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Ed Helms, Hilary Swank & Ed Harris In Talks To Star In Alejandro González Iñárritu’s MRC Series ‘One Percent’

Nellie Andreeva

Ed Helms, Hilary Swank & Ed Harris In Talks To Star In Alejandro González Iñárritu’s MRC Series ‘One Percent’Alejandro González Iñárritu‘s MRC series is taking shape, with Ed Helms, Hilary Swank and Ed Harris in various stages of negotiations to topline the hour-long project. In his U.S. TV debut, the Oscar-nominated Iñárritu will direct the series, titled One Percent, which he co-created with Alexander Dinelaris, Nicolas Giacobone, and Armando Bo. MRC Logo NewThe four recently collaborated on the script of Iñárritu’s latest feature, black comedy Birdman Or The Unexpected Virtue Of Ignorance, which has been selected to open this year’s Venice Film Festival in its world premiere and as the closing-night title for the New York Film Festival.

helmshilaryswankOne Percent is set against the backdrop of the organic farming community. Helms and Swank would play a husband and wife who are struggling professionally and personally to keep their business afloat, while Harris would play the family patriarch. MRC is expected to take the project out to buyers in a few weeks, likely seeking a straight-to-series order, which has been the company’s strategy. It has been able to secure two-season pickups for its Emmy-winning David harris2Fincher-Kevin Spacey drama House Of Cards at Netflix and the Seth MacFarlane comedy at Starz.

One Percent, which … Read More »

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Venice Fest Eyes Awards Season Perch With Alejandro González Iñárritu’s ‘Birdman’ Competing As Opener

Venice Fest Eyes Awards Season Perch With Alejandro González Iñárritu’s ‘Birdman’ Competing As OpenerAlejandro González Iñárritu‘s Birdman, or The Unexpected Virtue Of Ignorance, has been selected for opening honors at the Venice Film Festival. When Fox Searchlight set an October 17 North American release, and when Birdman didn’t appear in Cannes, we expected it would get a berth at one of the fall festivals. I felt particularly strongly about Venice, especially as it makes a nice dovetail to last year when Iñárritu’s pal Alfonso Cuaron did opening night honors with Gravity. That film went on to a huge awards season run, but it was not in competition in Venice, and that was lamented across the board. The world premiere screening of Birdman on August 27 is IN competition, and looks like a sign that Venice wants to stand out further. It is increasingly seen as a launchpad for some of the major titles that will figure in the awards races later in the year. But, it competes heavily with Telluride and Toronto which overlap the event. The former last year even ruffled Venice’s feathers by programming some big-ticket titles before their Lido premieres. Also of note, Gravity‘s Oscar winning cinematographer, Emmanuel Lubezki, shot Birdman.

inarrituOscar-nominated Babel director Iñárritu’s first black comedy stars Michael Keaton, Edward Norton, Emma Stone, Naomi Watts, Zach Galifianakis, Amy Ryan and Andrea Riseborough. Keaton plays an actor, famous for having portrayed an iconic superhero, who … Read More »

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Hot Teaser: Alejandro González Iñárritu’s ‘Birdman’

Fox Searchlight has released the first teaser for Birdman (or The Unexpected Virtue Of Ignorance), the latest film from Babel and Biutiful helmer Alejandro González Iñárritu. The director’s first black comedy stars Michael Keaton, Edward Norton, Emma Stone, Naomi Watts, Zach Galifianakis, Amy Ryan and Andrea Riseborough. Keaton plays an actor, famous for having portrayed an iconic superhero, who struggles to mount a Broadway play. In the days leading up to opening night, he battles his ego as he attempts to recover his family, his career and himself. This was a film we had hoped to see in Cannes last month, but Fox Searchlight ultimately set an October 17 release so expect to see this bow at one of the fall festivals.

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Leonardo DiCaprio, Alejandro Gonzalez Inarritu Commit To September Start For New Regency’s ‘The Revenant’

Mike Fleming

leodEXCLUSIVE: Leonardo DiCaprio has committed to star this September in The Revenant, a gritty thriller that Alejandro Gonzalez Inarritu will direct for New Regency, for fall 2015 release through Fox. Gonzalez Inarritu and Mark L. Smith co-wrote the script. DiCaprio had been attached to team with Gonzalez Inarritu, but he is attached to many projects; getting the star to commit off his Oscar-nominated The Wolf Of Wall Street performance is a big development for Arnon Milchan and Brad Weston’s game plan to make tasteful, star- and director-driven fare.

revenantAnonymous Content’s Steve Golin, Keith Redmon and David Kanter will produce with Gonzalez Iñárritu, Milchan and James Skotchdopole. Brett Ratner and Paul Green are exec producers. The film will be co-financed by RatPac and Worldview Entertainment, latter of which just partnered with Regency and Fox Searchlight in the Inarritu-directed Birdman, which was just set for release on October 17.

