248 to reimburse for attorney fees. Yahoo says that twice last year family members and guests joined Mayer on the company plane during a business trip. It didn’t include that in her compensation “because we leased the entire aircraft and were not charged based on the number of passengers.” The board said that Mayer “revitalized the Company’s employee base, continued to build her leadership team, increased the pace of product innovation and refreshes, spearheaded the acquisition of Tumblr, and attracted new customers and increased traffic.” Former COO Henrique de Castro, who was bounced in January, didn’t receive a bonus “because the Compensation Committee believed that he did not meet the performance standards necessary to receive an annual bonus for 2013,” the proxy says. Still, Mayer’s former pal was …
The stock is down about 5.6% in post market trading on the disappointing results, which include a 9% year over year drop in the average cost per click. The search giant reported net income of $3.45B, +3.2% vs the first three months of 2013, on revenues of $15.42B, +19.1%. If you factor out the impact from the sale of the Motorola Mobile business to Lenovo Group then earnings per share would have come in at $6.27, below the $6.33 that the Street anticipated. Revenues also were lower than the $15.51B analysts expected. Google says that revenues from its sites improved 21% to $10.47B while partner sites were +4% to $3.4B. But revenue costs, primarily for the data centers, jumped 25.8% to $2.73B while operating expenses were +31.2% to $5.34B. Per usual, CEO Larry Page had little to say in the company release: He noted that “We got lots of product improvements done, especially on mobile. I’m also excited with progress on our emerging businesses.”
Emmy season is revving up already even though the primetime awards show won’t be happening until the end of summer (Monday August 25th on NBC). But if you want to vote, the first major deadline looms tomorrow April 17, the last day to join the Academy, renew your membership or apply for hyphenate ballots in order to cast a ballot in this year’s contest. There is always a surge of interest in joining the Academy around this time of year. In fact, last season there was a substantial increase in membership, primarily in order to cast an Emmy ballot. It’s not uncommon to see applications coming in bulk from staffs of shows that want those nominations, but unless these hopefuls apply by Thursday they will have to wait until next year.
In addition to the deadline, the Television Academy (as it now calls itself – and full disclosure I am on the Board Of Governors representing Writers) just sent out a formal letter this week to the eligible membership (now well over 16,000 and climbing) regarding instructions for online voting, which is being instituted for the first time this season.
NBCU’s Wilshire Studios Inks Overall Deals With Producers Stephanie Bloch Chambers & C. Russell Muth
NBCUniversal Cable Entertainment’s Wilshire Studios is ramping up its unscripted development slate, inking new overall deals with Stephanie Bloch Chambers (Chrisley Knows Best, Married To Jonas) and C. Russell Muth (DEA, Bordertown Laredo). Chambers worked on Bravo’s Toned Up, It’s A Brad Brad World and three seasons of Bethenny Ever After. Muth produced shows for Discovery Channel and TruTV such as American Chopper, American Casino, Tiger Team, and America’s Toughest Bars. He also produced Coast Guard Alaska for the Weather Channel and Big Easy Justice for Spike. Wilshire Studios also is growing its internal development team, hiring reality vet Benny Reuven as VP Development and Programming. Reuven previously served as a development executive at OWN and produced shows including Chef Wanted for Food Network.
TLC, the network that brought us obsessive coverage of families with armies of children, obsessive coverage of little people, and obsessive coverage of people with obsessions, now appears to be going off the deep end with programs about emergency medical responders. The network that recently ordered 35 MORE episodes of Sex Sent Me To The ER today announced a series that explores the fast-paced lives of emergency medical techs, called OMG EMT! The four-episode series try-out launches Saturday, May 3 at 10 PM ET. TLC’s announcement promises the new series will feature some of the “most memorable and unusual emergency calls…from the ridiculous to the downright crazy.” The premiere episode, for example, will feature an elderly woman with a prizefighter’s temperament and a dog with a taste for rescue team members, and the inevitable incredibly stupid college guys doing, yes, something incredibly stupid and involving a stairway. Future episodes involve a man with chest pains and a love triangle, a baby delivery on the spot, a man who rises from the dead, etc. OMG EMT! is produced by Fly on the Wall Entertainment for TLC.
