International Box Office: ‘Frozen’ Hits China, ‘47 Ronin’ To Pass $100M, ‘RoboCop’ No. 1 in 10 Markets

cinemaworld1__140113015419UPDATED Monday, 12:25 P.M.: Spain and Germany have been added and numbers updated. We will continue to add numbers as we receive them. The U.S. box office monster The Lego Movie updated grosses have been input.

PREVIOUSLY, Sunday, 11:28 A.M.: This weekend is down just about 8% off last year, an improvement off last week’s 25% drop in the comparable time frame. Walt Disney Studios’ Frozen pushed past the $900M worldwide mark this weekend to $913.7M. In China, it took in an estimated $13.7M since bowing on Wednesday amid a crowded Lunar New Year field. It is the biggest Disney Animation opening ever in China and the second biggest Disney/Pixar animated opening film there behind Monster’s University. Frozen’s international cume is now an estimated $545.1M. The Lego Movie, which did a whopping $69.1M domestically, debuted in 34 markets and raked in a strong $18.7M from 5,695 screens. It was notably constructive in Mexico, Spain, Brazil and Hong Kong where it nabbed the No. 1 spots. In Hong Kong, it ranked ahead of four local titles for the top spot and $1M. Meanwhile, Universal’s 47 Ronin becomes the distributors’ first picture to Lego Moviecross the $100M mark in 2014. It grossed another $4.5M in 39 territories this weekend in 2,184 locales. Its worldwide cume is nearing $138M with six territories yet to open over the next two months. DreamWorks Animation’s Mr. Peabody & Sherman traveled back to the past to score a real-time No. 1 in the UK where it bested new opener Robocop. Robocop, however, opened at No. 1 in 10 markets this weekend for an estimated cume to date of $28.7M ahead of its bow in 30 more territories this week, plus the U.S. on Wednesday. The Hobbit: The Desolation of Smaug has so far grossed $602.7M internationally to push its worldwide cume to $858M. Here are the key territory breakdowns for the above and other films this week:

Related: BOX OFFICE: ‘Lego’ Blockbuster $69M+; ‘Monuments Men’ Solid Second; ‘Vampire Academy’ Has No Bite

ASIA
frozen-two-princesses-618x400Frozen opened in China on February 5, in the waning days of the Lunar New Year celebration that was packed with local pics. The Disney film earned an estimated $13.7M to make it the 2nd biggest Disney/Pixar animated bow ever. The last animated studio film to debut in the country was Universal’s Despicable Me 2 in early January which took $14.4M in its opening frame and now has over $49M. In Korea, Frozen dropped 32% from a weekend earlier for a new cume of $57.7M; it is the highest animated title ever in that territory. Read More »

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Box Office Update: ‘Mitty,’ ‘Dinosaurs’ Worldwide Totals May Surprise

Ben Stiller in a still from The Secret Life of Walter MittyThe Thanksgiving and Christmas holidays were flooded with films. Many of those pictures opened to less than stellar numbers in the U.S. and are all but forgotten as box office reporting goes onto the new openers. But, some of those holiday films are doing well overseas, and worth noting like the Fox marketed/distributed The Secret Life Of Walter Mitty which has grossed $161.2M worldwide to date. So, I’m compiling a few of the more interesting holiday openers just to revisit where they are in their worldwide runs. This is not to say that they are profitable films, only to note that their total worldwide cumes are rather surprising. Mitty and Walking With Dinosaurs are but two of these films. cover1762399bigAllMitty opened at Christmas and has grossed a total U.S. of $55.7M to date but has received roughly 66% of its entire box office from international markets with $106.2M. Meanwhile, the kid-friendly dinosaur film that got stuck in the sludge in the domestic marketplace when it opened on December 20, Walking With Dinosaurs at $106M has grossed roughly 67% of its worldwide cume overseas with $72.2M for a worldwide total (as of last Sunday). The overseas figure is more than double Dinosaurs domestic box office to date of $34.4M. Read More »

