BEVERLY HILLS, CA – The Academy of Motion Picture Arts and Sciences has extended the deadline for members to vote for Oscar nominations by one day to Friday, January 4, 2013, 5.p.m. PT. (The original date was Thursday, January 3, 5 p.m. PT). Members may vote online or submit a paper ballot. Any votes received after the deadline will not be counted.
“By extending the voting deadline we are providing every opportunity available to make the transition to online balloting as smooth as possible,” said Ric Robertson, Academy COO. “We’re grateful to our global membership for joining us in this process.”
In order to accommodate the extension and maintain security, the online voting system will be closed for two hours only (5:00 p.m. to 7:00 p.m. PT) on Thursday, January 3. The system will re-open at 7 p.m. PT on January 3 and remain available to members until 5:00 p.m. PT January 4. READ MORE »
BEVERLY HILLS, CA – The Academy of Motion Picture Arts and Sciences has extended the deadline for members to request a paper ballot to vote for the 85th Academy Awards® by two weeks, to Friday, December 14. (The original date was November 30.) This is being done to ensure that all Academy members fully understand all the voting options that are available to them this year.
“In past years, once our members paid their dues, they would automatically be sent a ballot at the appropriate time,” said Ric Robertson, Academy COO. “With the introduction of electronic voting this year, members must either register to vote electronically or request a paper ballot. We’re extending the deadline for requesting paper ballots to make completely sure that no member who prefers this method misses the boat.”
The majority of Academy members have already registered to vote online. Those who have not may still register to vote through Wednesday, January 2, 2013. The voting period for nominations begins on Monday, December 17 and closes on Thursday, January 3.
The times — and rules — they are a-changin’ for this year’s Oscar race. Every year, the Academy of Motion Picture Arts and Sciences refines the rules in an effort to keep the campaigning fair and maintain the integrity of the industry’s highest honor. But this year will debut some of the most sweeping changes Oscar has seen in decades.
Academy members will be voting electronically for the first time, which will allow a tightened schedule for determining nominations and an earlier nominee announcement. In addition, both the song and documentary feature categories received their own tuneups. The aggressive moves are an effort to make the nominees matter even more.
The earlier schedule means the eagerly anticipated nomination announcement will happen two weeks earlier than usual, on Jan. 10. And the period in which nominating ballots will be available is smack dab in the heart of the holiday season, Dec. 17-Jan. 2.
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Although the actual process of casting a ballot will be easier for members with laptops or iPads, the real challenge is the truncated time period that members will now have to see all the movies, particularly those released in December.
In fact, on the very day the Academy announced this seismic change, Universal moved the release date of its big Oscar hopeful, Les Miserables, from Dec. 14 to Christmas Day, seemingly giving voters less time to see the film. However, the consultant I spoke with didn’t seem concerned.
With the awards season so dissected and examined these days, it might appear as though creating a successful campaign is simply a matter of shrewd marketing and a key release date. But even the most cynical strategist will admit that luck is still as much a part of earning an Oscar nomination as anything else. When asked about the plan for a particular film in the awards race, a veteran campaigner said simply, “Light candles, pray.” Whether they’re already on pundits’ lists or just looking for a little good juju, here’s a look at the films that are in the conversation, not including animation, documentaries, or foreign-language with a few notable exceptions. (Christy Grosz Is Editor of Awardsline):
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The bottom line, as Academy Of Motion Picture Arts & Sciences President Tom Sherak told me this morning, is that, “I wanted to stay in Hollywood. And the Board Of Governors said the awards should definitely stay in Hollywood. I think the Board always felt the awards belonged in …
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Unlike monotonous years past when a color or style prevailed, tonight’s Academy Awards Red Carpet teemed with extremes. Actresses either went strapless and exposed chiseled clavicles or opted for demure long sleeves. Some coerced their hair into crazy Cinnabon updos, while others played it loose with windswept, just-got-lucky-in-the-limo waves. All in all, it was a good night for fashion. Meryl Streep channeled a female Oscar in gold lame Lanvin, Rooney Mara didn’t wear black and Sacha Baron Cohen claimed to be wearing “Galliano with socks from K-Mart.”
When it came to color, a majority went white — a hue the costume designer Edith Head once said “can be gay or somber.” In the case of 20-year-old Shailene Woodley in a mod Valentino Couture gown, the look was a bit matronly and Babe Paley circa 1960 for such a dewy star. Gwyneth Paltrow, whose bright white Tom Ford column gown with an architectural duster stood out like spilled milk, looked bright and awake. Rooney Mara, however, seemed more like a Tim Burton Goth bride in her Givenchy dress with a bondage-style back and transparent train.