Fox News’ New Take On Female Panelist Daytime Talker Will Feature One Guy And Be Called ‘Outnumbered’
Fox News Channel finally announced the replacement program with which it will fill the void left when Megyn Kelly moved to primetime — Outnumbered. It’s kind of like The View, in that it’s a panel of women taking on the day’s top news/pop culture headlines — only with an FNC spin in that it’s got one rotating slot for a guy, who’s, you know, outnumbered. The announcement comes the same day The View announced it had talked all of its current and former co-hosts — including the ones who left under a cloud — to return to the show May 15 to say so-long to Babs Walters, who is retiring as show on-air Den Mom, though she’s continuing as show exec producer.
Outnumbered debuts Monday, April 28 at 12 PM ET; Fox Report Weekend anchor Harris Faulkner and Fox Business Network’s Sandra Smith are among the panelists named today. Additional personalities to be featured include co-hosts of The Five, Kimberly Guilfoyle and Andrea Tantaros; along with FNC contributors Jedediah Bila, Katie Pavlich and Kirsten Powers. Each of the panelists maintain their respective roles on FNC and FBN.
CBS shares are up 1.6% while CBS Outdoor Americas — the billboard company that the broadcaster spun off earlier this month — is up 6% following the ruling. It means that CBS can save a bundle on taxes later this year when it unloads the 81% interest it still has in the outdoor business. “CBS Outdoor’s conversion into a REIT will unlock its true value, and the completion of our Outdoor initiatives will enhance our ability to return capital to our shareholders,” CEO Les Moonves says. “We’re very pleased with the way CBS Outdoor has launched as a public company, and with this favorable IRS ruling, we look forward to great success in the future.”
EXCLUSIVE: Open Road Films has acquired U.S. rights to Tupac, the long-awaited and highly anticipated feature on the life of Tupac Shakur directed by John Singleton. Scripted by Jeremy Haft & Ed Gonzalez and Singleton, the film traces Shakur’s life from growing up in East Harlem the son of activist Black Panther Party members, to reaching superstardom as a songwriter, hip-hop and movie star, to his vocal position as a leader in the East Coast/West Coast rap war, to his death. Shakur, leaving a Mike Tyson fight at the MGM Grand In Las Vegas, was murdered in a drive by shooting, dying at age 25 in 1996.
The film is being produced and financed by Morgan Creek Productions and Emmett/Furla/Oasis Films. The deal was set by Open Road CEO Tom Ortenberg, Morgan Creek chairman and CEO James G. Robinson, Program Pictures’ L.T. Hutton and Emmtt/Furla/Oasis Films principals Randall Emmett and George Furla. It’s a reunion of sorts for Singleton and Shakur, as Singleton directed him as an actor in the 1993 film Poetic Justice.
Open Road has committed to a wide-screen release of at least 2000 theaters. This film has been long in the making, but if anything Tupac is bigger than ever, based on his popularity and how well his music sells. Producers are Robinson, David Robinson, …
EXCLUSIVE: Feature writer Matt Lopez is formalizing his foray into television with a two-year overall deal at Universal Television. The pact, Lopez’s first overall TV arrangement, stems from One Kick, a drama project he developed at NBC through Uni TV this season. “Matt writes with texture and layers and creates dynamic characters,” Uni TV EVP Bela Bajaria said. “We enjoyed our development experience with him and are looking forward to working with Matt at Universal TV.”
In features, Lopez, repped by WME and Lichter, Grossman, is a go-to screenwriter for family fare, including Bedtime Stories, Race To Witch Mountain, The Sorcerer’s Apprentice and the upcoming Clifford The Big Red Dog. On the producing side, he has teamed with Peter Chernin on Huck, about new adventures of Huck Finn and Tom Sawyer, at Paramount. On TV, Lopez has explored darker territory, writing ABC pilots Gothica and Jekyll & Hyde the last two years.
