Ronan Farrow‘s debut as host of Ronan Farrow Daily on MSNBC scored 216,000 viewers Monday — the cable network’s smallest audience of the day, tied with 10 AM’s Jansing & Co. Farrow — who was recruited, in part, to attract the next generation of news viewers to the network — averaged just 21,000 viewers in the younger 18-49 demo. Among 25- to 54-year-olds, he logged an average of 46,000 viewers. His biggest audience by far was among viewers ages 50 and older — 195,000 of them. That older skew is typical of news programming but might be somewhat surprising given how assiduously he catered to younger viewers during his maiden broadcast.
Farrow recruited fewer viewers — and fewer young ones — than did Andrea Mitchell Reports in its new timeslot. Mitchell’s show logged 223,000 overall viewers, including 48,000 viewers in the 18-49 demo, and 71,000 in the news demo — 25-54. Mitchell’s show, ironically, did not do as well with the 50+ crowd as did Farrow, scoring an average of 174,000 of them. The only program that scored a smaller crowd of 18- to 49-year-olds on MSNBC that day was the show that followed Farrow’s, The Reid Report — the other new program making its debut that day, hosted by Joy Reid. It clocked 262,000 overall viewers, just 14,000 in that younger demo, 38,000 in the news demo, and 245,000 viewers ages 50+.
TV pioneer Sid Caesar has died at the age of 91 in Los Angeles. The Yonkers, NY-born comedian made his first appearance on TV in 1949 on Milton Berle’s Texaco Star Theater. On February 25, 1950, Caesar was …
In this week’s podcast, Deadline Awards Columnist Pete Hammond talks with host David Bloom about which films and performers got an Oscar bump out of the WGA, Annie and Cinematographers awards shows this past Saturday; check in on the Santa Barbara film festival’s celebration of Cate Blanchett and whether the controversy over her Blue Jasmine director in will spill over into the Oscar race; dissect the Academy’s defense of its de-nomination of “Alone Yet Not Alone” in the face of complaints by, particularly, religious and conservative critics; and discuss the highlights of Pete’s sit-down with Julia Roberts this week to discuss her supporting actress Oscar nomination for “August: Osage County.”
We’ll also get Pete’s take on the week’s notable movie debuts, including the true and likable WWII story The Monuments Men, directed by and starring George Clooney with a big-name cast, and The Lego Movie, a fast-moving and smart animated film that Pete suggests could be in the Oscar hunt a year from now.
Super Bowl? WHAT Super Bowl? More Awards, Controversy, & The Santa Barbara Film Festival Keeps Oscar Season Sizzling
If you think Hollywood’s awards season will come to a complete stop just because of a little thing called Super Bowl Weekend, think again! As already covered extensively on Deadline yesterday, the pre-Oscar madness was running full tilt Saturday with the WGA, ASC and Annie awards, the Santa Barbara Film Festival and lots of lingering controversies about nominees and “rescinded” nominees. Whew! You’d think they’d give it a rest to let football take over but NOTHING gets in the way of Hollywood’s own Super Bowl!
I am up at the Santa Barbara International Film Festival this weekend where I moderated the two-hour sold-out Performance Of The Year tribute to Oscar frontrunner Cate Blanchett at the 2000-seat dream palace known as the Arlington Theatre. At the end of it, Cate received a standing ovation when future co-star Rooney Mara (they start shooting Todd Haynes’ Carol in March) presented her with the latest trinket in a season in which she has so far run the table in terms of awards. She was a willing and warm subject onstage as we showed clips and I dissected her career, informing her at one point that, with The Aviator in which she played Katharine Hepburn, she became the only person to win an Oscar playing an Oscar winner. Always glad to pass on useless trivia to movie stars.
