eOne Picks Up ‘The Silent Mountain’, ‘The Night Crew’
Entertainment One Films U.S. has taken North American rights to romantic drama The Silent Mountain and U.S. rights to action-thriller The Night Crew. Both films will be released by eOne via all home entertainment platforms. Directed by Ernst Gossner and written by Clemens Aufderklamm, The Silent Mountain stars William Moseley, Claudia Cardinale and Fritz Karl in the story of a young Austrian soldier in World War I who fights his way through the Alps to rescue his Italian girlfriend and escape the impending explosion that will rock the mountain. The Night Crew, directed by Christian Sesma and written by Paul Sloan and Sesma, stars Luke Goss, Danny Trejo, Bokeem Woodbine, Chasty Ballesteros and Jason Mewes. It revolves around a group of hard-up bounty hunters who must survive the night in a desert motel against a horde of savage cartel killers. Premiere Entertainment Group is handling worldwide sales of both films at Cannes.
Global Showbiz Briefs: eOne Picks Up ‘The Silent Mountain’, ‘The Night Crew’; Content To Sell Amy Berg’s Janis Joplin Docu; More
eOne Picks Up ‘The Silent Mountain’, ‘The Night Crew’
West Of Memphis helmer Amy Berg’s feature directorial debut Every Secret Thing is based on Laura Lippman’s 1994 novel and centers on two young girls who are convicted of murdering a baby and are incarcerated until they turn 18. Upon their release, children start to go missing, dredging up the mystery surrounding the original death. Dakota Fanning and Danielle Macdonald will play the 18 year olds. Diane Lane, who plays one of their mothers, and Elizabeth Banks, who plays the lead cop in the investigation, already were aboard the pic, which begins shooting March 25 in New York. Nicole Holofcener adapted the book.
The Amy Berg-directed documentary West Of Memphis — about the now-famous trial, conviction and eventual release of the West Memphis 3 — is largely based on private investigators and forensic testing financed by Peter Jackson and Fran Walsh. The pair produced the docu with West Memphis 3 member Damien Echols and his wife Lorri Davis. Some of the evidence presented paints an overwhelming picture that the trio was railroaded while the killer of three 8-year-old boys in Arkansas in 1994 remains free. Sony Pictures Classics is releasing West Of Memphis on December 25.
Toronto: ‘West Of Memphis’ Helmer Amy Berg Gets Diane Lane And Elizabeth Banks For ‘Every Secret Thing’
BREAKING: Amy Berg, who had Johnny Depp and Natalie Maines on hand here to launch her latest documentary West Of Memphis, will next helm Every Secret Thing, a Nicole Holofcener-scripted drama that will star Diane Lane and Elizabeth Banks.
The project is coming together with Anthony Bregman of Likely Story, Frances McDormand, Raj Singh of Merced Media Partners, Kevin Frakes of Palmstar Media Capital and Ashok Amritraj of Hyde Park Entertainment. Merced Media Partners, Palmstar Media Capital and Hyde Park Entertainment will finance the film that shoots in February. Film is based on the novel by Laura Lippman.The film will be produced by Bregman and Frances McDormand. Deadline readers might recall that McDormand optioned the book herself and attached Lane in 2010, and she has really turned this into something special here.
At 11-years-old, Ronnie and Alice were convicted for the murder of a baby and were incarcerated until they turned 18. Now newly released and replete with psychological problems, each attempts to adjust to life outside juvenile detention… when children start to go missing. As the police turn their attention to Ronnie and Alice, the mystery surrounding the original murder and their roles in it takes the fore.
