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New Regency Acquires ‘Marching Powder’ As Star Vehicle For Chiwetel Ejiofor

By | Friday June 6, 2014 @ 1:34pm PDT
Mike Fleming

chiwEXCLUSIVE: New Regency has acquired the nonfiction book Marching Powder and will develop it as a star vehicle for Chiwetel Ejiofor. He is coming off an Oscar nomination for 12 Years A Slave, which New Regency produced with River Road, Plan B and Fox Searchlight released. Pic will be based on the Rusty Young and Thomas McFadden book Marching Powder: A True Story of Friendship, Cocaine, and South America’s Strangest Jail.

Related: Cannes: Chiwetel Ejiofor, Gwyneth Paltrow To Keep ‘The Secret In Their Eyes’

Ejiofor will play McFadden, a convicted English drug trafficker who ran tours inside Bolivia’s notorious San Pedro prison. Young, an Australian journalist, heard about McFadden’s prison life while backpacking in South America, and he bribed the guards to allow him to live in the prison and share a cell with McFadden. The two went on to chronicle one of the strangest and most compelling prison stories of all time. Basically, the inmates ran the place. They were expected to buy their cells from real estate agents. There were shops and restaurants, and hundreds of women and children live with imprisoned family members. Corrupt politicians and drug lords lived in luxury apartments. While kids ran around during the day, some of Bolivia’s busiest cocaine laboratories percolated at night. Read More »

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CAA Signs Oscar Winner Lupita Nyong’o

By | Tuesday April 22, 2014 @ 1:21pm PDT

lupita nyongoHot off her Best Supporting Actress Oscar win, Lupita Nyong’o has signed with CAA. The 2012 Yale School of Drama grad made her feature debut in the Steve McQueen-helmed Best Picture winner 12 Years A Slave playing cotton plantation slave Patsey opposite Chiwetel Ejiofor and Michael Fassbender. Nyong’o was a darling of Oscar season, storming red carpets and media appearances in what marked her breakthrough year during which she racked up numerous critics’ awards, a SAG Award, and Golden Globe and BAFTA nominations. The Kenyan-Mexican actress also appeared in Universal’s airborne thriller Non-Stop with Liam Neeson. She’s also repped by D2 Management and Del, Shaw, Moonves, Tanaka, Finkelstein & Lezcano.

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Deadline Awards Watch 67 – The CinemaCon Wrapup Podcast

By and | Friday March 28, 2014 @ 6:10pm PDT

Deadline Awards Watch ep 67In this week’s podcast, Deadline Awards Columnist Pete Hammond returns to the mike after a post-Oscar break to talk with host David Bloom about the just-ended CinemaCon gathering in Las Vegas. While all the studios used the confab to tout their hottest upcoming projects to theater operators, the longtime head of the National Association of Theater Owners touched off controversy with head-scratching comments about not watching Best Picture Oscar winner 12 Years A Slave on the big screen. Pete and David also discuss whether, in the wake of Josh Charles’ abrupt departure from The Good Wife, having your character killed off a hit TV show can be a shortcut to the Emmy red carpet. Finally, Pete gives his take on the weekend’s notable movie debuts, led by Darren Aronofsky’s audacious take on the Genesis story Noah.

Deadline Awards Watch podcast 67 (.MP3 version)
Deadline Awards Watch podcast 67 (.M4A version)

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CinemaCon: 20th Century Fox Fires Back At NATO Chief For ‘12 Years A Slave’ Remarks