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Box Office Final Numbers: Weather Knocks Film Grosses Down Across The Board

OPENING: Paranormal Activity: The Marked Ones (Paramount, wide) $18.3 est. 3-day opening for recast franchise NOTEWORTHY: Frozen (DIS) crosses $600M worldwide

BoxOffice_logo__131122164403-275x206__131207011855UPDATED MONDAY, 1:30 PM: Final numbers for all weekend estimates are less than expected as arctic temps across the nation kept moviegoers home Sunday night. As it played out, The Wolf of Wall Street ended up at $13.2M and American Hustle at $12.4M for the three-day weekend and, of the top ten, Wolf had the best weekend to weekend hold, down 29%. Other pics have been in the marketplace longer, of course, but it is still worth noting. Opening wide this Friday will be The Legend of Hercules from Lionsgate from director Renny Harlin, Universal’s Afghan battle pic Lone Survivor and expanding to 1,700 screens is Warner Bros.’ Her from Spike Jonze. Here are the final numbers and rankings from this weekend. Bottom ten on second page:

1). Frozen (DIS), $19,575,525 3-day (-32% from previous weekend) / 3,318 locations (-17) / $5,900 average / Cume: $296,691,729 / Wk 7

2). Paranormal Activity: The Marked Ones (PAR), $18,343,611 / 2,867 locations / $6,398 average / Cume: $18,343,611, / Wk 1

3). The Hobbit: The Desolation Of Smaug (WB), $15,675,220 (-46%)/ 3,730 locations (-168) $4,202 average / Cume: $229,059,642 / Wk 4

4). The Wolf Of Wall Street (PAR), $13,230,353 (-29%) / 2,557 locations (+20) / $5,174 average / Cume: $63,125,467 / Wk 2

5). American Hustle (SONY), $12,404,207 (-34%) / 2,518 locations (+11) / $4,926 average / Cume: $87,923,123 / Wk 4

6). Anchorman 2: The Legend Continues (PAR) $10,633,959 (-45%)/ 3,407 locations (-100) / $3,121 average / Cume; $108,713,472 / Wk 3

7). Saving Mr. Banks (DIS), $8,694,891 (-35%) / 2,110 locations (0) / $4,121 average / Cume: $58,958,280 / Wk 4

8). The Secret Life Of Walter Mitty (FOX), $8,001,717  (-37%)/ 2,922 locations (+13) / $2,738 average / Cume: $45,470,954 / Wk  2

9). The Hunger Games: Catching Fire (LG), $7,051,309 (-30%) / 2,143 locations (-172) / $3,290 average / Cume: $407,139,699 / Wk 7

10). Grudge Match (WB), $5,325,423 (-34%) / 2,856 locations (+18) / $1,865 average / Cume: $24,835,480, / Wk 2

Read More »

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Christmas Box Office Update: Last Weekend Of 2013 Up 8.1% On More Movies In Marketplace, ‘Hobbit,’ ‘Frozen,’ Together Take 34% Out Of Weekend, ‘Anchorman 2,’ ‘Hustle,’ ‘Wolf’ Follow

CHRISTMAS DAY OPENERS: The Wolf Of Wall Street (Paramount, wide) sliding down to No. 5 in 3-day, The Secret Life Of Walter Mitty (Fox, wide), 47 Ronin (Universal, wide) bomb, Grudge Match (Warner Bros, wide), Justin Bieber’s Believe (Open Road, moderate), The Invisible Woman (Sony Pictures Classics, ltd), Lone Survivor (Universal, 2 runs), August: Osage County (The Weinstein Co, ltd on Friday) $35,000 per screen wknd.

