Danielle Campbell (Prison Break) is the latest new regular cast in the potential Vampire Diaries spinoff The Originals, which will be introduced in the April 25 episode of the CW drama. Written by TVD …
The CW has given a full-season order to breakout drama Arrow after two strong airings. Arrow‘s series premiere drew 4.14 million viewers, making it the network’s most-watched telecast of any show on any night in three years, and the CW’s most-watched series premiere since The Vampire Diaries in 2009. In its second outing, Arrow became the only new network drama this season to hold its ratings in both adults 18-34 and adults 18-49 from its premiere to its second week. “Our strategy of rolling out our new fall schedule later in the year really paid off for The CW on several levels, especially with Arrow“, said CW president Mark Pedowitz.
The CW presented this highlight reel from the network’s hot new show Arrow today at New York Comic-Con:
The CW has released the key art designs for its three new fall series, dramas Arrow, Beauty & The Beast and Emily Owens, MD, which premiere on Oct. 10, 11 and 16, respectively. None opted for group shots, instead focusing squarely on the series’ stars: Stephen Amell (Arrow), Kristin Kreuk …
Shiri Appleby is finalizing a deal for a recurring role on NBC’s new firefighter drama Chicago Fire produced by Dick Wolf. She will play Clarice, the ex-girlfriend of Shay (Lauren German) who is pregnant and married to a rich …
Ray Richmond contributes to Deadline’s TV coverage
Is it the right time to trot out a liberal superhero suffering from PTSD who’s hellbent on justice and revenge? The CW believes it is with the introduction of Arrow, based on the characters from the hugely popular DC Comics series Green Arrow, which will run Wednesdays at 8 PM beginning October 10. The new series’ TCA panel this morning featured producers Greg Bertlanti, Marc Guggenheim and Andrew Kreisberg along with stars Stephen Amell and Katie Cassidy. The hour figures to give conservatives plenty of ammunition during this election season as it promotes a vigilante protagonist who likes to use weapons to “right the wrongs of his family and fight the ills of society” while embodying something of a populist agenda. Kreisberg admitted his lead character’s liberalism (culled from that of the comic version of Green Arrow) is embedded in the DNA of the show. “People that Oliver (Amell) is targeting are the wealthy and the corrupt,” he said. “There are some echoes of the one-percenters and Occupy Wall Street within the show. He’ll have that sort of man-of-the-people, stick-up-for-the-little-guy aspect.”
Here are extended looks at three new CW dramas the network has released: the fairy tale-turned-procedural Beauty & The Beast, the Green Arrow superhero tale Arrow and the Mamie Gummer-starring young doctor drama Emily Owens MD. All are set for the fall schedule. Each show off much more than the original clips released immediately after the network’s upfront presentation last month.
Here’s Beauty & The Beast:
After comedy stole the spotlight at the L.A. Screenings last year with breakout hits 2 Broke Girls and New Girl, dramas are returning to center stage during this week’s affair, where international buyers are gathering to sample the new crop of U.S. series. While several series are gathering buzz, there don’t seem to be big standouts at the screenings, which are still going on in Los Angeles. (at right: a photo from Warner Bros’ party Wednesday night.) Maybe it was the recent series finales of Desperate Housewives and House fresh in his mind, but a Western European buyer spoke nostalgically of the 2004 L.A. Screenings that featured Desperate Housewives, Grey’s Anatomy, House and Lost. “We haven’t had such a strong group of new shows since,” the buyer said.
Among the new shows gettings thumbs-up is Warner Bros’ superhero CW drama Arrow. “It was surprisingly good,” said Ruediger Boess, head of acquisitions for Germany’s ProSiebenSat1. “It’s darker and older than the standard CW shows, and its very well cast.” Two other dramas — HBO’s The Newsroom from Aaron Sorkin and Fox/Warner Bros’ The Following starring Kevin Bacon — have made an big impression too. The Newsroom, which screened two episodes Sunday that were introduced by Sorkin, received applause from the audience. Boess called the series, set behind the scenes at a cable news network show, “an outstanding masterpiece of television.” The issue with The Newsroom and the violent The Following, described by a buyer as “a darker Criminal Minds,” is that they can’t be shown on free TV networks, at least not before 10 PM.
NOTE: The network will release full trailers of all its shows in the next few days. The CW did provide clips of its fall-premiering shows.