By | Thursday March 27, 2014 @ 11:39am PDT
Pete Hammond

On Tuesday during his annual address to delegates at CinemaCon, National Association Of Theatre Owners president John Fithian caused a stir with a real head-scratcher that has keptCinemaCon2014_badge resonating among theater owners and some studio executives when he stated he waited to watch this year’s Oscar-winning Best Picture 12 Years A Slave at home, rather than at a cinema, becauseCinemaCon 2014 - The State Of The Industry: Past, Present And Future And Universal Studios Presentation it was too “unequivocally intense.”  For the head of an organization that is meant to promote movie-watching in theaters, singling out the Academy’s choice for Best Picture (with that Oscar distinction traditionally a real magnet to bring customers into theaters) was an eye-opener, and execs at 20th Century Fox to whom I have spoken were furious with the NATO chief for even suggesting, however personal, that the preferred way to see the widely acclaimed Fox Searchlight release was to wait and see it at home. This morning, near the beginning of their studio presentation at Caesars Palace’s Colisseum theatre, Fox shot back. ”All of (our) films are meant to be seen in the best possible venue, the cinema, your cinemas and that includes movies that win the Oscar for Best Picture like 12 Years A Slave,” said 20th Century Fox distribution president Chris Aronson in his opening remarks this morning that contained that not-so-veiled reference and response to Fithian’s comments.

Related: CinemaCon: ‘X Men’, Other Women, Lots Of Girls And An Ape Steal Show

12-Years-a-Slave-posterOf course it is no secret that many Academy members were, like Fithian, reluctant to watch the intense film, either in a theater or at home on their screener. That’s one of the reasons Fox Searchlight launched their second-phase “It’s Time” campaign in order to encourage them to view the film that would eventually take the top prize for the studio. But coming from the head of NATO, these remarks really stung, especially since he so publicly supports strict windows between the theatrical release of a movie and when it can be consumed at home. One Fox exec to whom I spoke was, in a word, livid when he heard Fithian’s remarks. Another major theatre chain head who played several runs of 12 Years A Slave and still has it in some theaters (even though it first opened in October) was equally outraged by the suggestion that the film is too intense for their screens. Another said, “It’s like if you were the head of Macy’s department store and urged people to shop in their store, but to buy your underwear online.” Read More »

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Film4′s Tessa Ross To Step Down; Veteran Exec Named Chief Of National Theatre

By | Wednesday March 26, 2014 @ 10:02am PDT

tessa dannyIn a major shake-up at the top of the UK industry, respected veteran Film4 head Tessa Ross is leaving her post to become Chief Executive of the National Theatre. Ross, whose most recent official title is Controller of Channel 4 Film and Drama, has headed up Film4, the feature division of the network, for more than a decade. She is considered one of the most powerful executives in the UK business and so integral to it that she is sometimes referred to as the “Mother of British filmmaking.” Film4 is one of the biggest supporters of the UK industry and under Ross has developed and financed such Oscar winners as 12 Years A Slave, Slumdog Millionaire and The Last King Of Scotland.

12-Years-a-Slave-posterCommenting on her departure, Channel 4 CEO David Abraham said, “Tessa’s job is one of the most coveted in film, both in the UK and internationally, and while she leaves big shoes to fill, we will shortly begin the task of identifying a new leader for the next chapter of Film4’s story. Meanwhile our commitment to investing in independent British film remains undimmed and we have every intention of building on the extraordinary reputation Tessa has created.” A peek at Film4′s credits is a who’s who of independent filmmaking talent. The upcoming slate includes Richard Ayoade’s The Double, Yann Demange’s ‘71, Daniel Wolfe’s Catch Me Daddy, Mike Leigh’s Mr Turner, Lenny Abrahamson’s Frank, Sarah Gavron’s Suffragette, and Todd Haynes’ Carol starring Cate Blanchett and Rooney Mara. The company’s previous credits have included Clio Barnard’s The Selfish Giant, Bart Layton’s The Imposter, Martin McDonagh’s In Bruges and Seven Psychopaths, Chris Morris’ Four Lions, Leigh’s Another Year, Ayoade’s Submarine, Paddy Considine’s Tyrannosaur, McQueen’s Hunger and Shame, and Meryl Streep-starrer The Iron Lady; all under Ross.

NationalTheatre_white on blackShe will remain at Film4 until September, and will stay on as Chair of the Growth Fund Advisory Council once in her new role. She will join the National in November, working alongside current artistic director Nicholas Hytner. She will formally become CEO, sharing the leadership of the National with Rufus Norris, when he becomes artistic director in April 2015. Read More »

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UPDATE: Intl Box Office: ‘300: Rise Of An Empire’ Lifts To $88.8M; ‘Non-Stop’ Passes $100M Worldwide; More

cinemaworld6th UPDATE, MONDAY 9:09 PM PT: Updated numbers for Best Picture Oscar winner 12 Years a Slave and Pompeii have been added below. 12 Years a Slaves cume internationally is now $104.5M and its worldwide total stands at $157.6M.

