NEW INFO THROUGHOUT: I reported last week that the much anticipated, long awaited DreamWorks-Reliance deal was already done, and likely to be signed any day. But at the time I was told there were just some other issues surrounding the debt financing that had to be wrapped up. Friday, the deal papers were faxed and signed. ("The world is in financial collapse, and we just got $1.2 billion," one insider exulted.) My sources tell me that, immediately after, DreamWorks informed its owner Paramount that it had just executed its deal with the big Indian entertainment giant Reliance Anil Dhirubhai Ambani Group, owned by one of the world's richest men, 49-year-old Anil Ambani. Right after, Paramount shocked the studio started by Steven Spielberg, David Geffen and Jeffrey Katzenberg by waiving certain provisions from the original deal to clear the way for the DreamWorks principals and their employees and their producers to leave "without delay". On paper, Spielberg's contract extended to 2010. But Geffen had the right to leave this summer, which meant Spielberg had the right to terminate his contract as soon as October 31st if Geffen were gone. (Even Dreamworks Animation run by Katzenberg has an "out" clause after 10 films.) Once Geffen resigned, Spielberg had to give Paramount 60 days' notice, so the earliest he could have exited Paramount after signing the Reliance deal would have been November 19th. I'm told that Geffen didn't even have a chance to resign from Paramount: instead, he found out he is free to leave as of Friday along with Spielberg, DreamWorks Studios co-chairman and CEO Stacey Snider, and 150 other DreamWorks employees, and producers Ben Stiller, Walter Parkes and Laurie MacDonald, Ivan Reitman and Tom Pollock, Nina Jacobson, and Sam Mendes. Because Paramount speeded up the transition process, the new DreamWorks must decide ASAP whom it will bring over.
Thus ends a 2-year-old Paramount-DreamWorks buyer-buyee relationship that soured almost from the first day. Now the two studios may bicker over the 200 active projects they have together. (But ill will was mitigated Friday when Paramount's parent company Viacom offered Steven Spielberg and Peter Jackson 100% financing for the duo's family movie Tintin trilogy, as I reported here exclusively.)
Neither Geffen nor Katzenberg will be part of the reconstituted DreamWorks. Geffen has always said he planned to retire from the movie biz. And Katzenberg has been running the separate public company DreamWorks Animation whose slate is still distributed by Paramount. So the new company will be the old DreamWorks in name only. Now Hollywood's biggest and richest indie, it will be run with complete autonomy by Steven Spielberg and Stacey Snider in 50/50 partnership with India's giant entertainment conglomerate which financed the $1.2 billion film company. (Though the official press release calls it a $1.5B deal.) Mumbai-based Reliance ADA Group will invest $500 million equity and provide another $700 million in debt through J.P. Morgan Chase toward the new venture, which will produce a slate of about 6 films a year. CAA motion picture agent Manny Nuñez is the unsung hero of the deal by acting as facilitator. (See my CAA Put DreamWorks With Reliance: Hollywood Agency To Pocket Millions.) The deal now means that David Geffen has engineered his most fervent wish: to give Spielberg and Snider enough independent financing so they could leave Paramount behind and answer only to themselves.
Next comes a distribution deal, which is why GE's Jeffrey Immelt and Universal's Ron Meyer were dining with Spielberg and Snider last Thursday, and why NBC Universal boss Jeff Zucker spent the better part of that afternoon with Steven planning out the rebuild of the fire-ravaged Uni backlot. Given how Spielberg sees Universal as his professional home (he never moved his offices even after Paramount bought DreamWorks), I've always assumed he'd land there. But I hear Steven is concerned that GE might decide to sell NBC Universal, especially if the studio is conbined with Warner Bros which would create too much product. Nevertheless, with Immelt and Zucker paying homage to Spielberg, it looks like another done deal to be negotiated by Hollywood super-lawyer Skip Brittenham.
The official DreamWorks/Reliance news release was late coming because the Indian company had to sign off on the wording (below) in prepration for an announcement Monday. But Paramount jumped the gun Friday morning with an artfully worded press statement that said basically, "Don't let our iron studio gates hit you on the way out" (also below). That actually was a relief to DreamWorks whose principals were worried about even preparing for a transition "because nobody wanted to be in breach of contract".