An adaptation of the Michael Punke novel The Revenant: A Novel Of Revenge, Inarritu Gonzalez’s next film will star DiCaprio as Hugh Glass, a 19th century fur trapper who gets mauled by a grizzly bear, and then is left for dead by cohorts who rob him. When he survives, he is as pissed as a bee-stung bear and sets out on a treacherous journey to exact revenge on those who betrayed him. Sean Penn had been circling as one of those bad guys, but he won’t be in the film. Read More »

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Fox Searchlight Sets Alejandro Gonzalez Inarritu’s ‘Birdman’ For October 17 Bow

By | Friday April 11, 2014 @ 6:24pm PDT
Mike Fleming

birdmanEXCLUSIVE: While there has been speculation that Fox Searchlight and director Alejandro Gonzalez Inarritu would race to make the Cannes Film Festival, Fox Searchlight co-president Stephen Gilula tells Deadline that the film will open Friday, October 17. It won’t complete post production until late May or early June, meaning that it will be eyeing fall festivals.

This is his first black comedy, but Inarritu’s past films have been magnets for festivals, and he should have several choices for a festival that is compatible with the opening of Birdman, which Searchlight made with New Regency and Worldview Entertainment. Searchlight controls worldwide distribution and will release it overseas in January. So start the jockeying, Toronto, Telluride and Venice. Read More »

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No ‘Jungle Book’ For Alejandro Gonzalez Inarritu At Warner Bros

By | Thursday January 9, 2014 @ 9:46am PST
Mike Fleming

alejNot that long after Warner Bros said welcome to the jungle, director Alejandro Gonzalez Inarritu has jumped off The Jungle Book. This is Warner Bros‘ new version of the Rudyard Kipling novel about an orphaned boy raised in the wilderness by animals. Insiders blamed scheduling. It becomes an open directing assignment, with a script by Callie Kloves, daughter of Harry Potter series scribe Steve Kloves, who is producing. Warner Bros will move quickly to find a replacement, because the studio is in a race. Disney is moving along with its own live-action version of The Jungle Book, recently hiring Elf and Iron Man helmer Jon Favreau to direct the film. The book is public domain, but as usual the first one to make it into production usually becomes king of the jungle. Inarritu, who wrapped Birdman, is separately attached to New Regency’s 1820s frontier revenge tale The Revenant.

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Alejandro Gonzalez Inarritu Circles ‘The Jungle Book’ At Warner Bros

Mike Fleming

alejEXCLUSIVE: Warner Bros is in early talks with Alejandro Gonzalez Inarritu to helm The Jungle Book, a new version of the Rudyard Kipling novel about an orphaned boy raised in the wilderness by animals. This is one of the studio’s priority projects, with a script by Callie Kloves, daughter of Harry Potter series scribe Steve Kloves, who is producing.

jungIt is not the only Jungle Book project in the woods either. Disney is moving along with its own live action version of The Jungle Book, recently hiring Elf and Iron Man helmer Jon Favreau to direct the film. The book is public domain, but as usual the first one to make it into production usually becomes king of the jungle. After a series of serious dramas including Amores Perros, Babel and 21 Grams, Inarritu took a turn toward comedy in his most recent film, wrapping Birdman. He’s also aligned to the New Regency 1820s frontier revenge tale The Revenant. Inarritu is repped by CAA.

RELATED: Jon Favreau In Talks To Helm New Disney Adaptation Of Kipling’s ‘The Jungle Book’

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Amy Ryan Joins Alejandro Gonzalez-Inarritu Comedy ‘Birdman’

By | Wednesday March 13, 2013 @ 9:02am PDT
Mike Fleming

Amy Ryan is joining the cast of Birdman, the Alejandro Gonzalez-Inarritu-directed comedy that is currently shooting in New York. She joins Michael Keaton, Edward Norton, Emma Stone, Naomi Watts, Zach Galifianakis and Andrea Riseborough in the cast for Fox Searchlight and New Regency. Keaton plays a washed-up actor best known for playing an iconic superhero who puts together a play on Broadway based on a short story by Raymond Carver. Unfortunately, the ex-superhero’s plans to soar again are threatened by his egotistical lead stage actor (Norton). Ryan will play Keaton’s character’s long suffering ex-wife.