Back in February, word began to spread that longtime frenemies John Malone and Rupert Murdoch were eyeing a joint acquisition of the UK’s Channel 5. Malone-backed Discovery Communications and BSkyB, majority owned by Murdoch’s 21st Century Fox, have now reportedly gone ahead and sewn up a deal. Broadcast reported that Discovery and BskyB are nearing an announcement they have acquired the broadcaster in a deal valued at £350M, which would give the former a 70% stake and the latter 30%. But media entrepreneur Richard Desmond’s Northern & Shell, owner of Channel 5, has said it received several bids and was still evaluating them, according to Bloomberg. The free-to-air broadcaster was thought to be seeking a buyer with about £700M to spend, but many were skeptical it would fetch such a price; Desmond paid about £103.5M for it in 2010. Other companies that have been said to have shown interest include Viacom, Turner Broadcasting, BT, NBCUniversal and Saban Capital.
Channel 5 is notably the home of Big Brother, although its contract for the show expires in 2015. The net also airs U.S. dramas like Under The Dome, CSI and Person Of Interest; weekly average ratings hover around 4%.
Pawel Pawlikowski‘s Ida follows a young nun in 1960s Poland who’s on the verge of taking her vows but discovers a dark family secret dating back to the Nazi occupation. Agata Trzebuchowska and Agata Kulesza star in the film, which won the international critics’ FIPRESCI Prize at Toronto and Best Film at the BFI London Film Festival last year. Ida is Polish-born Pawlikowski’s first film set in his homeland following his breakthrough films The Last Resort and BAFTA-winning My Summer Of Love. Ida opens May 2 in Los Angeles at Laemmle’s Royal. Have a look at the trailer:
UPDATE: Warner Bros Taps Former Clinton Press Secretary Dee Dee Myers As Communications Chief; Sue Fleishman Exiting
UPDATED WITH COMMENTS FROM MYERS AND FLEISHMAN: Warner Bros has hired former White House Press Secretary and longtime political strategist/analyst Dee Dee Myers as EVP Worldwide Corporate Communications and Public Affairs replacing nine-year veteran Sue Fleishman. The move comes after Fleishman had to negotiate through a very rocky transition at the studio through several shakeups in 2013. That included the ascension of new Warner Bros Entertainment CEO Kevin Tsujihara and the exits of the other two WB biggies angling for that gig — Warner Bros TV boss Bruce Rosenblum last May and Warner Brothers Pictures Group President Jeff Robinov the next month.
Myers is coming into a studio rocked by these exits. And although Warner Bros is still reaping the benefits of the pictures greenlit by Robinov — Gravity, The Lego Movie, 300: Rise Of An Empire, and others — it is being led by a studio chairman who has been in the job only a year and is seen as still trying to get his footing. The question is what will happen once the studio blows through all the projects set in motion by Robinov and what characteristic mark will Tsujihara make during his tenure? Fleishman was seen as Barry Meyer’s guy, which is kind of interesting because so was Tsujihara so go figure. Fresh blood now.
Warner Bros. has had a terrific run at the box office from those aforementioned films and is a force to be reckoned with TV powerhouse with such properties as The Big Bang Theory, The Voice, Two and Half Men, The Following, to name a few. They are also partnered with CBS in the CW Network where they produce Arrow, The Vampire Diaries, Shameless, and syndicated hit The Ellen DeGeneres Show.
Myers is a smart, aggressive woman who is not afraid to speak up. In fact, she wrote a book Why Women Should Rule The World about how things might be better worldwide if more women were in leadership roles. Her husband has long worked as a journalist (at the New York Times and Politico) and is currently the national editor and political correspondent at Vanity Fair (where Myers also wrote). Originally from Los Angeles, she worked for many years with former Mayor Tom Bradley and other politicians before heading to Washington, working with Walter Mondale’s campaign, Michael Dukakis, Dianne Feinstein, and then, of course, with President Clinton and First Lady Hillary Clinton as the White House press secretary for the first two years of the administration. She was the first female press secretary and one of the youngest to hold the job.
She is certainly not the first political press secretary/strategist to make the move to Hollywood. Years ago, Anna Perez, Barbara Bush’s press secretary, was hired at CAA. Zenia Mucha, currently EVP and chief communications officer at Disney, worked for Sen. Alfonse D’Amato and NY Gov. George Pataki. And Kori Bernards at Universal Pictures previously worked at the MPAA and in D.C. for 13 years with then-Minority Leader Richard Gephardt and Nancy Pelosi (now House Minority Leader). “There is a fair number of people who go back and forth,” said Myers. “There’s an affinity between politics and entertainment but that being said, it’s very different and there will be a transition for me.”
