Ben Stiller Honored By American Cinematheque, Called “Renaissance Man Of Comedy”

By PETE HAMMOND | Friday November 16, 2012 @ 2:32am PST
Pete Hammond

“Of course we are all here for one reason, and that’s because Deadline Hollywood might tweet a link to a write-up about this and we all might get mentioned,” Ben Stiller joked in his very funny acceptance speech as the recipient of the 26th annual American Cinematheque Award on Thursday night at the Beverly Hilton. Friends and co-stars including Jennifer Aniston, Will Ferrell, Jack Black, Laura Dern, Jeffrey Katzenberg and Stiller’s wife Christine Taylor among others offered tributes to the star-writer-director-producer-humanitarian the Cinematheque’s chairman Rick Nicita called a “Renaissance man of comedy” — to which Stiller said later, “I didn’t know you could be a Renaissance man of just one thing. It’s like  being a jack-of-all-trades of carpentry.” But judging from the numerous clips and in-person tributes, he is about much more than just “one thing”. READ MORE »

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Ben Stiller Cinematheque Set Presenters

By THE DEADLINE TEAM | Wednesday October 31, 2012 @ 8:26pm PDT

Jack Black, Patton Oswalt, Jennifer Aniston, Will Ferrell and Jeffrey Katzenberg will lend support as live presenters. Ben Stiller receives the American Cinematheque Award at the organization’s November 15 gala at the Beverly Hilton. The star of the upcoming The Secret Life of Read More »

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Robert Downey Jr. Asks Hollywood To ‘Forgive’ Mel Gibson While Accepting American Cinematheque Award

Pete Hammond

The American Cinematheque tribute to Robert Downey Jr last night held might have been unthinkable just a few years ago when the actor was hopelessly hooked on drugs, destroying his career and winding up in prison. But if there is anything Hollywood loves, it is redemption –  and a second (or third or fourth) chance. That’s something Downey received and ran with largely thanks to his wife Susan who put him on the right course and hasn’t let him fall off since. With a hot career thanks to a second Oscar nomination for Tropic Thunder and blockbuster franchises like Iron Man and Sherlock Holmes, Downey not only turned around his career, he fixed his life and now he’s reaping the rewards as evidenced by the great turnout on Friday night at the Beverly Hilton. But the evening took a serious turn when Downey made an impassioned plea to Hollywood to “forgive” his friend Mel Gibson who was on hand to present him with the award. “Unless you are without sin – and if you are, you are in the wrong [expletive] industry, you should forgive him and let him work,” Downey said to much applause.

The undisputed highlight of the night came when previously unannounced guest Mel Gibson appeared.  Gibson and Downey Jr co-starred in Air America and Gibson’s unwavering support of Downey during his darkest hours was well-documented at the time. Gibson brought up Downey to accept the award to a standing ovation and said, “He taught me many things and I will use the ‘C’ word, courage. There’s nothing so much wrong with him. Of course you have to worry about the guy making the judgement here. He’s a good dude with a good heart.”

“This is my fuckin’ time,” Downey said. “Mel and I have the same lawyer, same publicist and same shrink. I couldn’t get hired and he cast me. He said if I accepted responsibility – he called it hugging the cactus – long enough, my life would take meaning. And if he helped me, I would help the next guy. But it was not reasonable to assume the next guy would be him.” Downey then went to on to hug Gibson and urge people to let Mel continue his career without shame.

It was a star-studded event, to be sure. Jack Black called Downey a “stone cold stud muffin” while Michael Douglas (looking great) said working with Robert Downey Jr on The Wonder Boys was “something special. Read More »

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HAMMOND: Time For Billy Crystal & Oscar Again? UPDATE: Brett Ratner Responds

Pete Hammond

MONDAY PM  UPDATE: As you know, Brett Ratner is producing the Oscar show with Don Mischer and emailed me tonight with his reaction to Billy Crystal’s statements regarding possibly hosting the Oscars again. Ratner says: “I didn’t see what Billy said. I’m really focused on finishing my film Tower Heist right now. [But] I was told by the Academy that I don’t have to make a decision until mid-September.”