Birdman is produced by Inarritu and John Lesher. The director wrote the script with Nicolas Giacobone, Alexander Dinelaris and Armando Bo. Ryan most recently wrapped the Greg Mottola-directed Clear History, the Atom Egoyan-directed Devil’s Knot, Drake Doremus’ Breathe In and The Tomb. She’s repped by Gersh and Dave Feldman.

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Edward Norton Joins Alejandro Gonzalez Inarritu’s Ensemble Comedy ‘Birdman’

Mike Fleming

EXCLUSIVE: Edward Norton has been set to star in Birdman, the dark comedy that will be directed by Alejandro Gonzalez Innaritu for Fox Searchlight and New Regency. Norton joins Michael Keaton, Emma Stone, Naomi Watts and Zach Galifianakis in a film that will be shot in a Broadway theater in New York beginning mid-April. A former actor (Keaton) who once played a superhero puts together a play on Broadway that is based on a short story by Raymond Carver. Unfortunately, the ex-superhero’s plans to soar again are threatened by his egotistical lead stage actor. Norton will play that actor. Birdman is produced by Inarritu, John Lesher and Robert Graf. The director wrote the script with Nicolas Giacobone, Alexander Dinelaris and Armando Bo. While Norton is as identified with serious dramas as much as Inarritu (who’s making his first comedy), this will be the actor’s third straight film with a comic sensibility. He was most recently seen in Wes Anderson’s Moonrise Kingdom and he just wrapped Anderson’s followup, The Grand Budapest Hotel. Norton is repped by WME.

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A Departure For Alejandro Gonzalez Inarritu: He’ll Next Direct A Comedy

By | Friday December 7, 2012 @ 12:30pm PST
Mike Fleming

BREAKING: Alejandro González Iñárritu, the Mexican director whose films are about as serious and sad as anything I’ve seen from a world-class filmmaker, is about to lighten the tone and make us laugh with his next feature. Gonzalez Inarritu will next direct Birdman,  a comedy he co-wrote with Nicolas Giacobone, Alexander Dinelaris, and Armando Bo.

Gonzalez Inarritu followed the tragedy-filled Amores Perros, 21 Grams and Babel by making possibly the most heartbreaking film I’ve ever seen in Biutiful, his last film. Here, he’ll tell the story of an actor in crisis, who once played an iconic superhero, as he battles his ego and attempts to recover his family, his career, and himself in the days leading up to the opening of a Broadway play. Birdman will be captured in a single location over the span of three days. Production is currently slated to begin in March 2013. Iñárritu will produce with Robert Graf and his former agent-turned-producer John Lesher. CAA reps Iñárritu and will rep the film. Read More »

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Fox 2000 EVP Carla Hacken Becomes New Regency Production President

Mike Fleming

EXCLUSIVE: Longtime Fox 2000 EVP Carla Hacken is leaving the studio to become president of production for New Regency. It is the latest move in a restructuring of the company since Arnon Milchan reemerged as an active chairman and installed former Paramount Pictures production president Brad Weston as CEO with a mandate to become a more filmmaker-driven concern.

New Regency is partly owned by News Corp, whose 20th Century Fox distributes and often co-finances Regency-generated films. The move was orchestrated with the cooperation of Fox Filmed Entertainment co-chairmen Jim Gianopulos and Tom Rothman and Fox 2000 president Elizabeth Gabler.

“Jim, Tom and Liz have been great partners and are incredibly gracious about Carla,” Weston told me in confirming the move. “They see this as a terrific opportunity for her, and a great way to help support New Regency. Arnon and I couldn’t be more appreciative.”

Hacken was an ICM agent when she was brought into the Fox 2000 fold 15 years ago by Laura Ziskin. She has worked closely with Gabler and developed such films as Unfaithful, The Devil Wears Prada, Walk The Line, Bride Wars, Diary of a Wimpy Kid and its sequel, Percy Jackson & The Olympians, Love & Other Drugs and In Her Shoes.