Raj Singh, Stuart Brown, Kevin Frakes, Ashok Amritraj, and Stefanie Azpiazu. Hyde Park Entertainment will handle international sales out of the Toronto International Film Festival. Craig Emanuel …
EXCLUSIVE: Peter Jackson and Fran Walsh last came to the Sundance Film Festival in 1993 to debut their splatter film Dead/Alive at a midnight premiere. It was that same year that three boys were murdered in Arkansas, and teens Damien Echols, Jason Baldwin and Jessie Misskelley were convicted in a sensationalized trial in which prosecutors portrayed them as satanic ritualistic killers. Despite the lack of any physical evidence, the West Memphis 3 were sent to prison for life, with Echols given the death penalty. Jackson and Walsh return to Park City this week to introduce West of Memphis, an Amy Berg-directed documentary. Not only did Jackson and Walsh finance the film (which they produced with Echols and his wife Lorri Davis); much of the docu is based on evidence that came to light after Jackson and Walsh began quietly paying bills for DNA testing, forensic experts and investigators to force a retrial. In the face of overwhelming evidence, the defendants were finally freed after 18 years, forced a accept a plea agreement where the trio maintained innocence, but also pleaded guilty to perhaps the most notorious murders in Arkansas history.
Jackson and Walsh, who are on sabbatical from shooting the two-film adaptation of JRR Tolkien’s The Hobbit, began paying legal bills just after they wrapped King Kong in 2005. Last Sunday, as Berg hurried to finish the documentary that premieres Friday at the MARC Theatre, Jackson and Walsh took Deadline through a seven-year legal odyssey that grew from a desire to help into one of the high profile Sundance docus, a film Jackson and Walsh hope will help get the West Memphis 3 exonerated. And get a heinous murder case reopened.
DEADLINE: In the documentary, singer Henry Rollins said he related to Damien because he too was a loner and often depressed as a teen. What about Damien Echols or his co-defendants personalized the case for you?
JACKSON: I’ve got a very different background than Damien. We share a sense of humor and a love of Stephen King and horror. I wasn’t into black t-shirts and all that, I was much too mild. What I related to came from seeing the original Paradise Lost film, which did a brilliant job at just making you feel angry. Something very wrong unfolded, not overt, almost insidious. Institutionalized injustice, where a system decided to convict these guys before they’d even begun a trial, which wasn’t a fair trial anyway. I just felt that they were ganged up on and didn’t have the means to defend themselves. When we got involved, the thing that became apparent very quickly was, the best thing we could do to help was bring in what they never had. Funding to get adequate experts. Expert forensics, expert pathology, expert investigation. At the original trial in ’94, the state could throw anything it wanted at these guys, and they didn’t have the means to defend themselves. There isn’t really anything presented in this movie about the case that couldn’t have been presented in court back then. DNA science certainly wasn’t as advanced, but a lot of these forensic experts would have testified in the trial if they had the means to get them there. We were not really interested in funding a legal fight; there were thousands of people already contributing money for that. We would focus our funding on paying bills for experts, and to get science involved.
DEADLINE: Had either of you ever taken on a justice crusade like this before?
WALSH: No. We’re not crusaders, at all.
DEADLINE: How much did you spend on the case?
JACKSON: We honestly don’t know. We’ve been paying our bills on the case since 2005, right along. It’s not like we gave them lump sums of money. It was more a matter of doing what we needed to get the momentum in the investigation. If there was a piece of evidence that need to be tested, we’d say okay, send that to the lab and we’ll pay the bill. If there was somebody we wanted to talk to, we’d send the investigator down to get the statement, and we’d pay that bill. I haven’t a clue how much we spent.
A trailer is up for West Of Memphis, the Amy Berg-directed feature documentary about the Arkansas trial that saw three teens pinned for the brutal 1993 murder of three boys — without a shred of physical evidence. The documentary is produced by Peter Jackson and Fran Walsh, who spent their own funds to try and uncover the truth and set Damien Echols, Jessie Misskelley and Jason Baldwin free. Echols and Lorri Davis are also producers. The defendants were finally let out after nearly 20 years in prison but were not technically exonerated. The film will debut as Sundance on January 20, where it will be eyed for theatrical distribution.