Editors Note: The first of three Deadline posts that lay out the issues in the Aereo case, which Deadline Legal Editor Dominic Patten will cover from the Supreme Court next week. Today: A primer about Aereo and what’s at stake in the dispute with broadcasters.
U.S. Supreme Court justices are so mistrustful of technology that they bar TV cameras from their proceedings and require visitors to check their smartphones at the door. But on April 22 they will take an hour to hear arguments in a case that could re-shape television and the Internet. All of the major broadcast companies are challenging the legality of an upstart streaming service: Aereo, a company backed by IAC chief Barry Diller that began to sign up subscribers in New York City in February 2012. The issues both sides will raise are complicated. But the controversy boils down to an important question: What rights do broadcasters and citizens have to content on the publicly owned airwaves?
Q: How does Aereo work?
A: Subscribers in the cities Aereo serves pay a minimum of $8 a month. That gives them exclusive access to one of its thousands of dime-sized antennas that pick up free, local, over-the-air broadcasts. The company then streams the live programming in the same local market to subscribers’ Web-connected TVs, computers, or mobile devices.
Q: Does it just stream live TV?
A: Aereo also offers a remote storage DVR. Just like with a home DVR, each customer can choose programs to record, and then watch later with the same fast-forward and rewind capabilities. The difference is that the digital files are kept on Aereo’s servers, not on a hard drive in the home. Those who pay $8 per month get 20 hours of DVR storage each month and access to one antenna, while those paying $12 get 60 hours and access to two antennas.
Q: Where can people subscribe?
A: Aereo began in New York, and now also is available in Boston, Atlanta, Detroit, Cincinnati, Baltimore, Dallas, Austin, Houston, Miami, and San Antonio. It plans to launch in cities including Washington, DC, Philadelphia, Pittsburgh, Cleveland, Chicago, Indianapolis, Minneapolis, and Kansas City.
Q: Why does that bother broadcasters?
A: Aereo doesn’t pay local TV stations when it streams their programming. Broadcasters say that infringes on their copyrights.
Spike TV has ordered a 10-episode second season of unscripted series Catch A Contractor hosted by Adam Carolla, slated for debut in the fall. Spike also is extending the new episodes to an hour, up from the current half-hour. Carolla, who happens to be a master carpenter, serves as a vigilant watchdog to homeowners who have been cheated by a contractor and left with an unfinished disaster. In each episode, Carolla, along with no-nonsense contractor Skip Bedell and his wife, investigator Alison Bedell, track down shady, evasive contractors, drag them back to their construction disasters and make them finish the job right. Catch A Contractor debuted March 9 and is averaging 1.2 million viewers after seven episodes. Eyeworks USA created the series, with JD Roth, Todd A. Nelson, DJ Nurre and Brant Pinvidic executive producing.
EXCLUSIVE: GrandElectric Entertainment, a new shingle formed by ex-Strike Entertainment partner Eric Newman, has teamed with director Jose Padilha‘s Cold Mountain to preemptively purchase Nekome, a period action pitch by John Hlavin. Studiocanal will finance development and production of the film.
The title is the Yiddish word for revenge and the film is set in the days following the end of World War II. Two young Holocaust survivors are sent by the Jewish underground to Brazil to hunt down and kill the escaped Nazis who ran their concentration camp. The film will shoot in Brazil. Studiocanal is committed to finance the film, but Newman and Padilha retained distribution rights in Brazil, where Padilha is a movie god after his Elite Squad films.
FX Networks CEO John Landgraf teased the pending renewal at the company’s upfront presentation last week. The network now has ordered a 13-episode third season halfway through Season 2. “The Americans continues to be one of the best shows on television,” said FX Networks President of Original Programming Eric Schrier. With tonight’s broadcast, there are six episodes remaining in the current season. Set in 1981 just after Ronald Reagan is elected president, The Americans — starring Keri Russell, Matthew Rhys and Noah Emmerich — chronicles the complex marriage of two KGB spies posing as Americans in suburban Washington D.C. The series, from Fox TV Studios and FX Prods., was created by and is executive produced by Joe Weisberg, a former CIA agent. Joel Fields, Graham Yost and Dan Sackheim are also executive producers, along with Amblin Television’s Justin Falvey and Darryl Frank.