There has long been a tradition of cross pollination between Fox and New Regency (which is based on the lot). That includes Sanford Panitch (who moved from Fox to Regency and now steers Fox International Productions) … Read More »

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Leonardo DiCaprio, Sean Penn Wanted Men For New Regency’s ‘The Revenant’

By | Friday November 4, 2011 @ 2:49pm PDT
Mike Fleming

EXCLUSIVE: Now that New Regency closed a deal to fully fund the Alejandro Gonzalez Inarritu-directed The Revenant, the Biutiful helmer has set his sights on Leonardo DiCaprio and Sean Penn to play the two leads in the screen adaptation of the Michael Punke novel. I’m told they’ve met with Inarritu, but that if this cast materializes it would mean starting next fall. In the Mark L. Smith-scripted drama, DiCaprio is being courted to play 1820s frontiersman Hugh Glass, who hires on to a fur trapping expedition and is so badly mauled by a bear that he’s unable to be transported back from the wilderness. He hires two men to stay behind. Expecting him to die, they rob and abandon him instead, leaving him helpless. When he recovers, he is hellbent on revenge. Inarritu wants Penn to play one of the men who left him for dead. 20th Century Fox will distribute. DiCaprio next stars in Quentin Tarantino’s Django Unchained, and Penn is shooting Gangster Squad.

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Hammond At The Oscars & Governors Ball

Pete Hammond

Before I focus on last night’s 83rd Academy Award winners, let me describe my conversations with the “losers”, only some of whom seemed to take the news in stride. Clearly, The Social Network filmmakers were licking their wounds. To the point that hands-on producer Scott Rudin didn’t even make the trip west for the awards. Clearly, they think they were robbed. In fact, as I traversed the Grand Ballroom of the Governor’s Ball, I kept hearing that precise phrase — “You were robbed” — said a few times to everyone involved. Executive Producer Kevin Spacey told me with bitterness, “Yes, I am very disappointed  about Best Picture. But I am just stunned that David Fincher didn’t win, just absolutely stunned. This just proves it is all about campaigning and nothing else. It’s just a popularity contest.” He used some other language, too, that could give Melissa Leo a run for her money. Sony Pictures chairman Amy Pascal, who really invested herself in Oscar season this year, hugged Best Picture presenter Steven Spielberg and thanked him profusely for the consoling words he said before announcing The King’s Speech as the winner. (“If you are one of the other nine movies that don’t win, you will be in the company of The Grapes of Wrath, Citizen Kane, The Graduate, and Raging Bull”, Spielberg reminded everyone.) To add insult to injury, Social Network producer Dana Brunetti told me that the Governors Ball … Read More »

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OSCAR: Javier Bardem Q&A

Pete Hammond

Javier Bardem’s first acting job was at the age of six, but his career has heated up since the mid-1980s not only in a number of notable films in his native Spain for such directors as Pedro Almodovar but now as a full-fledged international star. Nominated twice for Oscars, first in 2000 for Before Night Falls and then winning Best Supporting Actor in 2007 for No Country For Old Men, Bardem has an impressive list of credits including The Sea Inside, Vicky Christina Barcelona, and earlier this year in Eat Pray Love. But his most challenging role to date is as a man whose life is in freefall in Alejandro Gonzalez Inarritu’s Biutiful and now has earned him Best Actor nominations for Spain’s Goya, England’s BAFTA, and his third nod for an Oscar. It returns him to Spanish languageIt returns him to Spanish language filmmaking and won him Best Actor at the Cannes Film Festival. Although the film’s uncompromisingly depressing subject matter scared off potential distributors at first, Roadside Attractions eventually picked up the movie for the U.S. market and released it on January 29:

DEADLINE: This is the first time you worked with Alejandro and it is a challenging role in every way imaginable. What was it that made you want to get involved?
JAVIER BARDEM: First of all, I am a very huge fan of his prior films. But I read it like three times in a row before I said yes. … Read More »

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Javier Bardem Wanted For ‘The Dark Tower’

Mike Fleming

EXCLUSIVE: After Javier Bardem’s terrifying Oscar-winning turn as the assassin in No Country For Old Men, is there any doubt he’d fit as the gunslinger Roland Deschain in The Dark Tower, the mammoth adaptation of the Stephen King 7-novel series that’ll span three movies and a limited run TV series in between?

I’m told that Bardem has officially been offered the lead role by director Ron Howard and Universal Pictures. While formal negotiations haven’t yet begun, there’s a high level of enthusiasm internally that they’ve got their cowboy. Akiva Goldsman has scripted the first movie, and will write the TV component as well. Imagine Entertainment’s Brian Grazer is producing with Goldsman and the author. Universal is financing and distributing the films, and NBC Universal Television Entertainment is backing the TV component, which will either be a limited run series or a miniseries.

