Warner Bros‘ 300: Rise Of An Empire is off to a strong start as it begins its international rollout. It hit France, Belgium and French-speaking Switzerland on Wednesday. It also bowed in Australia and kicked off in …
Intl Box Office: ’300: Rise Of An Empire’ Goes For Global Domination; Opens No. 1 In France; ’12 Years’ An Oscar Bump?; More
After months of speculation, maneuvering, campaigning, champagning, Q&Aing and ever so much more, the 2013-14 awards season is done, done, done, and in this week’s podcast, Deadline Awards Columnist Pete Hammond and host David Bloom wrap up the winners and notable moments from this years Academy Awards ceremony. They’ll look at which studios (hint, the initials are W and B) and stars were big winners, why 12 Years a Slave is a lot like The Godfather, and why The Hammond Rule proved so durable throughout the season.
Pete and David also review the Oscar Lite ceremony that was Saturday’s Independent Spirit Awards, with winners in nearly every award exactly tracking the Oscar wins.
OSCARS: A Selfie-Important Academy Awards Honors Our Past And Our Future And Hits Just The Right Notes
In the end the Academy Awards fell right into place with every other awards show this season. Gravity got LOTS of love but it ended with 12 Years A Slave‘s Steve McQueen making the big acceptance speech of the night for Best Picture — just like it went at the Golden Globes, Critics Choice Movie Awards, BAFTA, PGA and others. It’s a weird year when a blockbuster picture like Gravity can win seven Oscars including Best Director yet lose the big one. But science fiction is not a category the Oscars have ever embraced in that way, and this year was no exception. In 1977 Star Wars also won seven Oscars yet lost in the end to Best Pic winner Annie Hall, which only picked up four awards overall much like Slave’s haul of three nods this year. The record still stands though with 1972′s Cabaret winning eight Oscars but losing ultimately to The Godfather which won only three including Best Picture.
How do you explain it? It’s called spreading the wealth but wanting to save your most important award for a movie that has real gravitas, one that breaks barriers over what the Academy has ever done before. A movie directed by a black person has never before won nor has a film that so harrowingly details one aspect of the black experience. 12 Years A Slave may have depicted the dark side of this country in a way Oscar had never before recognized, but the Academy wanted to spotlight that and reward it with its highest prize in a year of great films about the black experience. In fact the whole show was full of diversity including numerous black presenters and the Best Director award to Mexican filmmaker Alfonso Cuaron.
Here we are again after the Golden Globes, Mike Fleming and Anita Busch taking on the task of play by play during the most wide-open Oscar race we can remember. Even on the party circuit, industry insiders who usually have a grasp of who’ll walk away with Oscars were evenly torn between Alfonso Cuaron’s 3D masterpiece Gravity and Steve McQueen’s 12 Years A Slave. Then again, there were so many terrific films that got Best Picture nominations, and all of them have at least a puncher’s chance at an upset.
That includes American Hustle, where David O Russell co-wrote the Best Original Script nominee with Eric Warren Singer and got tour de force performances and nominations for Christian Bale, Amy Adams, Bradley Cooper and Jennifer Lawrence. Perfs so strong there was no room on the nomination roster for perennial Oscar nominee Jeremy Renner. The film is up for 10 awards, and has grossed over $240 million on a $40 million budget.
Then there is The Wolf Of Wall Street, with Leonardo DiCaprio giving the most emphatic and complete performance of a great career, and Jonah Hill right there with him as his crazy con man sidekick. The film is up for five nominations, including Martin Scorsese for directing a terrific adaptation from The Sopranos and Boardwalk Empire vet Terence Winter.
Anna Lisa Raya, Diane Haithman, and Anthony D’Alessandro are contributing to Deadline’s Oscar coverage.
