Comments (8)

• UTA Lit. are kicking ass and taking names – they’ve already got agent extraordinaire David Kramer and now Doug Johnson… When my craft’s at the stage where I need representation, I’m so pounding on their doors…

  Comment by Witt — September 29, 2008 @ 7:07 pm  Reply to this post

• Wonder who’s following him. Coraci left UTA with Nick Stevens, we’ll see. Yes, UTA lit is the best in the biz. Certainly the most original writers, materials. A shame they don’t have the talent dept. to match it.

  Comment by bernard — September 29, 2008 @ 9:15 pm  Reply to this post

• Wait a second, WHY is the dude who wrote MY BEST FRIEND’S GIRL credited here as his client? Thought that movie was officially garbage.

  Comment by hmm — September 29, 2008 @ 9:29 pm  Reply to this post

• Hmmm: you try getting a movie made, much less a credit on one. Any credited writer counts a lot more than a guy with a brilliant unproduced spec his girlfriend thinks is genius.

  Comment by b — September 29, 2008 @ 10:03 pm  Reply to this post

• this guy’s clients are a joke

  Comment by nick — September 30, 2008 @ 6:20 am  Reply to this post

• Good point “b”!!! Writers are so friggin annoying. (I happen to be one) Just curb the jealousy, shut up and WRITE!

  Comment by Chris — September 30, 2008 @ 8:20 am  Reply to this post

• Who doesn’t Hollywood like at UTA?

  Comment by Meg — September 30, 2008 @ 1:12 pm  Reply to this post

• UTA cannot even come close to Paradigm’s lit department. Truth be told both agency lit departments are merely incubators for CAA, WMA and Endeavor. They are marvelous waiting rooms until your turn comes around and the presents you get while you wait definitely beats the holiday cookies another incubator is famous for!

  Nostalgia is dead.

  PS- ICM’s lit department is officially “writers rehab” or the place to go for the chemically dependent writers considering a short ride on the wagon!

  Comment by Sterling — October 6, 2008 @ 11:22 am  Reply to this post