It has been a heady week for Bardem. He received a Best Actor nomination for his performance as a terminally ill street hustler in the Alejandro Gonzalez Inarritu-directed Biutiful, and Bardem and Penelope Cruz just welcomed their first son into the world. Since Deadline first revealed that King, Goldsman, Howard and Grazer were joining forces on the ambitious project that would tell the story on multiple platforms, speculation has been rampant over who’d play the lead role. Bardem has been mentioned, as has Viggo Mortensen and Christian Bale. Deschain … Read More »

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OSCAR: Best Director Race May Surprise

Pete Hammond

At the last Academy Awards, Barbra Streisand ripped open the envelope and revealed that Kathryn Bigelow was the first woman ever to win Best Director. No such groundbreaking moment is expected this year, but the category could offer up several surprises. With a wide open Oscar race, there’s probably a split in the offing between Picture and Director, two categories which traditionally pair up three-quarters of the time. But not always. Voters in the earliest Oscars didn’t believe strongly in a correlation between the Best Picture of the year and the person directing from behind the camera. Since then, there have been scattered years where that aberration occurred (such as for Hamlet, All the King’s Men, An American in Paris, and The Greatest Show on Earth). For Driving Miss Daisy, its director Bruce Beresford wasn’t even nominated. Going by recent history, the split has happened fairly frequently, culminating when Ang Lee took Best Director for Brokeback Mountain but Crash proved an upset Best Picture winner. Will another director be left at Oscar’s altar this year? Will The King’s Speech or The Fighter triumph, while David Fincher for The Social Network or Christopher Nolan for Inception wears the directing crown? An early signal will be the Directors Guild of America choice on January 29th. That group has a strong track record predicting the Director Oscar. Only six times since the DGA awards began in 1948 has the Guild and Academy not aligned. Here’s the alphabetical lineup of likely contenders and their chances this year:

BEN AFFLECK, The Town (Warner Bros.) – This Best Original Screenplay co-winner earned impressive notices for his first directing gig, Gone Baby Gone, and this year’s box office success, The Town, which he also co-wrote and stars in. He has won strong industry respect for his work behind the camera, but is a long shot to make the magic five. However, it looks like he’s becoming the new Clint, and that could eventually lead to his second Oscar — as a director.

DARREN ARONOFSKY, Black Swan (Fox Searchlight) – His intense indie films pull no punches. Now his dark and twisted Black Swan has dazzled the autumn fest circuit and became Fox Searchlight’s biggest box-office opener ever. Although its critical reception has been strong, it may be too much for more conservative Academy members. Nevertheless, Aronofsky’s eye-popping work here could impress enough of his peer group to land a spot in the top five.

DANNY BOYLE, 127 Hours (Fox Searchlight) – The well liked Boyle comes off his 2008 Oscar triumph, Slumdog Millionaire, with this unexpected follow-up. Using dazzling directorial tricks, styling with visual invention, and guiding star James Franco, Boyle pulls off this virtual one-man show. But some voters may be too squeamish to pop the DVD in their players after reports of faintings at early screenings. Plus, he just won, so it may be someone else’s turn.

LISA CHOLODENKO, The Kids Are All Right (Focus Features) – Previous films High Art and Laurel Canyon didn’t prepare the Industry for her confident work as director and co-writer of this warm and perceptive comedy. Showing she could assure superlative performances from major stars should further impress colleagues. But the notoriously male dominated directors’ club may not be ready to make it two in a row for her. An Original Screenplay nod is her best shot.

DEREK CIANFRANCE, Blue Valentine (The Weinstein Company) – This very personal study of the disintegration of a marriage was 12 years in the making for Cianfrance. His first feature, he elicited no-holds-barred acting from leads Michelle Williams and Ryan Gosling. Problem is, it may be too raw and intimate, which could overshadow the achievement. But here’s hoping it doesn’t take as long for this promising director’s second movie to reach the screen.

JOEL COEN & ETHAN COEN, True Grit (Paramount) – The Academy loves this prodigious writing/directing/producing team and have already honored them with four Oscars each, including one in this category. Can a remake of a John Wayne classic put them in contention again? The execution is flawless, and they have returned to Charles Portis’ original novel for inspiration while drawing first-rate performances. But Westerns don’t usually score for directors.