PREVIOUS: So is Billy Crystal once again the answer to all of Oscar’s woes? His statement in answer to a fan’s query at an American Cinematheque screening of City Slickers on Friday night was that he might be open to hosting again “maybe one or two more times”. But that’s not even the first time he’s dropped the hint this year. In March, shortly after he made his appearance on the 83rd Oscar show to honor Bob Hope, he was hosting a charity event  and told a reporter, “I think the show needs to change. There’s too many awards and it has to sort of freshen itself up, and if I can be a part of that, that would be great.” Between that and Friday’s encouraging words, what more do the Academy of Motion Picture Arts and Sciences and newly minted producers Brett Ratner and Don Mischer need to hear? Read More »

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OSCAR: No T-Day Slowdown For Contenders

Pete Hammond

Traditionally, most Hollywood businesses grind to a halt for the 5-day Thanksgiving holiday. But not this wide-open awards season. Tangled had its official Academy screening last Sunday morning but only drew about 200 people. Instead, the holidays actually seem like a good time to push an animated Disney musical. So Disney isn’t even taking Turkey Day off: instead, the studio has skedded screenings of Tangled at the DGA open to all Guild and Academy members. This isn’t actually a new practice. In the past, Oscar hopefuls like Dreamgirls, The Lord Of The Rings, and others have done the same thing at the DGA theater drawing surprisingly strong crowds of potential voters on a day most people are thought to stay at home. Disney also sent a note warning some early voting groups that they wouldn’t be able to send screeners of the film before deadlines for ballots (piracy concerns are part of that problem), so the T-Day screenings take on even greater import.

Tangled aside, distributors have been rushing to get screeners in as many voter hands as possible before Thanksgiving when they think people will have more time on their hands to pop a DVD in the player before the real crunch comes in December. Among those sent in the last few days are The Social Network, Made In Dagenham, Inside Job, Stone, Let Me In, 127 Hours, Black Swan, Conviction, Never Let Me Go, Toy Story 3, Winter’s Bone, Harry Potter and the Deathly Hallows Part 1,  The Town, Inception, Hereafter, Legends Of The Guardians: The Owls of Ga’hoole, and The Ghost Writer.

Meanwhile, campaign season continues. Over the weekend, American Cinematheque also proved why it can be a very useful tool during awards season by hosting two sold-out events  for Oscar hopefuls. Saturday night, there was a tribute to Pierce Brosnan at the Aero in Santa Monica with a double feature of Roman Polanski’s The Ghost Writer and Matador. Inbetween, Pierce appeared for a nearly hour-long Q&A (I moderated) in which he discussed his career from TV’s Remington Steele to James Bond to an Roman Polanski’s Ghost Writer in which he plays ex-British Prime Minister (Tony Blair, anyone?) now writing his controversial memoir. Summit Entertainment is hoping the pic will land him in the Best Supporting Actor conversation. Its early February release is a hindrance but by having a toney organization like American Cinematheque create these little tribute evenings, studios believe they can get the “right” kind of association for their contenders.

It was completely sold out, as was the next night at the same venue which hosted a Q&A session with writer Aaron Sorkin and stars Justin Timberlake, Andrew Garfield and Armie Hammer following a special screening of Sony Pictures’ The Social Network. All were talking about the genius of Director David Fincher (away on location in Sweden shooting The Girl With The Dragon Tattoo remake) and the number of takes he would require of his actors. “Sometimes there would be 99 of them, but not 100, never 100,” Timberlake said. In an encouraging sign for writerly respect, most of the audience questions from the predominantly young crowd were surprisingly directed at Sorkin who said dialogue-heavy movie might have been written by Paddy Chayefsky in another era. Not bad company to be in since Paddy won no less than three screenwriting Oscars. Some are asking if there is any way Sorkin can lose the Best Adapted Screenplay Oscar this year? Especially after The Social Network opened to near-unanimous acclaim and strong business for a drama.

Other Best Picture competitors were also active over the weekend Read More »

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