5TH UPDATE, MONDAY 12:20 PM PT: Warner Bros and Legendary Pictures’ 300: Rise Of An Empire is now tracking up 11% over the original 300 internationally. Revised numbers have just come in from Warner which says the movie took $88.8M in 58 markets. Some of the major territories were slightly down, but the overall cume was up. The Lego Movie was slightly lower than predicted at $9.6M on 5,585 screens, however the overall overseas cume is $135.4M, a small bolt off the originally estimated $135.6M. The Hobbit: The Desolation Of Smaug added a confirmed $7.5M internationally — down from the estimated $8M — and with $679.7M total; again, a breath away from the previously reported cume of $680M. As ever, numbers are updated in the territory sections below, with more to come as they roll in. Read More »

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Deadline Awards Watch 66: It’s An Oscar Wrap Podcast

Deadline Awards Watch ep 66After months of speculation, maneuvering, campaigning, champagning, Q&Aing and ever so much more, the 2013-14 awards season is done, done, done, and in this week’s podcast, Deadline Awards Columnist Pete Hammond and host David Bloom wrap up the winners and notable moments from this years Academy Awards ceremony. They’ll look at which studios (hint, the initials are W and B) and stars were big winners, why 12 Years a Slave is a lot like The Godfather, and why The Hammond Rule proved so durable throughout the season.

Pete and David also review the Oscar Lite ceremony that was Saturday’s Independent Spirit Awards, with winners in nearly every award exactly tracking the Oscar wins. Read More »

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NY Times Amends 1853 Article On Subject Of Oscar-Winning ‘12 Years A Slave’

By | Wednesday March 5, 2014 @ 3:14am PST

12 years a slaveThe New York Times on Tuesday issued a correction to a 161-year-old story that covered the plight of Solomon Northup, the subject of Best Picture Oscar winner 12 Years A Slave. The original newspaper report, dated January 20, 1853, ran with the headline “The Kidnapping Case” and the sub-headline “Narrative of the Seizure and Recovery of Solomon Northrup.” The article had two misspellings of Northup’s name, one in the sub-headline and one in the body that spelled it as Northrop. The correction was made after people tweeted the error on Monday. One of the Twitter posts was by author Rebecca Skloot, rights to whose 2010 non-fiction bestseller The Immortal Life Of Henrietta Lacks were acquired by HBO Films for a movie to be exec produced by Oprah Winfrey and Alan Ball. 12 Years A Slave is the story of a New York State black man who was born free but later kidnapped in Washington, DC in 1841 and sold into slavery. The NYT correction notes in part: “The errors notwithstanding, The Times described the article as ‘a more complete and authentic record than has yet appeared’.”

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Stephen Colbert Breaks Down The Oscar Wins: Video

On his Comedy Central show The Colbert Report, Stephen Colbert discusses the terrible evil of slavery resulting in an Oscar for Best Picture, and Matthew McConaughey‘s acceptance speech for his Dallas Buyers Club win, in which he talked about his personal hero –  Matthew McConaughey. Watch here:

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OSCARS: A Selfie-Important Academy Awards Honors Our Past And Our Future And Hits Just The Right Notes

By | Monday March 3, 2014 @ 6:43am PST
Pete Hammond

In the end the Academy Awards fell right into place with every other awards show this season. Gravity got LOTS of love but it ended with 12 Years A Slave‘s Steve McQueen making the big Oscars selfie Ellenacceptance speech of the night for Best Picture — just like it went at the Golden Globes, Critics Choice Movie Awards, BAFTA, PGA and others. It’s a weird year when a blockbuster picture like Gravity can win seven Oscars including Best Director yet lose the big one. But science fiction is not a category the Oscars have ever embraced in that way, and this year was no exception. In 1977 Star Wars also won seven Oscars yet lost in the end to Best Pic winner Annie Hall, which only picked up four awards overall much like Slave’s haul of three nods this year. The record still stands though with 1972′s Cabaret winning eight Oscars but losing ultimately to The Godfather which won only three including Best Picture.