SOFIA COPPOLA, Somewhere (Focus Features) – Coppola lost Best Director for Lost In Translation in 2003 but won for her original screenplay. This latest film represents her second original screenplay and should be put in the writing category, but not necessarily in the directors’ circle again — although she did take the top prize at the Venice Film Festival (amid controversy because her pal Quentin Tarantino was head of the jury). No such problems now.

CLINT EASTWOOD, Hereafter (Warner Bros.) – A two time Best Director winner for Unforgiven and Million Dollar Baby, Eastwood can never be counted out. He didn’t make the cut for his last two attempts, Gran Torino and Invictus. His latest, Hereafter, drew mixed reviews and disappointing box office, so he’s a Director’s category dark horse at best this year. Though, never underestimate the respect from his peers for this 80-year-old icon.

DAVID FINCHER, The Social Network (Sony Pictures) – The director behind such dark but acclaimed films like Seven, Fight Club, Panic Room, and Zodiac finally found an Oscar nod with the challenging crowd-pleaser The Curious Case of Benjamin Button and now this successful Facebook-founding flick. Critics’ plaudits are piling up, and he’s back in the heat of the race, this time going for the win from Sweden where he’s rebooting The Girl with the Dragon Tattoo. Read More »

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OSCAR: Alejandro Gonzalez Inarritu Q&A On ‘Biutiful’

Mike Fleming

After Alejandro Gonzalez Inarritu’s electric feature directing debut Amores Perros, the Mexico-born filmmaker became the toast of a specialty film circuit dominated by studios willing to overspend for prestige and Oscars. Top actors lined up to work with Inarritu in 21 Grams and Babel, the latter a picture that personified the excess that would haunt the prestige film business. Paramount paid $25 million to license the U.S. and a handful of other territories and the film was wildly profitable for its makers before Inarritu shot a frame, I’m told. Those days are long gone. Studios fled the prestige game, and survivors are cautious, especially when subtitles are involved. How else to explain why it took four months to get U.S. distribution after a Cannes debut of Biutiful that won Best Actor for Javier Bardem?

Bardem plays a street hustler in Spain who deals in undocumented African street peddlers and Chinese sweat shop workers. Dying of a terminal disease, he can’t face leaving his children to the mean streets, especially since their bipolar mother is too unreliable to care for them. The film is bleak, but behind the darkness, there is light and redemption. Will Oscar voters bother to look? So far, Bardem and Inarritu have been ignored in the critics’ awards, except in the Foreign Film category. Who better to dissect the condition of foreign language films than Inarritu, who worries about the current climate where wary distributors rely on festival … Read More »

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Hot Footage: ‘Biutiful’

Mike Fleming

In a week where everyone from the Hollywood Foreign Press to the Screen Actors Guild weighed in with  nominations, perhaps no omission was as glaring as Javier Bardem being ignored for his performance in the Alejandro Gonzalez Inarritu-directed Biutiful. Playing a street hustler who is desperate to find a place for his  children to live before he succumbs to a terminal illness, Bardem won the Best Actor Award at Cannes. Here is an exclusive scene from the film, in which a dying man is forced to say goodbye to his oldest child. Is this memorable acting, or what?

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Filmmakers Rally Behind Inarritu’s ‘Biutiful’

Mike Fleming

This Sunday, director Werner Herzog will conduct a Q&A with Alejandro Gonzalez Inarritu after a screening at the Directors Guild headquarters on Sunset Blvd at 7:30 PM. Herzog rarely does such things, but was moved  to take part in the DGA members-only-event after seeing the film last month. ”I respect Werner and his films so much, because he takes risks and doesn’t compromise,” Inarritu told me. “This was a surprise and an honor, and it helps in the battle to get this film noticed.” Directors are now rallying behind the prestige film and helping it build slow momentum. Biutiful is Mexico’s submission for Best Foreign Language film, and the picture opened its all-categories Oscar campaign with an event last Saturday, hosted by Guillermo del Toro for Inarritu and his below-the-line collaborators Rodrigo Prieto, Gustavo Santaolalla, and Stephen Mirrione. Julian Schnabel showed his support at a Soho House screening in New York last Tuesday, and Robert Benton quizzed the director at DGA headquarters in New York the following day. Among the upcoming events will be a big screening in December that will be followed by a Q&A with Inarritu and Bardem, who’ll be grilled by Sean Penn. Read More »

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