Related: OSCARS: Deadline’s Live Blog
So did the 12 Years A Slave team contemplate a potential best pic loss tonight? According to producer and co-star Brad Pitt — it didn’t matter if they won or lost. 12 Years A Slave in and of itself is a benchmark in cinematic history, unlike many films being made today. Asserted Pitt, “I love this story. It’s a historical story of man in an inhumane situation finding freedom. It’s an important film because it deals with our history that hasn’t been shown on screen. It’s important that we understand this era as it explains who we were, so we can better understand who we are now. The film is a gentle reminder that we’re all equal and want dignity for ourselves and for our families.” Fielding a question about how 12 Years A Slave has evolved cinema about African-Americans in the south since Gone With The Wind 75 years ago, McQueen exclaimed, “It’s obviously a progression. The background characters are now in the foreground and now they’re being recognized. It’s indicative of what’s going on; how people are ready for this narrative and how they want to look at this history. It’s like Brad said, ‘If you don’t know your past, we don’t know our future.’” Speaking about 12 Years‘ momentum around the world, producer Dede Gardner pointed out how Solomon Northup’s book is now available in high school libraries throughout the country after being out of print, while producer Jeremy Kleiner said, “the universality of the film’s story has broken down ideological concepts of what is a domestic and what is an international story.”
Related: OSCARS: The Complete Winners List
The robocalls and emails apparently did the trick. Academy CEO Dawn Hudson reports the 86th Oscar contest is responsible for another significant high mark in the Academy’s efforts to turn out the vote.”As we head toward Oscar Sunday, I am thrilled to report how engaged our members have been this voting season. Your efforts resulted in another record turnout. And we are so happy to see that members have embraced our online voting system, and are voting from all over the world easily and securely. Thank you for participating in this historic year – when all members were able to vote in all categories – and for honoring the brilliant artists in our community,” she wrote in an internal Friday memo. The Academy doesn’t reveal actual numbers but I was told by reliable sources that the turnout for the nominating phase was over 90%, and with a huge last-minute surge (and that effort to get members engaged in the process) the total for the final voting phase which ended last Tuesday may have exceeded that number. But what does it all mean? It’s been said before, but I will say it again, this is one of the tightest and most unpredictable Best Picture races I can remember and I am not sure what the massive turnout of the Acad’s 6028 eligible voters says other than there was obviously a lot of interest within Oscar’s ranks. I have talked to numerous members over the past few days at various Oscar-related events, and while the results vary, it is clear this has all finally turned into a real seesaw race between 12 Years A Slave and Gravity. It appears to be a divide so sharp between those two that Sony’s American Hustle has a fighting chance to be the real beneficiary in what has been widely acknowledged the past few weeks to be a three-way contest.
All attention is on the Oscars (and Spirits) this weekend, but a couple new specialty releases managed to gain some sparkle as they rolled out in limited release. Sony Pictures Classics’ Cannes debut The Lunchbox from India reigned over a half-dozen newcomers that rolled out Friday. The feature from the subcontinent (and not a “usual Bollywood” film) found traction to the tune of $51K-plus in an NYC & LA platform release for a solid $17,108 average, while Cinedigm’s Bag Man also bowed decently, grossing over $28K for a $14,245 average.
“It’s one of those engaging foreign films that has a potential to cross over [audiences],” SPC’s Michael Barker said about the film this week. “It’s culturally Indian, however the story crosses all borders.” Barker said the film will head to up to a dozen markets the following week, eventually playing the top 50 markets within five weeks of this weekend’s initial rollout.
Indie Spirit Awards: ‘12 Years A Slave’ Takes Best Feature And Dominates With Five Wins; McConaughey & Blanchett Top Actors
UPDATED WITH ALL WINNERS AND REACTIONS: The 29th annual Independent Spirit Awards ended up more like a cast party for Fox Searchlight’s 12 Years A Slave, which won five of the seven categories for which it was nominated today — including Best Feature and Best Director for Steve McQueen. The strong showing for the slave drama gives the pic plenty of momentum headed into tomorrow night’s Oscars, the marquee event in a long awards season in which 12 Years has been one of many films ebbing and flowing buzz-wise along with Warner Bros’ Gravity ahead of what’s being called one of the more wide-open Academy Awards in a long while.
Dede Gardner, a producer on the pic with her Plan B partner Brad Pitt, thanked the many people involved in making the movie (including Pitt for “getting the movie made when he said he would”). She also thanked the descendants of the film’s subject Solomon Northup. “It’s a reminder to care-take our freedom,” she said.
With most of the big studio pics in the Oscar Best Picture race sitting it out today with the focus on indie fare under a tent on the beach in mostly rain-free Santa Monica, it allowed others to shine. Dallas Buyers’ Club‘s acting duo of Matthew McConaughey and Jared Leto won Best Male Lead and Supporting Male, respectively. Cate Blanchett continued her hot streak winning Best Lead Female for Woody Allen’s Blue Jasmine, making her a solid favorite to win tomorrow night. Lupita Nyong’o won Best Supporting Female for 12 Years. That pic rounded out its wins with a Best Screenplay nod for John Ridley and Best Cinematography for Sean Bobbitt.