Related:
OSCARS: The Complete Winners List
OSCARS: 2014 Winners Photo Gallery

86th Annual Academy Awards - ShowHow do you explain it? It’s called spreading the wealth but wanting to save your most important award for a movie that has real gravitas, one that breaks barriers over what the Academy has ever done before. A movie directed by a black person has never before won nor has a film that so harrowingly details one aspect of the black experience. 12 Years A Slave may have depicted the dark side of this country in a way Oscar had never before recognized, but the Academy wanted to spotlight that and reward it with its highest prize in a year of great films about the black experience. In fact the whole show was full of diversity including numerous black presenters and the Best Director award to Mexican filmmaker Alfonso Cuaron.

Related:
OSCARS: Deadline’s Live Blog
Backstage At The Oscars

Read More »

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Deadline’s Oscars Blog: ‘12 Years A Slave’, ‘Gravity’ And Boredom Reign Supreme

By and | Sunday March 2, 2014 @ 5:30pm PST

Oscars Live Blog
Here we are again after the Golden Globes,  Mike Fleming and Anita Busch taking on the task of play by play during the most wide-open Oscar race we can remember. Even on the party circuit, industry insiders who usually have a grasp of who’ll walk away with Oscars were evenly torn between Alfonso Cuaron’s 3D masterpiece Gravity and Steve McQueen’s 12 Years A Slave. Then again, there were so many terrific films that got Best Picture nominations, and all of them have at least a puncher’s chance at an upset.

Related: OSCARS: Pete Hammond’s Absolute FINAL Predictions

That includes American Hustle, where David O Russell co-wrote the Best Original Script nominee with Eric Warren Singer and got tour de force performances and nominations for Christian Bale, Amy Adams, Bradley Cooper and Jennifer Lawrence. Perfs so strong there was no room on the nomination roster for perennial Oscar nominee Jeremy Renner. The film is up for 10 awards, and has grossed over $240 million on a $40 million budget.

86th Annual Academy Awards - Red CarpetThen there is The Wolf Of Wall Street, with Leonardo DiCaprio giving the most emphatic and complete performance of a great career, and Jonah Hill right there with him as his crazy con man sidekick. The film is up for five nominations, including Martin Scorsese for directing a terrific adaptation from The Sopranos and Boardwalk Empire vet Terence Winter.

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OSCARS: The Complete Winners List

By | Sunday March 2, 2014 @ 5:29pm PST

Related:
OSCARS: Deadline’s Live Blog
OSCARS: Wins By Film & Studio
Backstage At The Oscars

 Academy Award Winners 201486TH ANNUAL ACADEMY AWARDS WINNERS

PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE
Jared Leto in “Dallas Buyers Club” (Focus Features)

ACHIEVEMENT IN COSTUME DESIGN
“The Great Gatsby” (Warner Bros.) Catherine Martin

ACHIEVEMENT IN MAKEUP AND HAIRSTYLING
“Dallas Buyers Club” (Focus Features) Adruitha Lee and Robin Mathews

BEST ANIMATED SHORT FILM
“Mr. Hublot”

BEST ANIMATED FEATURE FILM OF THE YEAR
“Frozen” (Walt Disney)
Chris Buck, Jennifer Lee and Peter Del Vecho

ACHIEVEMENT IN VISUAL EFFECTS
“Gravity” (Warner Bros.) Tim Webber, Chris Lawrence, Dave Shirk and Neil Corbould

BEST LIVE ACTION SHORT FILM
“Helium”
An M & M Production
Anders Walter and Kim Magnusson

BEST DOCUMENTARY SHORT SUBJECT
“The Lady In Number 6: Music Saved My Life”
A Reed Entertainment Production
Malcolm Clarke and Nicholas Reed