After Paramount purchased DreamWorks in 2006, many top DreamWorks execs moved into big jobs at Paramount, like Jim Tharp into head of distribution, and Kelly Avery into prez of home entertainment. They're expected to stay put. But about 150 people are classified as DreamWorks employees even if they receive Paramount paychecks -- including aviation-related workers, security guards, even the chef. Paramount is hoping Spielberg/Snider make the decisions sooner rather than later which employees to take to the new company and get them off the Paramount payroll. "We hope as a practical matter they respond quickly," a Paramount insider told me. But there's no official deadline yet.
Same thing goes for the producers and production companies housed at DreamWorks, like Stiller's Red Hour Films and Reitman/Pollock's Montecito Picture Company or Parkes/MacDonald.
Paramount estimates 200 projects are active between the studio and DreamWorks, and believes it owns all of them. However, as I've previously reported, there may be friction arising out of the exact terms of Spielberg's deal with Paramount. The director and producer has the right to elect to be involved in any project that DreamWorks has developed at Paramount. As an ex-Paramount business affairs source once told me, Spielberg's so-called "Amblin deal" would apply even if he chooses to leave and is no longer under contract. He'd still make 7.5% of the gross and 50% of the profits to cash break. And if the projects won't be made, they have to be offered to him in turnaround.
Physically-speaking, DreamWorks never moved onto the Paramount lot because Spielberg never left the Universal lot. (DreamWorks execs used guest offices inside the different Paramount departnments when they had to sit in face-to-face meetings.).
Stay tuned. There'll more details in coming days. Here are the press releases:
Statement from DreamWorks/Reliance: Mumbai, India, September 20, 2008 -- The Reliance Anil Dhirubhai Ambani Group has reached an agreement with Steven Spielberg and Stacey Snider to jointly form a new motion picture studio based in Hollywood, Los Angeles, USA.
The US$ 1.5 billion deal will be funded through a combination of equity capital and debt financing from the international capital markets.
Steven and Stacey will provide the leadership in operating the joint venture company, and will work closely in partnership with Reliance to create a powerful new film business, aimed at global audiences.
Reliance ADA Chairman Anil Ambani said, "I am personally delighted to be in business with two of the strongest and best known executives in Hollywood. Steven is a creative genius responsible for an incredible list of critically acclaimed and commercially successful films and Stacey has a proven expertise in the difficult business of running a fiscally responsible studio while maintaining talent relationships at the highest level."
"This strategic partnership between Reliance, and Steven and Stacey will be a cornerstone of our 'Hollywood' strategy as we continue to build film production, distribution and exhibition interests that reach across the globe," he added.
"Stacey and I are so excited about this venture with India's Reliance which opens a new door to the future of DreamWorks Studios," said Steven Spielberg. "Reliance Chairman Anil Ambani's visionary step has given us a new set of dreams to work toward. I thank them for their faith in us and their faith in the movies, and am looking forward to working closely with them in the future."
"In their respective fields, Reliance and Steven Spielberg represent the highest levels of excellence," said Stacey Snider. "Bringing them together - combining the global reach of Reliance with Steven's creative vision - is a once-in-a-lifetime opportunity for all of us. I'm grateful to David Geffen, whose business genius and loyalty helped make this deal happen."
The Reliance Anil Dhirubhai Ambani Group is one of India's top 3 private businesses with a market capitalization of over US$ 50 billion. Its net worth is in excess of US$ 14 billion, with cash flows of nearly US$ 3 billion, and a net profit of US$ 2 billion. The Group owns highly successful companies with leadership positions in the fields of telecommunications, financial and insurance services, generation, transmission and distribution of power, infrastructure and media and entertainment. Across its different companies, the Group has India's largest customer base of over 150 million, and it has one of the world's largest shareholder families of over 12 million. Reliance ADA Group is headed by Chairman Anil Dhirubhai Ambani, aged 49.
Reliance BIG Entertainment and its affiliates represent the largest integrated media and entertainment eco-system in India. Key initiatives include: Movies (Hollywood and Indian), Animation, Music, Home Video/DVD, Multiplexes across, India, the US, and Asia, Broadcasting, Sports, Gaming, Internet and mobile portals, with direct opportunities in delivery across all emerging digital distribution platforms: digital cinema, IPTV, DTH and Mobile TV.
Reliance BIG Pictures, a division of Reliance BIG Entertainment, is the most prolific producer of Indian films in all major languages, with a slate of nearly 100 films to be completed in the next 3 years. In May 2008, Reliance BIG Pictures announced separate development deals with Nicolas Cage's Saturn Productions, Jim Carrey's JC 23 Entertainment, George Clooney's Smokehouse Productions, Chris Columbus' 1492 Pictures, Tom Hanks' Playtone Productions, Brad Pitt's Plan B Entertainment, and Jay Roach's Everyman Pictures. More development deals are planned.