BoxOffice_logo__131122164403-275x206UPDATE: MONDAY, 2:42 PM: Year-to-date industry box office numbers are in, showing a slight increase of less than one percentage point from last year, or about $90M difference. Specifically, 2013 grosses rose .8% to $10.763B for the year ending 12/29/13 vs. $10.674B for the year ending 12/30/12 (as previously reported it would be less than 1%). When you just look at the Top Ten films in the marketplace over the last weekend of 2012 vs 2013, there was an overall increase this year of 8.1% in grosses, according to Rentrak. In analyzing these numbers, one must take into account that this year there were simply more movies in the marketplace. We must also look at attendance and ticket prices increases or decreases. But those specific attendance figures and average tickets prices, which will round out the big picture, won’t be released by the National Association of Theater Owners for another few weeks. In the meantime, here are the 3-day and 5-day Christmas holiday box office weekend numbers from Rentrak. These are the best estimates available, given that the studios only reported their estimates and the actuals won’t arrive until Thursday.

1). The Hobbit: The Desolation Of Smaug (WB), $29,040,000 (3-day), $48,870,000 (5-day), 3,928 locations, $189,494,000, Wk 3.

2. Frozen (DIS), $28,596,319 (3-day), $44,059,244 (5-day), 3,335 locations, $248,117,795, Wk 6.

3). Anchorman 2 (PAR), $19,662,000 (3-day), $35,126,000 (5-day), 3,507 locations, $83,180,000, Wk 2.

4). American Hustle (SONY), $18,701,000 (3-day), $32,451,000 (5-day), 2,507 locations, $59,185,000, Wk 3.

5). The Wolf Of Wall Street (PAR), $18,360,000 (3-day), $34,151,000 (5-day), 2,537 locations, $34,152,000, Wk 1.

6). Saving Mr. Banks (DISNEY) $13,453,533 (3-day), $23,261,566 (5-day), 2,110 locations, $37,276,150, Wk 3.

7). The Secret Life Of Walter Mitty (Fox), $12,765,508 (3-day), $25,360,468 (5-day), 2,909 locations, $25,360,468, Wk 1

8). The Hunger Games: Catching Fire (LGF) $10,061,479 (3-day), $15,629,461 (5-day), 2,315 locations, $390,985,322, Wk 6

9). 47 Ronin (Uni) $9,910,310 (3-day), $20,612,531 (5-day) 2,689 locations, $20,612,530, Wk 1.

10). Walking With Dinosaurs (Fox) $7,276,172 (3-day), $11,151,353 (5-day) 3,243 locations, $20,944,478, Wk 2

11). Grudge Match (WB) $7,015,000 (3-day), $13.4M (5-day), 2,838 locations, $13,140,000, Wk 1

12). Tyler Perry’s A Madea Christmas (LGF) $6,887,194 (3-day), $12.4M (5-day), 1,788 locations, $43,206,270, Wk 3.
Read More »

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International Box Office Update: ‘Desolation Of Smaug’ Adds $97.4M To Edge Ahead of First ‘Hobbit’; ‘Anchorman 2′ Nearly Triples 1st Pic’s Total; ‘Dinosaurs’ Roam; ‘Dhoom’ Vrooms; ‘About Time’ Record; More

International box office highlights: Warner Bros’ The Hobbit: The Desolation Of Smaug added $97.4M in its second outing for a $278.4M cume; now running neck-and-neck with An Unexpected Journey. The studio had a record opening in Russia and has been given a China release date of February 21st. Paramount’s Anchorman 2: The Legend Continues was the biggest overseas opening weekend ever for a Will Ferrell movie with $13.4M in six territories, almost tripling the first movie’s $5M international career total. Fox’s Walking With Dinosaurs landed $13.8M in 40 markets on its debut. Universal’s 47 Ronin bowed No. 1 in Malaysia for an estimated $1.1M at 91 dates, beating its Japanese start two weeks ago of $1.05M at 333 locations. The same studio’s About Time is now the biggest foreign romantic comedy ever in Korea and the studio’s biggest film in the territory this year. India’s Dhoom 3 broke records at home and abroad.