BEST DOCUMENTARY FEATURE
“20 Feet From Stardom” (RADiUS-TWC)
A Gil Friesen Productions and Tremolo Production
Morgan Neville, Gil Friesen and Caitrin Rogers

BEST FOREIGN LANGUAGE FILM OF THE YEAR
“The Great Beauty” (Janus Films) – Italy
An Indigo Film Production

ACHIEVEMENT IN SOUND MIXING
“Gravity” (Warner Bros.) Skip Lievsay, Niv Adiri, Christopher Benstead and Chris Munro

PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE
Lupita Nyong’o in “12 Years A Slave” (Fox Searchlight)

ACHIEVEMENT IN CINEMATOGRAPHY
“Gravity” (Warner Bros.) Emmanuel Lubezki

ACHIEVEMENT IN FILM EDITING
“Gravity” (Warner Bros.) Alfonso Cuarón and Mark Sanger

ACHIEVEMENT IN PRODUCTION DESIGN
“The Great Gatsby” (Warner Bros.) Production Design: Catherine Martin; … Read More »

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Backstage At The Oscars

By | Sunday March 2, 2014 @ 5:29pm PST

Anna Lisa Raya, Diane Haithman, and Anthony D’Alessandro are contributing to Deadline’s Oscar coverage.

Related: OSCARS: Deadline’s Live Blog

86th Annual Academy Awards - ShowSo did the 12 Years A Slave team contemplate a potential best pic loss tonight? According to producer and co-star Brad Pitt — it didn’t matter if they won or lost. 12 Years A Slave in and of itself is a benchmark in cinematic history, unlike many films being made Oscars selfie Ellentoday. Asserted Pitt, “I love this story. It’s a historical story of man in an inhumane situation finding freedom. It’s an important film because it deals with our history that hasn’t been shown on screen. It’s important that we understand this era as it explains who we were, so we can better understand who we are now. The film is a gentle reminder that we’re all equal and want dignity for ourselves and for our families.” Fielding a question about how 12 Years A Slave has evolved cinema about African-Americans in the south since Gone With The Wind 75 years ago, McQueen exclaimed, “It’s obviously a progression. The background characters are now in the foreground and now they’re being recognized. It’s indicative of what’s going on; how people are ready for this narrative and how they want to look at this history. It’s like Brad said, ‘If you don’t know your past, we don’t know our future.’” Speaking about 12 Years‘ momentum around the world, producer Dede Gardner pointed out how Solomon Northup’s book is now available in high school libraries throughout the country after being out of print, while producer Jeremy Kleiner said, “the universality of the film’s story has broken down ideological concepts of what is a domestic and what is an international story.”

Related: OSCARS: The Complete Winners List

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OSCARS: Record Voting Turnout According To Academy But What Does It All Mean?

By | Sunday March 2, 2014 @ 1:52pm PST
Pete Hammond

The robocalls and emails apparently did the trick. Academy CEO Dawn Hudson reports the 86th Oscar contest is responsible for another significant high mark in the Academy’s efforts to turn out the vote.”As we head toward Oscar Sunday, I am thrilled to report how engaged our members have been this voting season. Your efforts resulted in another record turnout. And we are so happy to see that members have embraced our online voting system, and are voting from all over the world  easily and securely. Thank you for participating in this historic year – when all members were able to vote in all categories – and for honoring the brilliant artists in our community,” she wrote in an internal Friday memo. The Academy doesn’t reveal actual numbers but I was Oscar_badgetold by reliable sources that the turnout for the nominating phase was over 90%, and with a huge last-minute surge (and that effort to get members engaged in the process) the total for the final voting phase which ended last Tuesday may have exceeded that number. But what does it all mean? It’s been said before, but I will say it again, this is one of the tightest and most unpredictable Best Picture races I can remember and I am not sure what the massive turnout of the Acad’s 6028 eligible voters says other than there was obviously a lot of interest within Oscar’s ranks. I have talked to numerous members over the past few days at various Oscar-related events, and while the results vary, it is clear this has all finally turned into a real seesaw race between 12 Years A Slave and Gravity. It appears to be a divide so sharp between those two that Sony’s American Hustle has a fighting chance to be the real beneficiary in what has been widely acknowledged the past few weeks to be a three-way contest.