Statement from Paramount: "We congratulate Steven, David and Stacey, and wish them well as they start their newest venture. Steven is one of the world's great story-tellers and a legend in the motion picture business. It has been an honor working closely with him and the DreamWorks team over the last three years and we expect to continue our successful collaboration with Steven in the future.”
“To facilitate a timely and smooth transition, Paramount has waived certain provisions from the original deal to clear the way for the DreamWorks principals and their employees to join their new company without delay.”
"The acquisition of DreamWorks has been beneficial both creatively and financially for Paramount and accelerated our strategy of focusing on our world-class franchises and brands. It gave us a solid slate of films to fill out our lineup, a valuable catalog we were able to monetize, and a development pipeline that will bear fruit for us for years to come. The acquisition jump-started our rebuilding plans, which are now well underway and include promising upcoming releases such as Star Trek by JJ Abrams, G.I. Joe by Stephen Sommers, Transformers 2 by Michael Bay, David Fincher’s The Curious Case of Benjamin Button, and Jon Favreau’s Iron Man 2, among many others."
- CAA Put DreamWorks With Reliance: Hollywood Agency To Pocket Millions
- GE's Immelt Takes Spielberg To Dinner; Zucker & Director Plot Universal Backlot
- Greenlight For DreamWorks-Reliance Deal
- Finke/LA Weekly: Credit Crunch Hits Paramount
- Paramount Financing Loss: Crisis Or Not?
- DreamWorks Finds Indian Big Bucks To Form New Film Biz
- Spielberg vs Paramount: The Real Story
- Still More Inaccurate Info Re DreamWorks
- Zucker Hints At Uni-DreamWorks Reunion
- NY Times Reports DreamWorks All Wrong
- Anchors Aweigh: Geffen & Murdoch Cruise
- Geffen Hits Back Redstone In Vanity Fair
- DreamWorks & NBC Universal Break Bread In Very Public Forum
- Paramount's Brad Grey: Happy At Last
- Brad Grey No Longer Bosses DreamWorks
- Spielberg Tells Grey He's "Very Happy"
- Now Paramount/DreamWorks Deal Looks Better With Benefit Of 20/20 Hindsight
- 'How High Do We Jump, Mr. Spielberg?'
- Their Dinner About Brad... Sumner Feasts
- NYT: Par Not A Dream Deal For Spielberg
- Finke/LA Weekly: Brad's Boorish Globes
- Geffen To Redstone: Hire Jeffrey. Redstone to Geffen: No.


Dear DreamWorks,
Don’t let the wrought-iron gate hit you on the way out.
Thanks,
Paramount Pictures
““To facilitate a timely and smooth transition, Paramount has waived certain provisions from the original deal to clear the way for the DreamWorks principals and their employees to join their new company without delay.”
Very telling quote – on other words: “We so want them to get *&%# out of here, we’re willing to ignore certain contractual obligations.”
Somehow I get the feeling that a lot of lawyers will make a lot of money before this little divorce is settled.
Hollyweird!
you people are a WHACKED bunch of fools!!!!!!!!!!!!!
Could someone how explain how Dreamworks can be bought by Paramount and then just set up shop with someone else?
I don’t think I understand the in’s and out’s of this.
Sumner to Speilberg: If I don’t need Tom Cruise why do I need you?
Re: ReelBusy’s comments on this and SS/JK/DG leaving Paramount in the lead story today….methinks you’re a shill, and I bet a really highly paid shill at that and based somewhere near the intersection of Gower & Melrose, n’cest Pas? Oh, BTW, you’re wrong in both posts.
See ya next week at the Paramount Commissary…I’ll be at Dolgen’s old table in the back.
@Round Up The Usual Suspects, if ReelBusy were a highly paid shill then s/he would be able to correctly spell ‘Spielberg’. Also, I respectfully disagree with the “door hit you in the ass” interpretation, I think it more likely that Paramount waived the contractual obligations since they know that they’ll be working with DreamWorks for some years on sequels and other co-developed projects. Paramount didn’t have to make a gesture of goodwill but they decided to anyway, it’s not a classy move per se but it is a smart business decision when you are hoping to make a few more billion with the people walking out the door.