Over the years I have hosted several of these tributes, which are obviously well-timed as part of the Academy season. Festival executive director Roger Durling picks the honorees months in advance but always seems to have a good hunch who is going to be in the Oscar game. Among those SBIFF plays to are numerous Academy members who live in the area, so it’s always smart exposure on the part of awards consultants — just as is the early-January Palm Springs fest in the pre-nomination period. Durling himself moderated a rollicking free-form session with American Hustle writer-director and Oscar nominee David O. Russell at the same venue Friday night. And earlier Saturday at the Lobero, there was a producers panel mostly populated with Oscar nominees followed by the annual Women’s Panel (moderated in style as usual by Madelyn Hammond — yes, we’re related) which also sported several current contenders. Among those coming up in the next week are Bruce Dern, Robert Redford, Oprah Winfrey, Martin Scorsese and Leonardo DiCaprio and several others. Some landed nominations, some didn’t, but they are all showing up regardless. It’s that time of year.
UPDATE, 1:47 PM: Last night Ronan Farrow chastised the Golden Globes on NBC for their tribute to Woody Allen and what he says they left out. Today, the soon-to-be MSNBC host was on the cable news network but didn’t say a word about Woody. Today the son of Allen’s former longtime companion Mia Farrow was on with anchor Craig Melvin talking about former Defense Secretary Robert Gate’s controversial new memoir — with not a murmur of the controversy he started with his own tweets on Sunday. Farrow did tweet afterwards today that “Robert Gates’ neck brace is stylin’.” NBC and MSNBC had no comment on Farrow’s tweet about the Golden Globes and Allen or his future at the cable newser.
Related: Golden Globes: Live Blog
PREVIOUS, JAN 12, 8:47 PM: First Mia Farrow tweeted she was turning off the Golden Globes on NBC when they went to the Woody Allen tribute. Now her son and upcoming MSNBC host Ronan Farrow lashed out against his mother’s former longtime companion, also on Twitter.
Missed the Woody Allen tribute – did they put the part where a woman publicly confirmed he molested her at age 7 before or after Annie Hall?
— Ronan Farrow (@RonanFarrow) January 13, 2014
Tina Fey and Amy Poehler once again made it look easy to rain down snark on the entertainment industry and get them to like it. “Welcome to the annual Tina Fey and Amy Poehler’s Lee Daniels The Butler’s Golden Globe Awards,” Fey opened — a nod to Warner Bros mockable battle with The Weinstein Company over the right to name a movie The Butler, in which WB insisted it had the right to the title dating back to its 1916 silent comedy short of same name.
Like Ricky Gervais, the guy they replaced, Fey and Poehler seemed to suffer from Second-Year Slump, though sartorially things went much better his year for the First Women of Comedy. They’ll “keep doing it until everybody hates it,” they promised — they’ve already been signed for next year.
Hollywood males got a special skewering this year:
“Matt Damon is here for being in Behind The Candelabra. Any other night in any other room you’d be a big deal. Tonight you’re basically a garbage person.”
Best film nominee Gravity is about “how George Clooney would rather float away into space and die rather than spend another minute with a woman his own age,” Fey said moments later.
“And now, like a supermodel’s vagina, let’s give a warm welcome to Leonardo DiCaprio,” Fey snarked as the Wolf Of Wall Street star came out to present an award.
“Matthew McConaughey did amazing work this year. He lost 40 pounds for his role in Dallas Buyers Club – or what actresses call Being In A Movie.”
OSCARS Q&A: Letty Aronson On Her Partnership With Big Brother Woody Allen & Their Collaboration On ‘Blue Jasmine’
For almost 20 years, Letty Aronson has been producing the films of her big brother, Woody Allen: She worries about the commercial concerns while Allen focuses on the creative. Their partnership is such a well-oiled machine that Aronson admits, “I’m so used to the way he works, it always bothers me when someone else doesn’t work that way.” Aronson got her start as a producer working with Jean Doumanian, then took over producing Allen’s films after his working relationship with Doumanian ended in a bitter legal battle. Since then, she’s kept up Allen’s pace of making a film a year, and earned her first Oscar nomination for 2011’s Midnight In Paris. Aronson’s most recent production is Blue Jasmine, which has been a hit at the box office and has given Cate Blanchett frontrunner status for a best actress Oscar.
