I’ve learned that Warner Bros wants to fast-track production for the first quarter of 2014 and is in “tentative negotiations” with Clint Eastwood to direct. This is after Steven Spielberg this month took American Sniper out of his crosshairs, after declaring in May that he would next helm the film about decorated Navy SEAL Chris Kyle, with Bradley Cooper playing the marksman. DreamWorks joined Warner Bros in a co-production when Spielberg said he would direct the script by Jason Hall. Both Spielberg and DreamWorks pulled out completely so there’s no extra expense to Warner Bros. American Sniper has Cooper not only starring but producing with Andrew Lazar and Peter Morgan. Eastwood is prepping to direct the movie version of Jersey Boys for Warner Bros. Production on that film will start at the end of August on the studio lot and is produced by Graham King and Rob Lorenz.
(Nikki Finke is currently on vacation.)
EXCLUSIVE: Jason Hall was marked an A-list screenwriter the moment DreamWorks and Warner Bros joined forces after Steven Spielberg agreed to direct Bradley Cooper in American Sniper, based on the life of Navy SEAL Chris Kyle. Not surprisingly, both studios want more from Hall. Warner Bros has just closed a blind script deal with him, and I’ve learned that DreamWorks is in early talks to have Hall adapt the upcoming David Finkel book Thank You For Your Service, about the Post Traumatic Stress Disorder syndrome that is becoming a major issue for vets returning from Iraq and Afghanistan. It’s something Spielberg likes as a potential project down the line, though that is all early days.
I sought out Hall because I find it instructive to see how a guy with one screen credit (2009′s Spread) and another coming (an adaption of the Joseph Finder novel Paranoia) gets white-hot so quickly. Every writer’s trajectory is different, but there’s a common thread: there is no such thing as an overnight success screenwriter. It’s years of struggle to find a voice, and then maybe a lucky break. Hall came to Hollywood to be an actor, and only found his way to screenwriting because things were going so badly. “I did TV parts in Buffy The Vampire Slayer and other shows, playing the bad guy or the MacGuffin bad guy, with the half-baked mustache,” Hall told me. “I would read these terrible movie scripts, and I couldn’t get auditions. I thought, maybe I could write a terrible script for myself, but they wouldn’t even let me audition when I did that. My first script, I remember this funny lawyer telling me I was getting more than Ben and Matt did at the beginning. This producer says, I know you want to act in this, but what if I told you Milos Forman wanted to direct this, with someone else?” Still in full actor mode, Hall was direct: “I remember being in the lobby of The Four Seasons, and saying a little too loud, ‘Milos Forman can go fuck himself!’ So that went away, and then I wrote another script about a blind wrestler. I wrestled since I was a kid, and there are these great blind wrestlers who compete up to nationals. I’ve wrestled them, and you have to keep your hands on them at all times, and if you separate the ref blows the whistle and connects you again. Some of these guys are really good. So I’m ready to play this blind wrestler, and John Dahl is interested and says to me, this is perfect for Matt Damon. And I said, ‘Matt Damon can go fuck himself!’ And that went away.” Read More »
BREAKING: DreamWorks and Warner Bros will team on Steven Spielberg‘s next film American Sniper, with Bradley Cooper aboard to star in the autobiography of Navy SEAL Chris Kyle. Cooper optioned the book himself, along with … Read More »