smaugUPDATE: MONDAY, 12:30 PM: Final numbers are arriving to show that The Hobbit: Desolation of Smaug actually brought in a higher gross than estimated with a total haul of $97.4M from 16,840 screens in 56 markets, representing a drop of -42% from last weekend’s opening.  The international cume to date is now $278.4M and it has edged ahead of the first Hobbit (in the same markets at the same point in release). The worldwide cume is now $406M. Studio expectations are that the sequel will ultimately gross very close to the first Hobbit when all is said and done. The Hobbit: An Unexpected Journey ended with a total international cume of $714.M. The other WBros.’ title in the marketplace, Gravity, also ended up slightly more — $4.1M from 1,769 screens in 32 markets.  The international cume to date of $398.8M for Desolation of Smaug now stands just a smidgen higher than its weekend estimate. It currently ranks number one in the UK, Germany, France and Spain in its second weekend. It is still yet to open in Australia (Dec. 26), China (Feb. 21) and Japan (Feb. 28). Totals for The Hunger Games: Catching Fire were higher than estimated. In 86 markets, it took in another $12.2M for a total cume of $394.5M.

The weekend overall was down across distributors by about 27% versus last weekend, but only 9% versus last year, data indicates. According to international estimates, Warner BrosThe Hobbit: The Desolation Of Smaug was the big performer overseas in its 2nd frame, adding $96M on 16,830 screens across 56 markets. The estimated haul was a 43% drop from last weekend’s opening and gives the film a $276.3M cume for parity with 2012′s The Hobbit: An Unexpected Journey at the same point in release in the same markets.

anchorman 2Among the new openers, Paramount‘s Anchorman 2: The Legend Continues had the biggest debut weekend internationally for a Will Ferrell movie. The sequel to 2004′s Anchorman: The Legend Of Ron Burgundy opened in six territories outside North America and brought in an estimated $13.4M. That’s kind of a big deal when compared to the first film whose career total overseas was $5M. Ferrell is better-known now outside the States than in 2004, and with the promotional push the movie has gotten this time around, it was a safe bet the follow-up would outperform. Its five-day opening gross in the UK is estimated at $7.4M, or 725% better than the first installment, Paramount says. Australia opened at No. 1 with $5.2M from 243 theaters, nearly seven times the first Anchorman. In New Zealand, the film opened at 64 locations for $480K, slotting in at No. 2 behind the homegrown The Hobbit: The Desolation Of Smaug. With $200K at 54 locations in Sweden, Anchorman 2 bested the entire $24K lifetime gross of the first film on its opening day (does it help that Ferrell’s wife is Swedish?). The next international territory to open will be Germany in late January. Latin America opens in early February.

Walking-With-Dinosaurs-The-3D-MovieFox‘s Walking With Dinosaurs roamed for the first time this weekend, breaking into 40 markets for a total estimated haul of $13.8M from 7,576 screens. Of those 40 markets, six are non-Fox distributed. Barry Cook and Neil Nightingale directed the CG/live-action movie that’s based on the 1999 BBC miniseries and a live touring show that was seen by more than 8 million people around the world. The 3D movie was originally financed by Reliance, and Fox picked up U.S. and other international rights back in 2010. The story is set 70 million years ago during the Late Cretaceous period and follows the adventures of an underdog dino named Patchi. The voice cast includes John Leguizamo, Justin Long, Tiya Sircar and Skyler Stone. This weekend, the film claimed the No. 2 or No. 3 market share position in most bows. Read More »

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Hot Trailer: ‘47 Ronin’

By | Monday October 28, 2013 @ 8:38am PDT

Universal has moved the release date twice for 47 Ronin, the 3D action-adventure pic set in mythical Japan about a half-breed slave (Keanu Reeves) who joins a band of 47 masterless samurai in a quest for vengeance. Storylines outside the movie are as numerous as those within the pic: as … Read More »