The Weinstein Company also had a good day during the ceremony, hosted by Patton Oswalt. Best Documentary went to the distrib’s 20 Feet From Stardom, whose subjects performed today, and Best First Feature went to writer-director Ryan Coogler for Fruitvale Station, which started its fruitful awards-season at Sundance 2012 when TWC acquired it for $2 million.
Oswalt presided over one of the most memorable parts of the show, when a black drone flew in and delivered the scroll announcing Nyong’o's win. Later, after Blue Is The Warmest Color won Best International Film, Oswalt came back out onstage covered in blood. ”Don’t touch the drone,” he quipped.
The weather, such an issue during the blustery and wet 2011 Spirit Awards, held for most of the day, with rain beginning to fall just as Blanchett reached backstage after her acceptance speech. ”There’s a storm coming,” she said to the press. “It was nice knowing you all in case we’re swept away.”
The Spirit Awards will be shown tonight at 10 PM ET/PT on IFC. But here’s how the day went down, with on-scene coverage by Deadline’s Pete Hammond, Dominic Patten and Anthony D’Alessandro and contributor Diane Haithman.
The best holds going into the Oscar weekend in the Top 20 at the box office are, as expected, those films nominated for Best Picture. There are two things that traditionally happen at the box office right before the …
In this week’s podcast, Deadline Awards Columnist Pete Hammond and host David Bloom do their annual Oscar preview ahead of the weekend’s festivities, to help you fill out that Oscar ballot with Pete’s choices and dark-horse candidates in all the major categories. David and Pete also preview Hollywood’s favorite beach party, the Independent Spirit Awards on Saturday. This year, nominees for the Spirit Awards don’t feel that independent with all the familiar names also up for Sunday’s kudos. Finally, David and Pete discuss the weekend’s notable movie debuts, led by the airplane thriller Non-Stop and the very Russian war movie Stalingrad.
Last chance Academy members — and you know who you are.
Voting for the 86th Annual Academy Awards closes today at 5 PM PT, but because of the Academy’s 2-year-old venture into online voting, members who opted in for that option actually have the luxury of time today getting their ballots in. Of course, if you are one of those members who chose the old-fashioned paper ballot and still haven’t voted for this year’s Oscars, you have only one alternative: It must be hand-delivered to the LA offices of PricewaterhouseCoopers at 601 S. Figueroa Street by that 5 PM cutoff.
There are no hard figures on just how many voters wait until the last day, but they are probably the same people seen dropping off their taxes at 11:59 PM on April 15th. I do know of a number of members who waited until this weekend to vote, particularly since this is the first year all 24 categories are open to everyone and the Academy sent out an elaborate 13-disc set of DVDs of Documentary Features, Foreign Language Film nominees and the Shorts. That’s a lot to get through. One consultant told me they estimate that anywhere from 5%-10% of the voters waited until the last 24 hours, even surmising that Monday may have been the single biggest day based on anecdotal evidence and past history. “Several members I spoke with thanked me for reminding them. They had forgotten believe it or not,” this person said. Academy president Cheryl Boone Isaacs and CEO Dawn Hudson have continued to work diligently to turn out the vote. “I voted. We’ve gotten voicemails, emails etc. They are doing a terrific job of making sure everyone does it by the deadline this week and I credit Cheryl for that, ” said one member in an email to me after they finally cast their ballot Sunday.
Costume Designers Guild Awards: Patricia Norris Wins For ’12 Years A Slave’, Suzy Benzinger For ‘Blue Jasmine’, Trish Summerville For ‘Catching Fire’, TV Winners ‘Downton Abbey’; ‘House Of Cards’, ‘Behind The Candelabra’
AwardsLine Deputy Editor Anna Lisa Raya provided on-scene coverage tonight.
UPDATED WITH ALL WINNERS AND SPEECHES: 12 Years A Slave’s Patricia Norris and Hunger Games: Catching Fire’s Trish Summerville nabbed top film awards tonight at the 16th annual Costume Designers Guild Awards. Norris won the Outstanding Period Film Award while Summerville scored the Outstanding Fantasy Film Award. The win clearly vaults Oscar-nominated Norris into frontrunner status. She was not present but her son Patrick accepted on her behalf. “She guaranteed me this wouldn’t happen. I’m kind of a little nervous but she gave me a few things to say in case it did happen. She’s honored that the Costume Designers Guild has recognized her. She thanks you and I appreciate you. I can’t wait to give this to her,” he said. Blue Jasmine’s Suzy Benzinger took the third film award of the night for Outstanding Contemporary Film.