AwardsLine: Has it gotten any easier to finance the films you produce, especially considering the strength of Woody Allen as a brand?
Letty Aronson: Not really. (Laughs.) Except for independent financiers in this country, we get no money from any studio, not even a discussion. After all the hullabaloo of Midnight In Paris, I didn’t get one call from any studio. But I can understand that because they don’t work the way we work. In going out and looking for money, I tell people right up front: They can’t read the script; they don’t have input into the cast; they don’t see dailies; they don’t see a rough cut. They’re really investing in Woody and his reputation. They’re not going to make hundreds of millions of dollars, either. We’re low risk, low reward. The studios don’t work that way, but in Europe, there’s never been a studio system. It’s really always been independent financiers. So it’s easier to go there (with) all these different rules and get money. We don’t want to spend a lot on the films because we would like to pay our investors back. For some, we put together a three-picture deal. If we don’t know the people, I don’t love putting together a three-picture deal because who knows if we’ll like working with them after the first picture? But it’s not any easier. A film like Blue Jasmine, which got the most spectacular reviews, is up to almost $34 million in this country. Now another film without Woody’s name on it that got those kind of reviews would earn three times that much.
In this special holiday edition of our Deadline Awards Watch podcast, Awards Columnist Pete Hammond talks with Bradley Cooper and Cate Blanchett. Pete’s interview with Cooper, recorded early in the year, touches on Cooper’s work in The Place Beyond The Pines. Cooper also shares thoughts on doing his own stunts, learning to be a cop and the best thing about awards season a year after his breakout performance in 2012′s Silver Linings Playbook. Cooper also talks about reteaming with Silver Linings director David O. Russell for American Hustle, and his upcoming projects with directors Cameron Crowe and Steven Spielberg.
Pete also talks with Blanchett about her work in Woody Allen’s Blue Jasmine. She talks about the “absurdity and tragedy” in every scene of Allen’s film, which has had more box office success than any in his long career, and discusses the differences between the “not verbose” Allen, Peter Jackson on The Hobbit trilogy and Terence Malick on multiple projects. She also talks about creating a character who’s very much like Blanche DuBois in A Streetcar Named Desire, and the challenges of balancing a career on film and on stage, including running a theater company with her husband, with the demands of raising young children.
OSCARS Q&A: Cate Blanchett On The “Absurdity And Tragedy” Of ‘Blue Jasmine’ And Working With Woody Allen
It seems Cate Blanchett can do it all. She has played the Queen of England (Elizabeth I in Elizabeth) as well as the Queen of Hollywood (Katharine Hepburn in The Aviator), for which she earned a supporting actress Oscar. But it wasn’t until this year that a cinematic match made in heaven occurred when Woody Allen rang her up and asked her to be in one of his films. Their pairing in Blue Jasmine does not disappoint. As a tragic victim of her own excessive lifestyle, Blanchett is heartbreakingly real and complex, a modern-day Blanche DuBois, but so much more. The role has won her critical raves and she has remained at the top of every Oscar pundit’s best actress list since the movie was released in July. In fact today she won the New York Film Critics Circles Best Actress award for the role. With Allen’s record of directing actors to Oscars and Blanchett’s fiercely sad and funny performance, it’s a good bet she will stay on top on those lists all the way through March.
AwardsLine: What was it about the role in Blue Jasmine that clicked for you?
Cate Blanchett: Where to start? When you get the call, you’ve already said yes before you’ve even read the script because of (Woody Allen’s) body of work and his sensibility, the opportunities he provides for actors and ensembles. I was won over by the absurdity and the tragedy that exists in pretty much every scene. It’s a portrait of a breakdown in many ways, but it’s also a story (about) people having relationships based on exteriors rather than what’s going on internally.
