BREAKING: Brett Ratner and James Packer’s RatPac Press entered into a joint venture to publish Ben Mezrich’s Seven Wonders through Running Press Publishers next spring. Deadline told you back in May that Ratner and Packer set the movie rights at Fox, back when the book was a proposal. It was the first deal Ratner and Packer made since forming their company. Written by Mezrich, whose books helped in form the films The Social Network and 21, weaves the Seven Wonders into an adventure tale they all hoped would lead to a book and movie trilogy, with the latter being produced by Beau Flynn and Ratner. Here’s the official release about the book deal:
Brett Ratner took a few minutes away from directing Dwayne Johnson in the MGM/Paramount film Hercules: The Thracian Wars to talk about being in the center of a herculean $450 million slate financing deal that RatPac-Dune Entertainment finally closed with Warner Bros. It is an arrangement that will cover as many as 75 of the biggest films made by Warner Bros and New Line for the next few years.
Ratner tells me that this is a straight financing deal, but one that will allow and his RatPac-Dune partners James Packer and Steven Mnuchin to build library assets. It is just one piece of what could become a very interesting puzzle. Ratner said that Packer, son of the late media mogul Kerry Packer, got out of the media holdings that were his father’s preoccupation and instead has put his money in a number of ventures that include casinos in Macau. That whetted his appetite for investing in China’s fast-growing film business.
“Part of our strategy will be to expand into China, to co-finance Chinese movies and films that not only work around the world but Asia in particular,” Rather told me. “We are already developing some movies we feel will work in the Asian market.”
As Deadline reported in the summer, Warner Bros Pictures has found its replacement to fill the void left when Thomas Tull moved Legendary Pictures down the road to Universal. RatPac-Dune Entertainment has made a multi-year agreement to co-finance as many as 75 upcoming titles at up to $450 million. The announcement was made today by Warner Bros CEO Kevin Tsujihara and by Steven Mnuchin, Brett Ratner and James Packer of RatPac-Dune Entertainment, the film finance vehicle formed by Mnuchin and RatPac Entertainment to co-finance the Warner Bros Pictures slate.
The co-fi deal starts with the October 4 release Gravity, and the December 25 release Grudge Match. The studio laid off risk in the past with Village Roadshow Pictures and Legendary.
“We are very pleased to be entering into this relationship with RatPac-Dune Entertainment,” said Tsujihara. “This agreement gives us increased strength and flexibility in the motion picture division and an even greater ability to manage risk as we continue to produce high-quality filmed entertainment for the global audience. We look forward to working with their team as we move forward in this exciting new partnership with a truly great organization.”
NBC’s Smash and CBS’ The Amazing Race were honored tonight at the 24th GLAAD Media Awards in New York City. Smash was named best drama series and Amazing Race took the nod for best reality series. How To Survive A Plague, a film chronicling the rise of activism in the early years of AIDS, was named best documentary.
Dressed as a Boy Scout, Madonna presented the previously announced Vito Russo Award to CNN’s Anderson Cooper. Russo, who died in 1990, was a film historian who voiced concerns about how gays and lesbians are portrayed in the media. Movie director Brett Ratner received GLAAD’s inaugural Ally Award. The award for Ratner represented a turnaround from a little over a year ago when he dropped out as producer of last year’s Academy Awards after joking at an early press conference that “rehearsing is for fags”. Ratner since worked with the group to produce a public service campaign, GLAAD Coming Out For Equality.
A list of last night’s awards follows.
EXCLUSIVE: Movies periodically get fixated on auto racing, like the great documentary Senna and the upcoming Ron Howard-directed Rush. Now we’ll find out how a barely seen documentary shot by Roman Polanski can do, one shot back when he and his cameras were granted the kind of access to the track in Monaco that you just couldn’t buy today. And the way Polanski shot it, you can tell in just a few seconds that if the average person tried driving that course, you’d need to call your insurance agent by the first hairpin turn.
Rat Documentary Films, Brett Ratner‘s documentary film arm, has acquired the North American rights to Weekend Of A Champion, Polanski’s 1971 portrait of the legendary Formula 1 race car driving Champion Jackie Stewart on the weekend of his victory at the Monte Carlo Grand Prix. This is a film that was shot while Polanski was at his peak, and it has never been released in the United States. This becomes the first in a 12-picture deal that Rat Documentary Films has with Netflix; his objective is to produce or acquire cool feature documentaries. Here, Ratner and Polanski began talking about this deal and Polanski recalled with fondness the experience of shooting with Stewart. I’ve seen footage and it is pretty compelling stuff.
EXCLUSIVE: Feature director Brett Ratner and Law & Order veteran Barry Schindel have teamed for Tomorrow, a drama project at ABC financed by Reliance’s Georgeville Television, the independent TV studio formed last spring by Motion Picture Capital’s Leon Clarance and Deepak Nayar and producer Marc Rosen.
Like all Georgeville projects, Tomorrow, now in development, has a script-to-series commitment, meaning that if ABC likes the script it would trigger a 13-episode series order. Created and written by Katherine Lindberg and Ted Cyr, Tomorrow is a high-concept law enforcement procedural about an FBI agent who gets trapped in a time travel scenario. Ratner, who is set to direct, and Schindel, who serves as showrunner, executive produce with Lindberg, Cyr and Anonymous Content’s Michael Sugar and Nicole Romano.
Birthday wishes are in store for the famous Beverly Hills Hotel celebrating its centennial this year and kicking it off with a two-day affair, just ended at the famous Los Angeles landmark. With all proceeds benefitting the Motion Picture & Television Fund (which also holds a major fundraiser ahead of the Oscars called The Night Before) high-rollers were treated on Friday to comedy and jazz by the pool hosted by Bill Cosby and Saturday night to cocktails, dinner and a mini-concert by Mary J. Blige who said it was her favorite hotel, where she married the love of her life. She definitely had the Crystal room rocking.
Earlier in the evening MPTF founding Chairman Jeffrey Katzenberg welcomed guests including one of the evening’s hosts Brett Ratner, and the main attraction for many in the room, Warren Beatty who serves on the MPTF board. “Somehow or another this place is the center of the universe. There’s no one in this room who knows this hotel better than Warren Beatty. I mean no one,” he said to laughs as Beatty took the stage to lead a toast.
Despite a week of turbulence that saw his Oscarcast producer Brett Ratner resign over an inexplicable barrage of inappropriate public statements, followed shortly after by Ratner’s host Eddie Murphy, Academy president Tom Sherak wants the industry to know that the Oscars are going to be just fine.
“If this happened in January, I would be hiding under my desk,” Sherak told me. “Look what has happened. We have a new producer in Brian Grazer, who met last night with Don Mischer for an hour and a half, so that they can get going on finding a host. We are actually two and a half weeks ahead of where we were last year, in terms of naming a host.”
Sherak, who I’ve always known to be a glass-half-full kind of guy, said he saw some bright spots despite the turbulence. Said Sherak: “In all my time here, I’ve never gotten as many emails from the constituency, after Brett resigned, all saying, how can I help? What do you need me to do? If you need a producer, let me suggest this person. Or, I can go after that person for host. It’s like we woke up a sleeping giant.”
One of those who came forward was Grazer, Sherak said. “He said, ‘I want to help.’ So I said, ‘What if I asked you to become the producer.’ He said, ‘Ask me.’ I did, and he said, ‘I’m in.’ ”