On the TV side, Caroline McCall took the Outstanding Period/Fantasy category for Downton Abbey. This was her second straight win in the same category. Ellen Mirojnick won Outstanding Made for Television Movie or Miniseries for Behind The Candelabra and Tom Broecker took the Outstanding Contemporary Television Series honor for House Of Cards.
In other awards, writer/director/producer Judd Apatow received the Distinguished Collaborator Award for his support of costume design in such work as Freaks And Geeks, Girls, Bridesmaids and the Anchorman films. Jonah Hill made a surprise appearance to present the award to Apatow. “I wouldn’t necessarily think of Judd for the costume design in his films, it’s not the first thing to come to mind,” Hill said, before adding that Apatow’s work resonates because it’s about real people wearing real clothes. “That’s an artform. That’s real life. That’s what Judd does.” Apatow gave shout-outs to the many costume designers with whom he’s worked. “So many amazing people throughout our careers. Thank you so much and thank you for making us look good and making these characters come alive.” Veteran costume designer April Ferry (Maverick, Elysium) received the Career Achievement Award. “I absolutely love what I do and for me there’s no other way. Over the last 30 years I’ve traveled to ancient Rome all the way to the future and beyond. If you’re lucky, like I’ve been, you work at the seat of your pants with wonderful people,” Ferry said in accepting her award. The Distinguished Service Award went to Sharon Day, a guild delegate and former executive board member. Amy Adams was honored with the Lacoste Spotlight Award, which recognizes an actor whose roles have been intrinsically tied to costume design. Adams most recently stunned in a sexy, glamorous 1970s-era wardrobe in American Hustle, for which she’s nominated for a best lead actress Oscar. “I’m just really, really lucky to have had relationships with costume designers thorughout the years. You’ve been magicians, you’ve been my therapists, you’ve been my friends. Thank you for allowing me to turn your visions into art,” Adams said.
Host Joshua Malina kicked off the evening. “I’m Joshua Malina, and I’m a 42 Reg. I have a 32 inch waist and a 30 inch inseam. Yes, I said 30 inches. Don’t judge, we’re all God’s creatures,” he joked. “We’re here to celebrate the collaboration of costume designers and directors and actors. There’s also the talented cutters, and seamstresses, the dye-ers, the shoemakers. We’re all here together tonight and so far, getting along nicely,” he said.
Here’s the complete list of winners.
The Oscar nominated best pictures still in the theaters are holding well the last weekend before the Academy Awards. Most are at the end or nearing the end of their runs. Those distributors who re-released their films or upped the number of theaters post-nomination did receive nice bumps to add to their overall cumes. This is the last weekend before the Academy Awards, so traditionally the Oscar-nominated films still in theaters usually see rock solid numbers as moviegoers venture out to see them before the show. Last year’s Oscars brought in 40.3M viewers. Here is how they all look to play out this weekend and their overall cumes based on Saturday morning estimates:
12). American Hustle (SONY), 903 theaters / 3-day cume: $1.8M / Total cume: $144M+ / Wk 11
14). The Wolf of Wall Street (PAR), 627 theaters / 3-day cume: $1.3M / Total cume: $112.8M / Wk 9
15). Philomena (TWC), theaters / 3-day cume: $1.2M / Total cume: $32.7M / Wk 14
17). Gravity (WB), 348 theaters / 3-day cume: $914K / Total cume: $269.3M / Wk 21
20). 12 Years a Slave (FSL), 349 theaters / 3-day cume: $493K / Total cume: $49M / Wk 19
In this week’s podcast, Deadline Awards Columnist Pete Hammond and host David Bloom look at the impact of those all-over-the-map BAFTA Awards, which gave Gravity lots of love but handed 12 Years A Slave two important wins.
They also look at what questions are being asked by Fox Searchlight’s Oscar campaign for 12 Years, which declares that “it’s time,” and whether it may also be time for Oscar to hand a statue to Leonardo DiCaprio for The Wolf of Wall Street or to score composer Alexandre Desplat for Philomena.