I just don’t think Spielberg is as bankable as popular opinion would have us believe. He hasn’t made consistently good films since the 80’s (the only quality films he’s made in the last 15 years have been Shindler’s and Catch Me), and the success of his films have had more to do with their stars (Minority Report, Saving Private Ryan) or the legacy of their subject (Indy 4). Dreamworks as a company has had a similarly spotty record, with only its animation department delivering consistent money. Paramount made a smart move, and the Indians overpaid.
Any word on what becomes of the DWks production deals, Montecito, Red Hour, et. al.?
Sorry, RoundUp, but the commissary was renovated last year. Dolgen’s table is long gone.
And there are plenty of Para old timers who are crossing their fingers that their recently-ensconced bosses will be going back to DW from whence they came.
I wonder how SS feels about Brad Grey stealing their thunder by issuing a company-wide email before DW had a chance to make the big announcement.
Well, Paramount will be making money off this for a while, but in 10 or 20 years? Doubtful. If Stephen had gotten his way, he would have just stayed with Universal like he wanted to, instead this was a little layover, he made everyone money, and now it’s time to go back home where he always wanted to be, where he basically started his career, and will probably end it. They always treated him better there anyway. He always has made money for his partners, and still with all who have poo poo’d his goals and ideas, he is at the top of the list for creating and delivering products the public likes. Remember, it’s called “Entertainment” people… and personally if he decides to do a few “fluff” pics in between a “Saving Private Ryan”, “Amistad”, or “Schindler’s List” so be it…
interesting to note that the movies listed on this “artfully” prepared press statement from Paramount there exists not one single original idea for a movie or an original I.P.
Spielberg phone home. You’re so yesterday
Paramount and Dreamworks were always a terrible mix. Dreamworks wanted it’s own identity and Brad Grey wanted someone who could him look good.
“The acquisition jump-started our rebuilding plans, which are now well underway and include promising upcoming releases such as Star Trek by JJ Abrams, G.I. Joe by Stephen Sommers.”
… I love that Paramount would lead with these two examples.
Sommer’s G.I. Joe is going to be a live action Team America….minus the irony.
And Abrams ‘re-booting’ of the Trek franchise has everyone worried. In trying to make the franchise more accessible to the average cinema goer he’s in danger of turning off the core Trek audience. Not smart.
To: Jeff, Steve & Dave
From: LW
Re: Get it right this time
Hey guys congrats on leaving hell.
I hope this time you do it right. Please don’t go out and play “their” game. Don’t hire the same empty suits and professional friends. If you want to break the system, you have to go against it and the best way is to do the things the bigs find repugnant.
Be smart.
Be fair.
Be inclusive.
Hollywood is trying to force America to worship an old image of itself. The shrinking movie market is evidence of this. Meanwhile, the “new” America, the diverse America is trying to find images of itself and would rather not play if they can’t.
Women and minorities are marginalized but have billions to spend. Create films for them, create stars and build brands. Hire executives the same way, be a company of the future. (Mr. Katzenberg will know what I’m talking about.) I know you guys can do it. I’ve been watching and you’re our best hope. It takes three of you to be one of me but who’s counting?
Well, I gotta go. Chaplin and Bogart are throwing their annual shindig and it’s always off the chain.
Your friend,
LW
Kudos Nikki! As far as I am concern, you broke the news first here and what’s more, the best news I’ve heard thus far for Dreamworks.
In my 20s, I loved to watch indies and go to film festivals and have my world turned upside down. Now in my 40s, I’m a truth seeker. I especially enjoy “pictures” made around WWII when the characters spoke with literate dialog and there were clear-cut objectives, whether for good or ill. Also, the camera shots were a lot longer before splicing, and so one got a better sense of the actor’s humanity in the role. I just watched “Boys Town” and “The Best Years of Our Lives”. WOW! I’ve returned to traditional values.
Good point Rashi, but you have to substitute Catch me for Munich which was awesome. But Indy 4…what can I say, it got by on goodwill. Its a crap movie. No matter how you slice it. After the first act,it all goes downhill from there. And I think deep down inside Spielberg knows it he screwed the pooch with that one which ultimately is a shame.
I am not a shill but I am a very bad typist.
David Geffen must be beside himself that Brad Grey screwed him out of making a retirement announcement.
If Spielberg walked into your office and demanded you bankroll his flicks for millions of dollars – and you knew you wouldnt see a penny of profit until he got his $100 million-plus down – wouldnt you go ‘Thanks but fuck off’? (Especially after the tepid but successful INDIANA JONES 4).
As for David Geffen, bad karma is a bitch ain’t it.