EXCLUSIVE: Last week, we scooped that Woody Allen would not attend the 71st annual Golden Globe Awards on January 12 where he will be the recipient of the 2014 Cecil B. DeMille Award. Now …
‘Fast & Furious’ Star Paul Walker Killed In Car Crash
By The Deadline Team – The Santa Clarita office of the Los Angeles County Sheriff’s Department just issued an update on the fatal car accident involving actor Paul Walker, declaring that “speed was a factor in the solo vehicle collision” and listing the car involved as a red 2005 Porsche Carrera GT.
‘Catching Fire’ Holiday Haul Puts It On Track To Be Biz’s Next Billion Dollar Grosser; $573 Million So Far
By Mike Fleming Jr. – The Hunger Games: Catching Fire has blown past expectations once again, and has earned $573 million in worldwide gross. This after a $28.5 million Saturday night.
DeMille Award Recipient Woody Allen Not Expected To Attend Golden Globes
By Nellie Andreeva – It looks like Woody Allen will be staying true to his principles of shunning awards shows (and Los Angeles). I hear that the Oscar- and Golden Globe-winning filmmaker is not expected to attend the Golden Globes in January, where he will be the recipient of the Cecil B. DeMille Award. I hear the Hollywood Foreign Press Association made the decision to honor Allen without securing a commitment from him that he would attend.
OSCARS: Scorsese And DiCaprio Back In The Race As ‘Wolf Of Wall Street’ Makes A Raucous Debut
By Pete Hammond – The last shoe to drop in the 2013 awards race hit Saturday as Martin Scorsese‘s much-awaited The Wolf Of Wall Street was unveiled to SAG voters at a couple of screenings at the WGA theatre in Beverly Hills. I caught the film earlier at a small 10 AM screening for some of the cast members on the Paramount lot and then moderated the Q&A following the 6:30 PM screening of the 3 hour film. To say it was rapturously received would be an understatement.
It looks like Woody Allen will be staying true to his principles of shunning awards shows (and Los Angeles). I hear that the Oscar- and Golden Globe-winning filmmaker is not expected to attend the Golden Globes in January, where he will be the recipient of the Cecil B. DeMille Award. I hear the Hollywood Foreign Press Association made the decision to honor Allen without securing a commitment from him that he would attend. “There is no one more worthy of this award than Woody Allen,” the HFPA said in September when making the announcement. “His contributions to filmmaking have been phenomenal, and he truly is an international treasure.”
Oscar winner Cate Blanchett will receive the Santa Barbara International Film Festival‘s 2014 Outstanding Performer of the Year Award for her performance in Woody Allen‘s Blue Jasmine on Saturday February 1. She’ll be honored during the 29th edition of the fest which runs January 30-February 9. “In her first collaboration with master director Woody Allen, Blanchett knocks it out of the park in the best performance of her already illustrious career,“ said Roger Durling, SBIFF Executive Director. “We’re so grateful to be able to celebrate her achievement.” In Blue Jasmine Blanchett portrays Jasmine French, a deeply conflicted and complex woman in the throes of her world unraveling. Her compelling performance generated early Oscar buzz for the film since its limited debut in July. Read the release here:
HOLLYWOOD, CA, September 13, 2013 – The multi-hyphenated Woody Allen will be honored with the 2014 Cecil B. DeMille Award and will be paid tribute to at the 71st Annual Golden Globe® Awards on Sunday, January 12, 2014, LIVE coast-to-coast on NBC with the pre-show from 4:00-5:00 p.m. (PST)/7:00-8:00 p.m. (EST), and main telecast from 5:00-8:00 p.m. (PST)/8:00-11:00 p.m. (EST) from the Beverly Hilton Hotel. It was announced today by Theo Kingma, president of the Hollywood Foreign Press Association (HFPA).
“There is no one more worthy of this award than Woody Allen,” said Kingma. “His contributions to filmmaking have been phenomenal and he truly is an international treasure.”