Related: The CW’s 2012-13 Schedule: ‘Supernatural’ To Wednesday, ‘Top Model’ To Friday, Fall Launch Pushed To October
CW’s Arrow – Drama
Produced by Bonanza Productions in association with Berlanti Productions and Warner Bros Television, based on characters appearing in comic books and graphic novels published by DC Comics. From executive producers Greg Berlanti, Marc Guggenheim, Andrew Kreisberg, and David Nutter, and co-executive producer Melissa Kellner Berman. Directed by David Nutter. Teleplay by Andrew Kreisberg & Marc Guggenheim, story by Greg Berlanti & Marc Guggenheim (pilot):
CW’s Beauty And The Beast – Drama
Produced by CBS Television Studios. From executive producers Jennifer Levin, Sherri Cooper, Bill Haber, Paul J. Witt & Tony Thomas, Ron Koslow and Gary Fleder:
The CW has made five new drama series pickups, with all early standouts making the cut. That includes the Sex And The City prequel The Carrie Diaries, the Green Arrow-themed Arrow, the contemporary reboot of the 1980s series Beauty and the Beast, mystery Cult and medical drama First Cut starring Mamie Gummer.
Picking up five new scripted series is a record for the CW which, under new topper Mark Pedowitz, has vowed to increase the amount of originals on the air at any time, avoiding long spells of repeats. The CW also has been planning to employ the cable model of shorter seasons with some of its series, including Cult, which had been envisioned from the get-go as doing 13 episodes a season. There had been speculation that the CW would pick up as many as 5-6 of its eight pilots to series. The sixth drama pilot that had been in serious contention but did not get a nod today was the book adaptation The Selection whose chances were boosted by its similarities to the blockbuster Hunger Games movie franchise. Were those similarities too close for comfort?
The large number of new series pickups does not bode well for the CW many bubble series but a couple, like Hart of Dixie, Gossip Girl and maybe Nikita, would likely make the cut. Studio-wise, three of the five new CW series, Carrie Diaries, Arrow and Cult, hail from Warner Bros. TV, the other two from CBS TV Studios. Two of the series are co-produced by Josh Schwartz and Stephanie Savage’s WBTV-based Fake Empire, while Arrow is with Berlanti Prods.
(RE-POSTED FROM FRIDAY): Back by popular demand: Deadline’s Pilot Buzz lists. We’re earlier than normal this year while pilots have generally been late, with only a handful of them having cuts by now and the vast majority still in various stages of production. Therefore, everything on this list has to be taken with a gigantic grain of salt as a lot could change between a table read and a final cut. Take NBC’s comedy pilot SAVE ME for example. After some mixed and even negative chatter early on, mostly related to the tone of the show, originally developed for Showtime, the tide changed completely over the last two days when people saw the completed pilot, which is getting high marks. The list also doesn’t cover every pilot as some of them have not gotten into production yet or feedback has been insufficient:
The network already has one new scripted series on tap for next season, HANNIBAL, which I hear may go for midseason. With the network in such bad shape after years of neglect and bad decisions by previous regimes, NBC seems to have cast a very wide net this season, developing a vast range of projects that are all over the map, making it harder to handicap. On the drama side, mystery MIDNIGHT SUN and the Jekyll & Hyde-esque DO NO HARM are getting some solid early buzz. The Jason Katims/Jason Ritter medical drama COUNTY, which just wrapped, also has been getting positive feedback. Western-esque THE FRONTIER, which is shooting in Australia, is getting notices for its rich look. Comedy-wise, ANIMAL KINGDOM is hot, as is White House family comedy 1600 PENN, despite a last-minute recasting, as well as the Matthew Perry starrer GO ON and Greg Daniels’ FRIDAY NIGHT DINNER. The network also is high on a couple of multi-camera comedies, the untitled KARI LIZER and JIMMY FALLON projects, with TABLE FOR THREE also looking encouraging so far. The Ryan Murphy/Ali Adler blended family comedy THE NEW NORMAL is still shooting but, with the auspices involved, it is considered a strong contender. NBC brass seem to like the SARAH SILVERMAN pilot, which had an early order, but Silverman is considered acquired taste, so a lot will depend on testing.
The KEVIN WILLIAMSON project was very strong at the script stage, got even stronger with the casting of Kevin Bacon and James Purefoy, and seems to be sailing through production. Meanwhile the untitled KARYN USHER teen-spy drama, which also was an early standout during the script phase, then hit a speed bump in casting the lead, which took a very long time, now appears to be in great shape, with newcomer Saxon Sharbino getting strong reviews. The Williamson and Karyn projects seem to be the top drama contenders at the moment,
The CW‘s pilot Arrow just released the first image of star Stephen Amell as (Green) Arrow. The suit was designed by three-time Oscar-winning costume designer and frequent Tim Burton collaborator Colleen Atwood (Alice In Wonderland). The project, written by Greg Berlanti, Marc Guggenheim and Andrew Kreisberg, is …