Red, too, made a strong showing thanks to Natalie Portman, Emma Stone and Michelle Williams. Portman’s vintage polka-dotted Christian Dior gown was charming, though the hem was slightly wrinkled. (Shouldn’t limos come equipped with steamers?) Stone’s scarlet Giambattista Valli — embellished with a toaster-sized bow on the left shoulder — had critics hissing that it was too redolent of the Balenciaga dress Nicole Kidman wore to the 2007 Oscars. Oh, stop. Doesn’t Hollywood make the same movies every year? Williams, ever the gamine, looked great in that coral Louis Vuitton with a sweet peplum waist that gave her some curves.
Los Angeles, Feb. 26, 2012 – Independent films captured 17 Oscars at tonight’s 84th Academy Awards®, including a Best Picture victory by The Artist. The award brings the number of independent films taking Best Picture honors to 20 over the past 31 years, according to the Independent Film & Television Alliance (IFTA®). Independent films collected 17 Academy Awards in these categories:
Oscars Winners List 2012: ‘The Artist’, Meryl Streep, Jean Dujardin, Michel Hazanavicius, ‘Midnight In Paris’, ‘The Descendants,’ ‘The Muppets’, Christopher Plummer, ‘Rango’, ‘Hugo’, Octavia Spencer
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Backstage At The Academy Awards
Actress in a Leading Role
“The Iron Lady” (The Weinstein Company)
Actor in a Leading Role
“The Artist” (The Weinstein Company)
“The Artist” (The Weinstein Company)
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After his success with a silent film, how does French actor Jean Dujardin plan to transition back to talkies? “I’m not an American actor, I’m French,” the Best Actor winner said tonight backstage at the Academy Awards. “If I could make another silent movie in America, I would. But I’ll always be a French actor in America. Nonetheless, there are a few ideas I would like to develop.” Dujardin admitted that in the French portion of his acceptance speech he dropped the equivalent of the F-bomb.“I said thank you so much! It was amazing … uh, yeah, I guess I said that.” And as far as the whereabouts of his four-legged co-star Uggie, “He went to bed already,” Dujardin said.
“H-i-i-i-i-i,” drawled Meryl Streep when she finally showed up in the press room long after the show was over to talk about her Best Actress win for The Iron Lady. She was immediately asked to address her self-deprecating comments during her acceptance speech: “When they called my name I had this feeling I could hear half of America going, ‘Oh no. Oh, come on. Why her? Again?” Streep acknowledged she thinks she may be “pushing the tolerance” of the Academy and the fans after 17 nominations and three wins. “I understand ‘Streep Fatigue,’ I really do,” she later said. “Frankly, I’m surprised it didn’t override this tonight.” But getting another Oscar was thrilling, Streep said, adding that she might take a nip of whiskey like Thatcher to celebrate. “I thought I was so old and jaded, but they call your name and you just sort of go into a white light. I was like a kid again,” she said, joking that two of her fellow nominees “were not even conceived” when she won her first Oscar. She also said she was excited by the win of her Iron Lady makeup artists earlier in the evening “not for making a monster, but for making a human being.” Streep confirmed that she wore Ferragamo shoes, Margaret Thatcher’s favorite, to get into character. She did not meet Thatcher, noting, “the challenge was to imagine her present life.” Streep was asked how it felt to see herself for the first time in makeup as Thatcher. She said the change was so gradual there was no shock, but one thing was unnerving. “When we first had the old age makeup on, I saw my Dad. Maybe my Dad looked like Margaret Thatcher.”
By the time The Artist producer Thomas Langmann made his way backstage, there wasn’t much left to say about how très excited the cast, producers and creative team were about the film’s endless stream of awards culminating in a Best Picture Oscar. Langmann was asked about an earlier backstage comment by Artist costume designer Mark Bridges that the black-and-white film had been shot in color in case they were unable to sell it in black and white in some markets. Asked if he had any plans for that color footage, Langmann replied cheerfully, “No. Sorry, but no.” He spoke about producer Harvey Weinstein. “Harvey has been really good to us,” Langmann said. “I asked him to come a month before Cannes with a director and cast he’d barely heard of. But he came. I stayed in the screening room to see if everything was OK. He loved the movie and was laughing throughout. I saw in his eyes and attitude that he cared for the movie. He believed that we could possibly be here today. He’s the only distributor who could take this movie here today.” Weinstein was not The Artist‘s only good luck charm — Langmann acknowledged that he had a lucky coin in his pocket given to him by his daughter. As for the possible impact from the success of The Artist, the first silent movie to win a best picture Oscar since the first Academy Awards ceremony 83 years ago, “if The Artist can help another producer be audacious, this is a great thing,” Langmann said. “I’ve shown this movie to kids. Some had never seen a black-and-white movie and after five-10 minutes, they enjoyed it. Silence is a way of telling a story. It’s an experience and maybe it’s as great as a 3D experience.”
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BREAKING: The Academy Of Motion Picture Arts & Sciences is concerned that, on Sunday, Sacha Baron Cohen will come to the Oscars and walk the Red Carpet. While ordinarily that would be fine since he’s …