Related: OSCARS: Pete Hammond’s Absolute FINAL Predictions In Every Category In One Of The Most Competitive Races Ever

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Specialty Box Office: SPC’s ‘The Lunchbox’ Solid Newcomer As Oscar Hopefuls Continue Their Reign

By | Sunday March 2, 2014 @ 11:40am PST

boxoffice-specialty__111212022432-200x150 (1)All attention is on the Oscars (and Spirits) this weekend, but a couple new specialty releases managed to gain some sparkle as they rolled out in limited release. Sony Pictures Classics’ Cannes debut The Lunchbox from India reigned over a half-dozen newcomers that rolled out Friday. e LunchboxThe feature from the subcontinent (and not a “usual Bollywood” film) found traction to the tune of $51K-plus in an NYC & LA platform release for a solid $17,108 average, while Cinedigm’s Bag Man also bowed decently, grossing over $28K for a $14,245 average.

Related: BOX OFFICE: ‘Non-Stop,’ And Powerful ‘Son Of God’ Fly Past ‘Lego’ On Wings And A Prayer; ‘Lego’ Passes $200M, ‘Frozen’ To Pass $1 Billion

“It’s one of those engaging foreign films that has a potential to cross over [audiences],” SPC’s Michael Barker said about the film this week. “It’s culturally Indian, however the story crosses all borders.” Barker said the film will head to up to a dozen markets the following week, eventually playing the top 50 markets within five weeks of this weekend’s initial rollout.

Related: OSCARS: Pete Hammond’s Absolute FINAL Predictions In Every Category In One Of The Most Competitive Races Ever

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OSCARS: Pete Hammond’s Absolute FINAL Predictions In Every Category In One Of The Most Competitive Races Ever

Pete Hammond

This column originally ran Thursday.

With no real clarity from the usually reliable guild contests and critics awards, the best picture race is one of the mostOscar Predictions 201480th Academy Awards NYC Meet the Oscars Opening unpredictable in years. Considering the preferential Oscar voting system, it is not probable there will be a winner on the first ballot because it’s unlikely any film in this great year for films will be able to  muster more than 50% of the first-place votes required. The second choice on those best picture ballots could end up being the most important. The top three contenders—12 Years A Slave, American Hustle and Gravity—are in a real dog fight, which means a dark horse like The Wolf Of Wall Street, PhilomenaDallas Buyers Club or Nebraska could sneak in if a true three-way split occurs, although I don’t think that scenario is too likely. Never say never though. In 1981 for example no one was expecting a small British film called Chariots Of Fire to sneak in and take Best Picture but indeed it did. The last huge upset in the Picture race was probably Crash over Brokeback Mountain in 2005 but judging from voter interviews that year I saw a tidal wave of last minute support. This year I don’t get that. There are lots of opinions out there and it looks like … Read More »

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Indie Spirit Awards: ‘12 Years A Slave’ Takes Best Feature And Dominates With Five Wins; McConaughey & Blanchett Top Actors

By | Saturday March 1, 2014 @ 1:24pm PST

!2YearsASlaveSpiritsUPDATED WITH ALL WINNERS AND REACTIONS: The 29th annual Independent Spirit Awards ended up more like a cast party for Fox Searchlight’s 12 Years A Slave, which won five of the seven categories for which it was nominated today — including Best Feature and Best Director for Steve McQueen. The strong showing for the slave drama gives the pic plenty of momentum headed into tomorrow night’s Oscars, the marquee event in a long awards season in which 12 Years has been one of many films ebbing and flowing buzz-wise along with Warner Bros’ Gravity ahead of what’s being called one of the more wide-open Academy Awards in a long while.

Dede Gardner, a producer on the pic with her Plan B partner Brad Pitt, thanked the many people involved in making the movie (including Pitt for “getting the movie made when he said he would”). She also thanked the descendants of the film’s subject Solomon Northup. “It’s a reminder to care-take our freedom,” she said.