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Hot Trailer: ‘47 Ronin’

By | Wednesday July 24, 2013 @ 9:54am PDT

Keanu Reeves stars in Universal‘s pricey 3D action-adventure epic as Kai, a half-breed slave who joins a band of 47 masterless samurai in a quest for vengeance. Set in a mythical Japan filled with shape-shifting witches and monsters, 47 Ronin is directed by first-timer … Read More »

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Despite Reports, Carl Rinsch Is Still Working On ’47 Ronin’

By | Thursday September 27, 2012 @ 11:23am PDT
Mike Fleming

Despite reports that 47 Ronin was taken away from first-time feature director Carl Rinsch because of a budget that swelled to $225 million, I can tell you that Rinsch has been in the editing room all week, working side by side with the studio on the challenged Universal picture. And studio sources swear the budget will not cross the $200 million mark, despite a reshoot (that Rinsch himself directed) and despite the fact Universal has twice moved the release date of this Keanu Reeves-starrer.

At the risk of seeming like a studio apologist, I hate how difficulties in the process of putting together big-budget movies has been turned into bloodsport reporting, particularly when it is sort of accurate but exaggerated. Look, we all know that when stories crop up about films that do reshoots or extra shooting, it is not a good sign.

Sometimes, as was the case on Rise Of The Planet Of The Apes, a rumored tough shoot and post-production process manifests itself into a remarkable film. Exaggerating the situation on a movie, when it is in production or in the editing room, seems unfair, almost like criticizing an artist’s painting before it is finished. I think that it encourages reviewers and audiences to discount the movie, even subliminally, and they evaluate it at least a little bit on the basis of perceived troubles.

Universal was not commenting but here’s what’s going on now: The studio has taken a more active hand in the editing process on the Universal lot, which is unusual for that particular studio but hardly unheard of with a first-time director who doesn’t have final cut. Rinsch, a respected commercials and short film helmer who had the job of directing the Alien prequel until Ridley Scott took it and turned it into Prometheus, has opinions as strong as his visual sense. That doesn’t endear one to the crew, which is probably how these rumors get started. He’s new to the game of mounting a huge film and the studio has every right to protect an investment that is at least a $175 million 3D film. But the reports he has been removed from the editing room and that he had 47 Ronin taken away from him are wrong, as far as I can see. And the studio is hardly trying to hide a bomb, not when it chose December 25, 2013 as the new release date. Read More »

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Universal Sets And Shuffles 2013 Pics, Pushes ’47 Ronin’ Again

By | Wednesday August 15, 2012 @ 7:41am PDT
Mike Fleming

BREAKING: Universal Pictures has shuffled the release dates of several of its major upcoming films and set release dates for several others. Most noticeable on that list is that the studio has pushed the Keanu Reeves-starrer 47 Ronin from February … Read More »

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Universal Moving ’47 Ronin’ Release To February 8, 2013

By | Wednesday April 25, 2012 @ 10:35am PDT
Mike Fleming

BREAKING: Universal Pictures has switched the Keanu Reeves-starrer 47 Ronin from its November 21 date to February 8, 2013. We’ve heard rumblings the film would move, and that the big-ticket film was undergoing reshoots. Studio insiders deny this, saying they … Read More »

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‘Fast Five’ Writer Gets Uni Production Deal

Universal announced today it has made a two-year term deal with Fast Five screenwriter Chris Morgan, who also penned the studio’s hits The Fast And The Furious: Tokyo Drift, Fast & Furious, and Wanted. Morgan most recently penned Universal’s upcoming … Read More »

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Universal Sets Film Slate Release Dates

Mike Fleming

Universal has locked in release dates for some of its most ambitious films hatched by the team of Adam Fogelson and Donna Langley. Add these to previously set releases that include The Fast and The Furious sequel Fast Five (June … Read More »

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