Spirit Award WinnersWith most of the big studio pics in the Oscar Best Picture race sitting it out today with the focus on indie fare under a tent on the beach in mostly rain-free Santa Monica, it allowed others to shine. Dallas Buyers’ Club‘s acting duo of Matthew McConaughey and Jared Leto won Best Male Lead and Supporting Male, respectively. Cate Blanchett continued her hot streak winning Best Lead Female for Woody Allen’s Blue Jasmine, making her a solid favorite to win tomorrow night. Lupita Nyong’o won Best Supporting Female for 12 Years. That pic rounded out its wins with a Best Screenplay nod for John Ridley and Best Cinematography for Sean Bobbitt.

2014 Film Independent Spirit Awards - Show2014 Film Independent Spirit Awards - Backstage And AudienceThe Weinstein Company also had a good day during the ceremony, hosted by Patton Oswalt. Best Documentary went to the distrib’s 20 Feet From Stardom, whose subjects performed today, and Best First Feature went to writer-director Ryan Coogler for Fruitvale Station, which started its fruitful awards-season at Sundance 2012 when TWC acquired it for $2 million.

Oswalt presided over one of the most memorable parts of the show, when a black drone flew in and delivered the scroll announcing Nyong’o's win. Later, after Blue Is The Warmest Color won Best International Film, Oswalt came back out onstage covered in blood. ”Don’t touch the drone,” he quipped.

The weather, such an issue during the blustery and wet 2011 Spirit Awards, held for most of the day, with rain beginning to fall just as Blanchett reached backstage after her acceptance speech. ”There’s a storm coming,” she said to the press. “It was nice knowing you all in case we’re swept away.”

Related: Oscars Rainout? Organizers Say No Way

The Spirit Awards will be shown tonight at 10 PM ET/PT on IFC. But here’s how the day went down, with on-scene coverage by Deadline’s Pete HammondDominic Patten and Anthony D’Alessandro and contributor Diane Haithman.

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OSCARS: Best Picture Titles Best Holds This Weekend At Box Office

Oscar_badgeThe best holds going into the Oscar weekend in the Top 20 at the box office are, as expected, those films nominated for Best Picture. There are two things that traditionally happen at the box office right before the Academy Awards. Oscars 2014 - Unsung HeroesOscars 2014 - Unsung HeroesFirst, all the nominated films still playing receive a bump the weekend before and of the Awards show. And secondly, overall, movie going for the older female demographic drops slightly on Sunday (around 15%). The result for all grosses is negligible, however.

12 Years A SlaveOf the titles still playing in the top 20, 12 Years a Slave has far and above the best hold weekend to weekend, up 70% for Fox Searchlight. Kudos to Frank Rodriguez at FSL and all of these distribution executives who we have watched week to week deftly handling these pictures. Sony/Annapurna’s American Hustle held strong with a 6% increase (thanks to Jeff Blake and Rory Bruer) and Philomena was up 3% (Erik Lomis at TWC). All added theaters. Of those that shed theaters, Warner Bros.’ Gravity (Dan Fellman and Jeff Goldstein) and Paramount/Red Granite’s The Wolf of Wall Street (distrib head Don Harris) had only slight declines of … Read More »

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Deadline Awards Watch 65 – Pete Hammond’s Oscar Picks Podcast

By and | Friday February 28, 2014 @ 10:18am PST

Deadline Awards Watch ep 65In this week’s podcast, Deadline Awards Columnist Pete Hammond and host David Bloom do their annual Oscar preview ahead of the weekend’s festivities, to help you fill out that Oscar ballot with Pete’s choices and dark-horse candidates in all the major categories. David and Pete also preview Hollywood’s favorite beach party, the Independent Spirit Awards on Saturday. This year, nominees for the Spirit Awards don’t feel that independent with all the familiar names also up for Sunday’s kudos. Finally, David and Pete discuss the weekend’s notable movie debuts, led by the airplane thriller Non-Stop and the very Russian war movie Stalingrad.

Deadline Awards Watch podcast 67 (.MP3 version)
Deadline Awards Watch podcast 67 (.M4A version)
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